Women and the power of word of mouth, plus a short Friday clip show

It may well be just coincidence, but I at least find it very interesting that three of the movies which have benefited most from good word of mouth this summer are all movies about and primarily starring women.

First up came "Bridesmaids," which had a very big opening and then just kept going as more and more dudes got the word that this isn't just a movie you have to be dragged to: It's so genuinely funny you can just go and enjoy it it thoroughly. And that has led to a seriously healthy domestic box office take of more than $167 million, and made genuine stars of Kristen Wiig and Melissa McCarthy.

Next up came "Soul Surfer," which had a built-in audience from the start as a Christian flick, but slowly expanded beyond that as the word spread that the story of one-armed wonder Bethany Hamilton was inspiring no matter how you look at it, and the movie itself is just flat-out entertaining (I've seen it twice now, and it's again in my Netflix queue, so you can certainly count me as a champion of it.) "Soul Surfer" rode that wave to an outsized domestic box office take of more than $43 million (I actually thought it was a bit more than that.)

And now comes word that "The Help," the new movie about Southern maids in the '60s starring Viola Davis, Emma Stone and Octavia Spencer, is expected to remain atop the box office in its coming second week. Granted, its four new competitors - "Fright Night", "Conan the Barbarian", "One Day" and "Spy Kids: All the Time in the World" - are all pretty pathetic entries. Of them all, I might go see "Fright Night," only because the reviews so far are promising a fun and funky little flick, and Colin Farrell should be a hoot.

And as for "The Help," if you're worried about it at all, please let me reassure you: It is indeed a very faithful adaptation of the very definition of an Oprah Winfrey book club selection, but it's also genuinely moving and even more importantly, just very funny from start to finish. And on top of that, it's packed with first-rate performances from all the leads, plus a scene-stealing gem from Jessica Chastain, who is just a brilliant ball of comic energy as the delirious Celia Foote (and Chastain, who can be seen in the upcoming movie "The Debt" and, as you'll see from the trailer below, also "The Texas Killing Fields," is just having one heck of a good year.)

So, what is it about women and word of mouth? Perhaps they just trust each other more than us dudes do. I have no idea, but if it leads to more movies written and directed by, plus starring, women, I'm certainly all for it. 'Nuff said.

OK, that went on longer than I had intended, but it's a subject that fascinates me, so forgive me. After that today, there's just a bit of news about two people I always like to see, and then just a couple of clips.

First up, buried in a truly unfortunate report that Tony Scott, bereft of anything approaching an original thought, now has his sights set on remaking "The Wild Bunch," was word of something much more interesting he wants to cook up with The Dude.

Apparently before he butchers Sam Peckinpah's great Western, he has plans to make "Hell's Angels," a narrative history of the notorious motorcycle gang. Normally I'd kind of just say meh to that, but the movie, to be based both on the book by founding Angels member Sonny Barger and also incorporate aspects of Hunter S. Thompson's tome on the gang as well, would - if Scott gets his way - apparently star Jeff Bridges as Barger. Now you've got my attention. Stay tuned for more on this as soon as I can find it. ...

And finally today, before a couple of clips, Sarah Silverman has found a home at NBC, for a show that surely won't be as delightfully crude as her much-missed (at least by me, though I'm the only person I know who watched it) Comedy Central show, but should still deliver plenty of funny.

No idea if this will be in the fall lineup or be a midseason replacement, but the good news is that the show, starring Silverman as a woman readjusting to single life following a decadelong live-in relationship, will be co-written by the very funny comedienne and two of her "Sarah Silverman Show" co-conspirators, Dan Sterling and Jon Schroeder. Keep your fingers crossed that something genuinely funny comes from all this (I'm betting on yes.)

OK, now on to the clip show, starting with the first trailer I've seen for an upcoming true crime movie titled "Texas Killing Fields." With a name like that, I suppose it doesn't need too much of a plot description, but the flick starring Sam Worthington, Jeffrey Dean Morgan, Chastain and definite Reel Fanatic fave Chloe Moretz, is about two cops who are on the trail of a prodigious serial killer who dumps his victims in the titular marsh dubbed the "killing fields." Moretz plays his latest potential victim, and though I suppose this could all somehow suck, I'm a sucker for this kind of thing, so I'm in. Keep an eye out for it in at least some American cities (though why in the world something like this would be limited is beyond me) in October, and enjoy the trailer below.



Finally today, though he's made one movie I just can't stand (and in fact couldn't even finish), "The Killer Inside Me," Michael Winterbottom has made many, many more that I love, chief among them "24-Hour Party People" and "Tristram Shandy." I missed his earlier entry this year, "The Trip," which just looked like a comedy treat with Steve Coogan and Rob Brydon, but now he's got another movie coming out just in time to be shown at this year's Toronto International Film Festival.

As you'll see from the trailer below, "Trishna" stars the simply ravishing Freida Pinto in Winterbottom's adaptation of Thomas Hardy's "Tess of the D'Urbervilles." Not sure when this will have a U.S. release or when I'll ever be able to see it, but here's hoping it will be soon, because it looks fantastic. Enjoy the trailer, and have a great weekend. Peace out.

Great things coming for the kid in all of us - especially me - from Scorsese and Aardman

Actually, the photo above is one of six or so album cover creations by Next Movie in honor of the release of "Harry Potter and the Deathly Hallows: Part 2," which you may have heard of by now. You can see them all by clicking here, but I just chose the Snape/Elvis because it's an easy classic and Alan Rickman just rules.

And before we get into the aforementioned great things for kids, both in spirit and in actuality, there's some news out there today from 24 Frames that, while it does involve Santa Claus, really couldn't have less to do with younguns. And if you've seen the original movie, you already know what I'm talking about.

We've been on a pretty solid winning streak for R-rated comedies lately ("Bridesmaids" and "Bad Teacher" have been my favorites this summer), but for me, "Bad Santa" is really just about the best one of the last 10 years or so, mostly because of its joyously unfiltered and thoroughly funny filth, with a genuine holiday spirit somehow still running through the whole thing.

And now, this morning, comes word that Dimension Films has commissioned two competing scribes, Johnny Rosenthal and John Phillips (neither of whom I know anything about), to pen scripts for a "Bad Santa 2," with the winner hopefully getting made and the other one, if it's not just horrible, possibly saved for a "Bad Santa 3." Sequels can often turn my stomach as much as anyone, but I'm a true "Bad Santa" believer, so I can just say bring it on. And every day is really a little bit better with a little "Bad Santa," so here's just a taste of veryfunnylittleman Tony Cox and the late, great Bernie Mac (in, don't say I didn't warn you, a truly and blissfully foul-mouthed clip) before we move on to today's main courses. Enjoy.



