A Wednesday clip show with Cronenberg and Footloose, plus Tyson and Spike Lee to HBO

Let's start with HBO, since they're clearly intending to keep scheduling programming made specifically for me in an attempt to just wring as much money out of me as possible.

"True Blood" returns Sunday, and then the rather miraculous eighth season of "Curb Your Enthusiasm" will return Larry David to New York, where he of course belongs. And after that, HBO has just set in motion a boxing project that should be nothing but great.

"Da Brick" will be a drama loosely based on Mike Tyson's early years in the boxing ring, with Tyson involved to offer his perspective on it. Much better, Spike Lee will direct at least the pilot episode, and John Ridley is on board as the showrunner.

Toiling largely in the shadows in the last five years or so, Spike has nonetheless managed to make two of his best movies (no small accomplishment) with his two New Orleans documentaries, "When the Levee Broke: A Requiem in Four Acts" and "If God is Willing and da Creek Don't Rise," and his movie of the Broadway musical "Passing Strange" is easily one of my favorite movies of 2009 (please rent that one now if you've never seen it.) And there are few genres of entertainment I love more than boxing, so this should nicely fill the void left by the sorely-missed-by-at-least-me "Lights Out."

OK, working briskly so I can have time to go swimming before going to work, let's move on to the clips, starting gloriously with the first trailer I know of for David Cronenberg's "A Dangerous Method," one of the movies I'm definitely most looking forward to for the rest of this year. As you'll see from the trailer below, it stars Viggo Mortensen as Sigmund Freud, Michael Fassbender as Carl Jung and Keira Knightley as the patient on which they try the titular cure (which, as you'll see, somehow involves spanking ... juicy.) Enjoy the trailer, and keep an eye out for this one hopefully opening wide enough to even reach my little corner of the world in November.



Up next comes the first trailer I've seen for Craig Brewer's take on "Footloose," which, not terribly surprisingly, appears to be the exact same movie as the original, except with some rather flashy hip-hop dancing to excite the young folk. I'm clearly not one of those, so I probably shouldn't complain, but how in the world did Brewer go from making one of my all-time favorite movies in "Hustle & Flow" to this? Sheesh. Oh well. At least Miles Teller of "Rabbit Hole," an actor definitely worth keeping an eye on, is getting work in this, but he'll never be able to fill the shoes of the late, great Chris Penn. "Enjoy" the trailer, keep an eye out for the movie if this is your kind of thing on Oct 14, and then stick around for a glimpse of new "Futurama" (huzzah!).

Tags: Movie Trailers, Movies Blog

How in the world "Futurama" has managed to survive and thrive for so long is something I'll never understand, but I certainly do appreciate it. Believe it or not, the show is back for its second season of new episodes on Comedy Central starting Thursday night. That's also the same night that FX's "Louie" returns and its new series "Wilfred" premieres, so my DVR will finally be getting a bit of a workout. Enjoy this brief clip from Thursday's "Futurama" premiere, and have a perfectly endurable Wednesday. Peace out.

Kevin McDonald and the future of movies ... YouTube?

I tried for about a week to make a one-man movement against movies bypassing theaters, and then I found that IFC was putting its always interesting movies on pay-per-view cable at the same time they were opening at a theater, well, nowhere in the world near me.

I've seen several movies this way, and the next one will probably be James Gunn's "Super," unless the presence of Rainn Wilson and Ellen Page will be enough to get this to play everywhere (seriously doubt it.) The flick, set to open April 1, stars Wilson as a man who, after his wife (Liv Tyler) gets hooked on drugs and runs off with the pusherman, dons a cape and turns into an avenging superhero of sorts, with Page as his sidekick. I'm laughing at that already, so definitely keep an eye out for it.

And before that, Kevin McDonald, director of "State of Play" and "The Last King of Scotland," is pioneering another way for movies to get exposure without dealing with movie theaters: YouTube. His new movie, titled "Life In a Day," has some rather lofty aspirations: Drawing from 4,500 hours of footage sent in from 192 countries, it indeed tries to capture a day in the life of this world we all live in.

Sounds like a fascinating idea, and when the movie premieres at 6 p.m. mountain time Jan. 27 at the Sundance Film Festival, it will be simultaneously streaming on the movie's YouTube channel, which you can find here. If you miss that, it will stream again the next day at 7 p.m. in whatever time zone you're in, with subtitles of your choice.

I don't think I'll ever get used to watching movies on a computer, but with YouTube streaming to Blu-Ray players now, the future is certainly here, so I guess we should all just deal with it ... and in this case, embrace it too.

After that today, there's a bit of great movie news and then a Muppets video (because I just can't get enough of them) that surely hasn't been approved by Disney or anyone from the Henson clan.

In movie news, it seems that Robert Pattinson (hate if you have to) has stepped into the lead role of David Cronenberg's "Cosmopolis," which was once to be played by Colin Farrell.

Now, I really have nothing against Mr. Pattinson, and if he helps this flick, based on the novel by Don Delillo, get made, bully, because it sounds just tailormade for Cronenberg.

The book, which I haven't (yet) read, deals with 24 hours in the life of a newly married billionaire (Pattinson) as he cheats on his wife, is pursued by a stalker, gets attacked by a protester and gradually loses his entire fortune over the course of a single day. Adding some serious chops to the cast, Marion Cotillard will play Pattinson’s wife and Paul Giamatti will play one of the two men stalking the billionaire.

