Kevin McDonald and the future of movies ... YouTube?

I tried for about a week to make a one-man movement against movies bypassing theaters, and then I found that IFC was putting its always interesting movies on pay-per-view cable at the same time they were opening at a theater, well, nowhere in the world near me.

I've seen several movies this way, and the next one will probably be James Gunn's "Super," unless the presence of Rainn Wilson and Ellen Page will be enough to get this to play everywhere (seriously doubt it.) The flick, set to open April 1, stars Wilson as a man who, after his wife (Liv Tyler) gets hooked on drugs and runs off with the pusherman, dons a cape and turns into an avenging superhero of sorts, with Page as his sidekick. I'm laughing at that already, so definitely keep an eye out for it.

And before that, Kevin McDonald, director of "State of Play" and "The Last King of Scotland," is pioneering another way for movies to get exposure without dealing with movie theaters: YouTube. His new movie, titled "Life In a Day," has some rather lofty aspirations: Drawing from 4,500 hours of footage sent in from 192 countries, it indeed tries to capture a day in the life of this world we all live in.

Sounds like a fascinating idea, and when the movie premieres at 6 p.m. mountain time Jan. 27 at the Sundance Film Festival, it will be simultaneously streaming on the movie's YouTube channel, which you can find here. If you miss that, it will stream again the next day at 7 p.m. in whatever time zone you're in, with subtitles of your choice.

I don't think I'll ever get used to watching movies on a computer, but with YouTube streaming to Blu-Ray players now, the future is certainly here, so I guess we should all just deal with it ... and in this case, embrace it too.

After that today, there's a bit of great movie news and then a Muppets video (because I just can't get enough of them) that surely hasn't been approved by Disney or anyone from the Henson clan.

In movie news, it seems that Robert Pattinson (hate if you have to) has stepped into the lead role of David Cronenberg's "Cosmopolis," which was once to be played by Colin Farrell.

Now, I really have nothing against Mr. Pattinson, and if he helps this flick, based on the novel by Don Delillo, get made, bully, because it sounds just tailormade for Cronenberg.

The book, which I haven't (yet) read, deals with 24 hours in the life of a newly married billionaire (Pattinson) as he cheats on his wife, is pursued by a stalker, gets attacked by a protester and gradually loses his entire fortune over the course of a single day. Adding some serious chops to the cast, Marion Cotillard will play Pattinson’s wife and Paul Giamatti will play one of the two men stalking the billionaire.

All sounds great to me, and we'll be getting another Cronenberg movie some time this year, though as yet I have no idea exactly when. He's wrapped production on "A Dangerous Method," which stars Viggo Mortensen as Sigmund Freud and Michael Fassbender as Carl Jung as they collaborate to come up with the cure for a woman (Keira Knightley) suffering from some kind of psychological issues. That's definitely near the top of my must-see list for 2011, so if you hear anything about when it will be hitting theaters, please let me know.

And with that, it's time to wrap things up so I can go to work, but not before a true bit of inspired madness starring the Muppets performing Kanye West's "Monster." Yes, really. And as you can imagine, this clip has all kinds of language that should never come from the mouths of Muppets, so please don't say I didn't warn you and, of course, watch it with headphones on if you're at work! It's all extremely silly, but also inspired, especially when Miss Piggy hits the screen as Nicki Minaj. Enjoy the clip, and have a perfectly pleasant Thursday. Peace out.

"I've had it with these monkey-fighting snakes on this Monday-Friday plane!"

Dear Scream Awards: In my mind, Piranha 3D was the best movie of the year after Toy Story 3, so calling it "Best Worst Movie" seems uncool.

I have to agree with that little missive from James Gunn completely. I suppose you can't call "Piranha 3D" a great movie, but it was a hell of a lot of fun for what it was, so putting "worst" anywhere does indeed seem a little misguided.

And later today, there will be the first clip I know of from Gunn's "Super," and its just as deranged as you could possibly expect from a movie that stars Rainn Wilson as a self-made, avenging superhero.

But before the clips, there is a good bit of news about one of my favorite directors. I really have no time at all for "Wizard of Oz" sequels, prequels or "reimaginings" of any kind, so I certainly hope this will somehow come before "Oz the Great and Powerful," which Sam Raimi is also attached to direct, with Robert Downey Jr. starring as the wizard himself.

I'd much rather see him do a remake of "Day of the Triffids," the sci-fi tale of mobile, bloodthirsty plants who start preying on humankind after a meteor show renders more than 99 percent of the world's population blind (yes, really).

That just sounds like the perfect kind of Raimi fun, so it's certainly a good thing that Mandate won the auction to the source material, Jon Wyndham's 1952 novel, and that Raimi says he wants to jump into the director's chair. Definitely stay tuned for more on this as soon as I can find it.

And before we jump into the clips today, there's just one more bit of coolness to dispense. If, like me, you can't wait for the return of Conan to late night on TBS beginning Nov. 8, there's a fun toy to keep you occupied in the meantime. Beginning yesterday, Team Coco began broadcasting a live feed from behind the scenes at their workplace, and as far as I know, it's still going here.

