Bombs Away: 10 2011 box office duds

Summer is the season of box office hits, but here (with credit to The Hollywood Reporter for the numbers) is a look at 10 movies that didn't come close to qualifying for that title.

Mars Needs Moms
Wow. How could so few people turn out for a movie based on a book by Bloom County creator Berkeley Breathed? Robert Zemeckis' movie isn't just the biggest bomb of this year, but after pulling in about $39 million worldwide and costing at least $150 million to make, it's easily one of the biggest box office disasters of all time, and thankfully will hopefully keep Zemeckis from laying his remake hands on the Beatles' "Yellow Submarine."


Your Highness
I pretty thoroughly enjoy a well-made raunchy comedy ("Bad Teacher," still in theaters, is a good example), but "Your Highness" certainly wasn't one of them. The stoner comedy that cost about $50 million to produce created very little buzz at all, taking in only $21.6 million domestically and a mere $3 million overseas.

Arthur
Only you can stop the '80s remake machine, and moviegoers certainly did their part with this dud starring Russell Brand, who I usually like quite a bit. The "comedy" took in $33 domestically and another $12.7 million overseas, giving it at least a slightly larger haul than its production budget of about $40 million.

Prom
Was there really a Disney movie this year that only took in $10 million at the domestic box office? If you didn't know it was something called "Prom," you're clearly far from alone. In relative terms, I suppose it's hard to really call this one a "bomb," since it only cost $8 million to make, but I guess in this case you get what you pay for.

Judy Moody and the Not Bummer Summer
The folks behind this potential kids movie tentpole were clearly hoping Judy Moody would follow this one up with perhaps a Not Forlorn Fall and then maybe a Not Woeful Winter (as some kids must know, the actual titles of these are probably much more clever than mine), but with the $20 million movie only taking in $13.4 million so far, Judy's movie calendar may have already run out.

Green Lantern
Have we finally reached the breaking point with super hero overload? There will be another test coming July 22 when "Captain America: The First Avenger" hits theaters, but with "Green Lantern," all signs point to yes, with the movie costing at least $200 million to produce and expected to rake in no more than $260 million or so worldwide. Not a disaster, though, and in fact, there's already plans for a sequel, so what do I know?

Priest
Finally, a vampire movie that no one wanted to see. The action movie starring Paul Bettany as a holy man who hunts down bloodsuckers cost about $60 million to produce, and took in a mere $29.1 million domestically, but caught up a bit overseas by taking in another $46 million.


Sucker Punch
Along with being a box office bomb, Zack Snyder's truly bizarre fantasy-revenge mess holds the double distinction of being both one of the movies I was most looking forward to for this year and also the single worst one I've seen so far in 2011, by a pretty wide margin. The flick, which cost about $82 million, took in just $36.3 million domestic and $53.4 million overseas, and to add insult to injury, didn't even open at No. 1, losing out to "Diary of a Wimpy Kid: Rodrick Rules" (and having seen them both, I can confirm that the Wimpy Kid turned in a much better movie.)

Hoodwinked Too! Hood vs. Evil
The original "Hoodwinked!" was the very definition of a sleeper, taking in more than $100 million worldwide with little fanfare, but this sequel turned out to be pretty much the complete opposite, with a production budget of about $30 million and a domestic box office take of just $10 million or so, supplemented by a scant $3.6 million overseas.

The Beaver
No, this movie about a crazy Mel Gibson wasn't a documentary, and nor was it seen by just about anyone in the world. Costing $20 million to make, it made no box office impression at all, taking in less than $1 million domestic before disappearing. I'm no economics master, but I'm pretty sure that adds up to a disaster.

And I'll leave you with simply a brief preview of tonight's sure-to-be very funny episode of "Louie." Packaged with the extremely funny "Wilfred," FX has a great pair of comedies at a time when there is very little else on, so give them a chance if you haven't yet. Peace out.

What the #$%&@ does F/X have to do to have a successful show?

What in the world does F/X have to do get people to watch its shows? In the past year, the network has aired easily the two best new shows in my book, "Terriers" (R.I.P) and "Lights Out," and in each case they've been rewarded with one-season wonders.

Not that that's all that odd, or even surprising. Many of the best TV shows of the last 15 years or so, "Freaks and Geeks" and "Firefly" in particular, have failed to catch on with enough people to please the bean-counters. That doesn't, however, make it any less maddening.

In the case of "Terriers," I could at least understand it. That show was a true oddity, a P.I. comedy-drama of sorts that ambled at its own pace and just had a skewed sense of humor that was never going to be everyone's viewing choice. But with "Lights Out," which officially got its cancellation order last night, I just don't get it.