All sounds great to me, and we'll be getting another Cronenberg movie some time this year, though as yet I have no idea exactly when. He's wrapped production on "A Dangerous Method," which stars Viggo Mortensen as Sigmund Freud and Michael Fassbender as Carl Jung as they collaborate to come up with the cure for a woman (Keira Knightley) suffering from some kind of psychological issues. That's definitely near the top of my must-see list for 2011, so if you hear anything about when it will be hitting theaters, please let me know.

And with that, it's time to wrap things up so I can go to work, but not before a true bit of inspired madness starring the Muppets performing Kanye West's "Monster." Yes, really. And as you can imagine, this clip has all kinds of language that should never come from the mouths of Muppets, so please don't say I didn't warn you and, of course, watch it with headphones on if you're at work! It's all extremely silly, but also inspired, especially when Miss Piggy hits the screen as Nicki Minaj. Enjoy the clip, and have a perfectly pleasant Thursday. Peace out.

10 truly odd Christmas movies that capture the spirit

I have nothing at all against the traditional holiday favorites when it comes to movies and specials. I tune in every year for "A Charlie Brown Christmas," and always watch one of the 1,000,000 or so times that TBS airs "A Christmas Story."

But as with most categories of movies, I like my Christmas flicks with at least a few drops of odd, so here are my 10 favorite Christmas-related movies that you might not always think of this time of year.

"A Midnight Clear:" Before the two sides inevitably get back to, well, war, this Peter Berg movie has plenty of Christmas spirit as an American intelligence squad comes across a German platoon wishing to surrender in 1944 France, and everyone enjoys a good holiday feast before they get back to battling.

"Bad Santa": Not only easily the funniest Christmas movie (but certainly not one for the kids), I'd also argue that Billy Bob Thornton's mall Santa has his very drunk, extremely foul-mouthed heart still mostly in the right place. After all, all he wants to do is get his new friend a pink elephant (of course) for Christmas.

"Eastern Promises": OK, this gangster movie might only take place between Christmas and New Year's Eve and have little else to do with the holidays, but David Cronenberg's flick is still here because I wouldn't mess with Viggo Mortensen's Nikolai and tell him otherwise, would you?

"Die Hard": What could exemplify the Christmas spirit more than Bruce Willis' dream of spending the holiday with his estranged wife - even if he has to blow up half of Los Angeles to make it happen?

"In Bruges": Talk about a bummer: Not only does Colin Farrell's hit man end up accidentally killing a child, he then has to spend Christmas in the most boring place on Earth, Bruges (having been there, I can tell you it's far from that, but that's just one of the things that make this wickedly funny movie one of my all-time favorites).

"The Nightmare Before Christmas": Though its full title bears the name of Tim Burton and its in fact based on a poem Burton wrote, this tale of what happens when Jack Skellington opens the portal between Halloween Town and Christmas Town is pure Henry Selick, and that's what makes the stop-motion animated tale a timeless treat.

"Trading Places": Though I like presents as much as anyone, what's Christmas if we can't occasionally poke fun at all our excess, as this '80s flick starring Eddie Murphy and Dan Akroyd (easily one the best movies either of them ever made) does so well.

"The Muppet Christmas Carol": Of course Michael Caine (as Ebenezer Scrooge) just wants poor Bob Cratchit (Kermit the Frog, naturally) to work on Christmas - does that man ever stop working? Just in time for Christmas next year - or maybe a little earlier - we'll get a great gift, a new Muppets movie. Bully.

"Go!": Another one that's not for the kids, but Christmas is definitely a time to party, as Sarah Polley, Katie Holmes and others do as they rave their way through a chaotic Christmas Eve.

"Life of Brian": Sacrilegious? Most certainly, but the Monty Python take on the life of Jesus Christ is of course extremely funny too. And believe it or not, I really did first see this at an Episcopal youth group gathering when I was a teenager.

Merry Christmas to everyone!

A "new" Christopher Nolan flick before "Inception"? Bring it on!

There are many, many reasons to subscribe to Roger Ebert's seemingly more than monthly newsletter, but the two best are that it, after all, only costs $4.99 a year, and, even better, it's always chock full of goodies like the trailer teased above and found at the end of this post. To subscribe, click here.

But before I get to that, however, it's a fairly full day of good news, starting out with, if it comes together, what would have to make just about the funnest movie trilogy ever, although I'll concede far from the best (an argument for that one would have to be made for "Toy Story," because the third chapter is indeed just that good.)

There are few subgenres of movie I love more than the baseball flick, so it makes me nothing but giddy to hear writer/director David S. Ward talk about the possibility of another "Major League." He's told Moviehole.net that he's already written a "Major League 3" script and will be talking to the Morgan Creek movie company next week about how to proceed. Here's what he had to say about the story:

"It's 20 years later, and Wild Thing comes out of retirement to work with this 19-year-old player. We've actually got three new characters in the new film. And if the new film is popular, they could carry the franchise on."

Just thinking about that made me smile, and Ward added that he's already spoken to the "Wild Thing" himself, Charlie Sheen, about this. When and if he's on board, I can't imagine it would be to hard to get Tom Berenger, Corbin Bernsen and perhaps even Wesley "Willie Mays Hayes" Snipes too. Make this happen!

And in two other tidbits about directors I really like, Ruben Fleischer, who begins shooting his "Zombieland" follow-up, "30 Minutes or Less," next month, has now already set up the movie he plans to direct after that, and it comes from a great comedy source in scribe Mike White.

