Seth Rogen as "The Green Hornet": Not as bad as you might have imagined

The first trailer for Michel Gondry's "The Green Hornet" has indeed been unveiled (and the first picture is above), but if you'll indulge me for just a few seconds during a short post today (have to get to work early so I can take off during tomorrow's U.S.A.-Algeria match), there were a few great things that also caught my eye.

First up comes some confirmation that when Harold and Kumar finally return again for Christmas day 2011 with "A Very Harold & Kumar Christmas," they're gonna bring the serious funny. Shooting has just begun, and word came out yesterday that veryfunnyman Patton Oswalt has joined the cast, though I'm not sure yet in what capacity. "Harold & Kumar Escape from Guantanamo Bay," while far from awful, wasn't nearly as funny as "Harold & Kumar Go to White Castle," but here's hoping that as Harold at least finally tries to grow up in the third installment, the guys go out on top (assuming this will be the final chapter of the stoner saga - but here's hoping I'm wrong again.)

Secondly, and this can really be a shock to absolutely no one, HBO has gone ahead and ordered a fourth season of "True Blood" just as the third season is getting going. While the first two season three episodes have been heavy on exposition, they've also been as wickedly funny as the show has ever been, and though I don't want to spoil anything for anyone who hasn't read Charlayne Harris' sensationally entertaining Sookie Stackhouse novels, I'll just say that the arrival of lovably dimwitted Jason (Ryan Kwanten) in Hotshot is going to signal a major transformation, probably as soon as episode three, that you definitely don't want to miss. Stay tuned ...

And thirdly before we finally get to "The Green Hornet," I just assumed the World Cup ratings headline in the U.S.A. was going to be "Blame it on the Vuvuzuelas," but I guess I should have a little more faith. In fact, per the Hollywood Reporter, "through the first 14 matches of the World Cup, ESPN and ABC have delivered an average crowd of 3.35 million viewers, marking a 64% increase from the same period in 2006, when the nets drew 2.9 million fans. The initial portion of the round-robin stage was distinguished by the much-anticipated June 12 U.S.-England tie, which drew 13 million viewers on ABC, making it the most-watched first round World Cup game in U.S. broadcast history." Bully. And again, just in case you're looking for an excuse to drink a beer or two for breakfast tomorrow, U.S.A. v. Algeria for all the marbles tomorrow morning at 10 a.m. Tune in.

OK, indeed the main event here was supposed to be the unveiling of the first trailer for "The Green Hornet," and here it is. And although the idea of Seth Rogen as a superhero raises its fair share of doubts, he really doesn't embarrass himself here. The problem, at least in this snippet, is that it really doesn't show any of the signature trippy style of director Michel Gondry, who seems to have been tamed by the superhero flick. Anyways, there are certainly worse ways to spend two-and-a-half minutes of a workday morning, so enjoy, and have a perfectly passable Tuesday. Peace out.

If I made a Muppet movie ...

I'd certainly put myself in the human starring role too, but more on that in a little bit, because the best possible news to start off this particular Tuesday would have to be the possibility of more "Curb Your Enthusiasm."

For my money, there isn't anything funnier on TV, and hasn't been for at least the past 10 years. Larry David's mix of eventually sweet but very bitter along with the way is just comic perfection, so any news of an eighth season would certainly be welcome.

And being an ornery showman, David offered only the slightest hint it might happen when he recently showed up at the TV confab PaleyFest.

After shooting down the possibility of a movie (thank God for that), he finally got around to saying "I think there's a pretty good chance" and "We're working on a couple of things."

Not much to work with there, but since baseball season is almost here, it's all about hope around here, so here's hoping he gets busy on this soon, and stay tuned until the end for the reason HBO is going to get me to re-up very soon.

And now back to the lead. If I were somehow the person writing a new Muppet movie, you can certainly bet I'd cast myself in it as the human lead, which is apparently just what "Freaks and Geeks" vet Jason Segel has done.

Though the plot of the new Muppet movie he wrote with buddy Nicholas Stoller is still under wraps, we do know it's called "The Greatest Muppet Movie Ever Made" and it's being directed by James Bobin of "Flight of the Conchords." Apart from that, it will of course be about the Muppets reuniting for a big show (what else, after all?), and Segel will apparently be the human who leads the effort to reunite them. That all sounds like nothing but fun to me, so get on with it already!

Scorsese's "Hugo Cabret" taking shape quickly

It can be maddeningly difficult at times to figure out what exactly Martin Scorsese will work on next, but with the cast taking shape seemingly instantly, we can now be certain it is "The Invention of Hugo Cabret." And having read and adored this "children's" book, that's definitely good news to me.

The book itself by Brian Selznick is about an orphaned boy who ends up living in the walls of a Paris train station with his uncle, and operating the station's clocks when his uncle is too drunk to do so. Along the way, he encounters filmmaker Georges Melies and his mechanical men and, well, it's just gets more and more fun from there.

Comedian Sacha Baron Cohen has signed on to play the station inspector, and Sir Ben Kingsley will reunite with Scorsese to play Melies (if you haven't seen "Shutter Island," by the way, you're about to miss your chance ... I thoroughly enjoyed it.) As far as the kids go, Asa Butterfield, who had the misfortune of starring in the simply dreadful "The Boy in the Striped Pajamas," will play our young hero, and that foul-mouthed hit girl Chloe Moretz will play the female lead, Isabelle.

There's certainly a lot of fun stuff for Scorsese to play with here, so definitely bring it on.

Inside the mind of Michel Gondry

It can be even harder to tell what's up with Michel Gondry, but since I almost always dig whatever finally springs from his overactive imagination, it's worth keeping track of.

He is, of course, now shooting "The Green Hornet," starring Seth Rogen (yes, really) from a script by the "Superbad" duo of Rogen and Evan Goldberg. You can count me as mildly intrigued by that, but it's with what might come next that things really start to get interesting.

He says that after that will come the indie drama "The We & The I," which is based on his own book, "You'll Like This Film Because You're In It: The Be Kind Rewind Protocol." I haven't read that, but probably will soon, and here's what Gondry had to say about the flick:

“It’s about the group effect, how people in groups transform when the group is dislocated, because everyone jumps out of the bus at different times, there is a smaller group and how the relationships evolve. .. it’s kids on a bus, it’s more like a social thing. It’s not [well-known] actors, it’s going to be kids from a school in the Bronx. I love kids and just [regular] people too because they are not polluted by the medium. They come as they are and they have beautiful stories to tell, so I want to show that.”

Not sure what in the world all that will produce, but his music videos (mi hermano gave me a collection of them for Christmas a few years ago, fantastic viewing) and "Dave Chappelle's Block Party" have shown he can have some real fun with crowd dynamics. After that, thankfully, things just keep getting odder and odder.

He's also working with funnybook writer and "Ghost World" scribe Daniel Clowes on some kind of time travel movie which would somehow star Ellen Page (remember her?) Called "Return of the Ice Kids," it's apparently about a group of teenagers who invent a kind of water that makes you hear music (believe me, I couldn't make this stuff up if I wanted to.) Here's a bit of what he had to say about Page's role in it:

“I’d like to do a movie of this size with my own story, which would be quite amazing. But we’ll see. I’m developing a screenplay with a writer right now about kids who travel [into] the future by mistake and a machine [that] keeps people younger… ehhh, it’s complicated to explain…Ellen Page is supposed to be the main character…She’d play Nancy, a young woman who participates in the discovery and changes the world.”

