Don't fear "The Ides of March," or the season of Clooney

Yes, the first trailer for for George Clooney's political thriller is the main event here today, but since I've had a week from hell and haven't been able to even visit here until today, there's some other catching up to do too.

In other movie news, production starts this week on an intriguing project starring three of my favorite actors, Bill Murray, Laura Linney and the truly great Olivia Williams (most recently seen on the big screen by me in another fairly great political thriller, "Ghost Writer," but most famously of course Ms. Cross.)

"Hyde Park on the Hudson," filming in London, stars Murray as Franklin Delano Roosevelt and Williams as Eleanor Roosevelt in the period piece that focuses on the first visit of the British monarchy (in this case, King George VI (Samuel West) and the queen (Olivia Colman) to the United States. Stammering George is there to drum up American support for England's looming war with Germany, but FDR just happens to be distracted by ... his distant cousin, Daisy, played by Linney, with whom he develops an intimate relationship.

Juicy stuff there, and seeing Murray play a serious (though surely not too serious) FDR should just be a treat. Stay tuned ...

And there's also a bit of TV news out there about my current favorite network sitcom, "Parks and Recreation."

Poor Ron Swanson. First he (definite Reel Fanatic fave Nick Offerman) gets the single biggest Emmy snub of this awards season, and now, when "Parks and Rec" returns on Sept. 21, he'll encounter Tammy 1, his first ex-wife, so scary a character that she even makes Tammy 2 (Megan Mullally) quake with fear.

Poor Ron's torment, however, should be our delight, because in what should be a great comic turn, Patricia Clarkson will play Tammy 1 in two episodes starting with the premiere.

Should be pretty close to comedy bliss there, and in other TV news, HBO has set the fall premiere dates for two returning shows I'll definitely tune in for.

First up, the best thing about the new season of "True Blood" is that just about as soon as it ends, the second season of "Boardwalk Empire" will start right up. I used to have a lot of time for "True Blood," but though I still tune in during this summer dead period for TV, the utter randomness of it is really starting to drive me more than a little nuts.

That's certainly not a problem with "Boardwalk Empire," which tells the tale of early 20th century Atlantic City and the rise of "Nucky" Thompson (heavy Emmy favorite Steve Buscemi) with a clinical (and sometimes too perfect) precision. Keep an eye out for season two beginning Sunday, Sept. 25, at 9 p.m.

And even better than that, in a rare move off of HBO's regular Sunday night home, the third season of "Bored to Death" will make its debut for an eight-episode arc beginning Monday, Oct. 10, at 9 p.m. The show, which springs from the twisted mind of novelist Jonathan Ames, is far from the deepest thing you'll ever see, but the often doped-out adventures of a would-be private eye played Jason Schwartzman with his buddies, a long-suffering cartoonist played by Zach Galifianakis and, best of all, a truly loopy Ted Danson as magazine editor socialite George Christopher, all around NYC is just exactly my kind of funny.

OK, we really are getting to "The Ides of March," but also this week came the first proof that the once-great Cameron Crowe is actually still making movies. No visual proof that I know of from the feature film he's apparently wrapping up now, "We Bought a Zoo," starring Matt Damon and Scarlett Johansson and set for release this Christmas.

There is, however, a trailer for a documentary that finds the "Almost Famous" director on familiar turf, "Pearl Jam Twenty." Pearl Jam was never exactly my kind of rock (far too earnest for me), but I love what Eddie Vedder did for the "Into the Wild" soundtrack, and I'm always up for a good rock doc, which this certainly looks like it should be. Enjoy the trailer, and keep an eye out for this flick in at least some cities Sept. 20.

Pearl Jam Twenty from Pearl Jam on Vimeo.

And now finally on to the main course. Say whatever you want to about George Clooney's persona, but I really couldn't give less of a flip about all that. The man knows how to pick good movies, and when he manages to direct them they usually turn out to be even better.

The last thing I saw him in was "The American," a first-rate but low-key thriller from Anton Corbijn that would make a perfect rental if you've never seen it, and now this fall he has two movies coming up that are both near the top of my list of must-see flicks for the rest of the year.

Now moved up to Nov. 23, he's starring in the long-time-coming return of director Alexander Payne with "The Descendants," in which Clooney plays a man who tries to put his family back together after his wife dies in a car crash.

Even better, and set to drop before that on Oct. 7 hopefully wide enough to reach even my little corner of the world, will be "The Ides of March," an old-fashioned political movie directed by Clooney and featuring a truly first-rate cast.

In it, Ryan Gosling plays a conflicted political strategist working for a presidential candidate played by (natch) Clooney himself. As you'll see from the trailer, all kinds of political games ensue, and the movie somehow also stars Paul Giamatti, Marisa Tomei, Philip Seymour Hoffman and Evan Rachel Wood.

It's been far too long since I've seen a good political thriller, so this one is definitely circled on my movie calendar. Enjoy the trailer, and have a great weekend, which for me will at least include seeing "Crazy, Stupid, Love" and maybe "Cowboys and Aliens" too. Peace out.

Amazing music movie news for Coen brothers' fans, and some Muppety goodness too

Coincidentally enough, I was thinking just the other day, "Man, it's been a long since I've heard of the Coen brothers working on anything" (yes, I really do think things like that, but - yet, at least - not usually out loud.) Well, according to the always reliable 24 Frames blog from the L.A. Times, the wait is apparently over, and judging by what they've come up with, it sounds like it could well be worth it.

Music has always been key to the Coens' movies, especially with my favorite, "O Brother Where Art Thou," and they've never encountered a genre they couldn't conquer (actually, noir is a mixed bag - "Blood Simple" was sensational, but I loathe "The Man Who Wasn't There), so turning now to a music biopic seems like a natural move, especially when the subject definitely sounds odd enough to suit their outlook.

The subject for their next movie will apparently be Greenwich Village blues singer and activist Dave van Ronk. I don't know much about him myself, but that should just make the movie more fun. He died in 2002, and his memoirs, "The Mayor of McDougal Street" (going to the top of my reading list now), were published posthumously and will be used for material in the new film, which will document the Greenwich Village folk and music scene.

That should give them plenty of colorful characters to work with, and in the folk vein Joel Coen says the film will contain musical performances "pretty much all performed live, single instrument. I have to say, the thing we’re doing now, we’re not writing specifically for any of the parts, which is unusual for us."

From that brief description, and given their track record, I'd expect that this approaches "The Big Lebowski" in form much more than any traditional music biopic. Truly amazing news to start off a Monday morning, and though little is known now beyond that, I can only enthusiastically say bring it on!


OK, keeping with music but moving on quickly because I'm somehow already late at 7:08 a.m., the buildup to the release of "The Muppets" this Thanksgiving will continue in August with the release of "Muppets: The Green Album," which will contain Muppet favorites covered by the likes of Weezer, My Morning Jacket and OK Go.

I've always thought the guys from OK Go were pretty much just living their live as Muppets anyway, so it's a natural fit for them to take on the "Muppet Show Theme." As good as this sounds, however, and I can almost guarantee I'll buy it, the one musical thing that would be much better is a re-release of the soundtrack for the original "Muppet Movie."