He's signed on with Columbia Pictures to direct "Babe in the Woods," which, from a script by White, will be an action-comedy centering on a female freshman from the Midwest who arrives at Yale and becomes a target of the New Jersey mob.

That sounds like it could be funny enough, but what he's doing before that should be better. "30 Minutes or Less" stars veryfunnyguys Aziz Ansari and Danny McBride, and will have to be a dark comedy, since it's about two fledgling criminals who kidnap a pizza delivery driver and strap a bomb to his chest to force him to rob a bank within 30 minutes.

Another director who I'm glad works very quickly of late is David Cronenberg, who is now shooting "The Dangerous Method" but has also already signed for the project that would follow that.

Pajiba is reporting he'll direct an adaptation of the Jonathan Lethem novel "As She Climbed Across the Table," and from the description I've seen of the story, it sounds twisted enough to be right up Cronenberg's alley. It centers on Professor Phillip Engstrand, who is in love with particle physicist Alice Coombs. Unfortunately for Phillip, Alice is in love with “The Lack” – a selective black hole (I hate it when that happens) – leaving Phillip to basically compete with nothingness for her affection.

As for what he's filming now, "A Dangerous Method" (formerly known as "The Talking Cure," which would have been better), it's about a feud that developed between Sigmund Freud (Viggo Mortensen) and Carl Jung (Michael Fassbender) over the treatment of a patient (Keira Knightley, though as far as I know it's not for anorexia - sorry, I couldn't resist.) That sounds like nothing but fascinating to me.

OK, as we get to the videos, it is indeed all about Christopher Nolan from here on out, starting with the best featurette I've seen yet for "Inception," which is finally set to come out July 16. Be warned, as it sort of introduces the characters, it contains more spoilers than what's come out before, so click it with that warning. Enjoy.



And finally, getting back to the lead, IFC On Demand, which I and probably you can get through your digital cable or whatever you subscribe to for TV, will be screening "Following," Christopher Nolan's first feature film, starting July 7. So, what's it about? Here goes, per the Ebert Club newsletter:

"Out of boredom and frustration, an unemployed writer (Jeremy Theobald) picks strangers at random from the crowded streets of London and then follows them to see where they go, and how they spend their days. Reasoning that he's gathering material for the fictional characters in his writing, he begins following the same people more than once, curious to learn more about them; a rule he'd promised himself not to break. That was his first mistake. But then he teams up with a burglar Cobb (Alex Hawk) and breaks into the apartment of a mysterious blonde (Lucy Russell), with whom he is fascinated. And slowly begins to find out that things may not be as they seem."

Sounds like a mindbender tailormade to Nolan to me, so I'll definitely be tuning in. Enjoy the trailer below, and if you'll excuse me now, the second half of U.S.A. v. Algeria really demands my undivided attention now. Peace out.

At the Movies may be dead, but Roger Ebert's plotting TV comeback

Actually, before I get into any of that, there's at least one bit of actual movie news out there that just made me smile.

If there's one sequel I could get completely behind, it would certainly be an "Eastern Promises 2," especially since all the key components will be there for the second go-round.

Indeed, Deadline Hollywood is reporting it will be a reunion of star Viggo Mortensen, director David Cronenberg and scribe Steven Knight, who wrote the script for the engaging original. The only things missing so far are Naomi Watts and any mention of just what direction this new gangster tale from London's extremely seedy underbelly will take.

And in the meantime, Cronenberg and Mortensen are about to team up once again for "The Talking Cure," which will examine the intense relationship between Sigmund Freud (Mortensen) and Carl Jung (Michael Fassbender), and how their treatment effected one particular patient played by Keira Knightley (and no, as far as I know, it's not a treatment for anorexia.)

The world is certainly a better place with David Cronenberg working steadily in it, so having this set to begin filming in May and hopefully an Eastern Promises sequel to begin shortly after is nothing but good news.

But beyond that, the very best news out there today is that Roger Ebert has announced on his always entertaining blog that he plans a return to reviewing movies on TV. When it was announced this week that "At the Movies" would be dying after this season, I kind of just shrugged, because admittedly I've tuned in only intermittently at best ever since Gene Siskel died (I just can't stand that damn Richard Roeper!) But a new show starring Ebert again is one I'll actively seek out every week once this comes together, no matter where it gets buried in the syndication schedule (my money's on fairly early Sunday morning or late Saturday night.)

Ebert said he's deep into negotiations for a show that would be called "Roger Ebert Presents at the Movies," the thumbs would (of course) return, and that he's held video tests with several potential hosts and knows who will fill the role (I'd certainly be more than willing to audition!) Unfortunately, given what cancer has done to his voice, I can't imagine Ebert will be a regular co-host himself, but he promised to have an active role, with "great movies segments or wrapups from Cannes or Toronto."

And, in the spirit for which I've always loved his writing, Ebert embraced the new endeavor with his usual enthusiasm:

We'll also go New Cinema. Not just the One Weekend Wonders, although you gotta have 'em, but indie films, foreign films, documentaries, restored classics, the new Herzog, the new Bahrani, the new Almodovar. What's new on Instant Streaming. What great movies should everyone see? Hey, Paramount just announced $1 million for ten $100,000 movies. Those kinds of films. What kind of a real movie lover cares who has the "exclusive" first trailer in the newest extrusion of the "Transformer" franchise? It's time to smarten up.