OK, now on to the clips, and I promise the rather epicly funny one at the end will finally make the headline of this post make sense. But first comes, I have to warn you, a thorough monstrosity. Pixar's "Toy Story 3" was pretty much a masterpiece, and easily one of my favorite movies of 2010 so far, but what it has apparently spawned is entirely regrettable: Yes, a "Cars 2." I guess it was inevitable, but "Cars" is by a wide margin my least favorite Pixar movie, and as you'll see from the teaser trailer, the sequel looks like it will be just as bad as you could have possibly imagined. "Enjoy."



Next, as promised, comes the first clip I know of for James Gunn's "Super." Though, without exaggeration, Gunn's last movie, the horror/comedy "Slither," only made about $8 million at the box office, I quite liked it, so I can't wait to see what he has cooked up now. And the good news is that, with this having been picked up by IFC, the skewed superhero tale starring Wilson, Kevin Bacon, Liv Tyler and even young Ellen Page too will come to TV via IFC On Demand whenever they get around to releasing it. Enjoy the clip, and if you happen to hear when this will finally come out, please do let me know.

Super - Clip | SpikeTV | SPIKE.com

And finally today, in a definite case of saving the best for last, the Hollywood Reporter was kind enough to compile this collection of some the most egregious examples of what happens when movies get dubbed for TV. It's hard to pick out which one is the best, but the "Scarface" stuff is seriously funny. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Will James Gunn's "Super" deliver a cult hit?

Update: James Gunn's "Super" has been picked up by IFC, meaning, I hope, that it will be available on cable on demand as soon as it hits its probably very meager amount of theaters ... bully

Wow. The word is trickling in from Toronto, and so far I've seen two simply glowing reviews of "Let Me In" from sources I trust, HitFix and The Playlist.

In both cases, the reviewers clearly love the original Swedish movie, "Let the Right One In" (my single favorite movie of 2008), as much as I do. Yet they both say Matt Reeves, director of the surprisingly entertaining "Cloverfield," has done the just about impossible: He's made a movie that, while perhaps not better (which really would be impossible), at least lives up to the spirit of the original and soars thanks to its two young leads, Hit-Girl Chloe Moretz and Kodi Smit-McPhee. You can read those two reviews here and here, and keep an eye out for Reeves' flick Oct. 1.

You can now count me as extremely curious, if not excited, about that flick, but there's something else that came through the midnight circuit up north that sounds like even more my thing. James Gunn, though he delivered a winner in my book with "Slither," is sorely in need of a box office one, since that very entertaining humor/horror mix starring Captain Mal Nathan Fillion and Elizabeth Banks took in a rather amazingly disastrous $7.8 million at the U.S. box office (really? Trust me, maybe it's not great, but this movie is well worth a DVD rental.)

Well, I can't imagine his new movie, "Super," will do a whole lot better, but from what I know so far it seems to be tailor-made for me. Rainn Wilson plays a man who becomes a masked vigilante after his wife (Liv Tyler) gets strung out on drugs and runs off with her dealer (Kevin Bacon). If that casting's not enough to get you intrigued, as you'll see from the clip below, Ellen Page plays Wilson's seriously unhinged sidekick, and she should just be a hoot.

Early Toronto buzz has been good for this too, and according to the headline of an article behind a Variety paywall, buyers are now "circling" it, so here's hoping it's picked up by a studio big enough to bring it to my little corner of the world sometime this fall. Enjoy this first clip I know of, but be warned: Page throws around F-bombs with abandon, so if that kind of thing bothers you, please don't watch it. Peace out.

Yes, James Gunn will get to work again

After the pretty much complete box-office failure of James Gunn's "Slither," it really seemed impossible that any kind of studio would back him for a new movie, but thankfully I'm wrong once again (I'm pretty used to it by now.)

And the thing with "Slither" is, it's really a pretty fantastic movie. It's no "Shaun of the Dead," but in its own way it very deftly mixes humor and horror, and you really can't go wrong with stars Elizabeth Banks and Nathan Fillion. Since a total of maybe six people saw it in theaters, I'd highly recommend a rental for the rest of you.

And now, rather amazingly, Gunn is now filming in Louisiana another movie he has also written, "Super," and it sounds pretty promising for a late-summer comedy (which is where I'm guessing this would fall.) In it, Rainn Wilson will star as a man who, after seeing his wife get hooked on drugs and taken off by a drug dealer, decides to don a costume and grab his lug wrench to go after her. Doesn't sound like much of a comedy, I know, but in Wilson and Gunn's hands I'm sure it somehow will be (and Wilson more than John Krasinski or Steve Carell of "The Office" clan certainly deserves a great big-screen comedy - "The Rocker" wasn't it. And in a more than slightly tangential "The Office" connection, Gunn and Jenna Fischer were married for about seven years, but are no more.)

