What the #$%&@ does F/X have to do to have a successful show?

What in the world does F/X have to do get people to watch its shows? In the past year, the network has aired easily the two best new shows in my book, "Terriers" (R.I.P) and "Lights Out," and in each case they've been rewarded with one-season wonders.

Not that that's all that odd, or even surprising. Many of the best TV shows of the last 15 years or so, "Freaks and Geeks" and "Firefly" in particular, have failed to catch on with enough people to please the bean-counters. That doesn't, however, make it any less maddening.

In the case of "Terriers," I could at least understand it. That show was a true oddity, a P.I. comedy-drama of sorts that ambled at its own pace and just had a skewed sense of humor that was never going to be everyone's viewing choice. But with "Lights Out," which officially got its cancellation order last night, I just don't get it.

Not only is it easily one of TV's best dramas on the air right now, but what else has even been on until this week or so with new episodes at all? I was hooked on the show from the start because I'm just a sucker for good boxing stories, and this was certainly one. Starting out with the tale of a former champ trying to make an unlikely (mi hermano says impossibly unrealistic given the age of star Holt McCallany) comeback against the fighter who knocked him out five years earlier, the show added to that a seedy family saga that somehow manages to make even the real world of boxing seem honest and upright by comparison.

And it contained the two best short-run performances I've seen on TV dramas in the past year. First up came Eamonn Walker (who it took me a long time to remember played Howling Wolf in the truly great little flick "Cadillac Records"), who completely took over two episodes as the mystic trainer Ed Romeo. And just this week, the always-welcome David Morse took a tragic turn as a truly punch-drunk former champ.

I don't think "Lights Out" will have the cult following of the one-season wonders mentioned earlier, but I'll certainly miss it, and will buy it when it comes to DVD. Looking at the numbers, however, it's really hard to get too mad at all at F/X. Here, courtesy of AICN, are the numbers for Tuesday nights from Jan. 11-March 22 (this week):

3.8 (2.2) (2.3) (3.8) (4.4) (3.6) (4.2) (4.6) (2.3) (4.1) (4.5) NCIS
3.2 (2.2) (2.6) (3.2) (3.9) (3.3) (3.5) (3.8) (---) (3.3) (3.7) NCIS LA
3.0 (2.7) (2.9) (2.4) (2.7) (2.7) (3.0) (3.3) (3.2) (2.9) (3.2) Biggest Loser
2.5 (2.5) (2.0) (1.9) (2.2) (2.1) (1.8) (2.1) (2.3) (2.1) (1.9) Teen Mom
2.1 (1.2) (1.3) (2.2) (2.0) (2.0) (2.2) (2.2) (---) (2.1) (2.3) Good Wife
2.0 (4.2) (4.6) (---) (4.4) (4.2) (4.6)(11.1) (1.5) (1.5) (1.7) Glee
1.8 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Best In Film
1.7 (1.7) (2.2) (1.8) (1.9) (2.4) (2.2) (2.4) (2.3) (2.8) (3.6) The Game
1.5 (0.9) (1.0) (1.2) (1.4) (1.5) (1.5) (1.1) (1.1) (1.8) (1.5) No Ordinary Family
1.4 (2.2) (2.7) (3.3) (2.4) (2.2) (2.7) (---) (---) (---) (---) Raising Hope
1.4 (---) (1.5) (1.1) (1.2) (1.0) (2.2) (---) (1.3) (1.6) (---) Let’s Stay Together
1.0 (---) (1.2) (1.9) (2.1) (1.9) (1.9) (2.2) (---) (2.1) (2.2) Parenthood
1.0 (1.5) (1.5) (---) (1.6) (1.4) (1.9) (---) (---) (---) (---) Traffic Light
1.0 (0.8) (1.0) (---) (0.8) (---) (1.0) (---) (---) (---) (---) Top Shot
1.0 (---) (0.8) (0.7) (0.8) (1.0) (0.9) (0.8) (0.8) (0.9) (1.1) Hardcore Pawn
0.9 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) NBA Basketball
0.6 (0.5) (0.7) (0.6) (0.6) (---) (---) (---) (---) (---) (---) Real Housewives Miami
0.5 (0.4) (0.5) (---) (---) (---) (---) (---) (---) (---) (---) Million Dollar Listing
0.3 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Destination Truth
0.3 (0.2) (0.5) (0.6) (0.6) (0.7) (0.7) (0.8) (0.9) (0.3) (0.4) Hellcats
0.3 (0.3) (0.4) (0.4) (0.3) (0.3) (0.4) (0.4) (0.4) (0.4) (0.6) Lights Out
0.3 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Marcel’s Quantum Kitchen
0.3 (0.3) (0.4) (0.7) (0.9) (0.8) (0.7) (1.2) (0.9) (---) (0.4) One Tree Hill

Yes, you really did have to dig pretty far to find "Lights Out," and by the way, what in the heck is "Marcel's Quantum Kitchen"? So, R.I.P., "Lights Out," and if you like the show as much as I did and do, tune in for the final two episodes to see if Lights finally gets his rematch with Death Row.