Stay tuned for details about just what shape this will take. I can still remember the moment I fell in love with Siskel and Ebert. It was when they - Ebert especially - so eagerly embraced "Hoop Dreams" at a time when I was just first starting to figure out for myself that it takes all kinds of movies to make the world a fun place. Amazingly, thanks to the power of YouTube, we can watch that again today. I'll leave you with a portion of that, and I'm off to go see "Hot Tub Time Machine" instead of "How to Train Your Dragon" because I'm so angry about them raising 3-D prices that I've decided to give those crooks as little of my money as I can manage to. Peace out.

Apparently, you don't mess with Denzel Washington

Though I was sure I had had my full of apocalyptic movies, on the advice of Bob of Bob and Justin's Mad Movie Blog, I went to see "The Road," and I have to say it was an extremely pleasant surprise.

Bleak? Sure, but it builds at a natural pace to the perfect ending. Not having read the book, I enjoyed that the event that leaves our heroes, a father and son played by Viggo Mortensen and young Kodi Smit-Mcphee, in the predicament we find them in at the outset is only hinted at in the movie itself. For once, you don't have everything spoon-fed to you, and I didn't mind that one bit.

Though there's a full slate of good flicks out today, and more than a few I still have to catch up on, I'd recommend making time for this if you can handle something that, be warned, is extremely bleak until its glimmer of hope ending.

And I'll take another chance on an apocalyptic tale in honor of the Hughes brothers, who have just been missing from movie theaters for too long. Remember them? Albert and Allen Hughes managed to direct four stylishly entertaining flicks - "Menace II Society," "American Pimp," "From Hell" and my favorite of their movies so far, "Dead Presidents" - before pretty much disappearing in 2001.

Now, however, they're back Jan. 15 with "The Book of Eli," which stars Denzel Washington as a lone man fighting his way across the United States to protect a sacred book which contains the secrets to saving human kind. That sounds pretty meh to me, but like I said, I'll see it out of mad respect for the Hughes brothers, and with Gary Oldman and Mila Kunis in this too, it could - against pretty serious odds - turn out to be a lot more entertaining than I fear.

Below is a featurette about the fight choreography, which shows Denzel in action as our hero. Enjoy.

And with that, I'm off for a week. Though I won't be posting anything to this site, I will be seeing plenty of movies while In NYC, definitely "Up in the Air" (finally!), "The Imaginarium of Dr. Parnassus" and "Broken Embraces." Starting Monday, Jan. 3, it will be best of 2009 week here, with this schedule:

Monday: Best female performers of the year (featuring Gladys Knight!)
Tuesday: Best male performers of the year
Wednesday: Best animated movies of the year
Thursday: Best movies of the year
Friday: Finally, with the 2009 winner revealed, I'll offer my 10 best movies of the '00s (better late than never, hopefully.)

And what that, I'm out. Merry Christmas and Happy New Year to all!

My (and only my) best movies of the decade: The 2005 edition

It's kind of amazing (at least to me) and - depending on how you look at it - perhaps kind of depressing that I've been actually been doing this since 2005, but I still like writing it and I hope at least a few people enjoy reading it.

So I, of course, did a Top 10 for that year at the time, but have decided not to look at it before doing this so that doesn't influence what I'm thinking now.

And before I dive into this, a quick word about two movies that almost made the final 10 but just missed the cut. First, Ang Lee's "Brokeback Mountain." Just for the record, its absence here has NOTHING at all to do with its subject matter. Lee's movie is indeed both a beautiful piece of work about the agony of hidden love and a great portrait of the American West. And if this list went to 11 or 12, you'd see it below.

Secondly, there are few Saturday afternoon movies I love more than Malcolm D, Lee's "Roll Bounce." Silly? Sure. But I defy you to watch this roller skating flick starring still-somewhat-Lil Bow Wow (yes, really) and not a have a big smile on your face by the end.

And finally, before I get to the main event, here are the other movies that garnered honorable mention for 2005: "Millions," "Oldboy," "Palindromes," "Mysterious Skin," "Howl's Moving Castle," "Broken Flowers," "The Constant Gardener," "Green Street Hooligans," "Wallace and Gromit in the Case of the Were-Rabbit," "Breakfast on Pluto," "Pride and Prejudice," "Walk the Line," "The Boys of Baraka," "King Kong" and "Match Point."

So, without any further delay, here are my 10 favorite movies of 2005. As usual, please feel free to add any you think I may have snubbed, and of course to check back on the first five days of this endeavour, if you missed them.

"Everything is Illuminated"
The only movie written and directed by Liev Schrieber is almost as good as the Jonathan Safran Foer novel it's based on, which tells the story of an American Jew's (in the movie, Elijah Wood - not, as I had typed before being politely corrected by always welcome reader Mad Hatter, Tobey Maguire) quest to find the woman who saved his grandfather's life during the Nazi leveling of the Ukrainian village of Trachimbrod. With a lot of humor, this flick delivers a mystery of sorts about the past and the power it holds over us, and is just a lot of fun to watch.

"A History of Violence"
Viggo Mortensen makes this David Cronenberg movie, which is indeed a meditation on the debilitating nature of violence and both an extremely violent work in parts itself, work as well as it does. It's that contradiction of seemingly both loving and abhorring violence at the same time that have made Cronenberg's best movies so compelling. Though this one is great, my favorite Cronenberg movie is still "Spider," in which the violence is mostly psychological.

"Capote"
Though it earned a well-deserved Best Picture nomination, all the also well-deserved accolades for Philip Seymour Hoffman's performance as Capote really overshadowed just how good Bennett Miller's movie itself is. As brilliantly as Hoffman shines in it, this tale which focuses on the writing of "In Cold Blood" is really much more of an ensemble piece, and Catherine Keener as Harper Lee and even more so Clifton Collins Jr. as Perry Smith (two definite favorites around here) deserve almost as much of the credit.