Also on Gondry's apparently indefatigable mind is an animated movie called "Megalomania," which he's been working on since 2007 with Clowes and his son, Paul. Here's what he had to say about that:

“It’s about three kids who discover how to create energy from hair. And they shave everyone on the planet. The rich people wear and rule the world. So the rich people wear wigs and the poor people are just bald. And they want to make a better world, but the maker — which is sort of based on my son — is a horrible dictator…"

And here's what he has to say about his son:

"I didn’t want him to be the son of me, I want him to be his own person. I always saw him as an individual from the first second he was born. I always appreciated from him from how different he was from me. He’s very well dressed and stylish and much more confident then me. He’s street smart.”

The film is currently set to star the voice talents of Steve Buscemi, Seth Rogen, and Juliette Lewis. And like I said, though it certainly be frustrating to keep track of all that, it's very often well worth it when you see what he finally comes up with. Stay tuned.

OK, after that, all I have today is a trio of videos, starting in honor of today's big release of the Drive-By Truckers' new album "The Big To-Do." It's the band's first album of all new material in a few years, and having listened to it streaming for the last week or so, I can tell you it's a grand rock record well worth a few bucks if you dig that kind of thing. The guys (and gal) are apparently releasing webisodes about the making of each track, which is more than a bit of overkill, but the first one at least, for the sensational Mike Cooley track "Birthday Boy," is very entertaining. Enjoy, and go buy the album too!



And finally today, two videos for David Simon's New Orleans series "Treme," which is finally coming to HBO (along with my money) on April 11. It stars "The Wire" vets Clarke Peters and Wendell Pierce, Melissa Leo of "Homicide" (and a lot of other things), and even somehow Steve Zahn and John Goodman too. It takes place three months after Katrina, and I think you'll agree that in at least these short glimpses, he and co-creater Eric Overmyer have really captured the city's rhythm. Enjoy, and have a perfectly passable Tuesday. Peace out.

Trailer

Just what in the world is "Secret of the Kells," and what will Jason Reitman do next?

Although the Oscar nominations always leave me with as many questions as answers, this was the biggest one I had after yesterday's nominations announcement.

After all, I just assumed that, after a truly banner year for animation, one of my favorites - "Cloudy With a Chance of Meatballs" - would get a nomination, especially since the field grew to five entries this year. Instead, it went to something called "Secret of the Kells," and I can't be the only person who had never heard of that before yesterday.

So, what in the world is it? Well, an animated movie, obviously, from co-directors Tomm Moore and Nora Twomey. As you'll see from the fairly long trailer below (and, even though it labels the movie "Brendan and the Secret of the Kells," I assure it's genuine), it's animated in a charmingly simple style. As far as the story, here's an official synopsis:

In the movie “The Secret Of Kells,” young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. But with the barbarians closing in, will Brendan’s determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil?

Sounds like slightly heavy stuff for a children's animated movie, but as you see from the clip below, it will be pretty fun too. Enjoy.



And when will we get to see this? I'd have to imagine that, even with the Oscar love, this will be an arthouse release in the U.S.A., meaning I'll have to drive to Atlanta when it comes out March 10.

As for the rest of the Oscars, I'd have to say the 10 movie field for Best Picture was certainly a success, especially if the goal was to recognize some box office smashes along with the usual suspects. I haven't seen "The Blind Side," but is it really Best Picture material? I doubt it, but that along with "Up," "Avatar" and "District 9" should at least stop the ratings slide.

As for things that made me smile, certainly the fact that Quentin Tarantino's "Inglourious Basterds," my favorite, got eight nominations (second only to the nine nabbed by both "Avatar" and "The Hurt Locker"), including Best Picture, Best Director, Best Original Screenplay and of course, Best Supporting Actor for Christoph Waltz (one way to make the interminable broadcast shorter would be to just give him and Mo'Nique their statues now.)

There a few other little things I liked, too. The single best nomination would have to be Armando Iannucci and crew for Best Adapted Screenplay for "In the Loop." That was easily the wittiest movie of the year, and any script that moves that fast without ever faltering certainly deserves the recognition. It was also nice to see Maggie Gyllenhaal get a Best Supporting Actress Nomination for her work in "Crazy Heart." The Dude seems to be the favorite for Best Actor for his role in that flick about an aging country music star of sorts, but you wouldn't care a lick about his character if he didn't have Gyllenhaal's journalist and single mother to play off of and pitch woo at. Huzzah to both of those.

And though it has seemed to be losing steam over the weeks (I tried to see it a second time, but it had already disappeared from theaters), that "Up in the Air" only got six nominations is a bit of a surprise. It did, however, get all the big ones: nominations for all three actors, adapted screenplay, director and Best Picture.

Which brings us to the next topic: What will Jason Reitman do now? Well, according to The Playlist, he let that cat out of the bag in a visit with Roger Ebert. Here, according to The Playlist, is what he had to say:

"The book I'm adapting is 'Labor Day' by Joyce Maynard. I re-read it over the weekend and when I finished the book [on] Monday morning, I was kind of on the verge of tears and I remembered at the moment, 'alright, my job is to make sure the audience feel exactly what I'm feeling right now.' And that's it, thats the gig. The test is with each film, 'can I do that?' and 'is that something the audience wants to feel at the end of the day?' And in this case, I think it is. This ones a very very tricky love story. It's very dramatic."

"I know what actors I want for it. I'll be able to go to them easily and, presumably, it'll be an easier greenlight than my first movie. Or my second movie."

Fair enough, but what in the world is "Labor Day," which I will now be reading soon, about? Here, with some editing, is what it says on Maynard's own Web site:

With the end of summer closing in and a steamy Labor Day weekend looming in the town of Holton Mills, New Hampshire, 13-year-old Henry - lonely, friendless, not too good at sports - spends most of his time watching television, reading, and daydreaming about the soft skin and budding bodies of his female classmates. For company Henry has his long-divorced mother, Adele, a onetime dancer whose summer project was to teach him how to foxtrot; his hamster, Joe; and awkward Saturday-night outings to Friendly's with his estranged father and new stepfamily. As much as he tries, Henry knows that even with his jokes and his "Husband for a Day" coupon, he still can't make his emotionally fragile mother happy. Adele has a secret that makes it hard for her to leave their house, and seems to possess an irreparably broken heart.

But all that changes on the Thursday before Labor Day, when a mysterious bleeding man named Frank approaches Henry and asks for a hand. Over the next five days, Henry will learn some of life's most valuable lessons: how to throw a baseball, the secret to perfect piecrust, the breathless pain of jealousy, the power of betrayal, and the importance of putting others - especially those we love - above ourselves. And the knowledge that real love is worth waiting for.

That all sounds great to me. There's nothing up about this yet on the IMDB, but I'd imagine that as he rather immodestly claims, he can indeed get this greenlit just about whenever he wants to. And, since I'm so enamored of my new laptop, I might just make "Labor Day" the first purchase to read with my new "Kindle for PC" thingie from Amazon.

Except for that, all I have today is a music video from a woman I had never heard of, but since it's directed by Michel Gondry, it's certainly worth a look. The video is for a song called "Open Your Heart" by a chica named Mia Doi Todd. As the title implies, it's a breezy little ditty, and Gondry uses flashes of color in a deceptively simple way that becomes genuinely hypnotic (hyperbole? Perhaps, but that's the effect it had on me at 6:30 in the morning.) Anyways, enjoy, and have a perfectly pleasant Wednesday. Peace out.

My (and only my) best movies of the decade: The 2004 edition

Before I get into any kudos for movies that came out five years ago, the first (I believe) salvo in this awards season has been fired, and it has landed majorly in Kathyrn Bigelow's corner.

Her "The Hurt Locker" was the big winner at the Gotham Independent Film Awards, taking home the Best Picture award and, even more appropriately, the Best Ensemble award. I can certainly support that, because there's only one movie I've liked more than "The Hurt Locker" this year - Quentin Tarantino's "Inglourious Basterds" - and Jeremy Renner and Anthony Mackie did indeed lead an excellent cast in this flick that looks at war through the eyes of bomb squad soldiers.