OK, moving on to today's main clips (and just about as far away from "Bad Santa" as you can get), the honor of following up that truly foul bit goes to Martin Scorsese, who has really delivered a winner with this first trailer for "Hugo," even if he has obnoxiously shortened the title of one of my favorite books from "The Invention of Hugo Cabret" (was that really too long? Sheesh.)

I'm hardly a moralist, even when it comes to kids' movies, and I wouldn't be a very good one if I ever wanted to be, but along with less fart jokes, what they could really use is much less product placement and more of the three W's, wonder, whimsy and wacky. Well, when it comes to the first two, I haven't been as psyched for a young folks' movie as I am for "Hugo" since Spike Jonze's "Where the Wild Things Are," which I still watch a couple of times a year and will never tire of. Except for the awful music, this trailer for Scorsese's Thanksgiving flick starring Asa Butterfield, Chloe Moretz, Jude Law and Sacha Baron Cohen gets just about everything else right, and I can promise it will be the only time in the foreseeable future that I'll spring for anything in 3-D. Enjoy.



And when it comes to the wacky, it really doesn't get much better than the claymation offerings from Aardman, best of all the "Wallace & Gromit" collection. For anyone who may not know, a fire struck the main warehouse storing most of Aardman's best stuff in 2005, wiping out, as Nick park put it at the time, the studio's "entire history."

Since then, however, and with a big assist from Sony Pictures Animation, Aardman has rebounded in a big way, and soon (well, March 12 in the U.S. of A., so fairly soon) will be back on the big screen with "The Pirates! Band of Misfits." As you'll see from the first trailer below, it's as loopy as ever, and somehow stars Hugh Grant as the voice of Pirate Captain. Enjoy, and have a great weekend. And if you'll excuse me, I'm off to do some swimming and then try to squeeze into a matinee of that "Harry Potter" flick. Peace out.

A short Thursday report long on fun news

If you skipped Derek Cianfrance's "Blue Valentine" last year, either because of its mind-boggling NC-17 rating or simply because the subject matter sounded so depressing, fix that right away with a rental, because in many ways the movie is a real joy to watch.

It is indeed about a marriage that's imploding in front of our eyes, but the acting from Michelle Williams (rightly nominated for an Oscar) and Ryan Gosling is nothing short of amazing to behold, and the story goes on a journey well worth exploring that will make you smile and laugh more than it will make you blue. The "future room" alone makes this movie well worth renting (it's out on DVD now, so check it out).

And even better comes big casting news about Cianfrance's next movie, the crime drama "The Place Beyond the Pines," which reunites him with Gosling. He will play a biker who, after having a child, begins robbing banks to support the baby. And now comes word that Bradley Cooper will play a rookie cop who's on his trail.

Filming will start in July, and Cianfrance is a real talent to keep an eye on, so stay tuned for more on this whenever I find it.

In other news about a director I can't get enough of, it's now guaranteed that even people in my little corner of the world will get to see Tomas Alfredson's follow-up to the simply sublime "Let the Right One In" (still streaming on Netflix), a remake of "Tinker, Tailor, Soldier, Spy."

The news is that Focus Features has taken over distribution from Universal and has set an awards season U.S. release date of Nov. 18, and best of all, will apparently do so in glorious "wide release."

Bully to that, because Alfredson has compiled a stellar cast for the Cold War spy saga based on the John Le Carre novel, starting with Gary Oldman as George Smiley, the British spy charged with uncovering a Russian mole in his ranks, and also featuring Colin Firth, Ciaran Hinds, Tom Hardy and Mark Strong.

Bring it on already, even for people like me, who live in tiny burgs!

And finally (and inevitably) today, Paramount is finalizing an option deal to develop a movie based on "Furious Love," an account of the public love affair of Elizabeth Taylor and Richard Burton, and is ready to hand it off to one Martin Scorsese to direct.

Scorsese is currently wrapping up "Hugo Cabret" starring Chloe Moretz and Asa Butterfield (based on one of my favorite novels, "The Invention of Hugo Cabret," so bully to that) for a Nov. 23 release, and after that he has a number of potential projects on his plate. Included among those are "Silence," a tale of two Jesuit priests (potentially Daniel Day Lewis and Benicio Del Toro, imagine that) in 17th century Japan, the hitman drama "The Irishman" and a Frank Sinatra biopic.

Though any of those would be a natural fit, I'd imagine he would gladly put them all on hold to jump on this, given his interest in Hollywood history and how simply juicy the story is. Burton and Taylor were both married when they met on the set of "Cleopatra" in 1960, and began a public romance that inflamed the paparazzi. They eventually married in 1964, divorced in 1974, remarried in 1975 and separated for good in 1976.

And with that, I'm off to the job that still pays my bills, so have a perfectly pleasant Thursday. Peace out.

Remember good, old-fashioned books?

Repackaged TV shows, comic books (too often, it seems) and even board games (yes, really). It certainly seems like anything can be fodder for movies these days, but far too often the most obvious source gets overlooked: Good, old-fashioned books.

This year, three books that I've enjoyed to varying degrees are coming to the big screen, and it starts this week with "Water for Elephants."

On paper at least, Sara Gruen's popular novel, being directed by Richard Lawrence (director of "I Am Legend" and a whole lot of music videos before that), seems like it would be a hard one to screw up in movie form, because the story is just so naturally epic. And with Reese Witherspoon, Robert Pattinson, Christoph Waltz and the great Hal Holbrook, it features a first rate cast, too, so here's hoping it all works out.

Another wildly popular book that is making the leap to movies this year is Kathryn Stockett's "The Help," but in this case, I'm hoping the flick will be a lot better than the novel. While I didn't hate Stockett's work, I found it to be full of stock characters drawn in broad strokes of black and white (and that, despite the book's subject matter, has nothing to with race). As a movie, however, it has great potential.

In this case, too, the story of a young Southern woman who led a group of black maids to find the voice for their grievances has a perfect cast, led by solidly funny lady Emma Stone in the main role of Eugenia "Skeeter" Phelan and Viola Davis as Aibileen Clark, the leader of the maids. Keep an eye out for this as counter programming to all the super hero flicks and late summer comedies Aug. 12. Here's the first trailer I know of for it:



And finally, from a book intended for readers much younger than me that nonetheless managed to thoroughly engross me, Martin Scorsese will bring Brian Selznick's young adult novel "The Invention of Hugo Cabret" to the big screen Nov. 23 as the shortened "Hugo Cabret" (and, unfortunately, in 3-D, but I think I've lost that battle already).

The magical story is about a boy who lives a secret life inside the walls of a Paris train station. There, he discovers one of French filmmaker George Méliès' automatons, which were mechanical, wind-up figures, and that's when the tale really gets fun.

For the movie, young Hugo is played by Asa Butterfield, with his friend Isabelle being played by Chloe Moretz (a Georgian and the unforgettable Hit-Girl from "Kick-Ass") and the station inspector being played by Sacha Baron Cohen. Even in awful 3-D, I really can't see anyway that Scorsese can make this into anything but a completely fun holiday flick.