OK, enough of that depressing stuff. Starting this Sunday (of course) for you folks like me who get HBO is "Mildred Pierce," and you can certainly count me as psyched for it. A five-part miniseries based on the novel by James M. Cain and directed by Todd Haynes, it stars one Kate Winslet in the titular role. The story, already made into a 1945 movie I haven't seen, is about a working mother who separates from her cheating husband during the Great Depression (0r at least, the first one) and tries to keep her family together as she eventually goes on to open three restaurants and a pie-selling business. It's most certainly a whole lot more epic and just better than I'm making it sound here. Keep an eye out for Guy Pearce as Mildred's wealthy playboy lover Monty Beragon, and enjoy these two clips to whet your appetite, the first an episode one preview and the second a 30-minute making-of special. As for me, I'm off to work and then to see Zack Snyder's "Sucker Punch" this weekend, and frankly hoping it doesn't just make my eyeballs melt. Peace out.

Preview Part 1

Making Of

More "Chuck"? Yes, please!

You know, my hopes have already been raised and dashed by that dastardly rumor that "Chuck" would come back as soon as the end of October (which is, of course, just about here, with no "Chuck"), but I'm certain this time that this just-as-good information is satisfactual.

With another of its new shows crashing early - this time "Trauma," poor Derek Luke deserves much, much better - it seems that NBC has already ordered six more episodes of "Chuck," upping the second season order from 13 to 19 (and, if enough people tune in, perhaps maybe even 22 - hey, I can dream right?)

No word yet that it would come back any earlier than the originally planned March, but the way things stand now, it would probably be best to just wait until then. NBC has the Winter Olympics, so if "Chuck" were brought back in, say, January, it would just get preempted for the second half of February and perhaps lose any new viewers it may have picked up. Methinks, all things, considered, waiting until March would be just fine.

Whenever it comes, however, more "Chuck" is just sensationally good news. Stay tuned for more details as I get them.

The word is also out today on when we'll get to see another of my favorite comedies, but probably one that should be off the air already.

How in the world "Scrubs" has survived for what will be its ninth season beginning Dec. 1 with two episodes on ABC, I'll never know, but I do know that when it returns this time it won't look much like anything we've seen in the past.

As far as I know, all the regular cast members except for Dr. Cox (John C. McGinley) and perhaps Carla (Judy Reyes) have mostly moved on and will only be seen in brief recurring spots from time to time (but it sure is nice to see Neil Flynn each week on "The Middle.") Instead, we'll find Dr. Cox with a new crop of med students to berate and perhaps break down.

I'm all for a fresh start, and I like this show enough to give it another chance this winter, but the main problem is that when they tried to introduce a new cast of characters last year, they all bombed (and I assume will all be gone.) I mean, when you have veryfunnyman Aziz Ansari and you give him absolutely nothing funny to say, you're certainly going in the wrong direction.

But, enough of that. Like I said, I'll at least tune in to see if any of the magic still exists. And all I have except for that today is a couple of videos that caught my eye this morning.

First up is a deleted scene from J.J. Abrams' "Star Trek," which I assume will be included with the DVD release coming Nov. 17. Like most people, I loved the flick, and am almost certain it will end up on my top 10 for the year. Enjoy.


Star Trek - DVD Bonus Footage

And finally comes something that's, unfortunately, at least as depressing as it is enjoyable. If you somehow haven't seen Joss Whedon's short-lived series "Firefly" or the improbable follow-up flick "Serenity," you've missed one of the truly great characters of the last 10 years or so in Nathan Fillion's Captain Mal Reynolds. Watch them as soon as you can, and just to stir some memories, here's Fillion donning the familiar garb for a recent episode of "Castle," which I just can't bring myself to watch because I already absorb way too much just-above-average TV and just don't have time or energy for something that looks so thoroughly banal. Anyways, enjoy the clip, and have a perfectly pleasant Thursday. Peace out.