But back to the game. 2004 was a good year for quirk, which I indeed like most of the time, but as you'll find out, also the first year of the oughts in which two of the year's box office champs made the final cut.

First off, the runners-up are: "The Ladykillers", "Hellboy", "Coffee and Cigarettes", "Garden State", "Harold and Kumar Go to White Castle" and "The Spongebob Squarepants Movie" (and yes really on the last two, but I really like to laugh.)

OK, here goes with the big 10, and as usual, please feel free to add any you think I may have snubbed.

"Eternal Sunshine of the Spotless Mind"
Going in, this mindbendingly sweet romance from the skewed minds of Michel Gondry and Charlie Kaufman was certainly the favorite for movie of the year, but as you'll find out shortly it was edged out by a director who still has - rather sadly - only managed to make very few movies. Still the only movie in which Jim Carrey is entirely enjoyable - in large part because of how well he plays off of Kate Winslet - this flick tackles big questions about love, life and memory with out a whiff of seriousness, but instead the dreamy feel that envelops Gondry's best flicks. (And yes, Kirsten Dunst dancing around in her underwear certainly is a delight.)

"The Agronomist"
Though Jonathan Demme has made many great fictional movies, his documentaries stand up just as strong, and one of the best is this flick about the late Haitian journalist and human rights activist Jean Dominique. Through interviews with Dominique and the people who loved him, you get a thorough portrait of the man that just gets more insightful but also depressing as it leads up to Dominique's assassination.

"Napoleon Dynamite"
You either love it or hate it, I guess, and I'm certainly in the former category. I even stuck with Jared Hess through "Nacho Libre," which though far from anything approaching a great movie, was still almost as sublimely silly as "Napoleon Dynamite." I seriously doubt that Jon Heder will ever get a good part again, but he was just hilarious as Napoleon, and you can still quote this movie to me when I'm having a really bad day and get a smile every time.

"Spider-Man 2"
When Sam Raimi has fun, as he surely did in 2009 with "Drag Me to Hell," the audience does too, as I certainly did with this, still my favorite superhero movie of all time. Though the first "Spider-Man" was a good enough flick (with some of the cheesiest CGI ever), the second installment is better in every way: The Peter Parker/Mary Jane (yes, Kirsten Dunst again) romance is truly heartbreaking, the bad guy (Alfred Molina's Doc Ock) is a superbly complex villain, and it was just the best blockbuster of 2004.

"Maria Full of Grace"
This little gem from director Joshua Marston is indeed my favorite movie from 2004, and it would stand up well in any year since. Catalina Sandino Moreno (who really should be a very big star by now) is just thoroughly charming as a pregnant Colombian teenager who - out of complete desperation - becomes a drug mule running cocaine to the U.S. in her stomach. The movie manages to put a human face on the drug trade and just gets better as we see Maria finally start to work her way out of it, and Moreno was absolutely hosed in not winning the Best Actress Oscar she was nominated for.

"Shaun of the Dead"
Every thing I've seen about Edgar Reitman's next flick - "Scott Pilgrim" - just hints that it's going to be epicly good, but I certainly miss the days that he, Simon Pegg and Nick Frost made an unholy trio. This, their best flick, is a first-rate mix of humor and horror, and though "Zombieland" was a solid entry this year, it lacked both Pegg - who made the perfect antihero - and the blackest humor that made "Shaun" work so well. And that scene at the pub is still just wickedly funny.

"Infernal Affairs"
The source material for Martin Scorsese's Best Picture breakthrough is actually superior to his remake in almost every way. The original flick from directors Wei-keing Lau and Alan Mak keeps the intensity up much better than Scorsese did (though I like me some "The Departed" too), and the lives of our two heroes, a police officer who has infiltrated the Triads and a Triad mole who has infiltrated the police force, intertwine in more interesting ways. Rent this one immediately if you haven't seen it.

"Sideways"
I almost put "Garden State" in this spot instead, but Alexander Payne's flick (the last one he managed to make before moving on to HBO's show about the guy with the humongous unit) makes for an engaging road movie through the California wine country and just features first-rate performances from Paul Giamatti and Virginia Madsen. I still like this one as much as I just detest Payne's previous flick, "About Schmidt."

"The Incredibles"
My second-best Pixar flick ("Ratatouille" will always be the king in my corner of the world) had a much more innovative story than most animated offerings for kids as it looked at what happens when the world turns against superheros, and just about the best message (don't be afraid to let your talents shine) you could possibly give to a kid. There is, however, one animated movie from director Brad Bird that's better, "The Iron Giant."

"Hotel Rwanda"
Don Cheadle was just as screwed as Moreno in the Oscar voting for this year, because he told more with simple facial expressions in Terry George's movie about the Rwandan genocide than most actors do with longwinded speeches. The story about how a hotel manager saved thousand of Tutsi refugees from almost certain slaughter also introduced the world (or at least me) to Sophie Okonedo, who almost manages to steal Cheadle's show here and was the star of a flick I just saw at the Rehoboth Beach Independent Film Festival, "Skin," about the racial complexities of South Africa (too heavy-handed for my tastes, but she's great in it and it was an audience favorite, so check it out on DVD soon.) George also directed my favorite of the '90s IRA movies, "Some Mother's Son."

So, there you have it. Please feel free to add any of your 2004 favorites, and to check back tomorrow for a look at 2005, the year I actually started writing all this mess. Peace out.

Five clips from "Whip It" look like nothing but fun

You know, I really have nothing terribly profound to say about the fact that Patrick Swayze has died at the rather young age of 57, so I'll simply share that sad news with anyone who hadn't seen it yet and move on.

In much geekier and less depressing news, it seems that, fresh off his star-making turn in Quentin Tarantino's "Inglourious Basterds" (my favorite movie so far this year, read why here), Christoph Waltz has now traded up to join the ranks of superhero flicks.

According to Nicki Finke of Deadline Hollywood, who is right at least slightly more than she's wrong, he's been cast as the villain Chudnofsky in Sony's "The Green Hornet." Up until now I had little interest in this, even though it's somehow being directed by Michel Gondry and starring Seth Rogen as our hero, but I'm now more than slightly intrigued.

Waltz easily stole every scene he got in Tarantino's wild flick with the sheer and sick glee he brought to the role of the Jew hunter Hans Landa. I'm sure he'll have the same zest for this project, and hopefully some more in which he'll get to play more than the bad guy.

In other movie news out there today, it seems that the director of my favorite film of 2008, those being Tomas Alfredson and "Let the Right One In" respectively, has settled on his next flick.

Though he had been attached to a big-screen version of John Le Carre's "Tinker, Tailor, Soldier, Spy," he's apparently got his eye on Nicole Kidman for something else first. Alfredson will next direct "The Danish Girl," starring Kidman as Danish painter Einar Wegener, who in 1931 became the first person to go through a sex-change operation to become a woman. In even wilder news, Charlize Theron had been cast as Wegener's wife, but has since dropped out.

Say what you want to about Nicole Kidman, but she almost always goes out of her way to choose interesting projects, and this certainly fits the bill (I think I'm still the only person in the world who almost unconditionally loved her in Noah Baumbach's "Margot at the Wedding.")

And in local "Let the Right One In" news, the Macon Film Guild will be offering a special Halloween screening of this great coming-of-age tale about what happens when your new neighbor just happens to be a vampire Oct. 30 at 7 and 9:30 p.m. at the Douglass Theatre for $5. I'll be at the 7 p.m. show, so maybe I'll see you there.