Not only is it easily one of TV's best dramas on the air right now, but what else has even been on until this week or so with new episodes at all? I was hooked on the show from the start because I'm just a sucker for good boxing stories, and this was certainly one. Starting out with the tale of a former champ trying to make an unlikely (mi hermano says impossibly unrealistic given the age of star Holt McCallany) comeback against the fighter who knocked him out five years earlier, the show added to that a seedy family saga that somehow manages to make even the real world of boxing seem honest and upright by comparison.

And it contained the two best short-run performances I've seen on TV dramas in the past year. First up came Eamonn Walker (who it took me a long time to remember played Howling Wolf in the truly great little flick "Cadillac Records"), who completely took over two episodes as the mystic trainer Ed Romeo. And just this week, the always-welcome David Morse took a tragic turn as a truly punch-drunk former champ.

I don't think "Lights Out" will have the cult following of the one-season wonders mentioned earlier, but I'll certainly miss it, and will buy it when it comes to DVD. Looking at the numbers, however, it's really hard to get too mad at all at F/X. Here, courtesy of AICN, are the numbers for Tuesday nights from Jan. 11-March 22 (this week):

3.8 (2.2) (2.3) (3.8) (4.4) (3.6) (4.2) (4.6) (2.3) (4.1) (4.5) NCIS
3.2 (2.2) (2.6) (3.2) (3.9) (3.3) (3.5) (3.8) (---) (3.3) (3.7) NCIS LA
3.0 (2.7) (2.9) (2.4) (2.7) (2.7) (3.0) (3.3) (3.2) (2.9) (3.2) Biggest Loser
2.5 (2.5) (2.0) (1.9) (2.2) (2.1) (1.8) (2.1) (2.3) (2.1) (1.9) Teen Mom
2.1 (1.2) (1.3) (2.2) (2.0) (2.0) (2.2) (2.2) (---) (2.1) (2.3) Good Wife
2.0 (4.2) (4.6) (---) (4.4) (4.2) (4.6)(11.1) (1.5) (1.5) (1.7) Glee
1.8 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Best In Film
1.7 (1.7) (2.2) (1.8) (1.9) (2.4) (2.2) (2.4) (2.3) (2.8) (3.6) The Game
1.5 (0.9) (1.0) (1.2) (1.4) (1.5) (1.5) (1.1) (1.1) (1.8) (1.5) No Ordinary Family
1.4 (2.2) (2.7) (3.3) (2.4) (2.2) (2.7) (---) (---) (---) (---) Raising Hope
1.4 (---) (1.5) (1.1) (1.2) (1.0) (2.2) (---) (1.3) (1.6) (---) Let’s Stay Together
1.0 (---) (1.2) (1.9) (2.1) (1.9) (1.9) (2.2) (---) (2.1) (2.2) Parenthood
1.0 (1.5) (1.5) (---) (1.6) (1.4) (1.9) (---) (---) (---) (---) Traffic Light
1.0 (0.8) (1.0) (---) (0.8) (---) (1.0) (---) (---) (---) (---) Top Shot
1.0 (---) (0.8) (0.7) (0.8) (1.0) (0.9) (0.8) (0.8) (0.9) (1.1) Hardcore Pawn
0.9 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) NBA Basketball
0.6 (0.5) (0.7) (0.6) (0.6) (---) (---) (---) (---) (---) (---) Real Housewives Miami
0.5 (0.4) (0.5) (---) (---) (---) (---) (---) (---) (---) (---) Million Dollar Listing
0.3 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Destination Truth
0.3 (0.2) (0.5) (0.6) (0.6) (0.7) (0.7) (0.8) (0.9) (0.3) (0.4) Hellcats
0.3 (0.3) (0.4) (0.4) (0.3) (0.3) (0.4) (0.4) (0.4) (0.4) (0.6) Lights Out
0.3 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Marcel’s Quantum Kitchen
0.3 (0.3) (0.4) (0.7) (0.9) (0.8) (0.7) (1.2) (0.9) (---) (0.4) One Tree Hill

Yes, you really did have to dig pretty far to find "Lights Out," and by the way, what in the heck is "Marcel's Quantum Kitchen"? So, R.I.P., "Lights Out," and if you like the show as much as I did and do, tune in for the final two episodes to see if Lights finally gets his rematch with Death Row.

OK, enough of that depressing stuff. Starting this Sunday (of course) for you folks like me who get HBO is "Mildred Pierce," and you can certainly count me as psyched for it. A five-part miniseries based on the novel by James M. Cain and directed by Todd Haynes, it stars one Kate Winslet in the titular role. The story, already made into a 1945 movie I haven't seen, is about a working mother who separates from her cheating husband during the Great Depression (0r at least, the first one) and tries to keep her family together as she eventually goes on to open three restaurants and a pie-selling business. It's most certainly a whole lot more epic and just better than I'm making it sound here. Keep an eye out for Guy Pearce as Mildred's wealthy playboy lover Monty Beragon, and enjoy these two clips to whet your appetite, the first an episode one preview and the second a 30-minute making-of special. As for me, I'm off to work and then to see Zack Snyder's "Sucker Punch" this weekend, and frankly hoping it doesn't just make my eyeballs melt. Peace out.