"Serenity"
I have to admit I gave up on "Dollhouse" long before Fox killed it off (and for once, I really don't think Joss Whedon has anything to complain about this time), mostly because though it was indeed smart sci-fi it left out all the fun. His even shorter-lived previous series, "Firefly," and this movie which somehow sprung from it, get the balance much better. Sure, it swipes mercifully from "Star Wars," but the dialogue and the performances of Nathan Fillion and his crew make this space Western close enough to an original to be thoroughly entertaining.

"The Squid and the Whale"
I just have a soft spot for movies about dysfunctional families, and few are quite as miserably so as in this autobiographical debut flick from Noah Baumbach. Heck, I even liked "Margot at the Wedding" quite a bit too, though I think I'm the only person in the world who did. In "The Squid and the Whale," Baumbach deals deftly with many of the same issues that Wes Anderson does with more fancy, specifically how intellectualism can and cannot be a proper replacement for love and engagement with the world. Laura Linney is spectacular here and, for better or worse, this flick unleashed Jesse Eisenberg on the world (I'd say mostly better.)

"Good Night and Good Luck"
I can remember that I somehow managed to be the only person at a matinee of this George Clooney movie, which just made the suffocating feel of it and the sheer terror of Joseph McCarthy even more effective. You're already gonna get me with a valentine to journalism of any kind, and Clooney just imbues this black-and-white flick with a style and pace that make it constantly engaging. Grant Heslov, the co-writer of this movie, directed this year's "The Men Who Stare at Goats," which I found to be a whole lot more satisfying than most critics did.

"Diary of a Mad Black Woman"
I'll make no excuses for including Tyler Perry's feature debut on this list, because it established the formula for most of his movies before it became one. It really does make you laugh, cry and all those other things you hear in that old joke about "Cats," and like his best movies, is just full of humanity and deals with the real issues of life and love with genuine humor.

"Murderball"
This flick from directors Henry Alex Rubin and Dana Adam Shapiro follows many of the conventions of the competition documentary but separates itself from the pack when it dives into the off-field lives of its stars, members of a quad rugby team competing to make it to the Paralympic Games in Athens, Greece. The sport itself, played by men in wheelchairs, is certainly full-contact and sometimes harrowing to watch. You connect with the main players and get a true sense of what their lives are really like, and that's what makes this flick a real winner.

"Hustle & Flow"
I considered calling this post "Come back to us, Craig Brewer," because even though it's buried deep on this list, "Hustle & Flow" was and still is my favorite movie of 2005. Though the music may be different, this is a genuine rock 'n' roll fable that tells the rise (well, sort of) of Djay, a pimp who just wants to be a rap star. On paper it sounds cheesy as it can possibly be, and perhaps it would have been if not for the performance of Terrence Howard as our hero and the extremely strong sense of place that Brewer gives this flick set in grimy Memphis. It's just a movie I've watched more than once every year since it came out and never gets old. And Taraji P. Henson is great as well as Shug, Djay's long-suffering lady who gets to sing the infectious "It's Hard Out Here for a Pimp" hook.

"Junebug"
This little Southern flick probably would have gone mostly unnoticed if it weren't for Amy Adams, which would have been a real shame, because it has a lot to say about family dynamics and the strains that distance put upon them. It teeters perilously close to caricature at several points, but in the end, director Phil Morrison and writer Angus MacLachlan manage to pack this flick with genuinely colorful characters.

And there you have it. Like I said, please feel free to hammer me for any glaring omissions, and have a perfectly passable Wednesday. Peace out.

R.I.P. Andy Hallett, a bit of news, and the DVD pick of the week

Now this is just amazingly sad. When I saw this name, I have to confess it didn't mean anything to me at first, but if you watched "Angel" during it's five-season run, you're certainly familiar with Andy Hallett.

Hallett played Krevlornswath of the Deathwok Clan, a k a Lorne, "The Host" who specialized in reading people's auras as he induced them to sing karaoke (yes, I know that sounds incredibly silly, but awfully entertaining too.) Hallett, who had apparently been battling heart disease pretty much since the show ended in 2004, died Monday night of heart failure at only age 33. Just amazingly sad.

In much better news, any doubts that Sacha Baron Cohen was going to push the envelope as far as possible in "Bruno" have been removed as the MPAA has given the flick an NC-17 rating in its first pass.

I have little doubt that Cohen and crew will be able to tame it down enough to get this one into theaters even in my rather safe little corner of the world, but - not having seen it, of course - it does make you wonder how much of that rating comes from the fact that it deals with a touchy issue, homophobia, rather than from any truly offensive content (though I'm willing to bet there's plenty of that too.) How much violence is allowed into movies rated PG-13 and below while the smallest whiff of sex - gay, straight or otherwise - just sets censors crazy is grist for a whole post in itself, but not one I have the time or energy to get into this morning.

Bottom line: "Bruno" should be a heck of a lot of fun in theaters, and way better on DVD.

There's a lot of good stuff out there this morning - the day after "Friday Night Lights" got renewed for two more seasons, huzzah! - so if you'll bear with me, I'm just gonna plow right through it.

David Cronenberg, who has until now balked at sequels of any kind, is seriously considering making an exception to that rule to continue the "Eastern Promises" saga, which I have to say would only be a good thing.

