Showing posts with label Matt Damon. Show all posts
Showing posts with label Matt Damon. Show all posts

Thursday, September 15, 2011

Fall/winter movie preview

Before I jump right into this, a couple of notes.

First off, though I've recently moved from Macon, GA., back to Salisbury, MD., I still only get movies that open in the widest possible release, so that's what will be included. Although I'm fairly certain Roman Polanski's "Carnage" and Alexander Payne's "The Descendants" will play wide enough to reach my little corner of the world, I couldn't be sure, so they didn't make the cut.

And second, of course, these are only my picks, so please do feel free to add any at the end that you think I may have snubbed. And with that, let's get right to it, starting with what should be a great one today.

Today: "Drive"

I couldn't tell you what exactly a Nicolas Winding Refn is, but the marketing machine is certainly in full force for what will be the first of his movies I've managed to catch, and why not? Arthouse faves Ryan Gosling and Carey Mulligan in a movie about a stunt driver who just happens to double as a getaway car artist? I'm there. Enjoy this trailer.



Sept. 23: "Moneyball"

When it comes to sports movies, my two favorite genres are boxing and baseball. In the former (well, MMA, actually), "Warrior" is already a real winner (see it already, people, sheesh), and I'm betting "Moneyball," starring Brad Pitt as Oakland A's bean counter Billy Beane with a script by Aaron Sorkin, will be too. Enjoy this trailer.



Sept. 30: "50/50"

On paper, this one should be pretty dour, and some early reviews I've seen have pegged it as exactly that, but based on the cast I'm thinking I'll still really dig it. In this flick based on writer Will Reiser's battle with cancer, Joseph Gordon-Levitt plays the character based on Reiser, Seth Rogen is his best bud, and definite Reel Fanatic fave Anna Kendrick, who I'll watch in anything without the word "Twilight" in it, plays a shrink. Enjoy this trailer.



Oct. 7: "The Ides of March"

If it's fall, it's the season of George Clooney, and he stars in (and directs) this one and also stars in the aforementioned "The Descendants" too. Clooney has an underappreciated flair as a director, and even though this tale of political operatives and dirty tricks (in which Clooney plays a candidate for president, natch) apparently takes a pretty jaded view of our world, I do too right now, so bring it on. Enjoy this trailer.



Oct. 7: "Real Steel"

If you're going to make movies based on video games, why not Rock 'Em Sock 'Em Robots? That seems to be exactly what director Shawn Levy has done here for this flick starring Hugh Jackman about, yes, boxing robots. Silly? No doubt, but I'm still betting on a ton of fun too. Enjoy this trailer.



Nov. 4: "A Very Harold & Kumar Christmas"

Though the rest of October looks pretty bleak, things will light up again (pun fully intended) as John Cho and Kal Penn return for their third adventure as America's favorite stoners. This time out, Harold (Cho) appears to finally be too old for all this nonsense (though I hopefully never will be), being happily married with children until Kumar (Penn) shows up to drag him away for more ganja-fueled games. And yes, of course, NPH comes back from the dead. Enjoy this trailer.



Nov. 11: "Immortals"

Of all the movies on this list, this one has the biggest potential to simply be awful, but I still have a lot of time for Tarsem, so I'll take a chance on it. If you've never seen his "The Fall," it's a true visionary wonder, and there are few rentals I can recommend higher. This time out, things are a lot more epic as Mickey Rourke (yes, really) plays a king ruling Greece with an iron fist until Theseus (Henry Cavill) leads an uprising against him. Keep your fingers crossed for this one, and enjoy this trailer.



Nov. 11: "J. Edgar"

A complete stranger to subtlety, Clint Eastwood is just a maddeningly uneven director in my book, but there's no denying the pedigree of this grand biopic. With a script from "Milk" scribe Dustin Lance Black, one Leo DiCaprio will play the FBI founder and longtime director who just happened to enjoy wearing dresses. The only trailer I could find for this was a short teaser in which Leo just lights a cigarette, and all the clips I could locate (with funny effect) laid a fart track over it, so no trailer for this one.

Nov. 23: "Hugo"

Even though he's shortened the title from "The Invention of Hugo Cabret" and filmed this in surely unnecessary 3-D, I still can't wait to see what Martin Scorsese comes up with from one of my favorite books, by Brian Selznick. Asa Butterfield stars as our hero, a young boy who lives in the walls of a train station and discovers one of Georges Melies' amazing automatons. Definite Reel Fanatic fave Hit-Girl Chloe Moretz co-stars. Enjoy this trailer.



Nov. 23: "The Muppets"

Everyone who is, like me, of a certain age, remembers Jim Henson's beloved puppets with nothing but fondness, and has probably (also like me) been lapping up everything that's been released already by the Disney marketing machine. The key to a great Muppets movie is an entirely fun spirit, and everything I've seen so far indicates that writer Jason Segel and director James Bobin have just about nailed it, so here's hoping. Enjoy this trailer.



Dec. 9: "The Sitter"

Though as mentioned above I have nothing but love for a good stoner flick, director David Gordon Green proved with the simply awful "Your Highness" that, if you try hard enough, you can certainly make one of those that just sucks. This time out, however, he's playing it much more safely, pretty much combining "Superbad" with "Pineapple Express" for this flick starring Jonah Hill as quite possibly the world's worst babysitter. I'm a sucker for movies starring foul-mouthed kids (the vastly underappreciated "Role Models" gets me every time), so I'm hoping this will be very funny. Enjoy this red band trailer (and be warned, it's plenty foul).



Dec. 9: "Tinker, Tailor, Soldier, Spy"

Director Tomas Alfredson's "Let the Right One In" is easily one of my favorite movies of the last 10 years or so (and definitely the best one with vampires), so you can count this follow-up as the one movie I'm most looking forward to seeing this fall. For his take on John Le Carre's novel about the hunt for a Russian mole who has infiltrated Britain's house of spooks, he's assembled a cast that somehow includes Colin Firth, Gary Oldman, Tom Hardy, Mark Strong, Ciaran Hinds and even Sherlock himself, Benedict Cumberbatch. Enjoy this trailer, and let the spy games begin.



Dec. 16: "Young Adult"

Director Jason Reitman has yet to make a movie that I haven't mostly loved, and for this hopefully very dark comedy he's reunited with scribe Diablo Cody. In it, Charlize Theron, who proved on "Arrested Development" that she can be extremely funny, plays a writer of teen novels who returns to her small hometown to try and pitch woo with her now happily married former high school sweetheart (Patrick Wilson). No trailer for this one either yet, but keep an eye out for it soon, most likely right here.

Dec. 21: "The Girl with the Dragon Tattoo"

Having been burned once already recently by Matt Reeves' extremely by-the-book and just as unnecessary remake of "Let the Right One In," you can color me extremely skeptical about this one, but it certainly fits right in director David Fincher's wheelhouse. Rooney Mara will attempt to step into the shoes of hacker extraordinaire Lisbeth Salander, already perfected on screen by Noomi Rapace in the Swedish original, as she aides Mikael Blomkvist (Daniel Craig, this time) as he tracks down Nazis and other unseemly happenings. Enjoy this trailer.