Preview Part 1

Making Of

A Friday clip cache, aka when will it be safe to go the movies again?

I know this is always the time of year when movies just suck, but am I the only one who thinks that, so far in 2011, the stench has been even stronger than usual? It seems like forever since I've bothered to see a new movie in a theater, and though the Macon Film Festival was a very nice diversion, there has to be some relief in sight in the feature film arena.

And luckily, though there's no chance I'll be seeing either "Hall Pass" or "Drive Angry" this weekend, there is some good stuff right on the horizon. The one I'm most looking forward to in the coming month, as evidenced by the retro poster at the top of this post, is Zack Snyder's "Sucker Punch," which while it may indeed be imagination overkill, I'll take whatever genuine imagination I can get at this point. It opens March 25.

Before that, in fact as soon as next week, there are two entries that will get me to the multiplex for the first time in at least a month: "The Adjustment Bureau," a sci-fi/romantic thriller of sorts starring Matt Damon, Emily Blunt and even Roger Sterling too; and "Rango," the animated Western with Johnny Depp as a chameleon (yes, I have fairly low standards this time of year.)

And the week after, that, I'll certainly take a chance on the "Goth" retelling of "Red Riding Hood" with Amanda Seyfried, and if it somehow plays wide enough, "Sin Nombre" director Cary Fukunaga's take on "Jane Eyre" starring Mia Wasikowska.

So, if you're looking for potentially good movies in wide release again, keep hope alive, and here are two more new trailers for movies coming in the next month or so that I'll bite on. First up comes the first red band trailer for "Paul," and as you'll see, it earns its red status mostly because of the foul-mouthed, titular alien, voiced by Seth Rogen. This will all be extremely silly, but with Simon Pegg and Nick Frost starring in a movie written by them and directed by "Superbad" director Greg Mottola, about the duo discovering the titular (yes, I just like saying that) alien on a road trip to Comic Con, I'm definitely in when this opens March 18 (director Thomas McCarthy's "Win Win," which I'm certainly looking forward to, also opens this day, though I can't see it being wide enough to reach my little corner of the world.) Enjoy the clip.



Next up comes Duncan Jones' followup to "Moon," and though it looks like potentially a pretty generic thriller, I like "Moon" more than enough to take a chance on "Source Code" on April 1. As you'll see from this new trailer, Jake Gyllenhaal stars as a soldier who finds he has the ability to step into the identity of another man for eight minutes in the hopes of stopping a Chicago train bombing. Like I said, time-clock thrillers really aren't my thing, but I'll check this out with somewhat high hopes. Enjoy the trailer, and stick around for some further video odds and ends.



OK, looking further into the future, "The Hangover Part II" is set to come out May 26, and all you can gather from this first teaser trailer is that Todd Phillips at least knows his first "Hangover" movie was very funny (and it was). What it doesn't tell you is that this time the boys (Bradley Cooper, Ed Helms and Zach Galifianakis) head to Thailand for Helms' character's wedding (I have to assume to the hooker played by Heather Graham in the first movie, but her name's not in the IMDB credits for the new flick, so who knows?) Anyways, enjoy the clip, and keep hope alive that, since they really don't show us much of anything new, they're hiding some really good jokes.



I've been reading George R. R. Martin's first "Game of Thrones" book, and though it's sensational, it's a very complicated realm that should be a challenge to pull off right for TV. But that hasn't stopped HBO, thankfully, from trying, and the "Game of Thrones" series is set to debut on the channel beginning April 17 (bring it on already!) In this, the longest featurette I've seen yet, Martin, show creators David Benoiff and D.B. Weiss, and others explain a bit of what you'll be getting into with this, and just trust me, it's going to be epicly good. Enjoy.



And finally today, if you're lucky enough to live in UK you may have had a chance to see Benedict Cumberbatch (aka Sherlock Holmes in "Sherlock") and Johnny Lee Miller on stage in director Danny Boyle's production of "Frankenstein" at the National Theater. Here, for the rest of us, is the trailer for a version that is coming to at least some theaters in March, and I have to assume will be heading to PBS as soon as this summer or so. Enjoy, and have a perfectly pleasant weekend. Peace out.

The first extended look at what should be the craziest movie of 2011

Though plenty of people I know heaped scorn on Zack Snyder for what he did with "Watchmen," considering his options with what should have probably remained an "unfilmable" funny book, I thought he did a first-rate job, even without a giant squid.

So I've been looking forward to "Sucker Punch" quite a bit. Coming in March 2011, it will be Snyder's first original idea turned into a movie. Well, as you'll see from the first full trailer below, not entirely original. The story of a teen girl who uses her imagination to escape from a mental institution owes a heck of a lot to both Lewis Carroll's "Alice in Wonderland" and Guillermo del Toro's "Pan's Labyrinth."