We wore a hole right through our cassette copy on family trips when I was a kid, and I'd certainly spring for a great CD copy now. Just sayin'. In the meantime, here's the track listing for "Muppets: The Green Album":

01 OK Go: "Muppet Show Theme"
02 Weezer and Paramore's Hayley Williams: "Rainbow Connection"
03 The Fray: "Mahna Mahna"
04 Alkaline Trio: "Moving Right Along"
05 My Morning Jacket: "Our World"
06 Amy Lee: "Halfway Down the Stairs"
07 Sondre Lerche: "Mr. Bassman"
08 The Airborne Toxic Event: "Wishing Song"
09 Atreyu's Brandon Saller and Good Charlotte's Billy Martin: "Night Life"
10 Andrew Bird: "Bein' Green"
11 Matt Nathanson: "I Hope That Something Better Comes Along"
12 Rachael Yamagata: "I'm Going to Go Back There Someday"

And, to close today, though I'm mildly excited about the existence of the season four premiere of "True Blood" on my DVR, which I'll probably watch tonight, much better will the upcoming second season of "Boardwalk Empire," which given HBO's tendencies, will probably unspool just as soon as the new "True Blood" season ends. Below is the teaser trailer for season two, and the best thing you can say about it is it promises more of the same, but when a show's this good, that's very far from a complaint. Enjoy the trailer, and have a perfectly endurable Monday. Peace out.

Season 2 Tease

"The Office" gets its new boss

First things first, the rather intense photo above is of John Cusack as Edgar Allen Poe in James McTeigue's (let's go with "V for Vendetta" rather than "Ninja Assassin") thriller "The Raven," set to come out March 9. In the flick, Poe joins forces with a young Baltimore detective (Luke Evans) to hunt down a mad serial killer who’s using Poe’s own works as the basis for a string of brutal murders. Should be pretty darn fun, and it seems like forever since I've seen Cusack in anything.

It would certainly be better if that were actually filmed in the great city of Baltimore rather than in Serbia, but oh well. Moving on, there certainly are more important and sometimes indeed more disappointing things in life than TV, but there really wasn't anything more disappointing in last season's finales than the dud that was delivered by "The Office."

With each potentially very funny guest star getting at most two minutes to work with almost universally blah material, it was much more like a pilot looking for its funny rather than a well-established show making an essential transition. Now, however, it seems they've at least picked the guest who made the most of his time, James Spader's Robert California, to be the new boss.

The thrall he has over Jim, Dwight and others should make for a big dose of fun on a show that's sorely in need of it, but Spader's character apparently has bigger plans than taking over Dunder Mifflin's Scranton branch. According to Entertainment Weekly, he'll soon move on up to replace Kathy Bates as CEO of parent company Sabre, leaving another void to fill.

And, according to EW, the favorite to replace him then would be my favorite candidate going into the finale, "Doctor Who" vet Catherine Tate (who also appeared in the charming little British romantic comedy "Starter for 10" - rent that one if you can find it.) Combined, these two developments should bring some new life back into a show which, in my opinion, has fallen to the bottom of NBC's Thursday night comedy lineup, with them being, in my order, "Parks and Recreation," "Community," "30 Rock" and then "The Office."

For a taste of what Spader could bring to "The Office," here, courtesy of Hulu, is the first half of last season's finale with, unfortunately, way too many commercials. Enjoy, and then stick around for word about a fun new project for "Office" funnyman Ed Helms.



"The Office" star Ed Helms has the distinction of starring in one of my favorite comedies of the year in "Cedar Rapids," but also easily the worst I've seen, "The Hangover Part II." and now comes word of a new pitch that could be a lot of fun.

The project pitched by writer-director Rob Pearlstein will be titled "True North," and it's set to star Helms as a high-powered, workaholic talk show host and father who slips into a two-year coma after suffering through a horrific plane crash. Upon emerging from the coma, the once-debonair man finds that he has undergone reconstructive facial surgery and looks nothing like his former self. He then must track down his family and reconnect with his former life.

Sounds like pretty deep stuff for a comedy, so stay tuned for more on this whenever I can find it.

And to close, bringing things back to TV, "True Blood" returns to HBO this Sunday, and for the premiere episode it will be bringing along a fairly groovy new tune by Neko Case and Nick Cave. Actually, it's just a cover of the Zombies' "She's Not There," but it still sounds great. Enjoy this audio-only clip, and if you like to laugh, go see Jake Kasdan's "Bad Teacher," which for raunchy fun is a whole lot better than most critics make it out to be. Peace out.

A Wednesday clip show with Cronenberg and Footloose, plus Tyson and Spike Lee to HBO

Let's start with HBO, since they're clearly intending to keep scheduling programming made specifically for me in an attempt to just wring as much money out of me as possible.

"True Blood" returns Sunday, and then the rather miraculous eighth season of "Curb Your Enthusiasm" will return Larry David to New York, where he of course belongs. And after that, HBO has just set in motion a boxing project that should be nothing but great.

"Da Brick" will be a drama loosely based on Mike Tyson's early years in the boxing ring, with Tyson involved to offer his perspective on it. Much better, Spike Lee will direct at least the pilot episode, and John Ridley is on board as the showrunner.

Toiling largely in the shadows in the last five years or so, Spike has nonetheless managed to make two of his best movies (no small accomplishment) with his two New Orleans documentaries, "When the Levee Broke: A Requiem in Four Acts" and "If God is Willing and da Creek Don't Rise," and his movie of the Broadway musical "Passing Strange" is easily one of my favorite movies of 2009 (please rent that one now if you've never seen it.) And there are few genres of entertainment I love more than boxing, so this should nicely fill the void left by the sorely-missed-by-at-least-me "Lights Out."

OK, working briskly so I can have time to go swimming before going to work, let's move on to the clips, starting gloriously with the first trailer I know of for David Cronenberg's "A Dangerous Method," one of the movies I'm definitely most looking forward to for the rest of this year. As you'll see from the trailer below, it stars Viggo Mortensen as Sigmund Freud, Michael Fassbender as Carl Jung and Keira Knightley as the patient on which they try the titular cure (which, as you'll see, somehow involves spanking ... juicy.) Enjoy the trailer, and keep an eye out for this one hopefully opening wide enough to even reach my little corner of the world in November.



Up next comes the first trailer I've seen for Craig Brewer's take on "Footloose," which, not terribly surprisingly, appears to be the exact same movie as the original, except with some rather flashy hip-hop dancing to excite the young folk. I'm clearly not one of those, so I probably shouldn't complain, but how in the world did Brewer go from making one of my all-time favorite movies in "Hustle & Flow" to this? Sheesh. Oh well. At least Miles Teller of "Rabbit Hole," an actor definitely worth keeping an eye on, is getting work in this, but he'll never be able to fill the shoes of the late, great Chris Penn. "Enjoy" the trailer, keep an eye out for the movie if this is your kind of thing on Oct 14, and then stick around for a glimpse of new "Futurama" (huzzah!).

Tags: Movie Trailers, Movies Blog

How in the world "Futurama" has managed to survive and thrive for so long is something I'll never understand, but I certainly do appreciate it. Believe it or not, the show is back for its second season of new episodes on Comedy Central starting Thursday night. That's also the same night that FX's "Louie" returns and its new series "Wilfred" premieres, so my DVR will finally be getting a bit of a workout. Enjoy this brief clip from Thursday's "Futurama" premiere, and have a perfectly endurable Wednesday. Peace out.

Woody Allen's next European advenure takes final shape, plus the first big-screen Jeff Buckley

If I could be anyone in the world other than myself (though I'm usually pretty content in my own rapidly aging skin), I'd have to say it would be Woody Allen.

The septuagenarian filmmaker has made, for my money, the best movie so far this year with his City of Lights valentine "Midnight in Paris" (though Terrence Malick's "Tree of Life" is a more ambitious and close second), and now comes word that he's finalized the cast for his next cinematic adventure, this time in Rome (hey, why not?).

"The Bop Decameron" will begin filming in the city July 11, and the latest additions to the cast are Greta Gerwig and Alison Pill, who played Zelda Fitzgerald in "Midnight in Paris." They join Alec Baldwin, Roberto Benigni, Penelope Cruz, Judy Davis, Jesse Eisenberg, Ellen Page and Allen himself, who will appear in one of his own films for the first time since 2006's "Scoop."