Did Joss Whedon cause the writers' strike?

Just kidding with that, of course, but it did seem more than a little coincidental that the rather tremendous news last October that Joss Whedon was coming back to television came just days before the writers officially took to the picket lines.

And, after all, Whedon has had his share of TV bad luck. We all remember "Buffy the Vampire Slayer" and "Angel," of course (fondly, I would hope), but there was also the just tremendously shoddy treatment given to "Firefly" by Fox, which managed to only show 11 of the 14 episodes produced - and out of order, at that - before cancelling the whole thing. (It would live on, though, with the space Western flick "Serenity," which, if you somehow haven't seen, do so immediately.)

So when it was announced that Whedon would indeed give TV another try with something called "Dollhouse," on Fox no less, it only seemed natural that the strike and maybe other difficulties would get in the way. Now, however, through only one sentence buried in a Variety article about CBS picking up three drama pilots, comes word that it's not only back on but becoming a big "Angel" family reunion.

But, since it's been so long since I've mentioned it, a word about just what "Dollhouse" is might be in order. "Buffy" fans will be happy to know it stars fellow vampire slayer Eliza Dushku, who apparently wooed Whedon back to TV at a lunch where they hatched the idea. Here, as far as I can tell, is the plot summary:

"Dollhouse" follows a top-secret world of people programmed with different personalities, abilities and memories depending on their mission. After each assignment - which can be physical, romantic or even illegal - the characters have their memories wiped clean, and are sent back to a lab (dubbed the "Dollhouse"). Show centers on Dushku's character, Echo, as she slowly begins to develop some self-awareness, which impacts her missions.

Sounds more than a little familiar, but still ripe with possibilities. And, even better, it's got "Angel" mastermind Tim Minear (late of the very short-lived "Drive," another Fox catastrophe) on board, and now the writing team of Sarah Fain and Elizabeth Craft, who served as executive story editors for "Angel" and co-wrote eight episodes.

I realize this is more than a bit of info (and gushing) about a show that's only received a 7-episode pickup and won't be seen until autumn (at the earliest), but Joss Whedon and TV are just the perfect combo to me.


Viva Mexico, once again?

Remember when Mexican directors seemed to rule the world (it was only a year or so ago, so I certainly hope so.) After the big three - Alfonso Cuaron, Guillermo del Toro and Alejandro Gonzalez Inarritu - received so much simultaneous acclaim, they formed a production company called Cha Cha Cha, which is finally bearing some fruit.

But before I get into that, what are they each up to? Cuaron, my favorite of the three, is listed at the IMDB as being in preproduction of an "Untitled Alfonso Cuaron Project" described as "a drama about a family set in 1971 in Mexico." Cool enough.

Del Toro has "Hellboy II" set to come out July 11 and then most likely will turn his attention to not one but two "Hobbit" movies, which he's been christened to direct for producer Peter Jackson.

Inarritu is simply listed as also having an "Untitled" project in the works, with no plot details available but with shooting tentatively set to begin in May. I'll be curious to see what he comes up with after breaking with writing partner Guillermo Arriaga, who's moved on and is now filming a drama titled "The Burning Plain" and starring Charlize Theron and Kim Basinger.

But what brought all this to mind was something Variety had about three interesting Mexican films now in the pipeline. The first, and by far the most interesting to me, indeed will be the first flick put out by Cha Cha Cha. Here are the details about the three, all listed as being in post-production:

"Rudo y Cursi"
Carlos Cuaron, brother of Alfonso, is directing this flick which reunites "Y Tu Mama Tambien" (one of my favorite flicks) stars Gael Garcia Bernal and Diego Luna as two brother who play for competing Mexican soccer teams. Sounds uber-cool to me.

"Los Bastardos"
This second flick from writer-director Amat Escalante follows Mexican immigrant workers in a U.S. city who are hired by an American to kill his wife.

"Insignificant Things" ("Cosas insignificantes")
In writer-director Andrea Martinez's first feature, secrets unfold from the ordinary treasures an adolescent girl guards in a box.

They all sound like potential winners to me, and even if I only get to watch most Mexican movies on DVD, I can only say bring it on. Peace out.

EW offers look at sordid state of "The Hobbit"

With this being from Entertainment Weekly, you can guess that it's not exactly the most profound piece of journalism penned to date, but the new piece about "The Hobbit" by Benjamin Svetkey does offer a pretty nifty summary of the story so far.