That said, however, it still seems that what our heroine (Emily Browning) dreams up will be a rather amazing trip, all thankfully made in glorious 2D and somehow co-starring both Reel Fanatic fave Carla Gugino and Jon Hamm, so enjoy the trailer (which looks great full screen) and stick around for a couple more clips just silly enough to be perfect for a Thursday morning.



Of all the things that happened with Tuesday's election, none of them terribly encouraging to me, the single oddest would have to be that Californians voted for the return of Gov. Moonbeam while simultaneously rejecting Prop 19, which dealt with legalizing some marijuana use. Having used the stuff only once (on a side trip from the 2006 World Cup to Amsterdam with mi hermano) in the last 10 years or so, I really don't have any opinion either way, but I do know that this clip of Jerry Stiller and Anne Meara discussing "marihuana" is nothing but funny. Enjoy.



And finally today, given how protective George Lucas is of his creations, I suspect this clip won't be around for long, but you've got to appreciate the effort that Bryan Theiss put into this mashup of Lando Calrissian and R. Kelly's "Real Talk." Nothing but awesome, and with that, I'm off to the job that somehow still pays my bills. Peace out.

A cool Wednesday cache of clips

Before we get in to that, however, there are some bits of good news out there this morning, and it all starts with "Chuck."

With the still fairly great spy comedy premiering in the fall this year, I just assumed that a full fourth season had already been booked, but silly me. It apparently had to earn that right, and NBC has just announced that that will indeed happen (along with, unfortunately, a full season of "Outsourced" - who the hell watches this crap? And if this means something bad for the return of "Parks and Recreation," well, I of course won't be able to do anything about that, but I will be rather friggin pissed about it.)

As for "Chuck," this season had gotten off to a bit of a rough start in my book, with the show really unsure how to deal with Chuck and Sarah as a couple, but Monday's episode with Casey's "funeral" was a real winner, so here's hoping the show is back on track for its full 22-season run.

In movie news, if you didn't see Roman Polanski's "The Ghost Writer," I highly recommend a rental. It was a whipsmart political thriller until the ending is wrapped up way too neatly, and any movie that has that much Ms. Cross - a.k.a. Olivia Williams - definitely can't be all bad.

And now comes word that he's assembled a first-rate cast for his next directing project, "God of Carnage." John C. Reilly, Jodie Foster, Christoph Waltz and Kate Winslet will play the leads in the movie based on the Tony award-winning play by Yasmina Reza, about two sets of parents who meet after their kids brawl in the schoolyard, and they get along worse than the kids did.

Reilly will play Michael, the role originated onstage by James Gandolfini, and Foster plays his wife, so by force I would have to assume Waltz and Winslet (what a pair) play the other couple. Filming for this begins in January in Paris, so definitely keep your eyes on it.

And finally, before we dive into the clips today, it seems that Ben Affleck may be closing in on his directorial followup to "The Town."

Speaking of that flick, I know I'm in the minority, but the more time and space I get removed from it, the more it just leaves me cold. Sure, an expertly directed crime thriller with a great cast in top gear, but the story was just so familiar to the point of being tired.

But I digress a bit. Despite my unheard reservations about "The Town," Affleck found himself more than a bit of a hot property after its release, being courted for and turning down the next "Superman" flick (which went to Zack Snyder) and a movie called "Tales from the Gangster Squad," about the police force who cracked down on Jewish mobsters in 1940s Hollywood.

Now, however, he seems to be circling something that he's actually interested in, and thankfully it would pull him out of his Boston crime rut. Warner Bros. wants him to direct a movie based on the Ken Grimwood novel "Replay," about a 45-year-old man who has a fatal heart attack while trying to prevent the murder of a jogger in New York's Central Park. Instead of dying, however, he is stuck in a "replay" of his life beginning at age 18 in Brooklyn. With his knowledge of the future, he changes his life and builds a financial empire, only to die again at age 45. The "replay" continues, however, as he and the murdered jogger fall in love and struggle to break the cycle of their repeating lives.

Despite the rather "Groundhog Day" nature of its premise, that actually sounds pretty intriguing, and despite my reservations about "The Town," Affleck is a genuinely great director in the making, so stay tuned for more on this as soon as I find it.

OK, getting into the clips today, where in the world else would you start than with the teaser trailer for what could quite possibly be the funniest movie of 2011, Greg Mottola's "Paul." As you'll see from the trailer, it stars dynamic duo Simon Pegg and Nick Frost as two geeks on their way to Comic-Con in a Winnebago when they - naturally - encounter the titular extraterrestrial, voiced by Seth Rogen. With "The Daytrippers," "Superbad" and "Adventureland" under his belt, Mottola has yet to direct a movie I didn't like quite a bit, so enjoy the trailer, and definitely keep an eye out for this to come out March 18.