I always try to picture the books I'm reading as movies (Williams Boyd's spy saga "Restless" would make a great one, but no one's jumped on that yet), so here's hoping they can continue to inspire great filmmakers in this increasingly digital world. Peace out.

My top 10 movies of 2010

Before I depart for my annual year-ending week in NYC with my family, I figured it's as good a time as any to come up with my top 10 movies of 2010, both because I figure by now I've seen just about everything that might make this list except for maybe "The King's Speech" and "Rabbit Hole," and simply so this won't be completely empty while I'm gone.

And lest anyone wants to squawk about the fact that neither "Inception" nor "The Social Network" made the cut, rest assured they're among the 10 runners-up, along with "Shutter Island", "A Prophet", "Splice", "Despicable Me", "Easy A", "Harry Potter and the Deathly Hallows - Part 1", "The Chronicles of Narnia: Voyage of the Dawn Treader" and "The Fighter".

So, without further delay, let's get to it, in order only of release date until the very end, where you will find my favorite movie of 2010. And as usual, please feel free to add your favorites and let me hear about any that I've unfairly snubbed.

"The Girl With the Dragon Tattoo"/"The Girl Who Played With Fire": These should definitely be viewed together, and ideally all at once with the third chapter, "The Girl Who Kicked the Hornet's Nest," but I haven't had the opportunity to see it yet. Given how sprawling and packed with details the novels by Stieg Larsson are, these are both nearly perfect models of how to adapt books for the big screen, and though David Fincher is doing an American remake of the first movie for next year, please do go see these first, because just trust me: Once you see her, I'm sure you'll agree that Noomi Rapace simply is Lisbeth Salander.

"Kick-Ass": Though many movies try to re-create the feel of comic books on the big screen, very few come as close to accomplishing it as this thoroughly fun flick from Matthew Vaughn (for the opposite kind of failure, view the almost completely lifeless "Iron Man 2".) Sure, there are moral questions about having a 13-year-old assassin spray bullets all around, but young Chloe Moretz is electric as Hit-Girl, and she and Vaughn create at least two of the year's best action sequences here.

"Toy Story 3": Being sometimes a fairly cynical fellow, I doubted that all the hype about this Pixar flick could be true, but it really does pack the emotional and entertaining punch to launch the "Toy Story" series into any discussion about the best movie trilogies. And "Toy Story" fans take note: The franchise will live on, sort of, as Barbie and Ken will star in the short movie that will precede "Cars 2" next summer (and will probably be better than the main attraction).

"The Other Guys": A Will Ferrell movie? Really? Yes, because Ferrell and Adam McKay bring all kinds of funny and just enough smarts to this comedy that skewers the buddy cop genre almost as well as Edgar Wright's "Hot Fuzz." And besides, this movie has both the best opening and closing credit sequences of the year, which may not sound like much, but they really are small wonders to behold.

"Animal Kingdom": This Australian gangster flick lacks all of the glamour of "The Godfather" or "Goodfellas," but packs even more of the grit. The story of the less-than-two-bit Cody clan, a crime family that never rose too high and is already on its way down as the movie opens, is hardly a sunny tale, but it's extremely compelling, thanks in large part to the chilling performance of Jacki Weaver as the menacing matriarch.

"The American": This is probably the flick on this list that most divided audiences, but I know that along with me, at least Roger Ebert and Reel Fanatic reader Jeremy Jirik also love it, so at least I'm not alone. "Control" director Anton Corbijn displays all of that titular quality here as he strips this tale of George Clooney as a hit man on what could be his last mission in Italy down to the barest bones of a thriller, making it instead a slow-moving but riveting character study and just a good story well told.

"127 Hours": Though the tale of what lengths trapped climber Aron Ralston had to go to remove himself from underneath a boulder in a valley was as hard to watch as I could have expected, it's also completely imbued with optimism thanks to director Danny Boyle and energy thanks to James Franco, even at its darkest moments. And even though Boyle used two different cinematographers, Enrique Chediak and Anthony Dod Mantle, you'd never know it as they merge their talents to drop us into every treacherous step of Ralston's journey, and should definitely share an Oscar for their efforts.

"True Grit": Even the ridiculous coda at the end, which is loyal to the source but just drains the energy right off the screen, can't ruin the fact that this remake is one of the Coen brothers' very best flicks. Restraining from most of their usual oddity, they instead just let the actors have a ball here, as The Dude, Matt Damon, Josh Brolin, Barry Pepper and, most of all, young Hailee Steinfeld as Mattie Ross all do, elevating both the humor and heart of Charles Portis' great novel. I've seen it twice already, and just may again before it leaves theaters.

"Black Swan": There's not an ounce of subtlety in this Darren Aronofsky flick, but since at its most basic level he's essentially made a great B horror movie (albeit it one of the psychological variety set in the world of ballet), he didn't really need any to make it soar. I'd have to imagine Natalie Portman is the odds-on favorite for the Best Actress Oscar, but Vincent Cassel should hear his name called in the Best Supporting Actor category too as the ballet guru who leads Portman's Nina Sayers to the darkest reaches of her own mind.

"Winter's Bone": Definitely saving the very best for last, I first saw this movie this summer while on vacation with mi hermano in Philadelphia, and it's been burned on my brain ever since. I watched it again recently to make sure, and yes, Debra Granik's tale of a young woman (the fantastic Jennifer Lawrence, who would get my Oscar vote if I had one) forced to go on a hunt through the American underbelly that is the Ozarks to search for her deadbeat father - who has put the house she's raising her two younger siblings in as a guarantor for a court appearance he's almost guaranteed not to make - is every bit as good as I first thought. Bleak? Of course, but as Lawrence's Rhee Dolly searches for the truth in this mess, this flick combines all the best elements of film noir with a coming-of-age tale of sorts to cook up my best movie of 2010 by a pretty wide margin.

And there you have it. Please, as usual, feel free to share any of your favorites or any that I've just unfairly snubbed, and have a simply splendid new year. Peace out.

Men of the year: My favorite male movie performances of 2010

I waited to compile this list until seeing "Black Swan" and "The Fighter" as a truly odd double feature last Saturday, and that day yielded one entry here I expected and one that caught me by surprise.

It's still dangerous to do it before The Dude surely abides this week in "True Grit" and without having seen the performance of Oscar favorite (if I'm reading the cards right) Colin Firth in "The King's Speech," but I'm fairly confident that with those two exceptions I've seen most of the best movies of 2010, so here goes: My favorite male performances of 2010, in order only of release date until the very end, for which I've saved my vote for the best.

Leonardo DiCaprio, "Shutter Island": Sure, Leo played pretty much the same constantly stressed out character in both this and "Inception" this year, but he was better here as FBI agent Teddy Daniels in this flick based on the Dennis Lehane novel, which is so good that it will likely end up on my overall best movies of 2010 list, too.