The rest of the cast will be Kevin Bacon, who has just been announced as the drug dealer, Liv Tyler as Wilson's wife, and even Ellen Page somehow too, but I have no idea in what role. "Gilmore Girls" fans should take note that the usuallyveryfunny Sean Gunn, James Gunn's brother, will have a part in this too.

I know that's a lot of information about a movie that won't come for at least six months or so, but I like writing about things when I find them, especially to exercise my brain on Saturday mornings. I just hope it didn't hurt yours. And now, if you'll excuse me, I'm off to see "Avatar," and hoping it doesn't suck. Peace out.

Raimi's trip to "Hell" is a thoroughly disgusting delight

Going in to the great movie showdown that this weekend promised, I had two questions: Which movie would I prefer, Pixar's "Up" or Sam Raimi's "Drag Me to Hell," and how in the world did Raimi's movie end up with less than a R rating?

Well, after having seen them both, I can definitively answer the first query: While I liked and more so admired "Up," Raimi's return to horror is the most fun I've had at the movies this year (edging out by a nose "Star Trek.")

As to the second, however, I still have no idea, because as any fans of "Evil Dead" would have been hoping, this flick is as juvenilely, eerily and blissfully disgusting as you could possibly expect. And give Raimi credit: With the most dead-on descriptive movie title since "Snakes on a Plane," there really shouldn't be anyone who goes into this one expecting anything less.

I'm not sure why, since they are such a natural combo, but humor and horror have been a very difficult concoction to blend in satisfying form in recent years. James Gunn did a fine job with "Slither" (did anyone else see that?) and Edgar Wright and co. do even better, but with both of these the laughs come first, whereas Raimi at his best, which he very nearly is here, delivers classic horror and finds the dark laughs within it. A litmus test: If seeing Alison Lohman stalk her pet with a kitchen knife as she coos "here kitty kitty" doesn't make you laugh, this movie isn't for you.

The movie opens with a great set piece that establishes immediately (in case the title left you with any doubt) what you're in store for. Two Hispanic parents take their cursed child to a healer of sorts. It seems the youngun has stolen a gypsy's necklace, never something I'd recommend, and, well, as you can probably imagine he doesn't fare too well from there.

It seems that the gypsies aren't a group of people you want to cross, and I have to confess that on a B-movie horror level, that just works for me. I think of myself as a solidly nonracist person, but if there's a chink in that armor, gypsies are it, because I once tried to sleep on a Eurorail train and had no less than four gypsy urchins come into my car and try to steal all of my belongings. Does that mean all gypsies are evil? Of course not. But it does, if suspending my nagging sensibilities, make me very susceptible to believing for about 90 minutes or so that they would be capable of unleashing something as nasty as the Lamia curse which, believe me, you don't want to get.

In Raimi's world, the star is Christine Brown, a very game Alison Lohman. Young Ellen Page was originally set to submit herself to this hell, but either chickened out (which I'd perfectly understand) or simply passed. What Lohman, who I had never seen in a movie before (but heard in "Nausicaa of the Valley of the Wind") brings to this schlockfest, along with a willingness to go through all kind of nastiness, is a nagging optimism that although you suspect is woefully misplaced, is enough to keep you playing Raimi's game until the end.

Her big mistake? Lohman's Christine, an ambitious bank loan officer (is there a more evil sort in the real world?), turns down an old lady for a third extension on her mortgage. And as anyone who knows even a bit about this flick knows, this was the wrong woman to piss off (and Lorna Raver, complete with an evil eye and secreting all kinds of squirm-inducing fluids even while she's still alive, is just the perfect choice.) From there, well, even if you think you know what's gonna happen, it's still a hell of a lot of fun going along for the ride.

And going in, I was fairly certain that funny guy and Mac pimper Justin Long was going to annoy me, but luckily he really doesn't have much to do here as Christine's supporting boyfriend (but his character's parents, played by Chelcie Ross and Molly Cheek, get the funniest scene of all, no small feat here.) What you need if you're gonna dine on this cheese buffet is someone who can lead you and Christine along, and Dileep Rao as psychic and all-around dark arts sensei Rham Jas certainly gets the job done. I don't want to give much else away, but Adriana Barraza is easily one of my favorite actresses (I even liked her quite a bit in the Jesus-wall-stain oddity "Henry Poole Is Here"), and when she turns up near the end of this flick (if you haven't walked out in disgust already) I guarantee you'll smile.

Raimi wraps it all up with an ending that's among his best, but what really makes this whole exercise so much fun is that, as with Raimi's "A Simple Plan," Christine, even as she makes mistake after mistake and suffers the requisite plagues for her misdeeds, is someone who - although more than a little greedy - we can easily all identify with.

In short, I loved just about every minute of Sam Raimi's "Drag Me to Hell," and though it's not enough to erase the nightmare that was "Spider-Man 3" from my memory (really, nothing would be, because it truly was just that bad), it certainly shows Raimi's still capable of having a blast of wicked fun, and raises hopes that Spidey's fourth installment won't just suck hard. Peace out.