"Dec. 23: The Adventures of Tintin: Secret of the Unicorn"

What are the odds that even Steven Spielberg can release two movies in the space of six days that are both real winners? Not likely, but this year, on paper at least, it looks like it could happen. In this first one, Hergé's beloved young Belgian detective looks more than a bit odd with the modern touch, but I'm still hoping this will be an old-fashioned tale at least in spirit. Enjoy this trailer.



Dec. 23: "We Bought a Zoo"

After what seems like at least 10 years off, director Cameron Crowe is back this year in a big way, with, first, his documentary about Pearl Jam and then this tale that seems tailormade to his very humanity-heavy style of storytelling. Matt Damon and no-longer-never-nude Scarlett Johansson star in this flick with easily the most "Snakes on a Plane" title of the fall season. Enjoy this still very new trailer.



Dec. 28: "War Horse"

Spielberg's second entry of the week is just the kind of epic movie you'd expect, telling the story of a boy and his horse and their adventures in World War I. And with that, finally, there you have it. Enjoy this final trailer and, as stated above, please feel free to add any movies you're looking forward to that I have somehow snubbed. Peace out.

Friday, August 05, 2011

Friday news, with Catwoman, Kenneth Lonergan, Jonah Hill's foul-mouthed "Sitter" and more


That, of course, is Anne Hathaway in costume as Selena Kyle/Catwoman in Christopher Nolan's upcoming "The Dark Knight Rises," riding a motorcycle with an apparently monstrously large front wheel. And I have to say, now that we've seen Bane and Catwoman, nothing about the slow reveal for this flick so far has me thinking it will be anywhere near as good as "The Dark Knight," but I live to be proven wrong (and manage to accomplish it almost every day.)

And moving on, in other movie news, does anyone remember the name Kenneth Lonergan?

If not, I wouldn't be terribly surprised, but before he pretty much disappeared completely from the world of movies, he managed to make easily one of my favorite flicks of the '00s (and really, of all time) in "You Can Count on Me." If you've never seen that little movie starring Laura Linney and Mark Ruffalo as an estranged brother and sister trying to, well, simply deal with life, I'd recommend tracking it down as soon as possible.

And with that movie being a pretty solid arthouse hit, Fox Searchlight signed writer/director Lonergan to make a followup titled "Margaret." Here's what, at least when Lonergan began shooting the movie in 2005, it was to be about, courtesy of AICN:

MARGARET centers on a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life. In her attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world.

Sounds like pretty heady stuff, and looking at the cast list, I'm fairly certain that Anna Paquin, way back then, played the teen at the movie's center. It was also set to (and still does) also star Matt Damon, Ruffalo, Rosemarie DeWitt, Allison Janney, Jean Reno, Krysten Ritter and, from "You Can Count on Me," Matthew Broderick and Kieran Culkin.

But between then and now, a number of odd things happened, most importantly that Lonergan had no idea how to end his own movie. It clocked in at three hours-plus, and he ended up in court with studio folks about his inability (or unwillingness) to shorten it.

Well, I tell you all that to tell you this: Lonergan's "Margaret" is now finally set to come out in at least some corners of the world and in some form on Sept. 30. And even with such a tortured past, I'll be there to see whatever comes out of all this.


And in news of a movie that should turn out to be much more fun, Louis Leterrier is cooking up a first-rate cast for his magical police tale "Now You See Me," which is about, according to Variety, "a crack FBI squad in a game of cat and mouse against a super team of the world's greatest illusionists, who pull off a series of daring bank heists during their performances, showering the profits on their audiences while staying one step ahead of the law."

Sounds like nothing but big fun to me, and now comes word that Ruffalo and Amanda Seyfried are about to join a cast that already features Melanie Laurent of "Inglorious Basterds" and Jesse Eisenberg. Not sure exactly which roles the latter two will play, but I do know that Ruffalo will play the head FBI agent and Seyfried an expert at building the criminal team's magical devices.

I hope I never get too old to enjoy this kind of thing, and in the same vein, thanks to the recommendation of always-welcome reader Jeremy Jirik, I've also just started reading "Midnight Riot" by "Doctor Who" scribe Ben Aaronovitch, and it's exactly what the title promises. Highly recommended summer reading.

And to segue into today's clips, I'm also sure I'll never get too told for seriously raunchy R-rated comedies, when they're done right (which I'm certainly not expecting from "The Change-Up," so I think I'll just say no to that.) Even if David Gordon Green's "The Sitter" indeed just looks like a mix of "Superbad" and "Pineapple Express" with foul-mouthed kids, it still also looks like exactly the kind of comedy I can dig. Here, courtesy of IGN, enjoy this first red-band trailer, with an appropriately foul introduction from Jonah Hill and his young co-stars, and keep an eye out for the movie on Dec. 9.


And finally today, here's the second trailer I've seen for the single movie I'm most looking forward to for this fall, Tomas Alfredson's "Tinker, Tailor, Soldier, Spy." Just as the director made wintery Sweden, the setting of his simply fabulous vampire tale of sorts, "Let the Right One In" (still streaming on Netflix, if you've somehow never seen it), such a key part of the story there, you can tell from this UK trailer that he'll drop us fully right in the middle of cold-war era Britain for the spy games in Le Carre's novel. The movie's rather amazing cast features Gary Oldman (as the mole hunter George Smiley), Colin Firth, Mark Strong, John Hurt, Toby Jones, Tom Hardy and Benedict Cumberbatch (from the BBC's "Sherlock"), so keep an eye out for this in the USA on Nov. 18, and enjoy this new trailer. And if you'll excuse me now, I'm off to do some swimming and then catch a matinee of "Rise of the Planet of the Apes." Peace out.

Thursday, July 28, 2011

Don't fear "The Ides of March," or the season of Clooney

Yes, the first trailer for for George Clooney's political thriller is the main event here today, but since I've had a week from hell and haven't been able to even visit here until today, there's some other catching up to do too.

In other movie news, production starts this week on an intriguing project starring three of my favorite actors, Bill Murray, Laura Linney and the truly great Olivia Williams (most recently seen on the big screen by me in another fairly great political thriller, "Ghost Writer," but most famously of course Ms. Cross.)

"Hyde Park on the Hudson," filming in London, stars Murray as Franklin Delano Roosevelt and Williams as Eleanor Roosevelt in the period piece that focuses on the first visit of the British monarchy (in this case, King George VI (Samuel West) and the queen (Olivia Colman) to the United States. Stammering George is there to drum up American support for England's looming war with Germany, but FDR just happens to be distracted by ... his distant cousin, Daisy, played by Linney, with whom he develops an intimate relationship.

Juicy stuff there, and seeing Murray play a serious (though surely not too serious) FDR should just be a treat. Stay tuned ...

And there's also a bit of TV news out there about my current favorite network sitcom, "Parks and Recreation."

Poor Ron Swanson. First he (definite Reel Fanatic fave Nick Offerman) gets the single biggest Emmy snub of this awards season, and now, when "Parks and Rec" returns on Sept. 21, he'll encounter Tammy 1, his first ex-wife, so scary a character that she even makes Tammy 2 (Megan Mullally) quake with fear.

Poor Ron's torment, however, should be our delight, because in what should be a great comic turn, Patricia Clarkson will play Tammy 1 in two episodes starting with the premiere.

Should be pretty close to comedy bliss there, and in other TV news, HBO has set the fall premiere dates for two returning shows I'll definitely tune in for.