Ricardo Darin, "The Secret in Their Eyes": In this Argentinian film noir, Darin's character undergoes a rather epic journey, returning to both the scene of a brutal crime from his career as a legal inspector and reuniting with an unrequited but still smoldering love, and his performance carries us every step along the way.

John Hawkes, "Winter's Bone": The key to this Debra Granik movie, another film noir of sorts and, like "The Secret in Their Eyes," also shown this year by the Macon Film Guild, is the mysterious motivations of all the characters Jennifer Lawrence's Rhee Dolly encounters while searching for her missing father - and the most important of those is Hawkes' Teardrop (yes, really), who plays his cards close until the end and makes this my vote for the best movie of 2010.

Steve Carell, "Despicable Me": Can a voice-only performance really be one of the best of the year? When it's as good as Carell's as the criminal mastermind with a heart Gru, absolutely, and besides, even though "Toy Story 3" will rightly get most of the animated kudos this year, this was just a thoroughly charming flick.

Kevin Kline, "The Extra Man": I was expecting the worst from Kline in this, and so was that much more pleasantly surprised by how restrained he was as the "gentleman" Henry Harrison, whose sole job is squiring wealthy widows around NYC. Both Kline's performance and the movie overall, out now on DVD, are winning portraits of the kind of eccentric New York that's now all too rare.

Kieran Culkin, "Scott Pilgrim Vs. the World": Comedy rarely gets is just due in awards season, and for my money, no one was funnier this year than Culkin as Scott Pilgrim's gay roommate who constantly pops up to provide a snarky commentary of sorts in the best movie that virtually no one saw in 2010.

Kodi Smit-McPhee, "Let Me In": Matt Reeves' "Let Me in" would have been a completely soulless remake of the clearly superior vampire movie "Let the Right One In" if it weren't for the performances of the two kids at the story's core. McPhee and Chloe Moretz draw us deep into the doomed world of young Owen and Abby and, against steep odds, improve on the performances of the kids in the original movie.

Vincent Cassel, "Black Swan": The two things that surprised me about Darren Aronofsky's movie is just how much of a B-movie schlockfest it really is (albeit about the ballet, of course), and just how good Vincent Cassel is as the ballet director who expertly manipulates his young dancers, never with overt menace but an equally dangerous charm.

Christian Bale, "The Fighter": Bale's extreme measures - and weight fluctuation - to get into his roles would be easy to mock if there clearly weren't more than madness to his method. Here, he's on the very gaunt side as Dicky Eklund, the crack-addicted brother of Mark Wahlberg's titular "Fighter" and the main thing that helps David O. Russell's movie rise above the pack of standard sports underdog flicks.

James Franco, "127 Hours": As I said, the best for last, and this year it's by a pretty wide margin. As Sam Rockwell did last year in the seriously smart sci-fi flick "Moon," Franco dominated almost every frame of Danny Boyle's movie, and never once lets the viewer get bored of watching him. From the exuberance of the beginning of Aron Ralston's perfect day to the extreme desperation of being trapped under a rock for the titular "127 Hours," Franco takes us along every inch of this often very hard to watch journey, making the payoff all the more rewarding at the finish. Just an all-around excellent performance.

And there you have it. Please feel free to let me know of any I may have snubbed (in the honorable mention, I've already got Christopher Plummer in "The Last Station", Michael Nyqvist in "The Girl With the Dragon Tattoo"/"The Girl Who Played With Fire" and George Clooney in "The American"), and have a perfectly endurable Monday. Peace out.

Vive la femme: The best female performances of 2010

Though it would be hard to call 2010 a banner year for great female movie roles, there have still been some great performances this year from actresses young and old.

So, with the caveat that I have yet to see some potentially great work from Amy Adams in "The Fighter," Natalie Portman in "Black Swan" and newcomer Hailee Steinfeld in "True Grit," here are my picks for the best female performances of 2010. As always, please feel free to sound off in the comments with anyone I may have snubbed.

Noomi Rapace: "The Girl With the Dragon Tattoo"/ "The Girl Who Played With Fire": Though she is almost a complete mismatch with the picture of Lizbeth Salander you get in the wildly popular books by the late Stieg Larsson, you won't soon forget how tough and yet vulnerable Rapace is in the role of the talented hacker. Take a weekend and watch these back to back for two of the best thrillers of the year.

Helen Mirren, "The Last Station": The most surprising thing about this movie about the last days of Leo Tolstoy, which was screened by the Macon Film Guild, is just how much fun it is, due in large part to the the interplay of Dame Helen Mirren and Christopher Plummer.

Chloe Moretz: "Kick-Ass"/"Let Me In": With her work in these two movies, one I love ("Kick-Ass") and one I pretty much despise ("Let Me In"), I'd say the young Georgian Moretz had the best year of any actress in 2010, and probably had the most fun too as the extremely lethal Hit-Girl in "Kick-Ass." Keep an eye out for her next year in Martin Scorsese's "Hugo Cabret."

Jennifer Lawrence: "Winter's Bone": Lawrence's performance as Rhee Dolly, the young woman forced to enter the seamy world of her tangled relations to search for her deadbeat (and possibly just dead) father was the best of 2010, and her reward: She gets to play Raven/Mystique in "Kick-Ass" director Matthew Vaughn's "X-Men: First Class." Bully.

Annette Bening: "The Kids Are All Right": I'd have to say she's the odds-on favorite for the Oscar for Best Actress, and why not? Though I found the movie itself to be pretty pedestrian, her performance as one half of a lesbian couple (with Julianne Moore) is fantastic.

Jacki Weaver: "Animal Kingdom": Weaver gets the nod for the scariest character of the year as the matriarch of the Cody clan in this extremely unglamorous Australian gangster flick, and once you see it, she will be burned on your brain (and quite possibly your nightmares). Coming to DVD on Jan. 18.

Emma Stone: "Easy A": A silly movie? Sure. But also extremely funny, and at the center of it, Stone is a bundle of comedic energy that never stops running through it. Expect her to make a big breakthrough next year in something more serious, as Eugenia "Skeeter" Phelan in the movie based on Kathyrn Stockett's entertaining bestseller "The Help."

Ensemble award: "For Colored Girls": Tyler Perry's movie based on the play by Ntozake Shange is more than a bit of a muddled mess, but his love for black women still shines through in the performances he managed to pull from his large ensemble cast of talented women. Best are Kimberly Elise, Tessa Thompson and Phylicia Rashad as the busybody at the center who ties it all together.

And there you have it. Like I said, please feel free to add anyone I unintentionally snubbed, and have a passable Tuesday. Peace out.

A new Christopher Guest movie? It's about friggin' time

Can anyone remember the last time Christopher Guest made one of his almost always entertaining mockumentaries? I would have guessed five years ago, and a quick glance at the rather disastrously "redesigned" (yes, I pretty much fear all change) IMDB confirms I was close ("For Your Consideration" in 2006 was his last - and not one of his best.)