And, of course, none of it is pretty. I won't swipe the whole thing, which would be rather rude, but here are a few of the highlights (or, perhaps more accurately, lowlights):

On the hopeful side, EW reminds readers that, after months of publicly calling director Peter Jackson just about every bad name he could muster, New Line chief Bob Shaye made this rather remarkable turnaround to the L.A. Times in August: ''Notwithstanding our personal quarrels. Ireally respect and admire Peter and would love for him to be creatively involved in some way in The Hobbit.''

Another sign that some real progess toward having Jackson involved in "The Hobbit" is that the courts are taking real action with his suit against New Line to have the books from the three "Rings" movies audited. Last month the company was fined $125,000 for failing to provide requested accounting documents, and, EW states with no further sourcing: even in the weeks before that ruling, there were signs that New Line's hard line was beginning to buckle.

Even if the two sides facing off over what, after all, is a children's movie manage to stop acting like tempermental children, there are of course several other obstacles, mainly time. At some future date which EW didn't specify, the producer Saul Zaentz, who had a hand in that rather silly animated "Lord of the Rings" flick from the '70s, will regain the rights he once had to "The Hobbit." New Line could, of course, still buy it back from him, but that would just add another ugly wrinkle to this already protracted tale.

Jackson and his creative partner, Fran Walsh, have made rumblings about actually making two "Hobbit" movies, one based on the book and another fleshing out notes from J.R.R. Tolkein to bridge the gap between "The Hobbit" and the "Rings" books, which take place some 60 years in the future.

But, as EW points out, the biggest enemy of even one "Hobbit" flick may be Jackson's schedule. He's already about to start shooting "The Lovely Bones" (the next book on my reading list), and is then already committed to direct an installment in the coming "Tintin" trilogy.

Even if this means he's only involved with "The Hobbit" as an executive producer, with another director (please, after watching the simply excremental "Spidey 3," don't let it be Sam Raimi!!), there are signs a big decision that will let this finally move forward may be coming soon. Since this story has already lasted a lot longer than Bilbo's quest to separate Smaug from his ill-gotten bounty, we can only hope so. You can read all of the EW article here.


Hope for a "Serenity 2"?

This glimmer, and that's really all I can it, comes from "Firefly" and "Serenity" star Alan Tudyk, via the fine folks at Moviehole.

Tudyk, a k a Serenity pilot Wash, told Moviehole that, due to how well both editions of "Serenity" have been selling on DVD, there is indeed "talk" about doing a sequel, but he didn't add any other specifics.

“They had to put [the new DVD] out because they’ve been selling out of the other one and so Universal’s like ‘So, let’s do another one.’ And now ... there’s now a chance there’s going to be another movie,” Tudyk told Moviehole.

There are several reasons why this would make a tremendous amount of sense. First of all, if made for a reasonable budget, any new "Serenity" movie would have a built-in and tremendously loyal fan base already in place to help recoup the studio's investment. And secondly, if this, as is most likely to be the case, goes directly to DVD, the money would be even easier to recoup.

As for Tudyk's involvement, anyone who's seen "Serenity" (and who in the world hasn't?) knows it would be hard for him to be too involved, unless the movie turned out to be a prequel of sorts (if you don't know why or can't figure it out, you won't hear it from me.) Whether or not he gets to be involved or not, I'm sure all fans of "Firefly" and "Serenity" will join me in giving even the idea of another flick a hearty huzzah. You can read all of Moviehole's piece here.

Friday trailer two-fer

These two YouTube clips are of wildly varying importance, so I'll start with the big one first. It is, as far as I can tell, the first trailer for Tim Burton's "Sweeney Todd," and it looks about as good as I could have possibly imagined. In it, you get to see Johnny Depp croon and Helena Bonham Carter swoon, and you even get a glimpse of Borat.


Next comes an appropriately silly teaser for Will Ferrell's next flick, "Semi-Pro." With a promising cast that includes Ferrell, Jackie Earle Haley, Andre "3000" Benjamin, Will Arnett, Maura Tierney (where has she been?), Woody Harrelson and Rob Cordry, I'm relatively optomistic that this flick about a semi-pro basketball team from Flint, Mich., (hopefully filmed in the rather dilapated city), will be very funny. Be warned: The entire clip focuses on Ferrell's rather hairy body, so if you don't to see that just say no. Peace out.

Where are they now: "Buffy the Vampire Slayer"

The inspiration for this post actually comes from welcome news about a veteran of a different Joss Whedon project, Jewel Staite, a k a Firefly ship's mechanic Kaylee.