First up, the best thing about the new season of "True Blood" is that just about as soon as it ends, the second season of "Boardwalk Empire" will start right up. I used to have a lot of time for "True Blood," but though I still tune in during this summer dead period for TV, the utter randomness of it is really starting to drive me more than a little nuts.

That's certainly not a problem with "Boardwalk Empire," which tells the tale of early 20th century Atlantic City and the rise of "Nucky" Thompson (heavy Emmy favorite Steve Buscemi) with a clinical (and sometimes too perfect) precision. Keep an eye out for season two beginning Sunday, Sept. 25, at 9 p.m.

And even better than that, in a rare move off of HBO's regular Sunday night home, the third season of "Bored to Death" will make its debut for an eight-episode arc beginning Monday, Oct. 10, at 9 p.m. The show, which springs from the twisted mind of novelist Jonathan Ames, is far from the deepest thing you'll ever see, but the often doped-out adventures of a would-be private eye played Jason Schwartzman with his buddies, a long-suffering cartoonist played by Zach Galifianakis and, best of all, a truly loopy Ted Danson as magazine editor socialite George Christopher, all around NYC is just exactly my kind of funny.

OK, we really are getting to "The Ides of March," but also this week came the first proof that the once-great Cameron Crowe is actually still making movies. No visual proof that I know of from the feature film he's apparently wrapping up now, "We Bought a Zoo," starring Matt Damon and Scarlett Johansson and set for release this Christmas.

There is, however, a trailer for a documentary that finds the "Almost Famous" director on familiar turf, "Pearl Jam Twenty." Pearl Jam was never exactly my kind of rock (far too earnest for me), but I love what Eddie Vedder did for the "Into the Wild" soundtrack, and I'm always up for a good rock doc, which this certainly looks like it should be. Enjoy the trailer, and keep an eye out for this flick in at least some cities Sept. 20.

Pearl Jam Twenty from Pearl Jam on Vimeo.



And now finally on to the main course. Say whatever you want to about George Clooney's persona, but I really couldn't give less of a flip about all that. The man knows how to pick good movies, and when he manages to direct them they usually turn out to be even better.

The last thing I saw him in was "The American," a first-rate but low-key thriller from Anton Corbijn that would make a perfect rental if you've never seen it, and now this fall he has two movies coming up that are both near the top of my list of must-see flicks for the rest of the year.

Now moved up to Nov. 23, he's starring in the long-time-coming return of director Alexander Payne with "The Descendants," in which Clooney plays a man who tries to put his family back together after his wife dies in a car crash.

Even better, and set to drop before that on Oct. 7 hopefully wide enough to reach even my little corner of the world, will be "The Ides of March," an old-fashioned political movie directed by Clooney and featuring a truly first-rate cast.

In it, Ryan Gosling plays a conflicted political strategist working for a presidential candidate played by (natch) Clooney himself. As you'll see from the trailer, all kinds of political games ensue, and the movie somehow also stars Paul Giamatti, Marisa Tomei, Philip Seymour Hoffman and Evan Rachel Wood.

It's been far too long since I've seen a good political thriller, so this one is definitely circled on my movie calendar. Enjoy the trailer, and have a great weekend, which for me will at least include seeing "Crazy, Stupid, Love" and maybe "Cowboys and Aliens" too. Peace out.

Thursday, July 14, 2011

Quick hits: The funniest thing I've seen today, and then the creepiest, too

I really have nothing at all against Adam Sandler. The man's clearly having a lot of fun, and his movies entertain many, many people who aren't me, so bully.

That said, I couldn't even have brought myself to watch the trailer for his next movie, "Jack and Jill" (he plays both parts, natch) unless some clever soul hadn't managed to splice it together with this clip of George C. Scott from the 1979 movie "Hardcore." This treatment is sure to be given to tons of trailers after this, but this is the first time I've seen it, and it's a hoot. Enjoy, and if "Jack and Jill" is your kind of thing, keep an eye out for the movie Nov. 11.



And secondly today, I just find Steven Soderbergh one of the most maddening of directors. He's clearly a very talented man, and has made some movie I adore ("Out of Sight" and "The Limey" are just a couple that come to mind), but the cool detachment that proved so fitting for those flicks doomed other to be simply unwatchable (if, like me, you sat through all five hours or so of his "Che" movie, which I conned mi hermano into doing with me, you have my condolences.)

You do have to give him credit, however, for trying all kinds of things, and next up will be the rather epic horror movie with a very self-explanatory title: "Contagion." And the trailer for this outbreak flick coming out Sept. 9 is indeed thoroughly creepy, at least to me. As you'll see below, the rather star-stocked flick stars Matt Damon, Gwyneth Paltrow, Kate Winslet, Laurence Fishburne, Jude Law, Bryan Cranston and even Reel Fanatic fave John Hawkes, too. Enjoy the trailer, and have a great weekend. For me, it will mean seeing both "Harry Potter and the Deathly Hallows: Part 2" and probably "Winnie the Pooh," too. Peace out.

Friday, February 25, 2011

A Friday clip cache, aka when will it be safe to go the movies again?


I know this is always the time of year when movies just suck, but am I the only one who thinks that, so far in 2011, the stench has been even stronger than usual? It seems like forever since I've bothered to see a new movie in a theater, and though the Macon Film Festival was a very nice diversion, there has to be some relief in sight in the feature film arena.

And luckily, though there's no chance I'll be seeing either "Hall Pass" or "Drive Angry" this weekend, there is some good stuff right on the horizon. The one I'm most looking forward to in the coming month, as evidenced by the retro poster at the top of this post, is Zack Snyder's "Sucker Punch," which while it may indeed be imagination overkill, I'll take whatever genuine imagination I can get at this point. It opens March 25.

Before that, in fact as soon as next week, there are two entries that will get me to the multiplex for the first time in at least a month: "The Adjustment Bureau," a sci-fi/romantic thriller of sorts starring Matt Damon, Emily Blunt and even Roger Sterling too; and "Rango," the animated Western with Johnny Depp as a chameleon (yes, I have fairly low standards this time of year.)

And the week after, that, I'll certainly take a chance on the "Goth" retelling of "Red Riding Hood" with Amanda Seyfried, and if it somehow plays wide enough, "Sin Nombre" director Cary Fukunaga's take on "Jane Eyre" starring Mia Wasikowska.

So, if you're looking for potentially good movies in wide release again, keep hope alive, and here are two more new trailers for movies coming in the next month or so that I'll bite on. First up comes the first red band trailer for "Paul," and as you'll see, it earns its red status mostly because of the foul-mouthed, titular alien, voiced by Seth Rogen. This will all be extremely silly, but with Simon Pegg and Nick Frost starring in a movie written by them and directed by "Superbad" director Greg Mottola, about the duo discovering the titular (yes, I just like saying that) alien on a road trip to Comic Con, I'm definitely in when this opens March 18 (director Thomas McCarthy's "Win Win," which I'm certainly looking forward to, also opens this day, though I can't see it being wide enough to reach my little corner of the world.) Enjoy the clip.



Next up comes Duncan Jones' followup to "Moon," and though it looks like potentially a pretty generic thriller, I like "Moon" more than enough to take a chance on "Source Code" on April 1. As you'll see from this new trailer, Jake Gyllenhaal stars as a soldier who finds he has the ability to step into the identity of another man for eight minutes in the hopes of stopping a Chicago train bombing. Like I said, time-clock thrillers really aren't my thing, but I'll check this out with somewhat high hopes. Enjoy the trailer, and stick around for some further video odds and ends.