So, what's it about? Well, "The Bop Decameron" will apparently be a modern-day riff on Giovanni Boccaccio’s medieval tale "The Decameron," a collection of erotic love stories. Sounds like perfectly lascivious material for Woody Allen to play around with, and the man is on a real roll right now, so definitely go see "Midnight in Paris" if you haven't yet, and stay tuned for more on "The Bop Decameron" as soon as I can find it.

In other movie news, this solidly middle-aged man shouldn't admit that he watches "Gossip Girl," but I do, and I find it to be just the perfect, way-lighter-than-air comedown from Monday, always my longest workday of the week.

Well, for you "Gossip Girl" fans, it seems that lonely boy himself, Penn Badgley, has signed on to plays Jeff Buckley in what is apparently one of two biopics in the works about the late singer. This one, titled "Greetings from Tim Buckley," is directed by Dan Algrant and is about the days leading up to Jeff Buckley's breakthrough performance at a 1991 tribute to his father. Per the movie's press release:

"Through a romance with a young woman working at the concert, he comes to understand the father who abandoned him. Culminating in a cathartic performance of his father’s most famous songs, Jeff’s debut stuns the audience and launches his career as one of the greatest young musicians of his time."

That last bit can easily be dismissed as a bit of cinematic hyperbole, but you really can't dispute that with "Grace," Jeff Buckley did manage to record one of the all-time great rock albums during his short time on this planet, so this movie should be nothing but a treat.

And since nothing in Hollywood happens in a vacuum, director Jake Scott is currently at work on a rival Buckley biopic, to based on David Browne‘s book “Dream Brother: The Lives and Music of Jeff and Tim Buckley,” but as far as I know has yet to cast his choice to play the doomed singer.

OK, now on to one video, and then to close a word about the progress of a new movie from one of my favorite young filmmakers, Martha Stephens. First up, the video, which in a very quick and funny style wraps up the three truly convoluted but also sporadically very entertaining seasons of HBO's "True Blood" that have unspooled so far. The show definitely pales to the grandeur of "Game of Thrones," which just finished its first season in superb style, and the continuous liberties that it takes with Charlaine Harris' Sookie Stackhouse novels can just be thoroughly maddening, but for campy TV fun it still manages to satisfy. Enjoy this three-season wrapup, and keep an eye out for the season four premiere of "True Blood" this Sunday on HBO.



Finally today, I was one of five or so people lucky enough to catch the screening of Martha Stephens' "Passenger Pigeons" at the 2010 Macon Film Festival, and I'm certainly glad I did. That movie, a multi-layered drama that centers on the death of a coal miner in Eastern Kentucky, is a quiet winner, and if I ever see it out on video, I'll certainly spread the word.

And this morning, I woke up to find in my g-mail box word from producer Nick Case about the progress of Stephens' next movie, "Pilgrim Song." Also set in coal country, this new movie is about a teacher who gets pink-slipped and sets out to walk Kentucky's Sheltowee Trace Trail. Filming is set to begin July 6, which is very exciting news indeed. Below is a fundraising pitch from Stephens and producer Adam Tate that tells you more about "Pilgrim Song," and to learn even more, visit the movie's site here. Enjoy the clip, and have a perfectly passable Tuesday. Peace out.



http://www.indiegogo.com/PILGRIM-SONG

Potentially great things coming to TV with Sam Raimi and Darren Aronofsky

In case you need to know, the above photo of Tom Cruise comes from a 2012 movie called "Rock Of Ages," but it's really so funny that it speaks for itself with no further explanation from me.

And before we get into the TV stuff today, let's start with movie news about one of my very favorite directors, who has inactive for a while now. If you missed it, Anton Corbijn's thriller of sorts, "The American," starring one George Clooney, is easily one of my favorite movies of the past few years. The tale of a hitman (Clooney) on his final assignment in Italy admittedly moves a bit slow, but it's a good story well told and beautifully photographed, and there are few rentals I can recommend higher.

Before that, the former music video director Corbijn made the movie "Control" about Joy Division's Ian Curtis, which is also wickedly entertaining, so he's definitely a director to keep your eyes on. And now comes word that he's landed a follow-up to "The American" that sounds perfect for his style.

"Let the Right One In" director Tomas Alfredson will beat him to theaters with a John Le Carre adaptation, "Tinker, Tailor, Soldier, Spy," and Corbijn will follow that with a much more contemporary Le Carre thriller, "A Most Wanted Man."

The book, published in 2008, tells the story of a Chechian Muslim who illegally immigrates to Hamburg, where he gets caught up in the international war on terror. The tale is loosely based on the real-life story of Murat Kurnaz, a Turkish citizen and legal German resident who was seized by American authorities, with knowledge of the German government, and taken to Guantanamo Bay. He was kept there for several years before being released, without charge, in 2006.

For a better idea of what the book is and movie presumably will be about, here's a trailer that was made for the release of the book. Enjoy, and then stick around for the promised TV news, and then a couple of clips just for fun (with Muppets!).



On my own TV, with very little new on and at the urging of my fellow cubicle slave Renee Martinez, I've been catching up with a home run of a show that I'm embarrassed to admit I had simply skipped until now, "Torchwood." If you've never seen it, the BBC-produced spinoff of "Doctor Who" is tailor-made for fans of "Buffy the Vampire Slayer," with much of the same wit and scarier creatures to boot.

The show will come to Starz for its fourth season beginning July 8, and now comes word that the network has bought into something potentially thoroughly fun from Sam Raimi and "Spartacus: Blood and Sand" creator Rob Tapert.

What they're cooking up is a live-action version of an anime show I've never seen titled "Noir," about a pair of rival female assassins who team to take on a secret society to learn more about their own mysterious origins. I'm hooked on that already, and for just a taste of what the anime original was about, here's its opening:



The big event in TV tonight, of course, is the season one finale of "Game of Thrones," and having read book one of George R.R. Martin's fantasy series, what's amazed me most about this perfectly entertaining series is how its managed to stick so strictly to its excellent source material and yet still deliver fun surprises each week. It's somehow gotten better week after week, and tonight's doozy of a finale should continue that trend.

After that, there will be "True Blood," returning next week, and then Larry David's "Curb Your Enthusiasm" later this summer, and after that, HBO, never one to rest on its laurels, has enlisted one Darren Aronofsky to direct at least the pilot for a series that sounds like nothing but big fun, "Hobgoblin."

The show, about con men and magicians who conspire to bring down Hitler, has a pilot script co-written by novelist Michael Chabon, and that's all I know so far, but definitely stay tuned ...

OK, to close, on to the videos. The Muppets have teased us pretty good for a few weeks with spoofs on first "The Hangover Part II" and then "The Green Lantern." While those were indeed pretty funny, and probably better than the movies they lampooned, they were really just small-bite appetizers for this first real trailer for "The Muppets," set to come out around Thanksgiving. It looks and sounds exactly like the silly fun I'd expect from a Muppets movie, so move this one starring Jason Segel and Amy Adams right up near the top of the list of movies I most want to see for the rest of this year. Enjoy.



And finally today, I wasn't much impressed at all with the first trailer for Ruben Fleischer's upcoming comedy "30 Minutes or Less," but this second, red-band clip definitely delivers the funny. His follow-up to the sublime "Zombieland," starring Jesse Eisenberg, Aziz Ansari and Danny McBride, is set to come out Aug. 12. Enjoy this rather foul trailer, and have a great rest of the weekend. Peace out.