Though this isn't normally exactly my cup of tea, I'll probably give "The Tribe" a chance with her in it. The flick, set to come out next summer, is described at the IMDB as being thusly: "After a devastating boat crash, a group of friends is stranded on an uncharted island, where they encounter an ancient tribe of humanoid creatures." Sounds pretty meh to me, but like I said, I'll at least give it a shot.

That news got my mind, which does tend to move quicker than my body when I write these things fairly early in the morning, on the idea that it would be fun to check in with the cast of Whedon's masterwork, "Buffy the Vampire Slayer." Knock it if you must, but it was the smartest and funniest show of its day, and any fans of serials like "Lost" and "Heroes" should recognize its import.

This might be a bit long, because I put together a list of 20 bit to not-so-bit players from the Buffyverse. And I hope at least a few people enjoy reading this even slightly as much as I did researching it. Here goes:

Buffy: Where else would you start than at the top? Given its apocalyptic storyline and extremely long rollout, I guess I shouldn't be surprised by the savaging of Richard Kelly's "Southland Tales." In the flick, which may never even make it out to my little corner of the world, Sarah Michelle Gellar plays a porn star/reality TV star (and really, what's the difference between the two?) She has two future credits listed at the IMDB, neither of which look too promising. The first, "Possession," indeed sounds like a parody of most of her post-"Buffy" film work: A woman's life is thrown into chaos after a freak car accident sends her husband and brother-in-law into comas. Thrills arrive after the brother-in-law wakes up, thinking he's his brother. Wow does that sound bad. The next is truly odd. Called "Alice," it springs from a video game called "American McGee's Alice" which in turn was inspired by the Lewis Carroll novel. One of these days SMG will get to star in a good movie, but it's not on the horizon yet, I fear.

Willow: I've been watching season two of Alyson Hannigan's new series, "How I Met Your Mother," on DVD, and I can confirm it's just as funny as I remember. Sadly, I couldn't find upcoming film credits that would offer the chance to redeem herself after the disaster that was "Date Movie," so here's hoping CBS gives "Mother" a solid five-year run or so.

Xander: I guess it shouldn't be surprising that "Buffy" vets get tied down to fantasy/horror work pretty fast. After a thankfully short run on the TV show "Kitchen Confidential," Nicholas Brendon has two current IMDB credits. I can't imagine any movie that really stars Rowdy Roddy Piper will be any good, but 2008's "The Portal" is described thusly: Investigators pursuing a bizarre hemorrhagic illness are lead to a strange black painting that they discover is a portal to another dimension. Sounds more than a little like your standard SMG movie. Next comes "Blood on the Highway," a horror/comedy with this rather ominous tagline: "There's a sucker born every minute!" I can only hope they're not talking about us.

Rupert Giles: The always-welcome Anthony Stewart Head is, as far as I can tell, the only "Buffy" vet who's still actively in the Whedon mob. Although I can't find a firm credit anywhere, I'm fairly certain they're developing a "Ripper" spinoff movie or miniseries for the BBC. In more certain credits, you can see the great Mr. Head as a ghost in Tim Burton's take on "Sweeney Todd" and then with, yes, Paris Hilton in "Repo! The Genetic Opera!" I guess a man's gotta eat.

Spike: "Buffy" and "Angel" player James Marsters had a nifty little run on "Smallville" and can be seen soon as the third lead behind Hilary Swank and Gerard Butler in the December chicky flick "P.S. I Love You." Much more interesting could be his next role, as serial killer Ted Bundy in a miniseries called "Chasing the Devil," scheduled to hit your TV sets somewhere in mid-March.

Anya: Except for some work (along with many of her fellow "Buffy" vets) on Seth Green's "Robot Chicken," Emma Caulfield amazingly has no work listed after a TV movie called "A Valentine Carol" that apparently ran on USA last February. Somehow I managed to miss that one. How in the world can a woman both this beautiful and witty be un- (or at least way under-) employed?

Dawn: Though she was great in "Mysterious Skin," I somehow managed to resist Michelle Trachtenberg's two other big flicks, "The Ice Princess" (which I probably wouldn't admit to seeing even if I had) and the rather unfortunate "Black Christmas." She currently has two other flicks listed as completed, "Kids in America," a coming-of-age comedy headlined by Topher Grace and Anna Faris, and "The Possibility of Fireflies," which promises to be exactly the type of flick I will never see.