OK, looking further into the future, "The Hangover Part II" is set to come out May 26, and all you can gather from this first teaser trailer is that Todd Phillips at least knows his first "Hangover" movie was very funny (and it was). What it doesn't tell you is that this time the boys (Bradley Cooper, Ed Helms and Zach Galifianakis) head to Thailand for Helms' character's wedding (I have to assume to the hooker played by Heather Graham in the first movie, but her name's not in the IMDB credits for the new flick, so who knows?) Anyways, enjoy the clip, and keep hope alive that, since they really don't show us much of anything new, they're hiding some really good jokes.



I've been reading George R. R. Martin's first "Game of Thrones" book, and though it's sensational, it's a very complicated realm that should be a challenge to pull off right for TV. But that hasn't stopped HBO, thankfully, from trying, and the "Game of Thrones" series is set to debut on the channel beginning April 17 (bring it on already!) In this, the longest featurette I've seen yet, Martin, show creators David Benoiff and D.B. Weiss, and others explain a bit of what you'll be getting into with this, and just trust me, it's going to be epicly good. Enjoy.



And finally today, if you're lucky enough to live in UK you may have had a chance to see Benedict Cumberbatch (aka Sherlock Holmes in "Sherlock") and Johnny Lee Miller on stage in director Danny Boyle's production of "Frankenstein" at the National Theater. Here, for the rest of us, is the trailer for a version that is coming to at least some theaters in March, and I have to assume will be heading to PBS as soon as this summer or so. Enjoy, and have a perfectly pleasant weekend. Peace out.

Monday, January 03, 2011

2011 movie outlook: 20 flicks I'm really looking forward to

Predicting how any year will turn out during its first week is, of course, the definition of a fool's errand, but I've certainly been called worse, so here goes: Twenty flicks I'm definitely looking out for this year, in order of release date:

"The Cabin in the Woods": The fact this was delayed for many months simply for some post-filming 3-D conversion certainly isn't promising, but in better news, it is a horror movie from the minds of "Buffy the Vampire Slayer"/"Angel" mastermind Joss Whedon and co-conspirator Drew Goddard, so I'm in. (Jan. 14)

"Cedar Rapids": Ed Helms of "The Office" stars in this Miguel Arteta comedy about insurance salesmen at a conference in the titular city. This looks like the broadest kind of comedy, so here's hoping it plays wide too. (Feb. 11)

"Jane Eyre": Mia Wasikowska, easily one of my favorite young actresses, steps into the now-all-too-familiar role, but with "Sin Nombre" director Cary Fukunaga in charge and the truly haunting feel of the trailer, I'm betting this will have something new to offer. (March 11)

"Paul": Director Greg Mottola reunites the "Shaun of the Dead"/"Hot Fuzz" comedy team of Simon Pegg and Nick Frost for this flick about two geeks who encounter the titular alien on their way to Comic-Con. (March 18)

"Sucker Punch": If anything, director Zack Snyder's first movie based on an original idea - about a young woman who fights her way out of a mental institution - just might be too crazy, but I'm almost certain it will be a heck of a lot of fun, too. (March 25)

"Source Code": Director Duncan Jones follows up his fantastic debut, the seriously smart sci-fi flick "Moon," with this fairly generic sounding thriller about a man (Jake Gyllenhaal) who changes bodies with a soldier to stop a train bombing. Hope for the best here. (April 1)

"Your Highness": If you're looking for more than high stoner comedy, stay away, but director David Gordon Green proved he's a master of it with "Pineapple Express" and he's back with more this time around - with James Franco, Natalie Portman, Danny McBride and Zooey Deschanel all in tow. (April 8)

"Hanna": Saoirse Ronan reunites with "Atonement" director Joe Wright for this tale of a young lady raised by her father, an ex-CIA agent, to be the ultimate assassin. Right up my alley. (April 8)


"Water for Elephants": Sara Gruen's best-selling novel, easily one of my favorites, gets a cast worthy of the grand historical romance it unfurls at a traveling circus: Robert Pattinson, Reese Witherspoon, Christoph Waltz and Hal Holbrook all star in one of the movies I'm most looking forward to for next year. (April 22)

"African Cats": The Disney Nature movies have all been beauties to behold, but this one should finally have a great story to match as it focuses on two families, one of lions and one of tigers, and what they do to survive and thrive in Africa. (April 22)

"X-Men: First Class": After reviving the comic book movie with the big ball of fun that was "Kick-Ass," director Matthew Vaughn now tries to breath much-needed life into the mutant saga, with a new class including James McAvoy as Professor Charles Xavier, Michael Fassbender as Magneto and even Reel Fanatic fave Jennifer Lawrence as Raven/Mystique. (June 3)

"Harry Potter and the Deathly Hallows - Part 2": It will certainly be a bit sad when the grand saga ends, but part one - while not the best of Harry's flicks - set the stage for a rousing finale. (July 15)

"Cowboys and Aliens": Movie titles just don't get much more straightforward than that, and unlike, say, "Snakes on a Plane," this one should deliver all the fun it promises. When aliens invade the old American West, they find they have to take on not only Indiana Jones, but James Bond too. (July 29)

"30 Minutes or Less": "Zombieland" director Ruben Fleischer serves up what should be a second helping of very funny with this flick about two fledgling criminals who strap a bomb to the chest of a pizza delivery boy (Jesse Eisenberg) to get him to rob a bank. I promise it will be a whole lot funnier than I'm making it sound here. (Aug. 12)

"The Help": Another of my recent favorite novels, Kathyrn Stockett's "The Help," comes to the big screen with a great young actress (Emma Stone) in the lead role of Eugenia "Skeeter" Phelan, a Southern woman who convinces a group of Mississippi maids to tell their stories in the '60s. Sounds more than a little "Oprah" to me, and it is, but it should also be a lot of fun to watch. (Aug. 12)

"Moneyball": There are few genres I love better than a great baseball movie, and this flick based on Michael Lewis' book about the Oakland A's should hopefully deliver exactly that. Features Brad Pitt as bean counter Billy Beane and Philip Seymour Hoffman as A's manager Art Howe. (Sept. 23)

"The Muppets": After what seems like at least a three-year wait, there will indeed be a new Muppets movie next November, with this shortened title and our beloved puppets staging a show (of course) to save their theater from some evil oil barons. (Nov. 23)

"Hugo Cabret": It should be a banner year for literary adaptations, as now Martin Scorsese takes on this great children's novel by Brian Selznick about a boy who grows up in the walls of a Paris train station and encounters the world of George Melies' automatons. With Asa Butterfield as young Hugo and Hit-Girl Chloe Moretz co-starring, I can't see how even thoroughly unnecessary 3-D will ruin this. (Dec. 9)

"The Adventures of Tintin: The Secret of the Unicorn": No less than Steven Spielberg directs the first installment of an expected trilogy as the young Belgian detective finally comes to the big screen and, this time out, hunts for treasure on a sunken ship. (Dec. 23)

"We Bought a Zoo": Director Cameron Crowe - at last - returns to making movies with what should be a fun ride, the story of a man (Matt Damon) and his family who indeed move to the English countryside and buy and operate a zoo.