EMBED-30 Minutes or Less - Watch more free videos

A Wednesday clip show, with Fincher, Pulp and even "Star Wars"

Actually, before we jump right into that, there's an intriguing bit of movie news out there today about a reunion of director Noah Baumbach and Jesse Eisenberg.

If you've never seen "The Squid and the Whale," while not the most uplifting of movies, there are few rentals I can recommend higher. Baumbach's directing debut (I believe) was an autobiographical tale of sorts about the divorce of his parents, played by Laura Linney and Jeff Daniels, with Eisenberg playing a character at least loosely based on Baumbach himself.

It was just a sweet little movie, and of course since then, Eisenberg has gone on to become more than a bit of a star. He'll next be seen in August in the Ruben Fleischer ("Zombieland") comedy "30 Minutes or Less" with veryfunnyman Aziz Ansari, and now comes word this morning that he's set to make another movie with Baumbach.

The movie, titled "While We're Young," is apparently about a Brooklynite 20-something couple who inspire an older, uptight documentarian and his wife to loosen up (according to the always reliable The Playlist, at least). If this all comes together, Ben Stiller and Naomi Watts would play the older couple, and Eisenberg and an actress to be named later the younger one.

Sounds like a comedy of manners (or lack thereof) perfect for Baumbach, so here's hoping this all comes together.

And now, because I'm in a bit of a hurry to go swimming before work, let's just jump right into the clips. For about a week or so, a very shaky camera pirated copy of the trailer for David Fincher's thoroughly unnecessary remake of "The Girl With the Dragon Tattoo" has been circulating on the Internet. Well, Sony apparently finally got fed up, and pulled that copy while replacing it with this spiffy official version.

I have to say, however, that as shiny as it all looks, it seems to be pretty much a shot-for-shot remake of the original Swedish movie, which is already pretty sublime entertainment, so what's the point of all this? Daniel Craig may well turn out to be an upgrade as Blomkvist, but in movies, there will always only be one Lisbeth Salander, because Noomi Rapace took over the role so completely. Having been burned once by what Matt Reeves did to one of my favorite movies with "Let Me In," I'm not ready to give in yet and believe there's any reason for this to be happening. Anyways, after that mini-rant, here's the cleaned-up trailer for you to "enjoy."



Next up, HBO has been on a real roll lately with "Treme" and even more so with "Game of Thrones," which really does get better and better as the weeks go by. And very soon (June 26, to be precise), the fourth season of "True Blood" will premiere. Though I'm not terribly enamored with the sometimes extreme liberties the show takes with Charlaine Harris' already very good Sookie Stackhouse novels, the show still remains a fun and funky brew. And now, through it's HBO Go toy and on to You Tube, HBO has leaked the first three minutes or so of the season 4 premiere, with more chunky bits to come before it's all unveiled. Enjoy, and then stick around for the return of Pulp and even pure, unspiffied up "Star Wars."



When I was supposedly in graduate school (but actually just having a blast in Athens, Ga.), Pulp's "Different Class" was easily one of my favorite albums, and it's one that I still listen to fairly often today. Here, performing I'm not sure where, is Pulp reunited, with Jarvis Cocker clearly just as cheeky as ever, performing "Disco 2000," and sounding great. Enjoy.



And finally today, where can you see the original "Star Wars" (now episode IV, I suppose), without any 3-D, extra footage or any other kind of enhancement? Why here, of course. I couldn't think of anything better to brighten up a Wednesday morning, so here, as promised, is the movie in its blissfully low-tech entirety. Enjoy, and have a perfectly endurable Wednesday. Peace out.

Bawdy "Bridesmaids" and the power of momentum

Though I didn't read the article because it's behind a Variety pay wall and, well, I'm cheap, this headline is what caught my eye this morning: ' "Bridesmaids" beats "Thor" at midweek box office.'

Having seen the movie and pretty much loved it, I'm not terribly surprised, but it's great news all the same. Fueling the fire is word of mouth among women and - by natural progression - the dudes they're convincing that it's nothing to be scared of.

It indeed isn't, but the movie is kind of a bait and switch, though one that still manages to entertain throughout and won't leave anyone feeling cheated. If you go in having watched the commercials and clips and are expecting a raunch fest fitting of the house of Apatow, you won't be disappointed. About halfway in, however, it switches gears seamlessly into more of an observational comedy about growing up and still keeping the friends you had when you were younger and care-free.

There's no way, of course, that it will beat "Pirates of the Caribbean: On Stranger Tides" this week, but it should come close to matching the $25 million or so it made in week one, and that would be a real accomplishment. Heck, given the rather scathing "Pirates" reviews and the fact that No.3 was just so bloody awful, I think I just might go see "Bridesmaids" again this week if I go to the movies at all.

And though Kristen Wiig is the big star at the center of it all, Melissa McCarthy steals every scene she's allowed to be in, and word has come this week that she's teamed up with "Bridesmaids" co-writer (with Wiig) Annie Mumolo to pitch a new comedy to paramount for McCarthy to star in, and here's the premise:

“When your husband is ill and his doctors are out of ideas, piling in the minivan with your pals to steal the Stanley Cup is one way to go.”

Sounds funny already to me, and I've loved watching McCarthy ever since "Gilmore Girls" (though I still can't bring myself to watch her CBS sitcom about fat people), so definitely bring it on.

Mumolo herself, it's just been announced, has signed a blind series development deal with ABC Studios. No idea yet on what she might come up with, but it will be produced by Tagline, the company behind USA's "Psych," and if she hatches anything nearly as funny as that mindlessly but often gloriously entertaining show, it should be great.

And with all this momentum surrounding "Bridesmaids," what of the inevitable sequel? Director Paul Feig says it's already been discussed. Here's what he had to say about it to Vulture:

"I mean, it depends how we do in the next couple weeks, but I know there's definitely ... it's already been brought up. You just want to make sure that you do it as well as you did the first one and try to make it better, even."

Something to look forward to, but in the meantime, if you're having any doubts, don't: "Bridesmaids" is a first-rate comedy for anyone who likes to laugh. 'Nuff said.

And after spending more time on that than I had planned, I'm running short of it, but there is one other bit of news that caught my eye this morning, and it's great for "Treme" fans (like me, for sure).

If you've been watching the rather somber-so-far season two, one of the definite highlights has been Antoine Batiste's (Wendell Pierce) drive to form his own band. As he proved with a suitably soulful rendition of Al Green "Love and Happiness" on Sunday's show, the man has the musical chops, and he's just signed on for a movie that will let him show them off even more.

"The Wire" vet has just signed on to play B.B. King in the biopic "B.B. King and I." Michael Zanetis co-wrote the screenplay based on his experience as a drummer who met King at a 1980 concert and struck up a lifelong friendship. Making this even better, Patrick Fugit of "Almost Famous" fame will play a fictionalized character based on Zanetis. Michael Schroder is on board to direct this, with shooting set to begin in September (most likely around the third season of "Treme" that's just been announced, bully!). Definitely keep an eye on this one, because Pierce is just a natural fit, and deserves to be a much bigger star.

And though I should probably offer a musical clip of Pierce in action to segue into the clips, I couldn't really find one, so here instead is my favorite version of the far-too-oft-covered "Hallelujah" (yes, I think it's better than Jeff Buckley's). I had the honor and pleasure of seeing John Boutte perform this in the same club, D.B.A. on New Orleans' Frenchmen Street, and it was amazing. Best of all in this clip is how he hushes the raucous Saturday night crowd almost instantly. Enjoy, and then stick around for a preview of the upcoming season of "True Blood."