As you may remember from the end of the movie (AND IF YOU HAVEN'T SEEN IT, FOR GOD'S SAKE, PLEASE JUST SKIP THIS PARAGRAPH), the big twist is that Viggo Mortensen's Russian gangster is actually a British intelligence agent. In the right hands, a k a those of Cronenberg, screenwriter Steven Knight and Mortensen, all of whom are in talks to return, this could not only make another great flick but perhaps even a series, if they're so inclined. Here's what Cronenberg had to say about the project to the surprisingly informative MTV Movies Blog:

“We are going to have a meeting very soon between me, Steve Knight and Paul Webster to discuss what the script would be. I have some very strong ideas about what I would like to see, but I would like to hear what they have to say as well. And then after that, if all goes well, Steve goes away and writes a great script. If we all like it, we make it.”

Here's hoping, and in other casting news for flicks I'd certainly like to see, "Watchmen" director Zack Snyder has lost one waif and quickly picked up another to play the lead in his next flick, "Sucker Punch."

Amanda Seyfried was forced to drop out because HBO wouldn't let her out of her "Big Love" contract, so Aussie Emily Browning has stepped into the lead role. Though she starred this year in "The Uninvited" (which, rather amazingly, was still playing in one multiplex in my hood as recently as last week), you'll probably best remember her as Violet in "Lemony Snicket's A Series of Unfortunate Events."

Seems like a lateral move to me, but Browning should be a lot of fun in the lead role of a young woman forced into an insane asylum by her stepfather, who then uses the power of her imagination and the help of her fellow inmates (most likely Evan Rachel Wood, Vanessa Hudgens, Abbie Cornish and Emma Stone) to escape.

No matter how this all works out, however, the best thing is that Snyder is finally cooking up something from his own mind instead of making another comic book flick.

And speaking of HBO, I'm rather psyched for the second season of "True Blood," which may even be enough to induce me to pay for the channel when the vampire series returns for season 2 on June 14.

I spent a good portion of my recent trip through the Southeast reading the source material for the second installment, Charlaine Harris' "Living Dead in Dallas," and can happily report that it has plenty of crazy stuff in store for the series (not exactly high art, I know, but it was just the perfect book to read while getting too much sun lazing on the beach in Gulf Shores, Ala.) Not to spoil too much, but the novel starts with the death of Lafayette (which ended season one of the show) and somehow ends up at an orgy.

The photo below, featuring Macon native Carrie Preston (left) as the Merlotte's waitress Arlene, and plenty more are on display at HitFix, and you can view them all here.


DVD pick of the week:

The big name this week is certainly Oscar winner "Slumdog Millionaire," and that one indeed did nothing but make me smile from start to finish each of the two times I've seen it already. But my pick this week is one of the only other movies I bothered to see twice in theaters in 2008 (along with "The Dark Knight"), the French thriller "Tell No One."

Not surprisingly at all given just how maddeningly entertaining it is, this mindbender based on a Harlan Coben novel is already being remade for American audiences, but please believe me that you should see it in its original French form from director Guillaume Canet. What he's cooked up here combines the best elements of the French psychological thriller genre with a genuine potboiler mystery tale, and put it all together with tons of style. I also promise that the "reveal," easily my favorite movie scene from last year, will stick with you for a long time. Rent it already.

And on that note I'll close with this rather awesome poster for Sam Raimi's "Drag Me to Hell," set to hit theaters May 29. We've all had days like this, if not quite as bad as poor Alison Lohman's, so enjoy and have a perfectly passable Tuesday. Peace out.

Wherefore art thou, David Cronenberg?

When his movies are so uniformly entertaining, I guess you really can't begrudge David Cronenberg the right to make flicks at his own pace, but I can certainly selfishly say the world would be a much better place if he indeed chose to work more often than every two or three years or so.

Since the 2007 thriller "Eastern Promises," which was made by a seriously chilling performance from Viggo Mortensen, I think he's been toying with making an opera of "The Fly." I can't even picture what that might look like!

Thankfully for the rest of us who don't live in Canada and get to see this madness, he's also now ready to get back into movies in a rather big way. Word comes today that he's managed to recruit no less than Denzel Washington (heard of him?) to star in a political thriller from "Bourne" author Robert Ludlum.

Set against the backdrop of the Cold war, "The Matarese Circle" revolves around two men — one American, one Soviet — who must cooperate in order to foil a sinister plot to topple the world’s governments. Michael Brandt and Derek Haas, who crafted the mostly satisfying "3:10 to Yuma" remake, are writing the adaptation.

Oscar alert for Forest Whitaker

I guess maybe this is Forest Whitaker's way to make up for missing out on the role of Notorious B.I.G. (which in all seriousness, of course, I doubt he was ever up for). Getting back on track in his quest to play every heavyset, famous black man on the big screen, he's next set his eyes on directing and starring in "What a Wonderful World."

All kidding aside, this should be a lot of fun, and perhaps more importantly it's actually being filmed in New Orleans for the French company - Legende - behind "La Vie en Rose."

The flick will kick off during Louis Armstrong’s impoverished early years in New Orleans and primarily chronicle his career as a trumpet virtuoso and improvisational singer. Since Mr. Whitaker's last directing effort was with Katie Cruise in "First Daughter," which I admittedly haven't seen, I'll still confidently bet this will have to be much, much better.

Julie Taymor creating a "Tempest"

I really should have given Julie Taymor's "Across the Universe" a chance when it finally came here for one week last year, but I just couldn't bring myself to do it. Thankfully, the Macon Film Guild is gonna screen it sometime in the next couple of months, so I'll certainly make up for that oversight when it comes again.