And there you have it. I'm more than certain there are some I've forgotten, so please feel free to let me know what they are or just sound off on your favorites. Peace out.

Sunday, December 26, 2010

My top 10 movies of 2010

Before I depart for my annual year-ending week in NYC with my family, I figured it's as good a time as any to come up with my top 10 movies of 2010, both because I figure by now I've seen just about everything that might make this list except for maybe "The King's Speech" and "Rabbit Hole," and simply so this won't be completely empty while I'm gone.

And lest anyone wants to squawk about the fact that neither "Inception" nor "The Social Network" made the cut, rest assured they're among the 10 runners-up, along with "Shutter Island", "A Prophet", "Splice", "Despicable Me", "Easy A", "Harry Potter and the Deathly Hallows - Part 1", "The Chronicles of Narnia: Voyage of the Dawn Treader" and "The Fighter".

So, without further delay, let's get to it, in order only of release date until the very end, where you will find my favorite movie of 2010. And as usual, please feel free to add your favorites and let me hear about any that I've unfairly snubbed.

"The Girl With the Dragon Tattoo"/"The Girl Who Played With Fire": These should definitely be viewed together, and ideally all at once with the third chapter, "The Girl Who Kicked the Hornet's Nest," but I haven't had the opportunity to see it yet. Given how sprawling and packed with details the novels by Stieg Larsson are, these are both nearly perfect models of how to adapt books for the big screen, and though David Fincher is doing an American remake of the first movie for next year, please do go see these first, because just trust me: Once you see her, I'm sure you'll agree that Noomi Rapace simply is Lisbeth Salander.

"Kick-Ass": Though many movies try to re-create the feel of comic books on the big screen, very few come as close to accomplishing it as this thoroughly fun flick from Matthew Vaughn (for the opposite kind of failure, view the almost completely lifeless "Iron Man 2".) Sure, there are moral questions about having a 13-year-old assassin spray bullets all around, but young Chloe Moretz is electric as Hit-Girl, and she and Vaughn create at least two of the year's best action sequences here.

"Toy Story 3": Being sometimes a fairly cynical fellow, I doubted that all the hype about this Pixar flick could be true, but it really does pack the emotional and entertaining punch to launch the "Toy Story" series into any discussion about the best movie trilogies. And "Toy Story" fans take note: The franchise will live on, sort of, as Barbie and Ken will star in the short movie that will precede "Cars 2" next summer (and will probably be better than the main attraction).

"The Other Guys": A Will Ferrell movie? Really? Yes, because Ferrell and Adam McKay bring all kinds of funny and just enough smarts to this comedy that skewers the buddy cop genre almost as well as Edgar Wright's "Hot Fuzz." And besides, this movie has both the best opening and closing credit sequences of the year, which may not sound like much, but they really are small wonders to behold.

"Animal Kingdom": This Australian gangster flick lacks all of the glamour of "The Godfather" or "Goodfellas," but packs even more of the grit. The story of the less-than-two-bit Cody clan, a crime family that never rose too high and is already on its way down as the movie opens, is hardly a sunny tale, but it's extremely compelling, thanks in large part to the chilling performance of Jacki Weaver as the menacing matriarch.

"The American": This is probably the flick on this list that most divided audiences, but I know that along with me, at least Roger Ebert and Reel Fanatic reader Jeremy Jirik also love it, so at least I'm not alone. "Control" director Anton Corbijn displays all of that titular quality here as he strips this tale of George Clooney as a hit man on what could be his last mission in Italy down to the barest bones of a thriller, making it instead a slow-moving but riveting character study and just a good story well told.

"127 Hours": Though the tale of what lengths trapped climber Aron Ralston had to go to remove himself from underneath a boulder in a valley was as hard to watch as I could have expected, it's also completely imbued with optimism thanks to director Danny Boyle and energy thanks to James Franco, even at its darkest moments. And even though Boyle used two different cinematographers, Enrique Chediak and Anthony Dod Mantle, you'd never know it as they merge their talents to drop us into every treacherous step of Ralston's journey, and should definitely share an Oscar for their efforts.

"True Grit": Even the ridiculous coda at the end, which is loyal to the source but just drains the energy right off the screen, can't ruin the fact that this remake is one of the Coen brothers' very best flicks. Restraining from most of their usual oddity, they instead just let the actors have a ball here, as The Dude, Matt Damon, Josh Brolin, Barry Pepper and, most of all, young Hailee Steinfeld as Mattie Ross all do, elevating both the humor and heart of Charles Portis' great novel. I've seen it twice already, and just may again before it leaves theaters.

"Black Swan": There's not an ounce of subtlety in this Darren Aronofsky flick, but since at its most basic level he's essentially made a great B horror movie (albeit it one of the psychological variety set in the world of ballet), he didn't really need any to make it soar. I'd have to imagine Natalie Portman is the odds-on favorite for the Best Actress Oscar, but Vincent Cassel should hear his name called in the Best Supporting Actor category too as the ballet guru who leads Portman's Nina Sayers to the darkest reaches of her own mind.

"Winter's Bone": Definitely saving the very best for last, I first saw this movie this summer while on vacation with mi hermano in Philadelphia, and it's been burned on my brain ever since. I watched it again recently to make sure, and yes, Debra Granik's tale of a young woman (the fantastic Jennifer Lawrence, who would get my Oscar vote if I had one) forced to go on a hunt through the American underbelly that is the Ozarks to search for her deadbeat father - who has put the house she's raising her two younger siblings in as a guarantor for a court appearance he's almost guaranteed not to make - is every bit as good as I first thought. Bleak? Of course, but as Lawrence's Rhee Dolly searches for the truth in this mess, this flick combines all the best elements of film noir with a coming-of-age tale of sorts to cook up my best movie of 2010 by a pretty wide margin.

And there you have it. Please, as usual, feel free to share any of your favorites or any that I've just unfairly snubbed, and have a simply splendid new year. Peace out.

Wednesday, September 29, 2010

"Star Wars" in 3D? I'll take half of that, if it ever gets that far


OK, I've never watched "Dancing With the Stars," and have no plans to, but I did see a tidbit about it that left me with a question: With Michael Bolton getting the boot after delivering what someone named Bruno Tonioli called "probably the worst" performance in the show's 11 (really? sheesh) years, does that now officially sanction him as a no-talent assclown? (sorry, there was no way I could resist that.)

After that, it's mostly all good movie news today, so let's get right to it, starting with the biggest of big dogs (in his own mind still, at least), George Lucas, and his plans to gussy up all six of his "Star Wars" movies in 3D (and before anyone who's been here reads on and wonders why, as usual, I'm not just railing against all 3D - for something like "Star Wars" I'll make a rare exception, because this should be thoroughly cool.)

To the "last" three of those, now unfortunately known as episodes IV-VI, I'll certainly say huzzah. They're great movies (yes, even episode VI), and time certainly doesn't change that. And if there's one good thing you can still say about Lucas, he certainly will spend whatever money he can throw at these to make them look spectacular.

There is, however, a real big problem with all of this, and that's that he plans to do these in order, starting with "The Phantom Menace" in 2012 and then releasing one each year after that. Now, I have no intention of seeing that, "Attack of the Clones" or "Revenge of the Sith" ever again, and especially not with any kind of 3D premium attached to the pain of actually sitting through them again.