Cordelia: Charisma Carpenter left "Buffy" to have just as good a run on the "Angel" spinoff, and also had a great turn as Kendall Casablancas on the late and much-missed "Veronica Mars." Amazingly, that's her last listed acting credit. About the only way I could have gotten excited about a "Wonder Woman" flick would be with her as our heroine and Whedon at the helm, but that's clearly not gonna happen.

Angel: I tuned in for one episode of David Boreanaz's still-running series "Bones" and rather quickly dismissed it as the standard police procedural fare that's saturated our airwaves. If I'm wrong and it's somehow better than that, please let me know. Along with that, he's just wrapped "Our Lady of Victory," a flick in which he plays the hubby of Carla Gugino (triple and resounding huzzah!), who plays the coach of the women's basketball team at a tiny Catholic college who leads her charges to a national title. After that he'll voice The Green Lantern in the animated "Justice League: The New Frontier."

Tara: Clearly the coolest thing Amber Benson has done post-"Buffy" was the "Ghosts of Albion" animated series with Chris Golden for the BBC online. You can still watch it here. She has four current (and most likely straight-to-DVD) credits listed at the IMDB: "Kiss the Bride," starring Tori Spelling (always a promising sign); "Strictly Sexual," of which she's the headliner and actually has this plotline: Two successful women, sick and tired of dating and relationships, decide to keep two young men in their pool house for strictly sexual purposes.; a horror/comedy called "The One-Eyed Monster," of which she's also listed as the principal star, and then a werewolf flick called "Shifter" toplined by Rachel Miner (remember her? I think she was once MacCaulay Culkin's wife.)

Oz: With his own creation, the stellar "Robot Chicken," and as the voice of Chris Griffin, Seth Green has had steady and very entertaining work on TV post-"Buffy." Unfortunately, his upcoming movie credits are a "rumored" role in the John Travolta/Tim Allen "comedy" "Old Dogs" and then what I can only assume is a sequel to the remake of "The Italian Job," to be called, creatively enough, "The Brazilian Job."

Riley: Buffy's college paramour, Marc Blucas, actually has a role in a flick hitting the multiplexes in my little burg this week, "The Jane Austen Book Club," in which he plays the hubby of Emily Blunt. He'll next topline the recently wrapped "Animals," some kind of horror/fantasy with a plot too odd to describe in brief, but did you know he was a starting guard on the Wake Forest basketball team back in the day? Bizarre.

Johnathan: Surprisingly, Nerd of Doom Danny Strong has probably had the most successful career of the "Buffy" ensemble. After a long stint as Doyle, Paris' man, on "Gilmore Girls," he managed to pen the movie "Recount." About the rather screwed-up 2000 presidential election, it's being made by HBO to be trotted out just in time for the 2008 edition. If you really wanted to, you can apparently currently see him in the Amanda Bynes flick "Sydney White." His future credits include "Bad Guys," which, since it wrapped in April, I can only assume is headed straight to DVD, and the comedy "Robbin' in da Hood," which is apparently directed by someone who simply goes by the name Quake. Yes, just Quake.

Andrew: The funniest of the nerds, Tom Lenk, actually had a part in this summer's "Transformers" as "Analyst No. 2," but it doesn't look too promising after that. His only credit: The I suppose inevitable "Boogeyman 2." Sheesh.

Warren: Along with a lot of TV work, head nerd Adam Busch has also managed to have a part in easily one of the worst movies I've had the displeasure of seeing in the last five years or so, "American Dreamz (zzzzz)." After that he only has "Geohunt," which I rather fear will be yet another flick about humans hunting humans.

Faith: Granted, Eliza Dushku should have gotten a much more prominent position on this list, but I figured a trio of very beautiful women was necessary here after the nerds. Her three current credits are "The Alphabet Killer," apparently based on the "double initial" killer of Rochester, NY, "Sex and Breakfast," a romantic comedy toplined by Rachel Miner's former husband, and easily the most promising one, "Bottle Shock," a flick about the birth of the Napa wine industry which will also star Freddy Rodriguez (huzzah again!) and Alan Rickman.

Drusilla: Juliet Landau's seriously insane vamp was always my favorite of the "Buffy"/"Angel" characters. Her upcoming credits include "The Yellow Wallpaper," described (rather optomisticly, I fear) as a dark, Gothic thriller, "Land of Canaan," yet another psychological thriller starring, somehow, Tara Reid, and another thriller called "Darkness Visible" (I couldn't make this stuff up!)

Darla: Along with her steady work on TV's uneven but mostly entertaining "Dexter," the alluring Julie Benz has a big part in next summer's "John Rambo." Yes, that Rambo. Please, dear Lord, don't make us have to watch her make out with Sylvester Stallone.