Well now, according to Liz Smith at Women of the Web (hey, choose to believe it or not, but she has two of the stories I found interesting this morning, so credit where it's due), he's found a new subject to parody, and it sound just about perfect: the rather seriously idiosyncratic world of retro collectors.

I've never delved into that world, but I'm sure Guest, if this will indeed be his next target, will treat these endearing oddballs with his usual mix of mockery with a hint of respect. And according to Smith, the "Spinal Tap" core of Harry Shearer and Michael McKean are all already on board with the as-yet-untitled project, and they're writing roles with Guest regulars Michael Patrick Higgins, Parker Posey and even Jane Lynch in mind, though I'd be seriously impressed if they manage to snag her around her "Glee" schedule.

This could all be conjecture, of course, but it sounds so good that I'm choosing to believe it until I hear otherwise.

After that today, there's actually a lot of news about probably my three favorite young actresses out there, so after a short diversion about NBC's "Community," I'll get right on to that.

If you watched NBC's Thursday comedy block last night (except, I can only hope, "Outsourced," which my remote stopped on for a second during DVR breaks, and I could feel it cringing in my hand before I quickly moved on), I think you'll agree with me that "Community" has clearly now risen to the top of the pack. "The Office" is still funny, and "30 Rock" rebounded strong last year, but last night's "Community" premiere, from Chevy Chase's "White Man Says" Twitter account to the promise of evil Senor Chang out for revenge, was just nonstop laughs.

And the best joke of all just might have come in the first 10 seconds, when they show veryfunnyman Donald Glover waking up in his Spider-Man pajamas. Glover was lobbying for the role of Peter Parker in director Marc Webb's coming "reboot," and until now that would have been the only thing that would have possibly gotten me interested in this thoroughly unnecessary project.

The role eventually went to Andrew Garfield, which, once you've already fired Sam Raimi as director, just finished the meh for me. Now, however, he and Webb have interviewed Emma Stone and Mia Wasikowska for roles in the movie and, given that both Gwen Stacy and Mary Jane Watson will appear in the new movie, those two, in that order, would be just about perfect, and perhaps even be enough to make me buy a ticket for this mess.

If you haven't seen Stone's "Easy A," do so this weekend, unless you somehow don't like to laugh. The story is too slight by half, but it's wickedly funny, and Stone truly shines in it.

And while we're on the subject of young actresses I always like to watch, just as Chloe Moretz is getting raves for "Let Me In," which I've now dropped all plans to avoid, she's now lined up what would have to be just about the perfect part.

I don't read comic books much any more, but I have read several issues of Dark Horse's "Emily the Strange," and they pretty much rule. The Goth teen who, with proper reason, loathes just about everything in the world except her talking cats, will make a great part for Moretz, who has now signed on for a live-action movie version based on the comic books.

OK, quick hits today, I know, but there's a lot out there, and not much time for me to get to it at all. Next up is a rumor that I'm sure is true, but I can only hope never comes to fruition.

According to Smith, again, Mel Gibson, who through no possible fault than his own is now pretty much an exile from the big screen, is apparently now lobbying hard to make a comeback on the small one, and in easily one of my favorite shows.

It seems that Gibson has been begging "Mad Men" creator Matthew Weiner for a recurring role on the fifth (and I think probably final) season of the show, which would film in July. Take a second to think about that.

Now, I know the show deals in complicated characters, and thrives on that, but I really hope Weiner doesn't take the bait on this. It would just be the worst kind of stunt, and "Mad Men" certainly doesn't need that. Though apparently less than 2 million people are tuning in for this season, it has been possibly the show's best, and with Cooper's "She was an astronaut," offered easily the best line of this just-starting TV season. Just say no, Mr. Weiner.

OK, after that, I think I have time for a trio of clips, so here goes. First up, from Collider.com, for which I occasionally contribute, comes this collection of five clips from the upcoming David Fincher Facebook flick "The Social Network." Though I didn't really need any convincing to go see this when it finally comes out one week from today, I've gotten word from someone whose opinion I always trust, Jeremy Jirik, that this is indeed first-rate Fincher, so I'm definitely amped now. Enjoy the clips.



After that today, all I have left is a couple of trailers, starting with the first one I know of for "The King's Speech," which was the big winner at this year's Toronto International Film Festival, which will hopefully give it enough mojo to open very wide when it does so later this fall. The movie, directed by Tom Hooper (who made the seriously satisfying futbol flick "The Damned United" - rent that one already), "The King's Speech" tells the story of King George VI. After his brother abdicates, George ‘Bertie’ VI (Colin Firth) reluctantly assumes the throne. Plagued by a dreaded nervous stammer and considered unfit to be King, Bertie engages the help of an unorthodox speech therapist named Lionel Logue (Geoffrey Rush). Helena Bonham Carter (of course) stars in this too, and it should be a treat. Enjoy the trailer.

And finally today, here's the trailer for a comedy that, until this morning, I had never heard of, but Bill Nighy is just one of those people I'll watch in just about anything. As you'll see from this trailer for "Wild Target," in this rather familiar story he plays an assassin who falls for the latest target he's supposed to take out, played by Emily Blunt. Rupert Grint of "Harry Potter" fame also makes an appearance, and I'm hoping against hope this somehow turns out to be a whole lot less conventional than the trailer makes it out to be. Enjoy, and have a great weekend. Peace out.

For Thursday, a very large cache of clips

Anyone who's been here before knows that I love trailers, good bad and otherwise. I almost never arrive to a movie late enough to miss them.

So, I've spent so far an hour or so of my morning watching some (hey, it was from 6-7 a.m., so what more productive thing was I really supposed to be doing?), and here are the best eight or so clips I could find.

Actually, it starts today not with a trailer, but with what purport to be the first 10 minutes of "Easy A," and having watched this through once (and laughed out loud several times), I believe it to be genuine. Not everyone will want to have the first 10 minutes of a movie revealed, but hey, it's not like there are any real secrets here. All it reveals is that, in case you didn't know already, "Easy A" is going to make a genuine star of natural comedienne Emma Stone. Enjoy.



OK, now on to some actual trailers, and this being fall, there are some real heavy hitters (pun fully intended for the first one) coming. First up comes the first trailer I know of for David O. Russell's (remember him?) "The Fighter." Russell's first feature film since "I Heart Huckabees" in 2004 stars Markie Mark Wahlberg as boxer "Irish" Micky Ward and Christian Bale as the brother who trained him before he went pro in the early 1980's. It indeed looks like a pretty typical sports underdog tale, but with Amy Adams and Melissa Leo also starring in this, I'm hoping for much more when it opens wide Dec. 17. Enjoy.