OK, all I've got left today is two video clips, and before I get to the titular five minutes for this post, here's a glimpse of the Muppets schilling for Disney at the corporation's D23 conference. At the confab, Jason Segel and Nicholas Stoller revealed that the title of their upcoming Muppets movie (resounding huzzah!) will be "The Cheapest Muppet Movie Ever Made." That's funny already, and it will apparently be about Gonzo directing a Muppet movie, if I have my facts straight (and I think I do.) Enjoy.



And finally, courtesy of and with full credit to Collider, here are five clips from Drew Barrymore's upcoming directorial debut, "Whip It," set to come out Oct. 2. The roller derby flick stars young Ellen Page, Barrymore, the always funny Kristen Wiig, Juliette Lewis and even Alia Shawkat, who played "Maeby" Fünke on "Arrested Development." It's great to see her again, especially since the chances of an "AD" movie look no more likely now then they did when the show was cancelled. It looks like Barrymore has something thoroughly fun going on here, and I really don't ask for much more than that. Enjoy the clips, and have a perfectly pleasant Tuesday. Peace out.

A nifty gadget for Muppet lovers ...

and if you're not one of those, really, what the heck is wrong with you? And besides, mighty Mr. Adam Jones had the game-winning RBI for the American League in last night's All-Star game (surely an omen of the Baltimore Orioles surging in the season's second half) and I'm going to see the movie based on my favorite Harry Potter book as early as tomorrow morning, so all is right with the world, right?

Well, not exactly ... there still is evil out there, and in my book almost all of it is embodied in Renee Zellweger. I've just never, ever liked her. And I can't see anything good coming from the news that she'll be starring in a new Bridget Jones flick.

I'll admit that this dude both read and enjoyed both of Helen Fielding's "Bridget Jones" books, the first one much more than the second. As for the movies, the first one was OK and the second was pure rubbish, so I can't even imagine how bad a third one - not based on any book at all - will turn out to be.

In even worse news (remember, there's Muppets coming to lighten things up), Stephen Chow has now completely exited Michel Gondry's "Green Hornet." If you've been following this rather sad saga from the beginning, you know that Chow was originally set to both play the Green Hornet's martial arts expert sidekick AND direct the movie, but a while back he was replaced as director by Michel Gondry.

Fair enough that. I still think Gondry can have a lot of fun with this, with Seth Rogen set to star and a script from Rogen and creative partner Evan Goldberg, but without Chow it's just gonna lose that extra bit of craziness that would have made this remarkable. Is Jackie Chan available? (Hopefully not!)

Oh well, there's got to be some good news out there, right? Actually, yes, especially if you love baseball (and again, if you don't why the heck not?)

Billy Bob Thornton has signed on to be a producer for a flick based on the Buzz Bissinger book "Three Nights in August," which is about a three-game series between the St. Louis Cardinals and Chicago Cubs in 2003 - as told from the perspective of Cardinals manager Tony La Russa (no word on this yet, but I could certainly see Billy Bob playing La Russa, too.)

Now I haven't read the source material for this, but I did read another of Bissinger's books, "Friday Night Lights," and it's a simply fantastic look at the obsession with high school football in Texas (and, of course, sort of the inspiration for TV's best drama, soon to enter its fourth season.) And any flick that offers this intense of a look at America's great sport and into the mind of Tony La Russa can only be a good thing in my book.

And finally, as promised, Muppets, Muppets, Muppets ... 101 of them in all. I can't take any credit for this except in the delivery of it, but if you indeed click on the link below, I defy to both not smile or waste at least a minor chunk of your work day. What is it? A guide to the 101 Muppets of Sesame Street. 'Nuff said.

Enjoy.

And with that, have a perfectly passable Wednesday, and if you've seen "Harry Potter and the Half-Blood Prince," please feel free to tell me if it's any good or not. Peace out.

When Michel Gondry met ... "The Green Hornet"?

Actually, the best news I found out there today is that Andy Richter and Conan O'Brien are going to be reunited again when Conan takes over "The Tonight Show" on June 1.

Though it was purely by coincidence, when Richter left "Late Night With Conan O'Brien" in 2000 was just about the same time I stopped tuning in loyally almost every night (having nothing to do with him, but instead because increasingly grumpy, clearly middle-aged men simply shouldn't be up that late.)

In his new role, Richter will serve as announcer but also, thankfully, participate in a lot of the sketches too. I'd much rather see him back as a traditional on-the-couch sidekick a la Ed McMahon or, well, Andy Richter, but this still will be enough to make me stay up a little later for at least the beginning to see what Conan cooks up in his new time slot.

And the weirdest thing is easily that the Humane Society gives out movie awards, including Best Picture, for flicks that it thinks address animal issues well. And the nominees (none of which I've seen) are:

"Bolt"
"Marley & Me"
"Red"
"Saving Luna"

Actually, that "Red" is one I'd like to see, and will instantly watch on Netflix soon, because I like Brian Cox in just about anything. And for one that they missed, though it just moved way too slow for my tastes, no 2008 movie better addressed the perils of dog ownership when you don't have a home for yourself than "Wendy and Lucy," which starred Michelle Williams.

But easily the coolest news out there is that Michel Gondry is now attached to direct "The Green Hornet." Take a minute to let that sink in.

It may seem odd that the director of such mind-bending flicks as "Eternal Sunshine of the Spotless Mind" and "The Science of Sleep" would take on something as silly as a superhero flick, but I think this could really work well, because if you look at two other recent flicks from Mr. Gondry, he clearly also just likes to have fun.

I own a copy of "Dave Chappelle's Block Party" on DVD, and that Gondry flick delivers just what its title promises (with some sensational music to boot.) And anyone who's seen "Be Kind Rewind" (and if you haven't, why not?) knows that he can be just as goofy as anyone when he wants to be.

So, what's up with "The Green Hornet"? Well, amazingly enough, it's set to star Seth Rogen as the titular hero (yes, really) and - even better - Stephen Chow as his loyal sidekick Kato (the role made famous by one Bruce Lee.) Rogen and Evan Goldberg, the team behind "Superbad," wrote the script. Chow was attached to direct at one point, which would have been even more bizarrely entertaining, before pulling out over "creative differences."

I know that's a lot about a movie that isn't even set to come out until June 25, 2010, so I'll just wrap this up with a clip from the "Block Party" featuring probably my favorite rap act of all, Dead Prez. If you like hip-hop, R&B (Erykah Badu, Jill Scott, Mos Def, Talib Kweli, Dead Prez, Kanye West, the Roots and even the Fugees all show up to perform here) or the humor of Dave Chappelle, I can't recommend a rental higher than I can this great little concert flick. Enjoy, and have a perfectly passable Wednesday. Peace out.

DVD pick: "Be Kind Rewind" redux

Consider this an open letter of apology to Michel Gondry.

I was more than a little bit psyched to see Mr. Gondry's "Be Kind Rewind" when it hit the big screen a little while back. Jack Black, Mos Def and Michel Gondry? I was so jazzed to see it that I even drove an hour or so up the road to do so.

And I think it was these expectations that led me to be at least slightly disappointed as I was walking out of the theater.

Now, don't get me wrong. After watching the movie again last night on DVD, I still think Gondry's flick is just goofy as goofy can get, but it's also more than a little bit magical once it manages to get going.

If you haven't seen it, take this warning from me going in: You'll almost certainly wince through the first half-hour or so. Jack Black's character vacillates between mildly retarded and thoroughly annoying. I know people have found him to be that way before, but it was a first for me (yes, I even liked "Nacho Libre.")

And the premise of "Be Kind Rewind," if you think about it for even a second, is simply ludicrous. Gondry's love of mom-and-pop stores and of Passaic, N.J., comes through clearly, but why in the world would you want to save a movie rental store where you know the owner (Danny Glover) can never get any new movies because he refuses to make the move to DVD?