And Ms. Taymor is now back at it to create another oddity, this time with Dame Helen Mirren in tow. She's assembling a rather stellar cast for "The Tempest," and has already flipped the gender roles to make Prospero a Prospera for Mirren to play.

All I can really remember about "The Tempest" is that the sorcerer Prospero (Prospera), the former Duke of Milan, has been stranded on an island with a lot of his books and his 3-year-old daughter Miranda. From there I'm sure it will get very dreamy in Taymor's hands with help from a cast that will include Jeremy Irons, Djimon Hounsou, Russell Brand, Alfred Molina, Ben Wishaw, Felicity Jones and Geoffrey Rush.


Watch Kevin Smith make a porno

From what little I've seen of Kevin Smith's next flick, opening hopefully everywhere on Halloween, I think it's gonna be a real winner. To build the hype for the movie starring Seth Rogen and the fabulously funny Elizabeth Banks, Smith and Co. have starting posting brief "webisodes" at his Quickstop Entertainment site.

The first one, which is up now, features Messrs. Smith and Rogen in a fairly funny discussion about how Rogen should bring more "Affleck-tion" to the set. You can watch it here, and I think it's well worth wasting three minutes or so of your work day. Peace out.

Eastern Promises: A seamy success

I've held off in writing about David Cronenberg's "Eastern Promises" because I wanted to let it sink in for a while. And now that it has, I can declare that, by Cronenberg standards, while its a fairly standard genre pic, it's still a very entertaining little potboiler.

As I was thinking about it, I had to compare it to Spike Lee's "Inside Man," a movie which just left me cold (though, don't get me wrong, I otherwise have nothing but love for Spike.) Both are examples of directors who make their own rules but were her dabbling in very conventional fare. With "Eastern Promises," Cronenberg managed to keep enough of his signature style to make it the superior flick of the two.

And Cronenberg has two people to thank for this, starting with Viggo Mortensen. What mostly makes "Eastern Promises" more than your average Russian mafia/white slavery movie (and I'm not gonna tell you much more than that about the plot because so few people bothered to see this last week), is that Viggo takes charge of his role of the driver/thug and holds your attention by sheer force of will.

A co-worker of mine, Erin, who is enamored of both Viggo's body as well of his body of work, compared him to Clint Eastwood when I asked the devil's advocate question of whether Viggo can actually act or not. And while he's not there yet, I can certainly buy the comparison to a certain extent. They both have the ability to end a conversation with just a look, and make that look speak louder than any number of words.

Cronenberg's second worthy co-conspirator on "Eastern Promises" is screenwriter Steven Knight, who has a rather disturbing knack for probing the underbelly of London. He did it last (and, frankly, a little better) with "Dirty Pretty Things," the 2002 Stephen Frears flick about immigrants and organ smuggling starring Audrey Tautou and Chiwetel Ejiofor (double huzzah!) Working here instead with Russian immigrants dealing in rather dirty but not pretty things, he's aided by baddies Armin Mueller Stahl and Vincent Cassell in constructing a realistically chilling glimpse into this wicked world.

But Knight's screenplay also delivers the shortcomings that keep this from being a great rather than good flick. Why haven't I mentioned Naomi Watts yet? It's certainly not because I don't like her. It's simply because here Knight and Cronenberg really underwrite her character, a hospital midwife who uncovers a secret that gets her entangled with the rascally Russians. While this could have been a compelling role, they instead make her a very one-dimensional angel/saviour type, and little more.

And, compared to Cronenberg's previous flicks, "Eastern Promises" doesn't stand up with his best meditations on the role and effects of violence in our society. Compared to "A History of Violence" or my personal favorite, "Spider" (if you haven't seen this mind-bender with Ralph Fiennes yet, do so immediately), it comes up more than a little empty.

In the end, though, even if Cronenberg was kind of cruising with this one, it's a salute to his tremendous talent as a filmmaker that he still manages to deliver a movie that's as compelling as it as entertaining, and one I hope many, many more people will discover this week.

Who's making a porno with Kevin Smith?

There are few directors more in need of a new crowd than Kevin Smith (and some would say he needs a new writer and director, but not me.)

He's currently at work on two flicks, one really odd horror movie with a baddie modeled on the Rev. Fred Phelps to be called "Red State," and much more promising, something called "Zack and Miri Make a Porno." In what will hopefully turn out just as crude and juvenile as the title promises, it's about two friends in their 30s who, finding themselves at a crossroads, decide to get into the porn business.

Rosario Dawson has, perhaps understandably, turned her back on this (and joined Shia LaBoeuf and others in DJ Caruso's "Eagle Eye"), but it seems Mr. Smith may be closing in on his Zack (and, since he wants to wrap up filming by the end of this year, that would probably be a step in the right direction.)

A "reliable source" at Aintitcool who calls himself "Big J" (as if that doesn't wipe out any credibility at the outset) wrote in to say that the role would be taken by none other than Michael Bluth himself, Jason Bateman.

I could definitely see this working. Bateman's Bluth worked so well because he was constantly trying to play the straight man even though he was just as crazy as anyone in the "Arrested Development" Bluth clan. He would be great as a dude likewise drawn into the tawdry world of Kevin Smith.

Another name I've heard out there however, and I'd give credit for this if I could just remember where I saw it, intrigues me even more. Jay Baruchel. That name probably means nothing to 90 percent of the world, but he's a member of the Judd Apatow clique who is just one very funny dude.