Wesley: The last place I remember seeing Alexis Denisof was in a very funny run on season one of wifey Alyson's sitcom "How I Met Your Mother." Since, he has nothing else listed, but I did find out that, like the great Linda Hamilton and the late Frank Perdue, he is apparently a native of Salisbury, Md., the little burg where I happened to grow up. Cool.

Caleb: Why not wrap things up with the agent of Buffy's final foe? Nathan Fillion went on to play Captain Mal, of course, in Whedon's "Firefly" and "Serenity" (when in the world is the Sci-Fi Channel gonna come to its senses and revive "Firefly" already?), and also starred with Keri Russell in easily one of my favorite movies of this year so far, "Waitress." His next flick will be something called "Trucker," with Michelle Monaghan which doesn't look too promising, but I like Mr. Fillion enough that I'll watch him in just about anything.

Whew! That certainly went on a long time, so I apologize to anyone who thought it was more than a bit of overkill. As Buffy herself once said, to me it was "just enough kill," and a perfectly enjoyable accompaniment to my morning coffee. Peace out.

Elvis battling vampires? Please say yes to this, Bruce

Having failed to watch any movies this weekend except "Serenity," I was beginning to think there was nothing to talk about today. And then I found something so crazy it made me wake up right away.

If you somehow haven't seen "Bubba Ho-Tep," do so as soon as possible. It's much more fun and surprisingly moving than I can make it sound here, but you've got Bruce Campbell as Elvis and Ossie Davis as JFK and, well, a mummy. And now, thanks, to the twisted mind of Don Coscarelli, it seems we may be in for even more fun.

In a prequel of sorts, "Bubba Nosferatu and the Coven of She-Vampires," the king would be filming a movie in Louisiana when he runs afoul of a coven of, well, she-vampires. And, believe it or not, Paul Giamatti is somehow involved in this madness, to play Col Tom Parker.

What in the world would compel him to do this? Well, as you can probably guess just by looking at him, Giamatti is just a big geek at heart. Here's what he had to say about this to Rotten Tomatoes:

"Did you ever see Bubba Ho-Tep? Great movie. And that director [Don Coscarelli], I love that guy's movies. All the Phantasm movies and stuff. But we are trying to do it."

I'm definitely with him on the "Phantasm" movies (of which there will apparently be a fifth, also from Mr. Coscarelli, in 2008.) The only thing holding this up, apparently, is Elvis. I'd be surprised if Bruce Campbell really does turn his back on this, but so far he's apparently hesitating. Again, Mr. Giamatti:

"Bruce Campbell was waffling around about whether he wants to play Elvis or not again. So that's the problem. I'm playing Colonel Parker, which will be great, but you gotta have Elvis and you really want him playing Elvis, so hopefully we can get him to do it. If not, I'm sure they will try and find somebody else but I think it's contingent on whether he'll do it or not."

Mr. Giamatti, of course, will be in another extremely silly movie very soon, "Shoot 'Em Up," set for release Sept. 7. In the meantime I at least get to spend my Monday thinking about Elvis battling she-vamps, which is of course so much more pleasant than anything else that might come up at my actual job.

Warning: It's gonna get geeky in here

Oddly enough, I found this e-mail from the folks at TFAW.com just after I had finished watching all the "Serenity" extras (and this is a special edition truly worthy of the name, for once.)

It seems that among the "Serenity" and "Firefly" toys you can buy there is a brand new release, the actual papers for the Serenity vessel (no, I'm not kidding.) If you actually have $120 to spend on something as silly (yet undeniably cool) as this, you can get 13, 8 1/2-14 inch papers from the ship, one of which I've included at right. And, if you somehow missed out on the Buffy Season 8 comics, TFAW recently reissued the first four titles (which quickly sold out), and they're promising to do it again very soon, so stay tuned.

And, possibly even better than that is that Eliza Dushku is coming back to Fox TV, and possibly in something that's not craptastic. This rather radical idea comes from Aintitcool, so I'll give all credit before proceeding.

Faith has apparently signed a development deal with Fox and is now in the process of meeting the networks's stable of writers. And who's sitting at Fox with nothing to do at the moment? "Angel" veteran Tim Minear (having been mercifully removed from the sure-to-be-wretched "Angel" ripoff "Moonlight.") So, and as I said I can't take credit for this idea, why not bring the two together for a "Faith the Vampire Slayer"?