It seems like forever since Alejandro Gonzales Inarritu last directed a movie, and it has indeed been four years since "Babel," which I loved almost unconditionally, though I know many people who didn't. Soon to come out will be his new flick, "Biutiful," starring one Javier Bardem. Here's the synopsis, courtesy of The Playlist:

Biutiful is a love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life's corridors, whether bright, bad - or biutiful.

Rather heady stuff that. Enjoy this, the first full trailer I know of, and keep an eye out for this in surely limited release starting Dec. 29.


Biutiful Trailer
Uploaded by ThePlaylist. - Check out other Film & TV videos.

The first trailer for David O. Russell's "The Fighter" really didn't seem to promise much more than an average sports underdog flick starring Mark Wahlberg, but Sunday's fuller look that came with the finale of "Mad Men" (I miss it already!), had a lot more of Amy Adams and Christian Bale in it, and just made it look like a much more intriguing flick. Here's a look, and keep an eye out for the movie itself Dec. 10.



So, what can fill the Sunday void left by "Mad Men"? Well, nothing really, but "Sherlock," coming to PBS' Masterpiece Theatre (or whatever the heck its called now) for three installments beginning this Sunday, should at least be small solace, and I'll definitely be tuning in. As you'll see from the promo below, someone named Benedict Cumberbatch (yes, really) plays Sherlock himself, and the great Martin Freeman (of the UK "Office" fame and apparently the new Bilbo Baggins in Peter Jackson's "The Hobbit") plays Watson. Enjoy the clip, definitely tune in for this, and have a perfectly passable Wednesday. Peace out.

Harry Potter and the turning point in the fight against unnecessary 3D?

Actually, the photo above, of course, has nothing at all to do with the main topic at hand, but it's so epicly good that I really couldn't think of anywhere else to start today.

In case you can't tell, it's the great Michelle Williams (easily one of my favorite young actresses) as Marilyn Monroe, and the resemblance is strong enough that it almost borders on creepy. It's from a film, shooting now, titled "My Week With Marilyn" and directed by Simon Curtis. Using the diaries of Colin Clark, an assistant on the set of the 1956 film "The Prince and the Showgirl," it tells the story of the production, which teamed Monroe with Laurence Olivier. Definitely something to keep an eye out for.

But the main event here today is what I sincerely hope will indeed be a turning point in the battle against 3D, or at least against the kind of crappy 3D conversion that's simply tacked onto too many movies after they've already been shot.

The news: The first half of "Harry Potter and the Deathly Hallows," set to come out Nov. 19, will only be released in traditional 2D and IMAX, rather than being converted into craptastic 3D.

A victory against one of the most ridiculous film gimmicks of all time? Not quite. Warner Bros. is hardly making some kind of artistic stand here - according to the studio's news release on this, they simply ran out of time.

And, making this news even more of a mixed bag, the studio still plans to convert the second chapter, set for release July 15, 2011, into 3D, which just makes the whole situation very strange.

Still and all, any time a major release (and does it get much more major than Harry Potter?) backs away from the 3D madness, I have to smile at least a little bit, no matter what the reason.

The only case of I know of in which a big-time director has so far just said no to 3D for reasons beyond simple timing is Zack Snyder's upcoming "Sucker Punch," set for release in March 2011. Last I had heard, at least, he was resisting all entreaties to mess with the mostly or perhaps now completely finished film, so here's hoping he and wife/producer Deborah keep up the good fight.

OK, enough of that. Just one more bit of good news today and then an epicly awesome trailer, because I have a full day of errands ahead of me. My wallet clearly tells me I should drop HBO, but every time I'm about to, they come up with something strong enough to keep me hooked.

Currently, "Boardwalk Empire" is even better than all the critical hype built it up to be, and though they're clearly acquired tastes, I really dig the comedies "Bored to Death" and "Eastbound and Down" too.

And now comes word of an HBO movie pairing that sounds just about perfect. I normally can only take Al Pacino in small doses, because his usual habit of simply yelling all his lines just gives me a throbbing headache, but if you re-pair him with David Mamet to tell the crazy story Phil Spector? That should indeed be a wall of awesome once it all comes together.

Finally today is the first trailer I know of for Peter Weir's "The Way Back," and you can tell already from this short footage that the movie starring Colin Farrell, Saoirse Ronan (hah, I spelled that right without cheating) and Mark Strong will be on the scale we should expect from the director of "Master and Commander: The Far Side of the World" (and oddly enough, nothing else between that 2003 film and now.) As you'll see from the clip below, the movie, set to come out soon hopefully everywhere, tells the story of a band of prisoners who escape from the Russian Gulag and then go on an epic journey back to the rest of the world. Enjoy the trailer and have a great weekend. Peace out.