Though I've enjoyed "True Blood" so far, as a fan of Charlaine Harris' Sookie Stackhouse novels, it can be frustrating to see the rather extreme liberties they've taken with the source material. I'm all for original thinking, but the books are very funny and fairly great as is, and "Game of Thrones" has proven so far that you can certainly go by the book and still come up something thrilling. Anyways, this clip seems to imply that with the new season that begins at 9 p.m. June 26 on HBO, they'll at least partly be telling the story of how Eric lost his mind to a powerful coven of witches and became Sookie's house guest, my favorite story line from the novels. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Witches vs. Vampires

The best fall TV show almost noone's watching: FX's "Terriers"

OK, OK, I know this is supposed to be about movies, but when you're in a week so bad that we only have one new movie, "Saw 3D," that's justifiably terrified of critics, I think it's alright to change the subject for just a bit.

Now, I suppose there may be a good TV or show this fall that I've simply missed, but contrary to what many of my co-workers probably think, I don't simply watch everything on TV. That said, however, I did try to sample as much as possible of the new offerings this fall,and they seem to be pretty universally awful.

We did have a brief respite starting Sunday with PBS' "Sherlock," but that will only last for two more weeks, at least in this incarnation. The Masterpiece Mystery offering starring Benedict Cumberbatch (yes, really) and Martin Freeman as, respectively, Holmes and Watson, transports the tale into modern London but, despite the distraction of way too much texting, manages to nail the wit and wisdom of Sir Arthur Conan Doyle's creation a whole lot better than the recent movie did.

After that ends, though, what will we be left with? HBO's "Boardwalk Empire," which has six more episodes left in its first season, has garnered many much-deserved plaudits, but there's one other show this year that's edging up to greatness in the shadows, FX's "Terriers."

Though I do occasionally get recognized around town because of the version of this I write for the Macon Telegraph, mostly and not terribly oddly at the video store or Macon's only movie theater, I rarely get any e-mail about it. I did, however, receive an interesting one the other day from Danny Elliott of Warner Robins, who implored me to talk about this very-little-watched FX series (the premiere drew only a rather paltry 1.6 million viewers), so that's what I'm going to do.

For the many people who have managed to miss this show, which airs Wednesdays at 10 p.m., it's about two guys, one a former cop and one a former thief, who have now joined forces as unlicensed and often unscrupulous private detectives. The leads are played by Donal Logue, who may be known to TV viewers as the star of the sitcom "Grounded for Life," and Michael Raymond-James, who fans of HBO's "True Blood" will recognize from season one as the vampire killer Rene.

The two of them, Logue the former cop and Raymond-James the former thief, find a natural chemistry as they now meet in the middle. It's often very funny, but never dives into by-the-book buddy sitcom-style comedy.

And the cases they take on, starting with a doozie in the pilot involving a major land developer who has at least some part to do with multiple murders - including that of one of Logue's former drinking buddies - are uniformly interesting from week to week. The best so far, episode three, starred Olivia Williams as the wife of a bank manager who may or may not be having an affair. As the bank manager tasked Logue's Hank to find out the truth, it just kept getting more and more twisted in the hard-boiled kind of way that TV mysteries so rarely still delve into nowadays.

Like another recent FX offering, "Justified," which returns for season two in February, "Terriers" develops in a sometimes slow but always natural groove, and as it does, it just gets better as we meet the characters who populate the main duo's lives, particularly Logue's sister on the show, Steph, played by his actual sister, Karina Logue. On the show, she's a manic depressive who depends on her brother for survival, and it's a fascinating relationship to watch unfold.

The bottom line: If you like good, old-fashioned TV mysteries with a scruffy edge, tune in for FX's "Terriers" while you still can. The beauty of being on FX rather than a major network is that it's guaranteed a full, 13-episode season one run, which means five more episodes, even if this is the only season. Not many people watch this show, but I know at least Danny Elliott and I do, and many more other people should too.

Who are the two dissenters raining on David Fincher's parade?

Actually, before I get into that, there are two tidbits about creative folk whose work I often enjoy out there today.

Though he certainly hit a rough stretch in my book with "The Life Aquatic with Steve Zissou" and "The Darjeeling Limited," Wes Anderson has also made four movies I truly adore in "Bottle Rocket," "Rushmore," "The Royal Tenenbaums" and "Fantastic Mr. Fox," so any word of the man getting back to work is welcome around here, even if that info comes in the form of the skimpiest of details.

According to Production Weekly's twitter feed, the title of his next movie will be "Moonrise Kingdom" and, best of all, he has plans to shoot it next spring. The only other detail available right now is that he's looking for two 12-year-olds, a boy and a girl, to play the leads.

So, something for children (and not completely jaded adults) like "Fantastic Mr. Fox"? Perhaps, but this will apparently be a live-action affair instead. No matter what, this is good news all around, so stay tuned for more about is as soon I can track it down. ...

In TV news, when it was revealed that "Pushing Daisies" mastermind Bryan Fuller (who also had a big hand in the early stages of "Heroes," before that show completely derailed) had signed a new deal with NBC, that was certainly a promising development. If you've never seen the show that ran for 22 episodes on ABC a few years ago, it was just the definition of whimsy and a perfect little bit of escapist TV.

So I was really looking forward to finding out what he would sink his teeth into next, but according to the always reliable Michael Ausiello at Entertainment Weekly, it's just a remake of "The Munsters," and while that certainly has a little potential in his hands, it mostly just sounds extremely tired.

Even with Ausiello saying the series has been described as "Modern Family meets True Blood," and I have a lot of time for both of those, I just can't say much but meh to this idea so far. ...

And finally today, having given in long ago to any notion that I would somehow boycott Matt Reeves' "Let Me In" on general principles, I've set my viewing schedule for what really should be one of the best movie weekends of the entire year: David Fincher's "The Social Network" on Saturday afternoon, followed by "Let Me In" on Sunday afternoon.

And while Reeves' still thoroughly unnecessary remake of the perfect Swedish vampire coming-of-age tale "Let the Right One In" is doing a more than respectable 83 percent positive at Rotten Tomatoes, Fincher's flick was approaching the perfect score achieved by "Toy Story 2" until a couple of holdouts spoiled the party and knocked "The Social Network" down to 97 percent.

So, who are these two flies in the ointment? Well, they, not surprisingly, have brought their own opinions about much more than the movie itself (and that's their right, of course) into their attempts to judge it.

First up is Armond White of the New York Press, who if he wanted attention, has certainly gotten it this time, with more than 6,000, often very harsh, comments on his review posting at Rotten Tomatoes.

White has earned the reputation as more than a little of an iconoclast for trashing movies like "The Town" and "The Kids Are All Right," and while I can't go with him completely on either of those, I do have to agree that they were both at least a little overrated.

Where he really stepped in it this year, however, was in his completely wrongminded thrashing of "Toy Story 3," calling Pixar's best movie since "Ratatouille" simply "besotted with brand names" (it's about toys, after all ... sheesh.)

So, what's his beef with "The Social Network"? Well, I encourage everyone to read his full review here to find out, but my reading of it is that he just generally finds Hollywood to be a morally bankrupt kind of place, and while that may or may not be true, letting that generality cloud your view of specific films is a sad approach to take. Here's a sample:

Like one of those fake-smart, middlebrow TV shows, the speciousness of The Social Network is disguised by topicality. It’s really a movie excusing Hollywood ruthlessness. That’s why it evades Zuckerberg’s background timidity and the mess that the Internet has made of cultural discourse.

There's much more like that proving that White craves, along with attention, easy answers in his movies, something I've never had much time for.