That's not even a rumor at this point, but every idea has to start somewhere. Dream with me, people, and I guarantee you'll have a much more bearable Monday. Peace out.

Whedon's "Serenity" gets royal treatment on DVD

I have to confess that I tried to watch Danny Boyle's "Sunshine" this past weekend and just didn't get it. I did stay through the whole movie, of course, but it just seemed to have little point or reason to exist at all (and I'm perfectly willing to concede that perhaps it all just went right over my head.)

It's the first Danny Boyle movie I've even mildly disliked, so I can definitely give him a pass and eagerly await his next move, especially when it's something as crazy as "Slumdog Millionaire," about an illiterate Hindi kid who conspires to get on the Indian version of "Who Wants to Be a Millionaire" to win the girl of his dreams. That should just be tons of fun.

But back to "Sunshine." I certainly think the big screen needs more intelligent science fiction, so I'm glad Boyle took a stab at it, but there have been much better examples of it in recent years. Alfonso Cuaron's "Children of Men" was my second-favorite movie of 2006, behind only Guillermo del Toro's "Pan's Labyrinth." And before that, of course, there was Joss Whedon's "Serenity," which gets the grand treatment it deserves this week on DVD.

"Serenity," based on Whedon's one-season-only "Firefly" (honestly, you folks who run the Sci-Fi Channel, is there anything better you could do than throw the money at Whedon to revive this show on your network? Just do it already.) What this space Western had, along with the smarts, was a lot of laughs. Even if his character was directly cribbed from Han Solo, Nathan Fillion makes Capt. Mal Reynolds his own and leaves a lasting impression.

For anyone who hasn't seen this one yet (and if you haven't, really, for shame!), it picks up the "Firefly" story with River Tam (Summer Glau) as the focus. The collector's edition claims to include more than 30 minutes of bonus features, including extended scenes, "Take a Walk on Serenity" featurette, "A Filmmaker's Journey" featurette with Mr. Whedon, "The Green Clan" featurette with cinematographer Jack Green, "Sci-Fi Inside: Serenity," an "in-depth look at the film and TV show hosted by cast member Adam Baldwin, and a commentary with Whedon, Fillion, Baldwin, Glau and Ron Glass.

As far as intelligent sci-fi with heart goes, I really can't recommend anything higher than "Serenity."

Other picks this week:

The Lives of Others
It seems like I've been waiting years to see the movie that somehow managed to beat out "Pan's Labyrinth" for the Best Foreign-Language Film Oscar, and now I'll finally get to. There's a listing on the IMDB for a "Lives of Others" coming in 2010, so I can only imagine there's some crap American remake coming soon, but do yourself a favor and watch this drama about the German Stasi police instead.

South Park: Season 10
I'll keep springing for "South Park" until it stops being bitingly funny, and that hasn't come to pass yet. Highlights of this tenth season include the two-part "Cartoon Wars," in which Trey Parker and Matt Stone declare war on Fox's "Family Guy" with help from Eric Cartman, and "TSST," in which a "dog whisperer" is brought in to try and curb Cartman's erratic behavior.

Pusan pays tribute to Yang

Edward Yang may not have made many movies in his short life (only eight, to be precise), but he did manage to craft easily one of my favorite in the sublime "Yi Yi."

And now he's getting an extremely fitting posthumous honor from the Pusan Film Festival, which will name him the Asian Filmmaker of the Year. Huzzah indeed!

Egoyan unleashes 'Adoration'

The world is certainly a better place with more Atom Egoyan in it, especially when he comes up with something as odd as this.

Egoyan has announced his next project will be called "Adoration." With filming beginning in Toronto in September, it will be about teems navigating "this brave new world and how people can invent themselves, or re-invent themselves, through technology." It will star Scott Speedman, Rachel Blanchard, Devon Bostick and, of course, Egoyan's wife, Arsinee Khanjian. Definitely keep your eyes on this one.

Carla Gugino makes a Righteous Kill

With "The Spirit" and now this, Carla Gugino has been on a real roll lately, and I can't think of anyone more deserving.

Her latest coup is the leading female role in "Righteous Kill," the Jon Avnet crime drama that teams up Robert De Niro and Al Pacino as New York cops chasing a serial killer. Gugino will play a crime-scene investigator who starts knocking boots with De Niro's character, apparently.

Sounds like a pretty blase story with, frankly, two actors who have been coasting for years now, but just about anything can go down a lot sweeter with a little Carla Gugino mixed in. And now, if you'll excuse me, I have to go to work. Peace out.