Peggy, this isn't China - there's no money in virginity: A salute to the women of "Mad Men"

Before we get into any of that, and the return of "Mad Men" is clearly the biggest and best thing happening this week, there is a bit of movie news out there, starting with the great Steve Coogan.

It's always kind of mystified me why Steve Coogan isn't a bigger star in the United States. I suppose it might have something to do with the fact that he's apparently more than a bit of a royal a**hole, but as someone who can be that way at least from time to time, I've never had much of a beef with that (Mel Gibson aside - that dude's just a psychopath.) Besides, when someone's as fall-down funny as he was in "Tristram Shandy" or simply great as he was in "24-Hour Party People," stardom surely should be coming.

Well, after years of being very good in small parts in flicks like "Night at the Museum," he's now about to get his shot at headlining a hopefully wide-release flick, and one based on something he's already done for the BBC. I've never seen "Cruise of the Gods," a 90-minute movie he starred in, but the premise sounds priceless: the two stars of a 1980s sci-fi series, one now a big star, one a has-been, are reunited on a cruise for fans of the show.

I'm laughing at that already, so bringing it to the big screen with a script from "Dinner for Schmucks" scribes David Guion and Michael Handleman sounds like nothing but a good idea to me. In the original (which I'm gonna have to hunt for on DVD), Coogan played the successful actor, with his "Tristram Shandy" foil, Rob Brydon, playing the other half of the duo, but I'd have to imagine that role will be recast. Definitely stay tuned for more on this ...

And in another bit of movie news about a director I really like, it seems that Zack Snyder has finally given in and hitched onto a sequel to "300" (not the best thing he could be doing, but that flick was fun enough, so why not?)

He's apparently been waiting on Frank Miller to finish his 6-part "300 prequel comic "Xerxes," which anyone who's seen "300" knows is of course about that big gay Persian dude. Well, the work has apparently met his standard, because Snyder and writing partner Kurt Johnstad started working on the script a week ago. Whether or not he will direct this is still an open question, but I'd have to imagine the eventual answer will be yes.

OK, before I got distracted by all that, it was supposed to be all about "Mad Men," today, so here goes. Anyone who watches the sublime show, which returns for its fourth season Sunday on AMC, knows that not only do the women give as good as they get, but often get the upper hand in terms of wit and style. Just in case you need some proof, or simply something to make you smile a bit this Thursday morning, here's a clip compiled by PopSugar that features some of the best ladies' barbs, and as usual Joan gets the best of all. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Does the anti-3-D movement finally have a champion in Zack Snyder?

I certainly hope so, because when you hear news as crazy as this, it really just drives home how much we need one.

And I suppose that when you're James Cameron, you've certainly earned the right to a little crazy, but really, can't he find anything better to with all his pull than a 3-D Black Eyed Peas concert movie? Apparently not.

According to will.i.am (and I have no idea nor care if I'm writing that right), the now-confirmed-as-evil genius is indeed using his 3-D magic for a big-screen concert flick that will follow the band around the globe. Here's what he had to say to Vibe:

“We have the biggest director because we are the biggest group on the planet. The Peas are filming it in South America. People will be able to see us in the theater with the 3-D glasses and everything. There will be a storyline that [Cameron] came up with, which will be dope.It’s a full-length film and it's based around our tour activities. We’ve toured from America and Europe, to the Middle East, South America, Asia and Africa."

Oh, there will be a storyline? Thanks for clearing that up. Sheesh.

But what is the real remedy to all this madness? It will have to be movies that make tons of money without ever touching the gimmick, and that starts, I suppose, with "The Twilight Saga: Eclipse" having possibly already made a billion bucks. Not my cup of blood, but bully.

It also needs directors who, when asked to ruin their films with the simply wretched "3-D conversion," have the nards to just say no, and Zack Snyder is hopefully the man to do it.

I've always liked Snyder's movies. "300" was just a big ball of fun, and unlike most "Watchmen" fans, I had no problem at all with what he did with that funnybook masterpiece. He has a 3-D animated owl (yes, owl) flick, "Legends of the Guardians" (at least I think that's what it's called), coming out Sept. 24. But it's what come next that should be really fun.

After making two adaptations, "Sucker Punch" will be his first original live-action flick, and it will star Vanessa Hudgens as a young lady who must escape from a mental hospital to which she's been sent by her evil stepfather. And just in case that's not enough to get you hooked, this will also star Reel Fanatic fave Carla Gugino, Mad man Jon Hamm and even "Black Dynamite" himself, Michael Jai White (if you haven't seen that comic gem, take it as my rental recommendation for the day.)