The second holdout (and there may indeed be more by the time I finish writing this) is someone named Prairie Miller (yes, really) of a conservative blog NewsBlaze, who, perhaps predictably, has a problem with Hollywood's "in-your face cocky" portrayal of Harvard culture, therefore managing to trash both of this country's supposedly elitist coasts without - much like White - saying much at all about the movie itself. Read the whole thing here, but here's a sample:

Though according to filmmaker David Fincher, who seems to already have an experienced handle on scrutinizing budding sociopaths with Fight Club, Se7en and Zodiac, and as mapped out in a series of legal depositions inserted into this film, Zuckerberg had a flair for ripping off both ideas and profits from fellow matriculated collaborators in this venture. Cavalier when not in your face cocky, the gabby snob navigates a Hollywood notion of Harvard in what seems less brainiac boot camp than an Ivy League Club Med where nobody does homework.

Now, both of these writers have a lot more readers than I do, and perhaps rightly so, but is it all surprising that the only two dissenters from what has been almost universally hailed as a great movie have done so due to preconceived notions they clearly took into the movie with them?

Everyone's welcome to their opinions though, of course, and if I have time before I, sadly, have to work on Sunday, you'll get mine on David Fincher's "The Social Network." And with that, have a great weekend, and go see lat least one new movie if you have the time. Peace out.

DVD picks of the week: All hail Hal Holbrook and Helen Mirren

Looking at that headline, it's probably as much as anything a reflection that I myself am getting pretty friggin' old, but - by a pretty wide margin - the best two things on DVD this week are a movie starring an 84-year-old man and the complete run of a sublime TV series starring a 65-year-old woman (though on the younger side of the scale, I'm watching vol. 3 of the UK teen series "Skins" streaming on Netflix too, and that's a real treat.)

First up comes "That Evening Sun," a genuine Southern drama that has been around for quite a while. I first missed the chance to see it at the 2009 Atlanta Film Festival 365, but luckily managed to catch it in its rather meager theatrical run (it apparently has made a paltry $281,000 or so at the box office) last spring. The flick also played the Macon Film Festival this year, and is extremely worth catching now on DVD.

The few who have seen this already will know it's a rare starring turn by Hal Holbrook, the kind of treasure that should be savored while it lasts. Holbrook is probably my favorite performer, if I were forced to pick only one, and here he plays Abner Meecham, an aging Tennesseean who bolts the nursing home to try and reclaim the family homestead that his son has sold out from underneath him.

It's really a role Holbrook was made to play, full of anger, pride and, best of all, a dark humor. Returning to the farm, he finds it now inhabited by two of my other favorite Southern actors, Ray McKinnon and Maconite Carrie Preston (aka Arlene on "True Blood"), along with their daughter, played by ingenue Mia Wasikowska.

What ensues is a war of wills that can at times be hard to watch because, as each holds his ground, they each become less and less likable, but that gives the drama based on a short story by William Gay and directed by Scott Teems a natural feel.

Music by Patterson Hood of the Drive-By Truckers makes this all go down even sweeter, so if you wanna take a chance this weekend on a movie that so far hasn't even managed to make a blip on the radar screen, trust me and give "That Evening Sun" a try.

Today's second pick comes with a disclosure: Acorn Media was kind enough to send me the complete "Prime Suspect" to review on DVD, but that doesn't change at all just how great the UK police procedural starring Helen Mirren was and still is.

Though the stories contained in the seven, three-hour-or-so installments are as gritty - and often more so - than anything you'll find on the best of American police procedurals, it's the performance of Helen Mirren at its core that make these so entertaining.

The humanly flawed cop has been played out way past the point of cliche many times, and very well by Dennis Franz on "NYPD Blue" and Dominic West on "The Wire," but Mirren plays it so naturally that it trumps the pattern completely.

Watching how her life's foibles (among other things, her Jane Tennyson battles the bottle as much as she does her inability to have anything approaching a full personal life outside of the police beat) intertwine with the often frustrating and sickening cases she pursues make this the most well-rounded police series I've encountered on TV. It's indeed on a level with David Simon's "The Wire," and anyone who's been here before knows that from me that's the highest form of praise.

These have been available individually on DVD for years now, but I believe Acorn's collection is the first time they've all been collected in one set. They would make a fine gift for anyone who enjoys great TV, or if you're so inclined, perhaps for yourself.

And with that, I have to go now to the job that pays me in something besides promotional DVDS. Peace out.

Perfect for Friday morning: The greatest movie insults of all time

What you surely won't hear anything more about here today is that Andrew Garfield has been cast in the "reboot" of "Spider-Man," 'cause once you fire Sam Raimi from something and start over, you've lost pretty much all of my interest.

What it will be about is three clips that caught my eye in the last 24 hours, one of which has nothing at all do with movies (hey, it's my site, right?) And on that note, where else could we start but with the first trailer for "Let Me In"?

As soon as the thoroughly unnecessary American remake of easily my favorite movie of 2008 (and really one of my favorite overall movies too, yes, it is that good), "Let the Right One In," was announced, it immediately rose to the top of any list of the movies I'm most dreading for the next few years (yes, even more than "Marmaduke").

Since then, however, writer/director Matt Reeves (who made "Cloverfield," and if you haven't seen that, it's surprisingly well worth a rental) has made several great moves, mostly in the area of casting. As you'll see from the clip below, young Hit-Girl Chloe Moretz as Abby (formerly Eli) and Kodi Smit-McPhee as Owen (formerly Oskar) were clearly just about perfectly cast, and the New Mexico setting should make an at least adequate fill in for the bleak Swedish locale of "Let the Right One In."

My only real beef with the trailer is the need for that annoying slide show effect, so I guess you could say my heart is warming toward this, and I'm certainly at least going to see it to find out just what Reeves has done with this movie treasure. Enjoy the trailer.



OK, I'll be the first to admit that I have no idea what the kids are listening to these days, but in any version of a perfect world it would certainly be Janelle Monae. Actually, I just checked the Billboard site to make sure this sensational song, "Tightrope," wasn't on the charts already, but it isn't (the chart-topper, something called "California Gurls," only prompted questions from me: how is a "gurl" different from a "girl," is this simply a remake of the Beach Boys song, and, if a song featuring Snoop Dogg is No. 1, how in the world is it not his "True Blood" tribute "Oh Sookie"?) But as usual, I digress. If I had a vote, this remix of "Tightrope" featuring Atlanta's B.o.B and Lupe Fiasco would be the song of the summer. Enjoy the clip, and please feel free to tell me if I'm simply tone deaf.

Tightrope (Wondamix) ft. B.o.B & Lupe Fiasco

Janelle Monae | MySpace Music Videos

And finally, what could possibly be better for a Friday than 10 minutes of the meanest movie insults? To give credit where it's due, this was compiled by the great Pajiba.com, and it's just about as good as you could possibly imagine, so it really doesn't need any more introduction from me (except for this note: This is, of course, CHOCK FULL of profanity, so for God's sake, if you're watching it at work, USE HEAD PHONES.) Enjoy the clip, and have a great weekend. Peace out.

Seth Rogen as "The Green Hornet": Not as bad as you might have imagined

The first trailer for Michel Gondry's "The Green Hornet" has indeed been unveiled (and the first picture is above), but if you'll indulge me for just a few seconds during a short post today (have to get to work early so I can take off during tomorrow's U.S.A.-Algeria match), there were a few great things that also caught my eye.

First up comes some confirmation that when Harold and Kumar finally return again for Christmas day 2011 with "A Very Harold & Kumar Christmas," they're gonna bring the serious funny. Shooting has just begun, and word came out yesterday that veryfunnyman Patton Oswalt has joined the cast, though I'm not sure yet in what capacity. "Harold & Kumar Escape from Guantanamo Bay," while far from awful, wasn't nearly as funny as "Harold & Kumar Go to White Castle," but here's hoping that as Harold at least finally tries to grow up in the third installment, the guys go out on top (assuming this will be the final chapter of the stoner saga - but here's hoping I'm wrong again.)