Next up comes one that I haven't heard too much about, but since it comes from "The Lives of Others" director Florian Henckel Von Donnersmarck, it should be a real winner. As you'll see from the trailer, Johnny Depp plays the titular "The Tourist", who gets framed for murder and all kinds of other juicy stuff after a perhaps-not-chance encounter with Angelina Jolie on a train. The moral clearly seems to be that, even if you're Johnny Depp, always be suspicious when an insanely beautiful woman strikes up a conversation with you. Enjoy the trailer, and keep an eye out for the movie Dec. 10.

Anyone who's been here before also knows that, although I didn't bother to see his last movie, "Why Did I Get Married Too?", I have a whole of time for Tyler Perry. His previous movie, "I Can Do All Bad All By Myself" with Taraji P. Henson, was very entertaining, thanks in large part to a small turn by Gladys Knight (yes, really). For his next movie, due out Nov. 5, he will for the first time adapt the work of someone else, here the play "For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf" by Ntozake Shange. The story, which is about nothing less than existence from the perspective of 20 nameless black women, is an ambitious undertaking, and I'll be sure to see it on the opening weekend for curiosity if nothing else. As you'll see below, it boasts a strong cast, with Phylicia Rashad, Kimberly Elise, Thandie Newton, Whoopi Goldberg, Loretta Devine, Anika Noni Rose, Janet Jackson and even Macy Gray. Enjoy the trailer.



Still with me? Then here's some more. Danny Boyle's "127 Hours," about the titular amount of time climber Aron Ralston (to be played by James Franco) spent trapped under a boulder in a Utah valley, is reportedly so intense that it caused several fainting spells and possibly a seizure too in Toronto. While the latter is certainly unfortunate, that doesn't make me any less excited to see this when it finally comes out Nov. 5. Enjoy the clip below, which features Franco, Amber Tamblyn and Kate Mara.



OK, we're in the homestretch now. After reading yet another rave review of "Let Me In," the still thoroughly unnecessary English-language remake of the sublime "Let the Right One In," this one at Collider.com, I've now given in to the very real possibility that Matt Reeves has really come up with something fairly great here. Below are eight clips from the movie starring Hit-Girl Chloe Moretz and Kodi Smit-McPhee and set to come out Oct. 1. I think they'll make a bit of a believer in you, too. Enjoy.



I buried this one more than a bit because, after the disaster that was the interactive trailer for "Scott Pilgrim Vs. the World" (which, as several people pointed out to me, played the most annoying music even without clicking on it), I'm really not sold on the concept. You can judge for yourself, however, with this interactive trailer for David Fincher's "The Social Network," which I'm really looking forward to seeing when it comes out Oct. 1. The "interactive" comes because if you click on the trailer while its playing, it pops up little windows with facts and links you can follow about the movie. More than a little annoying to me, but enjoy if you do.



And where better to wrap things up today than with a genuine oddity? This bit of animation apparently springs from a question Fincher asked Werner Herzog as Herzog was in Toronto promoting "My Son, My Son, What Have Ye Done?". As you'll see below, Herzog apparently witnessed Joaquin Phoenix getting into a doozy of a car accident, and then rescued him from it. Enjoy, and have a perfectly bearable Thursday. Peace out.

Will James Gunn's "Super" deliver a cult hit?

Update: James Gunn's "Super" has been picked up by IFC, meaning, I hope, that it will be available on cable on demand as soon as it hits its probably very meager amount of theaters ... bully

Wow. The word is trickling in from Toronto, and so far I've seen two simply glowing reviews of "Let Me In" from sources I trust, HitFix and The Playlist.

In both cases, the reviewers clearly love the original Swedish movie, "Let the Right One In" (my single favorite movie of 2008), as much as I do. Yet they both say Matt Reeves, director of the surprisingly entertaining "Cloverfield," has done the just about impossible: He's made a movie that, while perhaps not better (which really would be impossible), at least lives up to the spirit of the original and soars thanks to its two young leads, Hit-Girl Chloe Moretz and Kodi Smit-McPhee. You can read those two reviews here and here, and keep an eye out for Reeves' flick Oct. 1.

You can now count me as extremely curious, if not excited, about that flick, but there's something else that came through the midnight circuit up north that sounds like even more my thing. James Gunn, though he delivered a winner in my book with "Slither," is sorely in need of a box office one, since that very entertaining humor/horror mix starring Captain Mal Nathan Fillion and Elizabeth Banks took in a rather amazingly disastrous $7.8 million at the U.S. box office (really? Trust me, maybe it's not great, but this movie is well worth a DVD rental.)

Well, I can't imagine his new movie, "Super," will do a whole lot better, but from what I know so far it seems to be tailor-made for me. Rainn Wilson plays a man who becomes a masked vigilante after his wife (Liv Tyler) gets strung out on drugs and runs off with her dealer (Kevin Bacon). If that casting's not enough to get you intrigued, as you'll see from the clip below, Ellen Page plays Wilson's seriously unhinged sidekick, and she should just be a hoot.

Early Toronto buzz has been good for this too, and according to the headline of an article behind a Variety paywall, buyers are now "circling" it, so here's hoping it's picked up by a studio big enough to bring it to my little corner of the world sometime this fall. Enjoy this first clip I know of, but be warned: Page throws around F-bombs with abandon, so if that kind of thing bothers you, please don't watch it. Peace out.

Down in the "Treme," it's me ...

Yep, that's what happens when I get four days off in a row - my head not only gets filled with crazy ideas, but I also act on them.

Yesterday's was that, having just made it through all of Spike Lee's sensational "If God is Willin' and Da Creek Don't Rise," his second opus about New Orleans and its people, and also having thoroughly enjoyed the first season of David Simon's "Treme," perhaps I should go to the city myself.

And so, if you happen to be there in the third week of November, you just might run into me (staying at something called the "Rathbone Mansion" - I've never stayed in a mansion before, but at $60 a night, I wasn't about to turn that down.)

And in New Orleans news that might just matter to someone besides, well, me, the track listing is out for the collection (you'll see soon why I didn't say "CD") "Treme: Music from the HBO Series, Season 1," and the music itself will be coming very soon too (and will certainly find its way into my digital downloads.)

If you watched the slow-moving but engrossing show (and if you didn't, why the heck not?), you know the music played not just a key role in it, but really set the pace and feel for the whole operation. Musicians from up-and-comer Trombone Shorty (whose "Backatown" I'm listening to right now - excellent) to legends like Allen Toussaint and Irma Thomas all popped up at various spots (and watching Irma Thomas play poker is a surreally entertaining sight.)