So, my advice: Go ahead and rent "Be Kind Rewind" and just don't think about it too much. Once Black, Mos Def and the very charming Melonie Diaz get down to "sweding" all the tapes that Black's Jerry has managed to erase (because he's magnetized, of course), it's just tons of fun. The "Ghostbusters" and "Rush Hour 2" takes got the most attention, but my favorite moment in Gondry's flick was when Mos sheepishly explained why he felt uncomfortable sweding "Driving Miss Daisy." Just perfect.

And the last 20 or minutes or so, when the community bands together to make a movie about Fats Waller (don't ask, just watch for yourself and find out why), it morphs into probably my favorite subgenre of all: Movies about the love of movies.

So, for all its faults, I can still heartily recommend renting "Be Kind Rewind" if you're in the mood for something truly odd but often very entertaining.

Also out this week is possibly my favorite movie of all so far this year (second only to maybe "Son of Rambow," but they're pretty much tied), Patricia Riggen's "Under the Same Moon." Though I hate the phrase "putting a human face" more than just about any other in the English lexicon, I guess you could say that's what Riggen's movie manages to do with immigration.

On paper it would seem to be just too sappy for words, but the story of a 9-year-old Mexican boy (Adrian Alonso) trying to reunite with the mother (telenovela star Kate del Castillo) who had to leave him behind when she went to look for work in L.A. is just thoroughly engaging. It turns into an odd buddy-road movie of sorts when young Carlitos teams up with a laborer (Euginio Derbez) to make the journey, the movie's best stretch.

So, there you have it. Two DVD recommendations for no entry fee. Have a perfectly pleasant weekend and, if you actually go see either "The Love Guru" or "Get Smart" (which I can't bring myself to do) and want to share your opinion of them, please feel free to do so.

Is there hope that "Friday Night Lights" will keep shining?

If the perhaps final "Friday Night Lights" that aired a few weeks was indeed a finale, it would certainly be an odd way to go out.

In ways it did feel like an ending of sorts, with Smash (Gaius Charles) finding out he just might still have the chance to play (very small) college football and show honcho Peter Berg even making a very funny appearance as an old flame of Tami Taylor's (the simply fantastic Connie Britten) who gets into a drinking and then wrestling match with coach Taylor (Kyle Chandler.)

But it also, of course, had some aspects of a perfect cliffhanger, with Street (Scott Porter) waiting to find out if he will be a daddy and Lyla (Minka Kelly) and Riggins (Taylor Kitsch) perhaps about to start knocking boots again. (If this all sounds rather like a tawdry soap opera, it often is, but like "The Last Picture Show," it's also a fantastic portrait of life in small-town America.)

And I tell you all that to tell you this: NBC, which has until now shown little inclination to bring the show back for a third season despite its rather attractive demographical (is that even a word?) numbers, may be having a change of heart.

In order to salvage my favorite network TV drama (by far), NBC is currently in negotiations with the CW, Comcast Entertainment Networks, TNT and DirecTV to see if it can find a "shared window" plan which would have the show air on multiple networks (which I can only assume would divvy up the production costs, too.)

NBC is apparently asking a high price (especially for a show that it seems to have so little love for), but here's hoping someone takes the bait and saves this TV gem.

Be Kind, play wide?

I was so psyched until Wednesday morning when my local multiplexes updated their weekly movie offerings that, with the arrival of Michel Gondry's "Be Kind Rewind," we would finally have the first truly great (or at least really fun) movie of 2008.

Well, as some of you who live in a small city (well, town, really) like me might be finding out, apparently putting Jack Black and Mos Def in a movie all about the love of movies isn't enough to insure any kind of distribution at all. I will apparently have to drive almost 60 miles this Saturday morning (which I will definitely do) just to see it at the rather palatial AMC Southlake Pavilion south of Atlanta.

There's no real point to this portion except to let me vent a little, which is also a welcome release. I do have to ask, though: What in the world does a movie have to do to play in anything except "select cities"?


Fincher set to dive into a "Black Hole"

Complain about its length or its lack of focus if you have to, but for my money there were very few movies (only four, to be exact) better than David Fincher's "Zodiac" in 2007. And I'd put even money on "The Curious Case of Benjamin Button," his take on the F. Scott Fitzgerald tale about a man who ages in reverse through the 20th century, being among my favorites of this year too.

And now comes word that he's attached to a new project that seems right up his alley. Though I can't claim to have read the "Black Hole" series of graphic novels by Charles Burns, they seem, from what little I've been able to piece together, to exist in that splendidly sordid realm where Fincher feels most at home.

In the graphic novels, at least according to Publisher's Weekly, the setting is Seattle during the early '70s. A sexually transmitted disease, the "bug," is spreading among teenagers. Those who get it develop bizarre mutations—sometimes subtle, like a tiny mouth at the base of one boy's neck, and sometimes obvious and grotesque. The most visibly deformed victims end up living as homeless campers in the woods, venturing into the streets only when they have to, shunned by normal society. All I can say to all that is bring it on!

In case you need any more inducement to get geeked up about this, here's what Daniel Clowes of "Ghostworld" fame has to say about Mr. Burns at Amazon.com:

"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal."

Roger Avary and Neil Gaiman are writing the script for this project which would should definitely keep Fincher on a roll.

Now that's a lead

In a good article about movie studios bringing their video game development in-house that you can read here, the Wall Street Journal leads off by revealing what may (or may not) be the plot to Pixar's 2010 release, "Toy Story 3":

In Pixar's coming movie "Toy Story 3," Woody the cowboy and his toy-box friends are dumped in a day-care center after their owner, Andy, leaves for college.

Now, if that is indeed the case, it does sound like a fun way to bring a new batch of kids into the franchise. That plot summary, however, does differ wildly from what's up at the IMDB:

The adventure continues as Toy Story 3 makes its way into theaters in 2010. In this new adventure, Buzz Lightyear has encountered a malfunction and is being sent to Taiwan to be fixed. It appears that these malfunctions are occurring with toys all around the world! Now, Woody and a group of his friends are on a mission to save Buzz's destruction.

No matter which one is right, we'll have to wait a couple of years to find out, but isn't it so much more fun to wonder about such silly things than say, whatever work you have to do? Peace out.

What in the world ever happened to Daniel Clowes?

I may indeed be the only person in the world who wonders about such things, but I fairly often do.

Now, the last time Daniel Clowes stuck his head out was as the writer of one of the worst movies of the last five years or so. Taken back-to-back-to-back with "Poseidon" and "X-Men", "Art School Confidential" just completed a craptastic start to the summer of 2006. However, when you've also penned easily one of my favorite movies in "Ghost World," I'm willing to be a forgiving soul.

Hollywood, however, doesn't seem to be so understanding. Or maybe it's just that Mr. Clowes doesn't work quickly (or, of course, just likes to work on his graphic novels instead.) Either way, he hasn't seemed to have been able to finish anything for the movies since.

Which is a real shame, if you look at what's on his plate. First up, which the IMDB reports he was "still tinkering with" in December, is a movie about those cool kids who made the shot-for-shot remake of "Raiders of the Lost Ark" in their back yard (I saw the movie earlier this year in Athens, and it is a real accomplishment.) That, if he ever does indeed finish it, would be tons of fun, as would this project I just found him attached to today with Michel Gondry and his son, Paul.

The elder Gondry and Mr. Clowes had been, and probably still are, considering taking on Rudy Rucker's "Master of Space and Time," but I would have to assume this family project puts that on the back burner.