Secondly, and this can really be a shock to absolutely no one, HBO has gone ahead and ordered a fourth season of "True Blood" just as the third season is getting going. While the first two season three episodes have been heavy on exposition, they've also been as wickedly funny as the show has ever been, and though I don't want to spoil anything for anyone who hasn't read Charlayne Harris' sensationally entertaining Sookie Stackhouse novels, I'll just say that the arrival of lovably dimwitted Jason (Ryan Kwanten) in Hotshot is going to signal a major transformation, probably as soon as episode three, that you definitely don't want to miss. Stay tuned ...

And thirdly before we finally get to "The Green Hornet," I just assumed the World Cup ratings headline in the U.S.A. was going to be "Blame it on the Vuvuzuelas," but I guess I should have a little more faith. In fact, per the Hollywood Reporter, "through the first 14 matches of the World Cup, ESPN and ABC have delivered an average crowd of 3.35 million viewers, marking a 64% increase from the same period in 2006, when the nets drew 2.9 million fans. The initial portion of the round-robin stage was distinguished by the much-anticipated June 12 U.S.-England tie, which drew 13 million viewers on ABC, making it the most-watched first round World Cup game in U.S. broadcast history." Bully. And again, just in case you're looking for an excuse to drink a beer or two for breakfast tomorrow, U.S.A. v. Algeria for all the marbles tomorrow morning at 10 a.m. Tune in.

OK, indeed the main event here was supposed to be the unveiling of the first trailer for "The Green Hornet," and here it is. And although the idea of Seth Rogen as a superhero raises its fair share of doubts, he really doesn't embarrass himself here. The problem, at least in this snippet, is that it really doesn't show any of the signature trippy style of director Michel Gondry, who seems to have been tamed by the superhero flick. Anyways, there are certainly worse ways to spend two-and-a-half minutes of a workday morning, so enjoy, and have a perfectly passable Tuesday. Peace out.

Represent! Watch U.S.A. v. England, of course, but first, some news

If you were to ask me who the funniest two people in the world are, I'd respond, in this order, Ricky Gervais and Larry David, so if you bring them together, even for just one episode, you're gonna get my attention.

I'm not sure when we'll be able to see the eighth season of "Curb Your Enthusiasm," David's much more bitter and, yes, funnier, HBO follow-up to "Seinfeld," but when we do, it's been announced that Gervais will indeed be appearing as himself on the eighth episode.

Is it possible to have too much funny? I think not, and luckily, HBO definitely doesn't think you can have too much Ricky Gervais. Just last night I finally sat down and watched a few episodes of "The Ricky Gervais Show," which is essentially just animated visuals to go along with podcasts he makes with comedic partner Stephen Merchant and foil Karl Pilkington, and for which HBO has already ordered a second season.

The show itself is hampered by both that extremely limited format and by the fact that Gervais, in baiting Pilkington, often comes off as a bully. It still works, though, because these are three extremely funny guys, and because Pilkington in particular is at least as much a savant as he is an idiot. The best bits so far have been a "Monkey News" segment in which they debate whether or not a monkey can host a talk show, and another one in which Pilkington shares his birthing theory that when you die, you should immediately turn in to a baby again.

The bottom line: if you like cerebral funny, these guys deliver it, and I'm a fan. And in even better news, Gervais is now launching a new series for the BBC titled "Life's Too Short," which will "document" the life of showbiz little guy Warwick Davis, who has already made an appearance with Daniel Radcliffe on the Gervais/Merchant series "Extras." When and if this crosses the pond, it's extremely likely it will be to HBO too, and I can only say bring it on, because I'll admit I really like good jokes about little folk.

In other news, I really don't think there's any way Disney can get me too excited about another damned prequel, this one for "The Wizard of Oz," but they're certainly trying. Vulture reports today that the studio has offered Sam Raimi the reins for this project, in which Robert Downey Jr. would apparently play the wizard himself if this ever gets made.

I'd still lean toward just saying no to this, but if you've seen "Drag Me to Hell," you know Raimi still has some fun left in him (and if you haven't, and can handle a wickedly funny and equally gross horror flick, rent it immediately.) I suppose the man's gotta work, especially since they swiped the "Spider-Man" franchise from him, but if he jumps at this, he'll be far from alone in returning to the land of Oz.

Because absolutely nothing in Hollywood happens in a vacuum, there are at least three other "Oz"-related projects coming together, the furthest along being an upcoming 3D animated film "Dorothy of Oz." Nothing about that would make me say anything but meh except for the fact they've now cast "Glee" star Lea Michelle as the lead, and being an admitted and devoted Gleek, I figured I'd at least be the messenger on that too.

In the same press release, however, came this rather ominous note: "15-time Grammy winner Bryan Adams is currently moving forward on the first songs and lyrics for the film." Sheesh. OK, enough of that. On to the videos ...

Sticking with HBO first, this is the third, and best, trailer I know of the Martin Scorsese-produced series "Boardwalk Empire," which will chronicle the rise of Atlantic City's gambling empire and is set to debut in September. As you'll see from the trailer, the best one yet, it stars Steve Buscemi. Enjoy, and if you're a Sookie Stackhouse fan like me, of course tune in at 9 Sunday night for the season three premiere of "True Blood."

Preview Trailer #3

"Futurama" is rather inexplicably but thankfully set to rise again very soon with new episodes on Comedy Central, with the first two coming back-to-back June 24 (and yes, with all the original voice cast members.) Here, courtesy of the network, is first 90 seconds or so of the first new episode in which, predictably, we already find Fry in a tight spot. Enjoy.



And finally, the big day is finally here. The U.S.A. takes on England today in South Africa, and if you're somehow in Macon and interested, the rather unfortunately named Bottom's Up (not a titty bar, despite that name) will be open downtown and I and some fellow soccer geeks will be there to watch as the game begins at 2:30 EST. In the meantime, soccer fan Rivers Cuomo and his Weezer bandmates have recorded "Represent," an unofficial theme song for the squad, and it indeed kicks ass. Enjoy along with this video tribute to the team, and definitely tune in for what will hopefully make the U.S.A. undefeated (2-0) all time in World Cup matches against England. Peace and futbol to all!

Joseph Gordon-Levitt as the Riddler? Bring it on!

Rumors are, after all, exactly that, but when they're this good, you just have to embrace them and hope that somehow makes them true.

Hollywoodlife.com is reporting that, after the two joked about it on the set of "Inception," aka the best candidate to save us from this thoroughly wretched summer (though if you've been here before, you know I did enjoy both "Get Him to the Greek" and "Splice"), director Christopher Nolan now has Joseph Gordon-Levitt on his short list to play the villain in the next Batman movie, the Riddler. Take a second to absorb just how cool that would be if it turns out to be true.

Now, keep in mind that any new Batman movie is two years away and is still being written by David S. Goyer, but if you look at Gordon-Levitt's work so far, you'll hopefully understand just how cool this could be. I'm not as high on "500 Days of Summer" as many people I know, but it's a pleasant enough little movie, and he's much better in either "Brick" or "The Lookout," if you're in the market for a movie rental.

And easily the weirdest thing about this of all? I had forgotten but saw somewhere that Nolan's last big bad, the late Heath Ledger, and Gordon-Levitt co-starred in the much-better-than-it-should-be teen comedy "10 Things I Hate About You." Not sure why, but I just for some reason find that a little eerie ...

OK, enough of that, because it's a day full of actual casting news, good and bad, so let's get to it. And, being me, I'll just start with the bad and get it over with. If you've seen "Tropic Thunder," I have to hope you liked it, because even though some of it was indeed overkill (way too much Jack Black), it was mostly savagely funny (and you'll have to forgive me if it offends you, but that "full retard" bit will always make me laugh out loud.)