And the 3D mountain of movie stench emanating from those three releases, if this gets that far, may actually prevent us from seeing the actually good "Star Wars" in 3D, because, at least according to the report I saw at the Hollywood Reporter, the subsequent 3D conversions would depend "on how well the first rerelease does."

My prediction? Jar Jar Binks is gonna kill this enterprise long before it gets to "A New Hope," where it should really start in the first place, which will be a genuine shame.

OK, enough of that, since there's plenty of other, better news out there today, starting with an unlikely but thoroughly deserved kudos for "Anvil! The Story of Anvil," easily the funniest documentary I've seen in the last five years or so and one of the best, too.

Katie Couric, Brian Williams, Bill Moyers and other actual news people may have been the big winners at the 31st annual News and Documentary Emmy Awards this week, but "Anvil!" snuck in too and took home a major award, an Emmy for Outstanding Arts & Culture Programming (it was eligible after airing on VH1).

If you've ever seen this great little film you'll know just how funny that is, but still well deserved, so a hearty huzzah to that. And if you've never seen the movie about Canada's hardest-working heavy metal band, I recommend it extremely highly as a rental.

In other news, Guy Ritchie's inevitable "Sherlock Holmes" sequel is shaping up to be much better than the first take, at least in terms of cast. Well, that's not really fair, because the real problem with the first flick wasn't its performers, who all clicked well, but the extremely weak story. Here's hoping that gets a whole lot better for "Sherlock Holmes 2."

We now know, however, that the cast will be first rate. Robert Downey Jr. and Jude Law will of course be returning as Sherlock and Watson, and now comes word that they'll be joined by Jared Harris as archnemesis Professor Moriarty.

This role was originally rumored to be going to Brad Pitt, who would have been just fine, but anyone who's watched Harris as Lane Pryce on "Mad Men" knows he'll be great in this. And if you watched the latest episode, you know his character now has the dubious distinction of both using the term "jungle bunny" and also getting a savage beating in the same episode.

And the good casting news continues beyond those lead roles. Stephen Fry has joined the cast as Sherlock's older brother, Mycroft Holmes, and even better, the original "Girl With the Dragon Tattoo," Noomi Rapace, will play a French gypsy and, I'd have to assume, inevitable love interest for Sherlock. Now, if they could only come up with a much better story this time ...

And speaking of "The Girl With the Dragon Tattoo," if you haven't seen the original Swedish version, it's out on DVD now, and it's pretty uniformly great. So great, in fact, that it enticed me to read the 700-plus pages of the late Stieg Larsson's second book in the series, "The Girl Who Played With Fire," and it's a pretty sensational work, too. I'm fairly certain David Fincher, who has a little movie coming out this week you may have heard of called "The Social Network," will do just fine with his American remake of "The Girl With the Dragon Tattoo," but if you can handle it's often-brutal story, the original is excellent viewing.

Now comes word that Niels Arden Opley, director of the original "The Girl With the Dragon Tattoo," has signed Tobey Maguire for his next project, "Good People," based on a book I haven't read by Marcus Sakey. The story, about a Chicago couple who find nearly $400,000 and go to extraordinary lengths to try and keep it, seems to follow directly in the footsteps of Sam Raimi's "A Simple Plan" and Danny Boyle's "Shallow Grave" (still probably my favorite of his movies), so it should be right up my alley.

OK, all I have left for the big finish today is just a short video, but since it's our first look at the Dude as Rooster Cogburn, I'd say it's a good place to end up. The Coen brothers' take on "True Grit," starring Jeff Bridges, Matt Damon, Josh Brolin and newcomer Hailee Steinfeld as Mattie Ross, is certainly one of the movies I'm most looking forward to for the rest of this year, so definitely keep an eye out for it on Christmas day, enjoy this teaser trailer, and have a perfectly bearable Wednesday. Peace out.

Saturday, September 11, 2010

Thumbs way up ... Ebert's "At the Movies" coming back to life!


I never should have believed that, having survived the cancer that robbed him of his natural voice, a simple cancellation by Disney would be enough to keep Roger Ebert or "At the Movies" down.

Indeed, as announced appropriately enough in the Chicago Sun Times, "Roger Ebert Presents At The Movies" will be coming to PBS - where Ebert and the late, great Gene Siskel got their TV start way back in 1975 - in January, and he's lined up two fantastic hosts. The show will be hosted chiefly by the Associated Press' Christy Lemire and NPR's Elvis Mitchell, with further contributions from Kim Morgan and Omar Moore.

Though by force we mostly run reviews by Roger Moore in the newspaper that still pays my bills (although he's a very good writer, the "by force" is that he's also very fast and we have an early deadline), I always try and wait to get my hands on Lemire's reviews, because she always delivers strong opinions with a hearty splash of wit. I also like that, as you'll see from the preview clip below, she's a woman who both rails against by-the-numbers romantic comedies but embraces great female directors like Nicole Holofcener, while at the same convincingly raving about odd choices like "Piranha 3D" and "The Last Exorcism."

As for Mitchell, I haven't kept up with his work like I should recently, but I used to love his writing for The New York Times. Together, as you'll again see in the preview below as they discuss Holofcener's "Please Give," which I haven't had the pleasure of seeing yet, they have a natural banter that, while not quite Siskel & Ebert caliber, should at least make them worthy successors.

Perhaps best of all, Ebert will be appearing with his computer voice in a weekly segment called "Roger's Office," most often, I'd have to guess, giving his thumb's up to movies that otherwise wouldn't get much play at all anywhere on TV. Here's what Roger himself had to say about the new endeavour:

"This is the rebirth of a dream. I believe that by returning to its public roots, our new show will win better and more consistent time slots in more markets. American television is swamped by mindless gossip about celebrities, and I'm happy this show will continue to tell viewers honestly if the critics think a new movie is worth seeing."

One definite advantage of returning to PBS (assuming the yarnheads at GPTV are smart enough to pick this up) is that it should have a set air time each week, something the show was often sorely lacking when it was handled by the Tribune company and then Disney.

Definitely keep an eye out for this starting in January. I know I will, because "Sneak Previews" with Siskel and Ebert debuted when I was 5 years old, and I've enjoyed Ebert's insightful and always entertaining reviews ever since (or at least since I was old enough to understand them.) Enjoy this preview for the new show, in which Lemire and Mitchell dish on "Iron Man 2" (solid thumbs down, and I heartily agree) and "Please Give" (a split decision), and then feel free to stick around for a couple more videos that caught my eye this morning.



OK, if something this mawkish-looking were coming from, say, M. Night Shyamalan, I'd probably just say no immediately, but I'd say Clint Eastwood has at least earned the benefit of the doubt by now. And besides, I've seen his last flick, "Gran Torino," three times now, and it just keeps getting better each time. As you'll see from this first trailer, Eastwood's next flick, "Hereafter," stars Matt Damon as some kind of reluctant psychic and deals with all kinds of weighty life-and-death issues (hey, it is fall, right?). Enjoy the clip and keep an eye out for "Hereafter" beginning in at least some cities Oct. 22.



And finally today, a dose of silliness that's just about right for a Saturday morning (even if it's a Saturday on which I have to work - nards.) I've said here plenty of times before that Joseph Gordon-Levitt is an actor I'd watch do just about anything, and he certainly puts that to the test by performing Lady GaGa's "Bad Romance" for his Hitrecord.org cohorts. It's actually pretty darn good, and guaranteed to at least make you smile a little, which is really the right way to leave things today. Peace out.