Here's what Michel Gondry had to say about the new flick to the great /film site:

“It’s based on [Gondry’s son Paul’s] universe. He’s a sixteen year old. He’s very unique, very funny and very violent in his drawing and his art, showing everything that you could think of that I should have stopped him from coming in contact with, but I failed. He grew up watching Tom & Jerry and Ren and Stimpy, Sponge Bob. If you take all that and mix it with Gangster movies with blood, you get his universe. We’re translating our relationship into a futuristic story with a dictator and a rebel. He’s the dictator in the story and it will be based on his art.”

The movie will apparently be called "Migel Munya," and here's a little more of the craziness that Mr. Clowes will get to work with, again courtesy of /film.

“[The movie is] about a dictator who runs a crazy world where hair is the source of energy. The people there are forced to create art, and if the art is too good they are executed. So the dictator there doesn’t want anyone to be better than him so he kills the inmates who make good art. They try to make rubbish art but sometimes the worse it is for them, the better it is for the dictator.”

This just sounds cool to me, and it will indeed be even better news if we just get to see anything from Daniel Clowes on the big screen in the near future. The younger Mr. Gondry, along with being a budding cartoonist, also directed a video for the California band The Willowz, but I couldn't find a terribly high quality version of that. Instead, I hope this Lego video for the White Stripes' "Fell In Love With a Girl," directed by Michel and featuring young Paul playing with Legos at the beginning, puts a proper jolt in your Monday morning. Peace out.

A world without movies? Perish the thought

You know, I can really live without a Golden Globes ceremony, but did anyone out there think this writers' strike (which I wholeheartedly support, by the way) would still be going on?

I just assumed it would be settled by Christmas, but I've been wrong at least once before (I also believed the Media that last night was going to be a coronation for Barack Obama, which would have been just fine with me.) I've fared fairly well through the strike as far as finding entertainment options. After all, "The Wire" is back, there are five more consecutive new episodes of "Friday Night Lights" starting Friday, and the readers of this blog have kindly helped me restock my depleted Netflix queue.

In reading about the possible cancellation of the Feb. 24 Oscars ceremony (which I still don't think will happen), it finally hit me that the directors are set to follow the writers as soon as early June. Now, I would have to assume that would mean the end to virtually all movie production, or would at least render any scab movies that still get made unwatchable. Sheesh.

But enough of that. I have to hope that would never happen, and even if the writers' strike means there's not a ton of movie news around, there are some juicy tidbits about directors who I really like, so here goes:

Noyce and Queen Scarlett?

If I'm pressed to name a favorite director, you might get five to 10 different answers if you ask 10 times, but at least one of those will be Aussie Phillip Noyce. I was hoping he was hard at work on his adaptation of Phillip Roth's "American Pastoral," a simply fantastic novel, but it seems that's on the back burner for now to make room for Queen Scarlett.

After watching the often painful "Elizabeth: The Golden Age," which was only even watchable when Cate and Clive were pitching woo, I think just about the last thing the world needs now is another royal biopic, but at least Noyce has picked an interesting queen for his turn.

With filming set to start in April, Scarlett Johansson (wtf?) is set to play "Mary Queen of Scots" in the tale of the woman who became Scotland's queen at 9 months in 1542 and, later, a rival to the English throne. Mary would go on to plot the murder of Elizabeth I, who would have her beheaded for the bother. Juicy stuff, at least, from a director who almost always makes winners.

Gondry has kings of a different kind

These next three entries are translated from the French, from the great froggy film site Cinempire (and, since I hadn't checked the trades for a long while before this morning, possibly a bit old), so please bear with me.

The most likely savour for what looks like a bleak January (I can't help but keep being suspicious of "Cloverfield") will be Michel Gondry's "Be Kind Rewind," which will hopefully open very wide Jan. 28.

After that potentially sublime does of silliness with Jack Black and Mos Def, and if I indeed have this translation right, he will soon begin work on something called "The Return of the Ice Kings."

Here, in case my French is bad as I fear, is the one-sentence plot summary offered by Cinempire: Intitulé The return of the Ice kings, l'histoire est celle de plusieurs jeunes gens qui inventent une eau spéciale, générant de la musique en la buvant. Now, if anyone can do better than me, please do, but best as I can tell that means the story is about a group of dudes who discover a new kind of water that somehow makes music. Crazy? Yes, but as more details about this madness emerge, I'm sure it will be pure Gondry, which is always OK by me.

A Russ Meyer biopic?

In the right hands, of course, this could be tons of fun. However ...

Cinempire, which hails Russ Meyer as "the Sacré roi du nudie movie avec les kitchissimes" (the king of kitchy nudie pics, essentially), has the unfortunate news that this potentially fun project has been put in the hands of Rob Cohen.

Now, I have made it this far in life without seeing "XXX," and "The Fast and the Furious" certainly had a few primal charms, but couldn't we do any better than this? Anyways, the movie is set, and I'm not making this up, to be called "King of the Nudies: The Russ Meyer Story" (and I promise, the word nudie has now officially henceforth been banned from this space.) It will be based on the Meyer biography "Big Bosoms and Square Jaws" by Jimmy McDonough.

Here's hoping this somehow turns out to be a lot better than I'm fearing.

What Spielberg wants ...

Whew .. all this French stuff is kinda giving me a headache, since I haven't spoken or read it regularly for almost 20 years now.

For a movie that isn't even listed yet in the free portion of the IMDB, "The Trial of the Chicago Seven" is certainly attracting an impressive cast. Though nothing's apparently on paper yet, Steven Spielberg will hopefully be directing this after "Indy 4," with a script from Aaron Sorkin, who made a fantastic post-"Studio 60" rebound this year with "Charlie Wilson's War."

Sacha Baron Cohen has already been announced as Abbie Hoffman, if this movie ever happens, and now in even better news, Philip Seymour Hoffman will apparently play William Kunstler, the "radical lawyer" who defended the notorious titular seven. Also apparently in negotiations to join the cast are Will Smith, Kevin Spacey, Adam Arkin and Taye Diggs. After all, what Spielberg wants ...

And that's enough French translation for today. Enjoy, as much as is humanly possible, your Wednesday. To help in that endeavor, here's a picture of Cate Blanchett in her "Indiana Jones and the Kingdom of the Crystal Skull" garb from the latest issue of Vanity Fair. Peace out.

An animated Best Picture: Why in the world not?

Allow me to warn you now: Though I won't mention it every day, this marks the beginning of my own personal campaign, just in case anyone's listening, to get a Best Picture Oscar nomination for Brad Bird's "Ratatouille." Not Best Animated Picture (which, with "Persepolis" out there it might not even win anyway), but the best darn movie of the year.

Before we delve into the history, let's take a look at this year. Personally, I have four of the five slots filled for what I consider to be the best movies of this year: "No Country for Old Men," "Juno" (which I just gushed about yesterday, if you care to scroll back), "American Gangster" and, yes, "Ratatouille."

It's all open for the fifth slot, with two strong contenders up this week (and not "The Golden Compass," though I am hoping that one doesn't somehow just suck): Mira Nair's "The Namesake," which I'm expecting to get from the Netflix today, and Jon Carney's "Once," which is being screened this Sunday at the Douglass Theater by the Macon Film Guild (so be there!). Still to come with high hopes are "I'm Not There," "There Will Be Blood" and perhaps a few other surprises.

But, of course, this is all about the charms of "Ratatouille." For perspective, here's what I had to say shortly after watching it for the first time:

"Ratatouille," the story of Remy, the rat who just wants to cook, is much more "Babe: Pig in the City" than "Babe" in tenor and tone. And that's just fine by me. ...

But then, and in wonderfully abrupt fashion, director Brad Bird injects "Ratatouille" with another element we've been missing in animated flicks for a long time: Magic. I had seen the best nine minutes of "Ratatouille" beforehand on YouTube, but that still didn't take away from the thrill of discovery when Remy first scampers up the rooftop to find Paris in front of him. It's a vista that would make Hayao Miyazaki smile broadly. ...