And that's where his hopefully firm 3-D stance comes in. Having shot the entire movie in glorious 2-D, he's apparently under studio pressure to now "convert" it to 3-D, but as you can see from this MTV clip, he's rightly hesitant. After a little hemming and hawing about time, it's his wife and professional partner, Deb, who gives the real reason: It's just so unnecessary. Amen to that. Enjoy the clip and expect to see "Sucker Punch," hopefully only in 2-D, on March 25, 2011. Peace out.

Movie Trailers - Movies Blog

Zombie attack? They're on it ... plus Quentin Tarantino's favorite movies

I've often wondered what would really happen if the world were attacked by zombies, especially when it helps me to avoid doing some truly thankless task at work, but I had no idea people could get paid for such flights of fancy. I'm in entirely the wrong business.

Some researchers in Canada, according to the BBC, have actually carried out a "mathematical exercise" to conclude that, as any zombie movie fan knows well, "If zombies actually existed, an attack by them would lead to the collapse of civilisation unless dealt with quickly and aggressively."

Well, I'm glad we cleared that up. There's so many things to like about this, but I think my favorite might be that for their book, "Infectious Diseases Modelling Research Progress" (get thee to Amazon right now), they gave the living a chance by only using "classic, slow-moving zombies as our opponents rather than the nimble, intelligent creatures portrayed in some recent films."

Whew! So, what's their conclusion? Humanity's only hope is to "hit them [the undead] hard and hit them often. It's imperative that zombies are dealt with quickly or else ... we are all in a great deal of trouble."

I really wish I had the ability to make this stuff up, but just in case it all has you actually worried, they finished with this reassuring thought well reinforced by zombie movies of all kinds: "My understanding of zombie biology is that if you manage to decapitate a zombie then it's dead forever. So perhaps they are being a little over-pessimistic when they conclude that zombies might take over a city in three or four days."

OK, as fun as that was, enough, because there's some actual movie news out there today, plus a couple of fun videos at the finish.

First up is word of a remake that doesn't immediately make me want to vomit, at least partly because I've never seen the original it will be based on.

If you haven't seen director Michael Davis' "Shoot 'Em Up," you've missed one of the most fun movies I've seen in the past five years or so. Clive Owen and Paul Giamatti star in the bullet ballet that most often plays out like a Looney Tunes cartoon, and there are very few rentals I can recommend higher.

Now it seems that Davis has set his sights on a remake of "Outland," a 1981 sci-fi movie starring Sean Connery that, like I said, I've never seen. Every description I've seen says it's essentially "High Noon" in space, with Connery's character sent to investigate the mysterious deaths of laborers at a mining colony on one of Jupiter's moons.

With "Moon" already one of my favorites this year, and "District 9" (which I'll be seeing this weekend, along with QT's "Inglourious Basterds") getting nothing but raves, it seems we're really in a good place for big-screen sci-fi right now, and to this new addition I can only say bring it on.

Beyond that today, there are just a couple of casting nuggets out there that make projects I was sure to tune in for anyway just that much cooler.

When "Buffy the Vampire Slayer" veteran Jane Espenson was named an executive producer of Syfy (queer, queer, queer!) network's upcoming "Battlestar Galactica" prequel "Caprica," I suppose it was inevitable that she would bring some old friends along with her.

According to Entertainment Weekly's Michael Ausiello, the first "Buffy" player to join the fold will be by far the coolest, James Marsters, aka Spike. Marsters will play a dangerous terrorist leader by the name of Barnabus Greeley in a minimum of three episodes. Here's his rather pithy character description: "Driven by desires both moralistic and carnal, Barnabus is as lethal as he is unpredictable."

That's more than enough to have me tuning in when this finally hits Syfy on Jan. 22.

In even better casting news, it seems that Don Draper himself, Jon Hamm, has joined the cast of "Watchmen" director Zack Snyder's first original work, "Sucker Punch." He joins, among others, Emily Browning, Vanessa Hudgens, Abbie Cornish and (huzzah!) Carla Gugino in the 1950s-set tale of a girl (Browning) confined to a mental institution by her stepfather, who intends to have her lobotomized in five days. She and her friends enter an alternate reality where they begin planning an escape.

No details for Hamm's character are known except this: His name is High Roller. The movie is set to come out March 25, 2011.

And speaking of "Mad Men," which I hadn't yet, I thought the season three premiere was just sensational. The Ken vs. Pete storyline should be great, and that "Can I ask you a question?" moment between Don and poor Sal was just priceless.

OK, after all that, all I have left is two videos, the first of which is just the perfect cure for any kind of workaday blues. I'm an ardent fan of cursing, probably too much so in my own vocabulary, but especially in the movies, and no character has done it better in many years than Peter Capaldi as Malcolm Tucker in "In the Loop." Definitely see Armando Ianucci's razor-sharp satire as soon as you can, but in the meantime, enjoy this highlight reel of some of Tucker's choicest barbs, courtesy of Empire.