Thursday, June 24, 2010

Into the breach, meatbags! New, scab-free "Futurama" premieres tonight

You know, I've never even been remotely tempted to watch a Syfy movie, but the channel may have finally just found the formula to break down my resistance for about five minutes or so.

In a move that surely can only be hailed as evil genius, it has made the cast of its next movie, "Mega Python vs. Gatoroid (because, I suppose, on Syfy it always has to be something vs. something), a real battle of the '80s pop divas, Tiffany vs. Debbie (apparently back from Deborah) Gibson. And yes, really.

Just in case the plot actually matters to anyone, here goes: Debbie "not Deborah" Gibson will play a fanatical animal-rights activist who frees illegally imported exotic snakes from pet stores, sending them into the Everglades, where they grow to mega sizes (natch). Tiffany will play an overzealous park ranger who uses dangerous methods to save endangered alligators. Then, of course, the pair brawl at a party, then take matters outside into the swamp.

That's really probably enough about that nonsense, but just for the record, I'll take Tiffany, just on general principle, and because her dance music career has brought her here to Macon twice in the last few years.

In other, hopefully more important, news, the signs are increasing that Cameron Crowe really will direct another movie and at least somewhat wipe the sour taste of "Elizabethtown" from my movie memory. It appears that Matt Damon is in negotiations to play the lead in "We Bought a Zoo," which would begin shooting in January for a Dec. 23, 2011, release.

So, what's the movie about? Well, it's based on a memoir by Benjamin Mee, who along with his family bought and moved into a dilapidated zoo housing 200 exotic animals in the English countryside (but not, as far as I know yet, either Debbie Gibson or Tiffany.) In all seriousness, though, I really hope this all does come together, because with "Almost Famous" and "Fast Times at Ridgemont High" the man has directed and written two of my favorite flicks, and he surely deserves another winner.

And speaking of another director I really like who's been on a bit of a losing streak lately, I finally got around to watching Fernando Meirelles' "Blindness" a few weeks ago, and man was that a bleak bit of business. Not entirely awful, but not too close to entertaining either. Anyone who bothered to read my list of the best 100 movies of the '00s (and I suppose there just might be one of you) knows, however, that Meirelles rather easily topped that list with his debut flick, "City of God," so any news of him working again is welcome in this corner of the world, especially when he joins forces with a first-rate screenwriter.

Meirelles and Peter Morgan (writer of "Frost/Nixon," "The Queen" and, best of all, "The Damned United" - do yourself a favor and watch that ode to futbol futility as soon as possible) are joining forces for the "mature" drama "360." It will be based on the 1900 Arthur Schnitzler play "La Ronde" (which I'm not going to claim I've actually read), which apparently examined "the sexual morality and class ideology of his day through a series of sexual encounters between pairs of characters.” Sounds like equally juicy and heady stuff, and I'd imagine they'll contemporize it for what should be anything but a boring flick. Stay tuned ...

OK, before I got distracted by all that, this was supposed to be about the rather miraculous return of "Futurama" with back-to-back new episodes on Comedy Central tonight at 10 p.m. After Fox's brief flirtation with firing the entire voice cast and replacing them with scabs, they were eventually shamed into backtracking and bringing everyone back, and everything I've read about the new episodes indicates they're just as fun and trippy as ever. Just in case you need a refresher on all things "Futurama," here's a 7-minute "Recap-O-Rama" clip hosted by legendary Captain Zapp (not Zaff, as an alert reader politely informed me) Brannigan to get you caught up. Tune in to "Futurama" tonight and have a perfectly pleasant Thursday. Peace out.

FuturamaThursdays 10pm / 9c
Recap-O-Rama: 5 Seasons in 7 Minutes
www.comedycentral.com
Futurama New EpisodesFuturama New EpisodesUgly Americans

Wednesday, May 26, 2010

A Greg Mottola movie of "Dog of the South"? Bring it on

Greg Mottola's "Adventureland" is one of those movies that just gets better and better with age. I've seen it three times now, and though the ending seems ridiculously tacked on, it's still just a thoroughly entertaining snapshot of a time we've all been through at some point (though most likely not with Kristen Stewart to pitch woo at.)

He's in "post-production" now on something called "Paul" which, once it comes out, should just be a hoot. It stars British comedy duo Simon Pegg and Nick Frost of "Shaun of the Dead" and "Hot Fuzz" as two geeks who end up picking up an alien voiced by Seth Rogen (naturally) while on a cross-country trip to Comic-Con. I still have no idea when this will be released, but hopefully by the fall, and you can count me as thoroughly amped for it.

Mottola has developed into one of my favorite directors (he also made a little movie called "Superbad"), and he's now eyeing as a future project the Charles Portis novel "Dog of the South," for Bill Hader to star in. If you've ever read the novel, you should know just how funny this could be.

Portis' most famous novel, "True Grit," is getting the remake treatment (though in their hands, I'd really hesitate to use such a dirty word) from the Coen brothers this year, coming as a Christmas day gift and starring Josh Brolin, Matt Damon and the Dude. "Dog of the South," while certainly a lesser Portis work, is still worth reading if you like dry Southern comedy.

As a movie, it should be a great fit for Bill Hader. Simply put, it's about a guy who tracks his ex-wife and her lover through their credit card receipts, mostly so he can get his hands on the car she took with her. It's a lot better than I'm making it sound here, and well worth checking out. Here's hoping the movie comes together fairly quickly.

And speaking of "Adventureland," its star, Jesse Eisenberg, has just signed on to the followup by "Zombieland" director Ruben Fleischer, and it's quickly assembling a great comedy cast.

In the flick "30 Minutes or Less," shooting this summer, veryfunnyguy Aziz Ansari plays a junior high history teacher who is forced to join forces with a pizza delivery guy played by Eisenberg to rob a bank when one of them is strapped to a bomb vest. Throw in Danny McBride and Michael Pena as some of the baddies in this scheme, and you've got me pretty much hooked.

All I've got after that today is a clip from what has to be the one movie I'm most looking forward to seeing this year, assuming it eventually makes it down here somewhere even close to my little corner of the world, Jean Pierre Jeunet's "Micmacs." So far, I know it's playing in New York and L.A. this week, with four more cities promised next week, and only "coming to a theater near you" after that. Here's hoping that's true, because this one really does look like it's thoroughly infused with the Jeunet spirit. Enjoy this clip he introduces for HitFix (and swiped by me for you enjoyment), and have a perfectly passable Wednesday. Peace out.


Wednesday, February 24, 2010

For Wednesday, just a slew of movie news, good, bad and simply silly

There's just a ton of news out there today (or perhaps yesterday, but it's new enough to me), but let's just start with the worst of all and get it over with: George Lopez has signed on to star in a big-screen version of "Speedy Gonzalez." Just take that in for a second before moving on.

Now, I understand that Hispanics need to get all kind of roles and want that to happen all the time, but can you have a worse comedic role model than the very obnoxious Lopez or a more stereotypical role for him to jump into? Sheesh.

Just in case you're curious about the "plot" of this monstrosity, it will be a live-action/CGI animation hybrid from the director of "Garfield" (this just keeps getting better and better, doesn't it?) about how Speedy becomes a race car driver.