And next, from when he's looking down on the kitchen at Gustave's with his guardian angel, the late Gustave (Brad Garrett), to when he falls through the window and lands in the chaotic kitchen's sink, it's as exhilarating as any animated sequence since "Fantasia." And no, I'm not exaggerating here; it's just that good. ...

So, in the end, how good is "Ratatouille"? Well, Brad Bird directed my single favorite animated flick in "The Iron Giant," and I have a strong feeling that, once I see "Ratatouille" a few more times, it will hold almost as lofty a place in my heart. If you haven't seen it, do so right away. ...

Very high praise, I concede, but having watched it twice now I stand by every word, and would only add that Peter O'Toole as the dour food critic Anton Ego is thoroughly deserving of a Best Supporting Actor nomination (though the award should just be given now to Hal Holbrook for his incredible work in "Into the Wild.")

And let me just state for the record that anyone who doesn't think "cartoons" are worthy of such high praise just watches movies in an entirely different way from me, and I dare say doesn't get nearly as much enjoyment from them as I do. "Ratatouille" is both entertainment and art of the highest order. 'Nuff said.

There have been two animated Best Picture contenders in the past, and a third that certainly should have been in the game.

In 1992, the nominees were: "Beauty and the Beast," "Bugsy," "JFK," "The Prince of Tides" and "Silence of the Lambs." Though "Silence" was a darn fine flick, I was rooting for "Beauty and the Beast" to win in this era before animated movies even had their own category.

In 1996, we had "Apollo 13," "Babe," "Braveheart," "Il Postino" and "Sense and Sensibility." Though winner "Braveheart" certainly had its visceral charms, "Il Postino," "Sense and Sensibility" and, yes, "Babe" were all better movies. I understand that "Babe" is just too sappy for many people, but it remains one of my favorite flicks, and would have been a worthy Oscar winner.

And, in 2005, a strong year for movies, Brad Bird's "The Incredibles" certainly should have been a contender. The nominees were "The Aviator," "Finding Neverland" (wtf!), "Million Dollar Baby," "Ray" and "Sideways." I would have taken "The Aviator" off of that list (certainly at least over winner "Million Dollar Baby"), but would still submit that Bird's flick was better than any of them.

So, will "Ratatouille" get the same shaft? The short answer is probably, but I'm still hoping it backs in to at least get nominated for Best Picture. It's got my vote, which, as far as I know, doesn't yet count for too much at all.

An early contender for favorite movie of 2008?

When I first saw the preview for Michel Gondry's "Be Kind Rewind" on the big screen (in front of "Margot at the Wedding," I believe), it just made me smile and laugh from start to finish. I'm a little skeptical still that they can sustain the gag - Jack Black and Mos Def (huzzah!) remaking all the movies at a video store after the tapes get "magnetized" and erased - for an entire movie. But it's clear that Gondry just loves making movies, and it looks like this flick is infused with that spirit. Here's the poster (click to view much larger) for what should be a very fun flick, set to come out, I think, in January. Enjoy, and have an entirely bearable Tuesday.

Gondry getting animated? Bring it on!

I'm embarrassed to say that I have yet to see Michel Gondry's "The Science of Sleep." It's just one of those movies that has sat in my Netflix queue for a long time now, just below the mailing line.

That admission aside, Gondry has crafted easily two of my favorite movies with "Eternal Sunshine of the Spotless Mind" and "Dave Chappelle's Block Party" (even if you don't like rap music, just trust me and watch this one as soon as you can if you haven't already.) So, it's easy to get jazzed about any bit of Gondry news, especially when it's this good.

According to the MTV Movies Blog, which has become a surprising daily stop in my reading list, he's teaming up with his son, Paul Gondry, to make an animated flick about their life together. Since Gondry's flicks often take on the dream-like feel of the best animated movies, this can only be a good thing.

I tried to Google Paul Gondry and see what his work might look like, and this still from a comic he did for Filter magazine was all I could find. From what I can tell, he's a teenager who is already following solidly in his father's footsteps, having already directed a music video for the Willowz' "Take a Look Around."

Here's how Michel describe their new project to MTV: “We’re translating our relationship into a futuristic story with a dictator and a rebel. He’s the dictator in the story [and] it will be based on [his] art. - It’s going to be quite amazing.”

Sounds great to me, and of course come January we'll finally get to see Michel's next flick, the guaranteed-to-be-fun "Be Kind Rewind." Sometimes, life really is good.

"Deadwood" not completely dead?

I hesitate to tease people about the possible revival of this great show in the form of movies, but this piece on David Milch's new HBO project did offer one tantalizing tidbit.

Now, I'm only just about to embark on season 3, with the first episode on the viewing menu today, so if this was something that "Deadwood" diehards knew already please forgive me. In James Hibberd's column at TVWeek.com, you'll find this tidbit: The pair of two-hour movies take place after the town of Deadwood is destroyed by fire and floods, thus the sets are unnecessary.

That should read would take place, because the piece goes on to make clear that, even if striking the sets doesn't necessarily mean the end of "Deadwood," HBO has no plans at this time to revive it. And Milch, of course, would have his hands tied with his new HBO project, which sounds pretty friggin' cool itself.

The new series, assuming it gets picked up by HBO, will be set in the New York Police Department in the 1970s and involve the Knapp Commission investigations. The Knapp-era gave rise to the story of patrolman Frank Serpico, whose revelations about corruption within the department were made into the book and flick. If memory serves me correctly, it will be semiautobiographical, and the main character will be a Vietnam vet now serving as a NYPD cop.

As much as I'd love to see the two "Deadwood" flicks, this new work sounds just perfect for Milch, who back in the day was a co-creator of "NYPD Blue" and a major writer for "Hill Street Blues." Here's hoping he works quickly!

Andy Griffith, ladies man?

Even though we moved out of the great republic of Virginia when I was very young, I still consider myself a Southerner of sorts, especially since I've lived down here in Macon for seven years or so now. And with this Southernness, I suppose, comes a required appreciation for the great Andy Griffith.

Seeing him again in earlier this year in "Waitress" just made me smile, and now he's getting involved in a little indie flick that could be hilarious. In "Play the Game," Paul Campbell of "Battlestar Galactica" will school his grandfather, Mr. Griffith, in the fine art of picking up women.

I really have nothing else to say about this, but I thought it might make at least one person laugh.

"Jimmy Carter: Man from Plains" trailer

Another Southerner who should get nothing but love is former President Jimmy Carter. If you can really watch him riding his bicycle in this trailer for Jonathan Demme's new doco "Jimmy Carter Man From Plains" and still have venomous thoughts about the man, there's nothing I can probably say to change your mind.

Enjoy this trailer I found on YouTube, and if this movie somehow makes it to your little corner of the world, go see this doco about a man who may have been a fairly awful president but is still a great American. Enough said.

More "Thank You for Smoking"? I'd quit that habit

I guess the big news today is that Ben Stiller's new "comedy" couldn't even make enough to topple The Rock at the top of the box office. But since I joined the masses in just skipping "The Heartbreak Kid," I'd instead like to talk about something else that caught my eye (and ire.)

On the surface, at least, this sounds like a fairly good idea. You can count "Thank You for Smoking" as easily one of my favorite movies of 2006, and probably the funniest flick of the year.

So, why not a TV series designed as a follow-up to the flick, as USA Network is currently planning. Well, it's just a really bad idea.

First of all, look at where Nick Naylor ends up at the end of "Smoking" (and if you somehow haven't seen the movie, there's not much I can do for you, so you'll have to just forgive me for giving it away.) The whole flick is centered on Aaron Eckhart's (very Oscarworthy but completely snubbed) portrayal of Nick Naylor as one seriously smug bastard who does sublimely evil things.