He earned entry into this somehow-now-elite cadre by starring in the second of Apatow's one-season-only TV shows, "Undeclared." Though never nearly as good as the flawless "Freaks and Geeks," it's still a very funny look at college life, and Baruchel put up with all kinds of shenanigans as the main star. More recently, he was one of Seth Rogen's pothead buddies in "Knocked Up."

Once Mr. Smith finds a Zack, of course, he'll need a Miri. Knowing him, if he does indeed land Jason Bateman, he'll probably try and get sister Justine too just for the novelty of it. Assuming that won't come to pass, all we really know now is it will have to be a fresh face. Any suggestions?

Demko's DVD shelf

The lock of the week was an easy pick since "The Lookout" is easily one of my favorite movies of 2007.

Joseph Gordon-Levitt (and thankfully not French Stewart!) has found a surprisingly solid acting career after the cesspool that was "Third Rock from the Sun." Before "Brick," easily one of the best movies of 2005, he starred in "Mysterious Skin," which I rented on the recommendation of several readers of this site and thoroughly enjoyed.

"The Lookout," while not as good as either of these, is still an entertaining little flick. JGL plays a former star high-school athlete who, after suffering a severe head injury in a car crash, has serious memory problems and now works the overnight shift as the cleaning man at a bank. He's paired with a blind man played by Jeff Daniels (huzzah!) for living conditions, and the movie's at its best when they're playing off each other. JGL's character gets roped into a plot to rob the bank, becoming the titular "Lookout," and you even get lovely Isla Fisher in the bargain too, so what's not to like? Just rent it already.

Best movie I haven't seen: This one definitely goes to David Lynch's "Inland Empire," one of the many movies that are simply too good to ever play in my little corner of the world. I'll be seeing this very soon.

Two classics get grand treatment: If you don't own either Jim Henson's "Labyrinth" or Martin Scorsese's "Taxi Driver," there are "special editions" of each out today. The "Taxi Driver" set in particular seems to be a grand affair, with three documentaries and at least three more featurettes in the two-disc set.

Fun with pictures

As far as I know, this image, courtesy of the great Froggy film site Cinempire.com, is the first still from Tim Burton's take on Sweeney Todd, coming for Christmas.

It looks fantastic, and set me to thinking: Why do I have such mixed feelings toward Mr. Burton? I think it must be solely based on his remakes, which just suck eggs, because I've liked almost all of his original movies immensely (if you haven't seen "Big Fish," do so immediately.) I'm definitely getting psyched for Sweeney Todd, and this creepy shot of Johnny Depp and Bellatrix LeStrange certainly does nothing to change that.


Another flick I'm definitely jazzed to see later this year is David Cronenberg's "Eastern Promises." Opening Sept. 14, it stars Viggo Mortensen as a tough guy for one of London's most notorious organized crime families. His life is changed after he meets a midwife, played by Naomi Watts, who finds herself unwittingly in the middle of some kind of sinister scheme involving the family he works for.

Personally, I prefer Mr. Cronenberg when he works more intimately with the human psyche (especially with "Spider," my favorite flick from both Cronenberg and Ralph Fiennes), but I'll follow him just about anywhere at this point. This should be a first-rate thriller, so enjoy the rather sinister poster and one pic below. You can find tons more pics here at Comingsoon.net. Peace out.

Friday fun with trailers

I would start by revealing that there's gonna be a movie about "Sex and the City," but that kind of just makes me say meh. I did watch some of the show, and maybe it's just a chick thing that I simply didn't get, but those four women weren't ever nearly as funny or shocking as they thought they were.

Now, if the HBO news were that David Chase was immediately gonna turn his limbo ending of "The Sopranos" into a movie, than you'd really set me off. As it is, what I'm really excited about is that the first three seasons of "Deadwood" are coming to the Telegraph's "treadmill cinema" populated by myself and Rodney Manley (who in my absence pitched in with a review of that "Fantastic Four" flick.)

In the meantime, it's Friday and I'm running late, so I'm gonna take the very lazy route and simply embed two sensational-looking trailers I found on YouTube today.

The first is for Ang Lee's "Lust, Caution," which I predict will be easily one of the coolest movies to come out this year. As best as I can tell, it's a spy movie set in occupied Shanghai, and young Wei Tang is simply one of the most beauiful Asian women to hit the big screen in a long time. Look for it in the U.S. beginning Sept. 28. Enjoy!



The next, and to me even more exciting, is an extended one for David Cronenberg's "Eastern Promises." He, Naomi Watts and Viggo Mortensen are joining forces for a tale that seems to be about the Russian mafia and some kind of white slavery ring in London, or other really seedy business. The ladies will want to note that, in the trailer alone, Viggo shows off his bare, tattooed chest three times or so, and everyone else will be happy to know that Vincent Cassel and Armin Mueller-Stahl both have pretty big roles in this one too (and the script comes from "Dirty Pretty Things" scribe Steven Knight.) Look for it in the U.S. beginning Sept. 14.



Kill Bill: The Whole Bloody Affair

If this is old news to everyone in the world but me, please forgive me, but it certainly sounds cool (if entirely inevitable.)

It seems that, on November 6, we'll finally get to see Quentin Tarantino's "Kill Bill" as one movie on DVD. A 247-minute movie, of course, but one movie nonetheless.

I can think of very few ways I'd rather spend a Saturday afternoon than by giving four more hours of my life to watching Uma Thurman kick ass for QT, so to this I can only say bring it on.