Unfortunately, now comes word that easily the least funny part of that movie, Tom Cruise's movie producer Les Grossman, is now somehow getting his own feature-length movie (but, if Marmaduke can get his own movie, I guess I shouldn't be surprised by anything anymore.) You may remember him from "Tropic Thunder" with more fondness than I do, but I just thought it was a tremendous amount of bluster signifying very little funny. This is being produced by Cruise and Ben Stiller, and this statement from Stiller announcing it did little to convince me they'll actually come up with anything funny here:

“Les Grossman’s life story is an inspiring tale of the human class struggle to achieve greatness against all odds. He has assured me he plans to quote ‘F**king kill the sh*t out of this movie and make Citizen f**king Kane look like a piece of crap home movie by the time we are done.’ I am honored to be working with him.”

Whatever comes of all this will apparently be written up by "Scott Pilgrim Vs. the World" co-screenwriter Michael Bacall, but that still doesn't give me too much confidence.

OK, enough negativity, because it really is far outweighed by the good casting news out there today. First up comes word that two of Jack Donaghy's girlfriends will be among the ladies I like watching in movies joining veryfunnyman Paul Rudd in what sounds like a really fun little flick.

Elizabeth Banks, Zooey Deschanel, Emily Mortimer and Rashida Jones will star opposite Paul Rudd in "My Idiot Brother," a comedy being directed Jesse Peretz. With that much funny on the female side, can this possibly go wrong?

The movie, according to the Hollywood Reporter, centers on an idealist (Rudd) dealing with his over¬bearing mother who crashes at the homes of his three ambitious sisters and (this last part actually scares me a bit) "brings truth, happiness and a sunny disposition into their lives while also wreaking havoc." No matter how sappy that sounds, I'm still betting on funny too. Here's a bit more about the characters, per THR:

Banks, Deschanel and Mortimer play the sisters. Banks is a career-driven single about to get her big break in journalism after spending years writing about accessories at a fashion magazine; Deschanel is a bisexual whose flakiness and lies are getting in the way of moving forward with her caring, responsible girlfriend (Jones); and Mortimer plays a Park Slope mom too worried about having the perfect life and children to notice that her marriage is falling apart.

That all sounds good to me, and the few people who may have visited here before probably know that I have an inordinate amount of affection for the Paul Rudd movie "Role Models," which makes this next bit of casting news even better.

It seems that Steve Zahn (currently starring on "Treme"), Peter Dinklage (easily my favorite of the little people) and Ryan Kwanten (Jason on "True Blood") will star in something called "Knights of Badassdom." Yes, really.

The horror/comedy being directed by Joe Lynch is about a group of live-action role players who just happen to conjure up a demon from hell by mistake and have to deal with the consequences. That had me laughing already, and just to make it better, here's what Kwanten had to say about it to Access Hollywood:

"... it's like 'Shaun of the Dead' meets 'Role Models.' It's that real black comedy that I really love."

Nothing like name-checking two movies I love too to get me hooked. OK, from here on out today, it's simply about a trio of videos that happened to catch my eye. "True Blood" does indeed return this Sunday at 9 p.m., and you can count me as thoroughly psyched for it. I've read all of Charlaine Harris' Sookie Stackhouse novels now, and though the show takes all kinds of liberties from her work, they almost always pan out. Here's a clip from season three that features one of its new characters, the werewolf Alcide Herveaux, being played by Joe Manganiello, and Anna Paquin's Sookie. Enjoy.



For some reason not until an hour or so after I've gone to bed (it is after all, a school night), AMC will be premiering the first episode of a promising new series called "Rubicon" this Sunday at 11 p.m. (thank God for the DVR.) I'm a sucker for almost anything with a grand conspiracy, and when you make it political, I'm even more in. "Rubicon," which will be a 12-part series and eventually settle in behind the new season of "Mad Men" starting on Aug. 1, is about a fourth branch of American government that really runs everything around us, as far as I can tell from this trailer (just to clarify, "Mad Men" actually returns on July 25, and not a minute too soon, but "Rubicon" won't get it's proper launch until the following week.) Enjoy.



And finally, and in so many ways saving the very best for last, I found this little comedy nugget in the latest Roger Ebert newsletter, which you can subscribe to here. It costs like $5 for a year, but it's thoroughly worth it, especially when he puts in things as good as "David Mamet's Lost Masterpieces of Pornography." With a title like that, I'm not sure it needs any more embellishment from me, but know it's hosted "Masterpiece Theater"-style by Ricky Jay and somehow stars Kristen Bell and Ed O'Neill. Yes, really, and on the funny or die scale, this is definitely funny. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Why isn't Ellen Page a big star already?

I've often wondered (yes, really, I find it much more fun than thinking about my actual job) why more people don't give Ellen Page starring roles.

Sure, Drew Barrymore gave her the lead in "Whip It," but, especially given the subject matter, that was much more tame and less funny than it could have been. And she has a pretty big role in Christopher Nolan's new flick, "Inception" (which I'll be geeking out for at the midnight show), but that one will of course be all about Leo.

But I just assumed (and hoped) that after "Juno," young Ellen Page would become a big star in something besides TV commercials, because she certainly deserves it. Well, now comes word from Cannes that she has indeed signed on for a new leading role, though not in anything that should bring her anywhere near the multiplexes in my little corner of the world.

Endgame has signed her to star in a dramatic feature based on Cynthia Wade's short documentary "Freeheld," which certainly has a timely topic for our times. Page will play a New Jersey car mechanic whose police detective girlfriend is diagnosed with terminal cancer. The documentary was and feature will be about their battle to secure her partner's pension benefits, which, rather amazingly, is apparently still an issue.

Not exactly the most uplifting of subjects, but hopefully in the hands of screenwriter Ron Nyswaner, who won an Oscar for "Philadelphia," some properly powerful stuff.

Except for that, I really don't have much today before "True Blood" except that the CW has somehow renewed a show that I thought only me and about six other people watched (though that may indeed be a high enough number for renewal there.) I'm not sure if it will be in the fall with a full 22-0r-so season or in Winter again for 13 more episodes.

Either way, I really like the show about a 16-year-old (Britt Robertson) who, after growing up in a series of foster homes, reunites with and is taken in by the parents who abandoned her (Shiri Appleby and Kristoffer Polaha) shortly after she was conceived during a one-night stand in high school. Surprisingly, it's often as serious as the subject matter would call for, but also very funny and overall an odd fit in the CW lineup. I'll certainly be tuning in for as many episodes as they bother to make from here on out.

OK, enough of anything serious, because "True Blood" returns to HBO for season three beginning June 13, and as you can see from the first full trailer below, the series will continue to take all kinds of liberties from the Sookie Stackhouse novels by Charlaine Harris. In season three, among the colorful characters coming are Alcide (Joe Manganiello), a werewolf charged with protecting Sookie (Anna Paquin) as she searches for the missing Bill (Stephen Moyer); the mysterious (as opposed to mundane, I suppose) vampire Franklin Mott (James Frain), who latches on to Tara (Rutina Wesley); and Denis O'Hare as Russell Edgington, the vampire king of Mississippi.

All those characters make at least brief appearances in the novels, all of which, yes, I've read, but much of the fun (almost none of it, thankfully, high-minded) of the show comes in seeing in how their roles are greatly expanded. I'm thoroughly enjoying "Treme," but "True Blood" and that David Simon New Orleans show back to back? The South is indeed rising again. Enjoy the full "True Blood" trailer, and have a perfectly passable Wednesday. Peace out.