And finally today, in honor of "Inglourious Basterds," here's Quentin Tarantino offering his 20 favorite movies that have come out since he started making movies in 1992. I don't want to spoil it for you, but two definite highlights are his passionate defense of Jan de Bont's "Speed" and the inclusion of the seriously funny "Friday." Enjoy, and have a perfectly passable Tuesday. Peace out.

What kinds of kids will appear next under "Friday Night Lights"?

You know, I tend to rail against sequels and remakes all the time (and just for the case of symmetry, a rather dastardly one of the latter will be showing up at the end today), but occasionally you hear of one that's just screaming out to be made.

To give all credit to where it's due, I read about this amazing bit of news/gossip on the fantastic blog The Playlist. It seems that on Adam Carolla's podcast recently (I really can't imagine any way I'd be listening to that), he was apparently interviewing Jules Asner, who used to be a host on E! but is now, among other things I suppose, the wife of Steven Soderbergh.

Well, as they were discussing Soderbergh's movies, she let fly this juicy bit about what just happens to be my co-favorite (along with the sublime "Out of Sight") Soderbergh flick, "The Limey": "He wants to do a sequel to The Limey and Terence wants to do it. Terence and Michael Caine."

Take a minute to envision just how cool that could be. Now, I know that "The Limey" has a very definite ending, but I'd still certainly welcome the chance to see Terrence Stamp reprising his role as one of the baddest asses of all time, especially along with Michael Caine. Perhaps Soderbergh is up for a revenge flick after being burned so bad on "Moneyball," but whatever his motivation might be here, I can only say bring it on!

And, before I get to today's "Friday Night Lights" main course, and then two wickedly entertaining videos, comes easily the funniest bit of news I could find in the last couple of days.

When I first heard they were gonna make a live-action movie of "Hong Kong Phooey," I was perfectly happy to simply shrug it off as yet another movie I'll never, ever see. But then I saw who's producing it. It seems that Brett Ratner, who just made my eyes bleed with what he did to the "X-Men" saga, has nothing better to do than produce this mess. Sheesh.

OK, now on to the main event, which comes courtesy of the seriously TV-obsessed Michael Ausiello of Entertainment Weekly.

Anyone who tuned in to the third season of "Friday Night Lights" on either DirecTV or later on NBC (like me and most of the world) watched what I think has turned into easily the best drama on television right now. And if you didn't, why the heck not?

As you may well remember, season three ended at a definite crossroads, with Coach Taylor (Kyle Chandler) being ousted as coach of the Dillon Panthers and shipped off to coach at a brand new school, East Dillon High. It sets up all kinds of crosstown rivalry possibilities, especially since Dillon's QB1 JD McCoy (Jeremy Sumpter) was at the center of Taylor's ouster.

Anyways, it's gonna be hard to wait until February or so to get to see this again on regular TV, but Ausiello has four sketches of the new characters to fill the void a little. And please, as you read them, remember that one of the real pleasures of watching "FNL" (at least for me) is that it takes what truly is soap opera material and turns it into fairly high art, so the characters are gonna sound even more tawdry on paper. Per Ausiello, here goes:

Vince: A charming yet dangerous East Dillon junior. He's African-American and, when we first meet him, he's running from the cops. Look for Coach Taylor to put his speed to better use as a member of the Lions. Series regular.

Luke: Vince's classmate and arch nemesis. He's Caucasian, cocky, and charming. Reminds some of a young Paul Newman. Dillon's new geographical breakdown has him playing for the Lions, and he's not happy about it. Series regular.

Jess: The super-energetic daughter of a onetime NFL hopeful, she knows the game inside and out. When she's not busy coaching her younger brothers, this sophomore/junior is getting crushed on by every guy in Dillon, East and West. Series regular.

Becky: A freshman beauty queen whose family is purebred trailer trash. Think Blair Waldorf with lousy genes. She finds Riggins in bed with her mother and reacts by trying to seduce him herself. My new favorite character is listed as recurring.

That last bit is key, because I can only assume that means that, although regulars Minka Kelly, Adrianne Palicki and Zach Gilford have all been lost to graduation, Taylor Kitsch will take time out from his new life as Gambit to return to the role that made him semi-famous, Tim Riggins. Man, with this and "Chuck" returning, TV's second season is gonna easily be better than the first.

OK, enough of that. Before I go, I've got two videos that certainly made me smile. I've stated here before that I have almost unconditional love for what Zack Snyder did with "Watchmen." One of my only beefs, in fact, was that he omitted a key scene from Alan Moore's and Dave Gibbons' funny book, the death of Hollis Mason.

Well, as you can see from this video courtesy of Trailer Addict, it will be in the director's cut set to hit DVD July 21 (and though I've severely curtailed my DVD buying of late, that is a must-have for me.) I especially like how poor Hollis flashes back to the baddies of yore as his demise nears. Enjoy.