By the end of the movie, when he's given up his work for the great Satan (a k a Big Tobacco), you can accept it because the movie's over and you won't have to bear the sight of Nick Naylor actually working for the side of good. Who in the world wants to see that?

Well, the folks at USA think you do. With someone named James Dodson (not to be confused, apparently, with Focus on the Family's James Dobson) writing the script, the TV version will turn Naylor into some kind of free-agent do-gooder, using his rhetorical skills to help people in need. If you just threw up a little bit, I'm sorry, because I did too.

So, along with dropping any of the malicious spirit that drove both Jason Reitman's flick and the Christopher Buckley novel that it sprang from (both of those guys, wisely, have nothing to do with this new project), they'll turn the lead character into yet another generic TV composite character. Meh.

Luckily, Both Mr Reitman, with the upcoming "Juno," which I think I've now plugged here 150 times (and now I've apparently "adopted" both "Juno" star Ellen Page and Georgia actor Ray McKinnon, with the aid of Splotchy, so get used to it), and Mr. Buckley have more important things to keep them busy on the big screen. Although it's not listed anywhere at the IMDB, I'm fairly certain the once-great Whit Stillman (I still consider "Metropolitan" to be one of my favorite flicks) is at work now on an adaptation of another of Mr. Buckley's satirical Washington novels, "Little Green Men."

And you have my gold-standard guarantee that both of those will turn out to be miles better than anything that comes out of this silly TV project.

Weinsteins just say no to "Red State"

I read Kevin Smith's "Boring Ass Life" blog from time to time, mostly because when he's not completely full of himself Mr. Smith can still be a pretty darn funny guy. So I wasn't too surprised to hear the Weinsteins had passed on his rather crazy idea for a "horror" movie, "Red State."

The first warning sign came about two weeks or so ago when Mr. Smith reported that the Weinstein bros. had called his "Red State" script "important" and compared it in import to past Miramax output like "Pulp Fiction" and "The Piano" (that last bit may have actually come from Mr. Smith's mind, but he said it, not me.)

This sounds exactly like the kind of "vote of confidence" a baseball manager gets just before being fired (as Joe Torre hopefully will be tomorrow.) And indeed, another visit to his site this morning showed this to be true.

Given the subject matter, it's not terribly shocking that the Weinsteins wouldn't want anything to do with it. The lead bad guy is based on the Rev. Fred Phelps, a Kansas "preacher" who, among one of his nicer qualities, I bet, likes to picket the funerals of homosexuals (it pains me to even type his name, but remember, I'm just the messenger here.)

Though I'm sure it's a little better than I'm making it sound here, I'm also certain the Weinsteins bought the superior Kevin Smith project in "Zack and Miri Make a Porno" (which now has, in the two latest installments, both Zach Braff and Seth Rogen listed as "rumored" to play the lead role of Zack.)

"Be Kind" and laugh

It's been a fairly bile-filled post so far for a Monday morning, so let's end with a couple of very funny things.

The Michel Gondry flick "Be Kind Rewind," starring Mos Def, Jack Black and Melonie Diaz, is set to come out at the end of January. The flick, of course, is about video store employees who set out to re-create all of the movies after the tapes get magnetized (by the power plant that, of course, is located right next door.) It's a premise ripe with possibility, as these two posters, riffing as far as I can tell on "Boys in the Hood" and "Rush Hour," clearly show. Enjoy, and have an entirely bearable Monday.

The Korean Godzilla attacks Macon!

Though I certainly respect and, when I can, support the Macon Film Guild's efforts to bring truly obscure movies to Macon, I never thought they'd get around to anything this much fun.

This Sunday at the Douglass Theatre they're showing "Gwoemul," better known in the U.S.A. as "The Host," and even more informally known as "The Korean Godzilla." Well, having seen this flick, I can tell you that while it's not quite as fun as the Godzilla flicks, it's pretty darn close, and well worth checking out on the Douglass screen.

The plot revolves around a fairly old dude who owns a snack bar on the banks of the Han River in Seoul. Everything seems to be going fairly well for he and his ragtag family until, very early on of course, a giant creature emerges from the depths of the river and abducts his daughter. From there on out it plays out predictably enough, but with lots of humor and just enough fright for me. I can't recommend this one highly enough.

The Douglass screenings are this Sunday at 2, 4:30 and 7:30 p.m., as always introduced by Camp Bacon and with a discussion following the 4:30 showing. I'll be at the early show, and I hope many Maconites will join me there.

Besides, what else is there to watch this weekend?

Rush Hour 3: No way in hell. Am I the only one who's wondering if Roman Polanski made some kind of karmic deal by which he's paying for all his past sins by agreeing to be pummeled by Jackie Chan and Chris Tucker in the latest installment of threequel summer?

Daddy Day Camp: Good Lord. In the trailer alone, the poor white dude who has to be Cuba Gooding Jr.'s sidekick gets covered in feces at least three different ways. It would be hard to call me an elitist, but I just can't see any possibly way I could watch that.

Stardust: Though I'm only mildly excited at best, I might give this a chance. It looks like a paint-by-numbers fantasy though, so I might wait for DVD.

Skinwalkers: I have no idea what this is, but judging from the title, I'd have to guess it's fairly generic horror aimed at folks more than slightly younger than me. If I'm somehow wrong about this, please let me know.

Rescue Dawn: Absolutely. Even if its Werner Herzog remaking one of his own documentaries ("Little Dieter Needs to Fly"), it's still a Herzog flick, and most likely a damn fine one at that. Christian Bale plays Dieter Dengler, a fighter pilot who gets shot down over Laos on his first flight mission in the Vietnam War and captured. From there on out, it apparently plays out as if "Rambo" were directed by Terrence Malick, so I'm definitely in. This one is only showing at the Regal Rivergate 14 in Macon, so please go see it there!

"Be Kind Rewind" preview

This does look awfully silly for the great Michel Gondry, but it should still be tons of fun.

For anyone who doesn't know, the flick, finally set to come out in January (I think), stars Jack Black and Mos Def (huzzah!) as employees of a video store (not DVD, of course) where all the tapes get erased due to their location next to a power plant. Our heroes, of course, set out to re-create all the erased movies and, according to the rather rough Comic-Con footage here, become quite the hit.

My favorite bits have to be Mos' declaration of "You're magnetized!" and Black's explanation of why they have no need to heed the FBI warning at the beginning of each tape, but even in these scant two-and-a-half minutes or so there are plenty of other things to like.



New Jason Isbell album

I picked up the solo debut from this former Drive-By Trucker last night, and while i'm still digesting it, there's a lot of strong stuff on "Sirens of the Ditch."

DBT fans be warned - this album never really rocks like the Truckers do, even though all of them except Mike Cooley (what the hell's up with that?) made significant contributions to this record. It's really a pop album with Isbell's still-developing songwriting touches, and really starts to pick up in the middle with the war gem "Dress Blues" through the bluesy "Hurricanes and Hand Grenades."

It was a dark day indeed when Mr. Isbell quit the Truckers, but they seem to have recovered fairly quickly, adding pedal-steel man John Neff (who I had the pleasure of meeting way back when he ran with Red River Dave and the Star Room Boys) as a permanent member and even recruiting Southern legend Spooner Oldham for their current tour (which, unfortunately, won't be coming to Macon.) We will, however, be getting a solo shot from Mr. Isbell at the Hummingbird Stage and Taproom Sept. 2, so definitely check that out.

And here is a great clip of Jason and the Truckers performing "Dress Blues" live at Stubbs in Texas. It's one of the best war songs I've heard in many, many years, so enjoy, and have an entirely suck-free Wednesday. Peace out.