OK, enough bile to start the day. It can only get better from here, I promise.

Freida Pinto to join forces with Tarsem

It really seems like every other movie coming out nowadays has something to do with Greek gods, and I'll probably skip just about all of them except for this one, because I'll see just about anything directed by Tarsem.

If you have seen "The Fall" (and if you haven't, why the heck not?), you know he's as capable of telling a great story as he is of delivering something visually stunning, and now he's got a great leading lady for his next project, "War of the Gods."

The story follows a young warrior Theseus as he leads his men into battle with the immortal Greek gods to - of course - save mankind. Freida Pinto is set to play Phaedra, an oracle priestess who joins Theseus on his quest.

Like I said, these movies quickly all run together for me, but Tarsem is without exaggerating a genius, and Freida Pinto is the kind of beauty I'd probably pay to watch eat a bag of chips, so I'll definitely be keeping my eyes on this one.

The Coens find their young leading lady

Remakes usually make me cringe as much as anyone, but these next two are just so crazy that I can get behind them unconditionally.

First up is the Coen brothers' take on "True Grit," set to come out in December and almost certainly net them another Best Picture nomination in the next field of ten.

Why a remake of "True Grit"? Well, the original movie is great in itself, but the novel by Charles Portis is even better, with a lot of humor to mine that the Coens should take full advantage of.

Already announced for the stellar cast are Jeff Bridges, Matt Damon and Josh Brolin, and now its just been announced that newcomer Hailee Steinfeld has been cast in the essential role of Mattie Ross, the 14-year-old who, along with an aging U.S. marshall and another lawman, tracks her father's killer in hostile Indian territory. I've included a picture of her since I really had no idea who she was, but the Coens' take will apparently focus much more on Mattie's view of the story, so this really is the key part. Count me as thoroughly jazzed for this.

Stephen Chow to channel Bruce Lee

I'd normally greet any news of a Bruce Lee movie remake with nothing but a sneer, but Stephen Chow is both certifiably insane and just as fun, so I'll give him the benefit of the doubt on this.

Chow has just signed on to make his Hollywood acting/directing debut with something called "Tai Chi," which is at least loosely to be a remake of sorts of Lee's "Way of the Dragon."

Like the original, it will tell the story of a Chinese immigrant (Chow, natch) working as a dishwasher in Chinatown who also just happens to be a Tai Chi master. He hides those skills until he's forced to stand up to gangsters who oppress his fellow immigrants.

This sounds like nothing but fun to me, and the kind of flicks Jackie Chan used to make before he joined ludicrous projects like the "Karate Kid" remake coming fast (and, don't say I didn't warn you, there's more coming on that later today.) Definitely keep an eye on this.

A pair of biopics in the pipeline

When I saw this this morning, I tried to think if there's been a Robert F. Kennedy biopic made yet, but couldn't think of one (if I'm wrong, let me know.) He's certainly a ripe subject, and by far the most fascinating of the Kennedy clan in my book, so word about a biopic is certainly welcome.

And Bostonian Matt Damon would certainly seem to be natural choice to play him, as he will for director Gary Ross from a Steven Knight script.

We all know the tragic story, but my favorite RFK moment of all would have to be the speech he gave in the streets of Indianapolis announcing the assassination of Martin Luther King Jr. Incredibly stirring stuff that should be great to see envisioned on the big screen.

And in even better biopic news, Forest Whitaker let slip in an interview with the indispensable Blackfilm.com that he is directing and starring in a biopic about Satchmo himself, Louis Armstrong. Whitaker certainly has the look for it, and he's becoming a first-rate director too, so this should be nothing but fun.

And there's some great casting news, too

Of all the comedy fronts out there, the best one in my book is what's coming from my adopted South from the mob of Jody Hill, Danny McBride and David Gordon Green. They just view the world with an extremely jaded eye, and deliver their stories, thankfully, without an ounce of sentiment (but often plenty of silliness.)

And now comes word today that Green is about to sign on to direct something that should be the epitome of said silliness, something called "The Sitter," to star Jonah Hill. You've at least got my attention when you describe your flick as a cross between "Superbad" and "Adventures in Babysitting," and this one will be about Hill being forced to babysit three wild kids.

Just about nothing makes me laugh more than children being unleashed as their truly wild and hopefully profane selves, so here's hoping this turns into something genuinely hilarious.

And in semi-related news, fellow Judd Apatow protege Jason Segel is joining something that sounds just raunchy enough to suit him perfectly. Along with the alwaysveryfunny John Michael Higgins (if you don't know who he is, watch "Best in Show" and then get back to me) he's joined something called "Bad Teacher" being directed by Jake Kasdan (as an aside, if you haven't seen Kasdan's "TV Set," do yourself a favor and rent it immediately.)

The flick follows a foul-mouthed, gold-digging seventh grade teacher (Cameron Diaz, somehow) who, after being dumped by her boyfriend, sets her sights on a colleague (Lucy Punch) who is dating the school's model teacher. Add into this mix Segel as a gym teacher and Higgins as the school's principal, and you've got the makings of something that should be nothing but very funny.

And in clearly much classier news, Angelica Huston and Philip Baker Hall are joining James McAvoy, Seth Rogen and Reel Fanatic crush Anna Kendrick in the now-untitled cancer comedy which used to be known as "I'm With Cancer."

The flick, which director Jonathan Levine starts shooting later this month in Vancouver, stars McAvoy as a 25-year-old who learns he has cancer. I have no idea what anyone else will do in this flick, but with a cast like that, it's certainly one to watch out for. Hall, in particular, is a favorite around here who should be a much bigger star by now.

And, finally, a trio of videos

You know, this has already gone a lot longer than I intended when I woke up this morning, but that's what happens when I start the day with a big bowl of coffee.

And for my money, there isn't a funnier (or, not coincidentally, crazier) dude out there today than Aziz Ansari. You can see him on "Parks and Recreation," but thankfully he's also taking his Raaaaandy character from Apatow's "Funny People" to ridiculous extremes. After making a mini-documentary about the Andrew Dice Clay-type comedian (which you can watch in installments on YouTube, highly recommended), Ansari has now teaamed up with TV on the Radio's Dave Sitek to make a Raaaaandy rap album. Yes, really.

And judging from the first single, "Aaaaaaaangry," which you can listen to here, the as-yet-unfinished "mix tape" should just be insanely fun. On this track, he disses everyone from Dr. Dre (first name slowest, last name ever) to the Clipse, and it's just a hoot. Below is a clip of Ansari in character annoucing that the mix tape will be delayed but coming soon, and will certainly be purchased by me whenever that actually happens. Enjoy.



OK, now remember, I did warn you earlier. Next up comes quite possibly the most intelligence-insulating trailer of all time. I'm really not sure where to start with this, but ripping off the "wax on, wax off" bit is probably the worst of all. "Enjoy" the first trailer I know of for the "Karate Kid" remake starring Will Smith's kid, if you dare.



And finally, if for nothing else than to watch out the taste of that monstrosity, here's a promo for "Chuck," which is thankfully finally set to return to NBC on March 1. Since you've got Superman of a sort, Brandon Routh, why not make a "Superman" style promo? Enjoy, and have a perfectly bearable Wednesday. Peace out.