Thankfully, they also all make appearances in the music collection for season 1, which will be available for digital download Sept. 28 - with a CD to come at some undisclosed future date. Man, I gotta say, for someone who still doesn't and probably never will own a cell phone, the modes of delivery for entertainment continue to surprise and often confound me (stick around for more on that after the track listing.) Here are the 19 songs you'll find when this comes out:

TREME: MUSIC FROM THE HBO ORIGINAL SERIES, SEASON 1

1. "Treme Song (Main Title Version") - John Boutté
2. "Feel Like Funkin' It Up (Live Street Mix)" - Rebirth Brass Band
3. "I Hope You're Comin' Back to New Orleans" - The New Orleans Jazz Vipers
4. "Skokiaan" - Kermit Ruffins & The Barbecue Swingers
5. "Ooh Poo Pah Doo" - Trombone Shorty & James Andrews
6. "Drinka Little Poison (4 U Die)" - Soul Rebels Brass Band & John Mooney
7. "We Made It Through That Water" - Free Agents Brass Band
8. "Shame Shame Shame" - Steve Zahn & Friends
9. "My Indian Red" - Dr. John
10. "At the Foot of Canal Street" - John Boutté, Paul Sanchez, Glen David Andrews & New Birth Brass Band
11. "Buona Sera" - Louis Prima
12. "New Orleans Blues" - Tom McDermott & Lucia Micarelli
13. "I Don't Stand a Ghost of a Chance with You" - Michiel Huisman, Lucia Micarelli & Wendell Pierce
14. "Indian Red (Wild Man Memorial)" - Mardi Gras Indians
15. "Indian Red" - Donald Harrison
16. "Time Is On My Side" - Irma Thomas & Allen Toussaint
17. "This City" - Steve Earle
18. "Just a Closer Walk With Thee" - Treme Brass Band
19. "My Darlin' New Orleans" - Leigh "Li'l Queenie" Harris

All I have after that today is a cache of clips, but the first one comes with a bit of news. Though "Freakanomics," the documentary based on the best-selling book by Steven Levitt and Stephen Dubner, isn't coming to at least a few theaters until Oct. 1, it's apparently available for at least rental now on Video On Demand, iTunes, Amazon On Demand, PlayStation Network and Xbox Marketplace. I say apparently because, although it was listed for a $3.99 rental at iTunes, it only said "this item is being modified" and wouldn't work when I tried it, and there's no way in the world I'm going to pay a whopping $9.99 for it at Amazon On Demand. As for the movie itself, with six portions directed by Alex Gibney ("Enron: The Smartest Guys in the Room," "Casino Jack and the United States of Money"), Rachel Grady and Heidi Ewing ("Jesus Camp"), Morgan Spurlock ("Super Size Me"), Eugene Jarecki ("Why We Fight") and Seth Gordon ("The King of Kong"), I'm certainly going to watch it as soon as I figure out exactly how to find it, perhaps as soon as tonight. Here's the latest TV spot. Enjoy.



OK, if I really ever did have a wall of resistance to Matt Reeves' upcoming "Let Me In," I have to admit now that it's just about completely washed away. It certainly should still be there, since it's a thoroughly unnecessary English-language remake of "Let the Right One In," my single favorite movie of 2008 and easily the best horror movie I've seen in many years, but with each clip they release, it's getting lower and lower. The cast - Chloe Moretz, Kodi Smit-Mcphee and the simply fantastic Richard Jenkins - is perfect, and if you've seen "Cloverfield," you know Reeves is a solid director. And from this first actual footage from the movie, you can see that they at least got right that Jenkins' character, though charged with finding fresh blood for the "young" vampire Eli (renamed Abby in the remake and played by Moretz), he's pretty spectacularly bad at it. Keep an eye out for the movie, also due out in actual theaters Oct. 1, if, like me, you've decided to give in and see it, and enjoy the clip.



In case anyone's wondering, I am very well aware that I'm too old to be watching a bunch of high school-age kids (or probably slightly older) lip-synch their way through incredibly cheesy musical numbers each week on Fox, but I'm also aware that "Glee" is a wickedly funny and very addictive show, so I guess you can call me a "Gleek." The show itself thankfully comes back soon (Sept. 21), and Fox has released this promo clip in which the kids put their spin on Jay-Z's "Empire State of Mind," and though that will and should make all hip-hop fans cringe, I like it. Enjoy.



And finally today, in something just perfect for a Friday morning, "Zach Galifianakis' brother" interviews a game Sean Penn in the latest Between the Ferns segment. It's not all funny, but when it is, it really works, especially the thought of Galifianakis, Penn and Jack Nicholson hitting the town to eat at Long John Silver's. Enjoy the clip and have a great weekend, which for me will include at least two movies, "The American" and "Machete." Peace out.

Between Two Ferns with Zach Galifianakis: Sean Penn from Between Two Ferns

"Kick-Ass 2": Not sure I believe it, but why not?

Where better to start today than with a rumor about easily one of my favorite movies of 2010 so far, especially when it's such a juicy one.

While I can't aesthetically call "Kick-Ass" a "great" movie, which certainly means something different to every person who chooses to bestow it on a flick, I can say that it's by a pretty wide margin the funnest movie I've seen this year, and that goes a long way in my little corner of the world.

Now, I understand that the often very bloody antics of a 13-year-old superhero of sorts named Hit-Girl (the simply excellent Chloe Moretz) isn't for everyone, but I still couldn't understand how so many people skipped this during it's spring theatrical run (it only made $48 million in its domestic box office run, and about the same amount overseas.)

DVD sales and rentals, however, have been considerably better, which leads us to the claim that got me so geeked up this morning: Mark Millar, writer of the Kick-Ass funny book, has said on the UK's Radio 5 that a "Kick-Ass 2" has been greenlit and will go ahead based on his follow-up comic (courtesy of AICN for the head's up.)

Now, from all I've read, Millar says a lot of things, but here's hoping this bit at least turns out to be true, because "Kick-Ass 2"? To that, I can only say bring it on!

And after that bit of possible fantasy, here's some much more serious news about two very interesting flicks, one about to start and one that's already finished.

Anyone who's been here before knows that there are very few genres of movies that I like more than the American political movie, the kind that gets at the meat of campaigning in what we still like to think of as a civil society.

George Clooney, who stars in "The American," which hits theaters today (and I'll be seeing tomorrow), will next move back into the director's chair for "Farragut North," an adaptation of Beau Willimon's play, and he's apparently lining up a fantastic cast.

According to Vulture, "the story is set in Des Moines, Iowa, just weeks before the state's Democratic caucuses officially commence; it follows the exploits of a twenty-something presidential campaign spinmeister/wunderkind named Stephen Myers, and the dirty pool he plays to get his candidate the nomination against a rival senator."

As for the cast, Clooney has apparently reached out to Chris Pine, a.k.a. the new Captain Kirk, to re-create the lead role he played in a L.A. stage production of the play last fall. Already set are Philip Seymour Hoffman as Myers' boss on the campaign trail and, even better, Paul Giamatti as the campaign manager of a rival candidate. Offers are apparently also out to Evan Rachel Wood to play a teen campaign staffer and Marisa Tomei to play a probing journalist.

Shooting is set to begin in February, so I'd guess you can put this on the list of movies I'll be amped to see about this time or a little later next year.

And as for movies coming out a lot sooner in at least some corner of the world, can anyone remember the last time John Sayles directed a movie? It was "Honeydripper" in 2007, and though I almost completely hated that flick, the man has made many, many more that I love, so any news of a new Sayles flick is welcome around here (if I had to pick two of his movies I like the best, they would be "Passion Fish" and "Lone Star".)

The director heads to the Toronto International Film Festival this year with a new movie, "Amigo," a fictionalized account of the Philippines-American War at the turn of the 20th century, based on his unpublished, 1,000 page novel on the same subject, "Some Time in the Sun."

The film stars Joel Torre, Garret Dillahunt, Sayles regular Chris Cooper, DJ Qualls, Rio Locsin, Ronnie Lazaro and Bembol Roco, and according to The Playlist, here's what it's about:

The film revolves around the occupation by a squad of U.S. soldiers of a small, rural village. Headed by a respected elder, whom the Yankees refer to as “Amigo,” the villagers are forced to deal with this foreign presence as rules are set, curfews introduced and small attempts at democracy initiated. But the most significant tension in the film lies in the village’s relationship with a rebel group leading the resistance to the occupation. Amigo’s brother is the rebel leader, and his son runs off to join them, so he constantly finds himself torn between balancing what is right for the village and what this means to his family.

Juicy stuff that, and when he's on his game, Sayles is just an epicly good storyteller, so keep an eye out for this one hopefully soon. In the meantime, here's the trailer. Enjoy.



OK, after that today, all I have is a couple of clips, courtesy of MTV, from flicks I'm really looking forward to this fall. Admittedly, they're not the most exciting stuff, but I still think the movies they're culled from will be well worth watching.

First up comes "It's Kind of a Funny Story," from directors Anna Boden and Ryan Fleck, which comes out Oct. 5 (I believe) and which you can list as the single movie I'm most looking forward to for this fall. It stars Keir Gilchrist as a teen who checks himself into a mental hospital only to find himself housed in the adult ward, where he meets Zach Galifianakis and, I'd have to presume, a host of other colorful characters. Enjoy this short clip from the flick.

Movie Trailers - Movies Blog

And finally today, though I haven't read the book by Kazuo Ishiguro, I'm really looking forward to Mark Romanek's "Never Let Me Go," coming to at least some American cities Sept. 15, because it just looks thoroughly creepy in all the best ways. The flick, starring Carey Mulligan, Keira Knightley and Andrew Garfield is, as best as I can tell, about students at an English boarding school who are part of some kind of truly odd social experiment. If I knew more than that I'm still not sure I would reveal it, because I think people, including me, should always be surprised by movies. Anyways, enjoy this short clip featuring Reel Fanatic fave Mulligan and Knightley, and have a perfectly passable Wednesday. Peace out.

Movie Trailers - Movies Blog

Which of these crazy movie ideas are real?

Actually, I probably shouldn't spoil it, but they all are, which doesn't make them any less bizarre.

1. Anyone who's been here before (and there are apparently somehow a few of you) knows that I'll watch Carla Gugino in just about anything. And even though I enjoyed watching her play a porn star who dresses like a nun in "Women in Trouble," even I wouldn't have guessed that one of her next movies would be called "MILF."

Really? Yes, really, but no matter what you might be thinking that means (keep it clean, people), the acronym here stands for "Mothers I'd Like to Fight", and the movie, which Gugino is apparently in talks to star in, would be a revenge story about a woman who, recently released from prison, returns to the street to take care of some unfinished business.

And yes, cheap, attention-grabbing acronym aside, I'd watch that, though I'd probably buy a ticket from the machine rather than have to actually ask for one to something called "MILF." Just sayin'.

2. Anyone who's been here before also knows that David Fincher and Aaron Sorkin's "The Social Network," about the invention of Facebook, is one of the movies I'm most psyched to see this fall. That said, I guess I shouldn't be surprised that in Hollywood, imitation is the most frequent substitution for inspiration, but I just really didn't think it would come quite so quickly.

Apparently at least some people who saw those YouTube and Twitter movie spoofs (I posted one here, and they're actually quite funny) didn't realize that they were meant to be a joke, because brace yourself now for the Google movie (and again, yes, really.)

According to Deadline, Ken Auletta's bestseller "Googled: The End of the World as We Know It" is being made into a feature film. The book tells "the biographical story of Sergey Brin and Larry Page, the famously private founders of Google, and their meteoric rise to becoming two of the most powerful men on the planet."

OK, that does make it sound like it could actually be pretty good, but could this please be the end of movies about computer breakthroughs (one can dream, I suppose, but since Peter Berg is actually making a movie from the game Battleship, I know it's futile.)

3. When a sentence starts with "Maggie Gyllenhaal and Hugh Dancy have signed up to star in a romantic comedy ...", it would probably just make me say meh, except for the sentence ends "... about the invention of the first vibrator."

Per Variety: "The period drama, titled Hysteria, centres on two doctors in Victorian London who experiment with an electrical device to treat irritable and angry women. Dancy and Jonathan Pryce will play the physicians."

That actually sounds pretty funny to me already, and just in case you were wondering if Gyllenhaal might play one of the test subjects, again, keep it clean - she's actually set to play the daughter of Pryce's character, assuming this ever gets made.

OK, enough of that. All I have left today is a picture that immediately caught my eye and Lewis Black's "review" of "Eat, Pray, Love."

First the picture. If Martin Scorsese weren't filming "The Invention of Hugo Cabret" in 3D, you could call it probably the movie I'm most psyched about for next year (actually, since it's based on a book I truly adore, it still is, but why the 3D? Sheesh.)

And even though Scorses has apparently also shortened the title from Brian Selznick's novel down to simply "Hugo Cabret," the story is still a real charmer. The book is about an orphan who lives a secret life in the wall of a Paris train station, where he gets drawn into the magical world of George Melies and his automatons. There's a lot more going on in the book, and it's all a lot of fun.

As you'll see from the first picture below, Asa Butterfield plays the titular Hugo, and Chloe Moretz is his young co-star, and if the sight of Hit Girl in period costume doesn't make you smile at least a bit, well, you probably don't smile enough. Enjoy.


And finally today, in a clip that I'd have to say is just about perfect for a Friday morning, here's Lewis Black's seriously funny "review" of "Eat Pray Love" from "The Daily Show." Black, who screams way too much for my taste, isn't always my kind of funny, but I guarantee that by the time he gets around to his "Eat, Pray, Love machete," you'll be laughing at this. Enjoy, and have a perfectly pleasant weekend. Peace out.

The Daily Show With Jon Stewart	Mon - Thurs 11p / 10c
Back in Black - Eat Pray Love
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