An animated Best Picture nominee? Why the "Wall-E" not?

I'm always hopeful when I hear a major group of critics sharing the kudos love with animated movies, even if in this case it comes a year too late.

The Los Angeles Film Critics Association, usually a contrarian bunch, has just named "Wall-E" as its pick for Best Picture, with "The Dark Knight" as its runner-up. I think they'll end getting one out of two right in the end, with "The Dark Knight" snagging the final Oscar slot (If I had to pick it today, with the caveat that this is mostly a list of movies I haven't seen, I'd say the final five will be "The Curious Case of Benjamin Button," "Milk", "Revolutionary Road", "Slumdog Millionaire" and "The Dark Knight.") And if that is the final list, count me among the "Slumdog" supporters.

"Wall-E," however, certainly has enough charms to merit it at least being in the conversation, so thanks to the L.A. crew for that. The first 45 minutes or so of "Wall-E" are just the most enchanting kind of romance, and even if it does become more and more conventional as the story goes on, it's still often a very magical movie.

But like I said, the only problem I have with any of this is that it comes a year too late. Where were the critics when it came to hailing "Ratatouille," the best animated movie I've seen in many, many years, and my pick for the best movie of 2007?

My final five, if I remember this right, were in fact "The Savages", "Into the Wild", "Once", "Zodiac" and "Ratatouille." Of those five, I think "Into the Wild" stands the test of time the best, since I just watched it again the other day and loved it even more.

Though I have a slew of prestige pics to catch up on when I get the chance to hit NYC for the end of the year, I have to say that so far it looks like this year just doesn't measure up as well. So, in that void, why not a win for "Wall-E"?

Is there hope that "Friday Night Lights" will keep shining?

If the perhaps final "Friday Night Lights" that aired a few weeks was indeed a finale, it would certainly be an odd way to go out.

In ways it did feel like an ending of sorts, with Smash (Gaius Charles) finding out he just might still have the chance to play (very small) college football and show honcho Peter Berg even making a very funny appearance as an old flame of Tami Taylor's (the simply fantastic Connie Britten) who gets into a drinking and then wrestling match with coach Taylor (Kyle Chandler.)

But it also, of course, had some aspects of a perfect cliffhanger, with Street (Scott Porter) waiting to find out if he will be a daddy and Lyla (Minka Kelly) and Riggins (Taylor Kitsch) perhaps about to start knocking boots again. (If this all sounds rather like a tawdry soap opera, it often is, but like "The Last Picture Show," it's also a fantastic portrait of life in small-town America.)

And I tell you all that to tell you this: NBC, which has until now shown little inclination to bring the show back for a third season despite its rather attractive demographical (is that even a word?) numbers, may be having a change of heart.

In order to salvage my favorite network TV drama (by far), NBC is currently in negotiations with the CW, Comcast Entertainment Networks, TNT and DirecTV to see if it can find a "shared window" plan which would have the show air on multiple networks (which I can only assume would divvy up the production costs, too.)

NBC is apparently asking a high price (especially for a show that it seems to have so little love for), but here's hoping someone takes the bait and saves this TV gem.

Be Kind, play wide?

I was so psyched until Wednesday morning when my local multiplexes updated their weekly movie offerings that, with the arrival of Michel Gondry's "Be Kind Rewind," we would finally have the first truly great (or at least really fun) movie of 2008.

Well, as some of you who live in a small city (well, town, really) like me might be finding out, apparently putting Jack Black and Mos Def in a movie all about the love of movies isn't enough to insure any kind of distribution at all. I will apparently have to drive almost 60 miles this Saturday morning (which I will definitely do) just to see it at the rather palatial AMC Southlake Pavilion south of Atlanta.

There's no real point to this portion except to let me vent a little, which is also a welcome release. I do have to ask, though: What in the world does a movie have to do to play in anything except "select cities"?


Fincher set to dive into a "Black Hole"

Complain about its length or its lack of focus if you have to, but for my money there were very few movies (only four, to be exact) better than David Fincher's "Zodiac" in 2007. And I'd put even money on "The Curious Case of Benjamin Button," his take on the F. Scott Fitzgerald tale about a man who ages in reverse through the 20th century, being among my favorites of this year too.

And now comes word that he's attached to a new project that seems right up his alley. Though I can't claim to have read the "Black Hole" series of graphic novels by Charles Burns, they seem, from what little I've been able to piece together, to exist in that splendidly sordid realm where Fincher feels most at home.

In the graphic novels, at least according to Publisher's Weekly, the setting is Seattle during the early '70s. A sexually transmitted disease, the "bug," is spreading among teenagers. Those who get it develop bizarre mutations—sometimes subtle, like a tiny mouth at the base of one boy's neck, and sometimes obvious and grotesque. The most visibly deformed victims end up living as homeless campers in the woods, venturing into the streets only when they have to, shunned by normal society. All I can say to all that is bring it on!

In case you need any more inducement to get geeked up about this, here's what Daniel Clowes of "Ghostworld" fame has to say about Mr. Burns at Amazon.com:

"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal."

Roger Avary and Neil Gaiman are writing the script for this project which would should definitely keep Fincher on a roll.

Now that's a lead

In a good article about movie studios bringing their video game development in-house that you can read here, the Wall Street Journal leads off by revealing what may (or may not) be the plot to Pixar's 2010 release, "Toy Story 3":

In Pixar's coming movie "Toy Story 3," Woody the cowboy and his toy-box friends are dumped in a day-care center after their owner, Andy, leaves for college.

Now, if that is indeed the case, it does sound like a fun way to bring a new batch of kids into the franchise. That plot summary, however, does differ wildly from what's up at the IMDB:

The adventure continues as Toy Story 3 makes its way into theaters in 2010. In this new adventure, Buzz Lightyear has encountered a malfunction and is being sent to Taiwan to be fixed. It appears that these malfunctions are occurring with toys all around the world! Now, Woody and a group of his friends are on a mission to save Buzz's destruction.

No matter which one is right, we'll have to wait a couple of years to find out, but isn't it so much more fun to wonder about such silly things than say, whatever work you have to do? Peace out.

My favorite movies of 2007

As I thought about this list over the weekend (and yes, I am enough of a geek that I put a lot of thought into it), I found several movies that I really adored in 2007 had sunk enough to just miss the cut, most noticeably "American Gangster" and, yes, "Juno."

Now, that doesn't mean I love them any less, just that they've lost a little sheen with the passage of time and that stronger movies that came after them simply took their spots. There's still room here for one truly juvenile (but smart) teen comedy and, surprisingly, one movie about a lost soul that I admit I just didn't get until it had had a while to sink in.

So now, without any further qualification, here are my 10 favorite movies of 2007, in only alphabetical order (but if you have to know, my single favorite movie of last year remains "Ratatouille," with "No Country for Old Men" a close second.)

"Breach"
I went into this one expecting some high Washington intrigue but instead got a very intensely claustrophobic and psychological cat-and-mouse game between Chris Cooper as turncoat spy Robert Hanssen and Ryan Philippe as the agent who pursued him (with just enough Laura Linney thrown in for good measure.) It's a real shame that Billy Ray has only directed two movies, with no more on the horizon, because with this and "Shattered Glass," about the wayward journalist Stephen Glass, he's crafted two nearly perfect flicks.

"Into the Wild"
I offer this as an apology to Sean Penn, because my distance from the character of Christopher McCandless made me unable to appreciate this film fully at first. I still find little to identify with in his tale of searching, but this movie is packed full of great performances from Emile Hirsch, Catherine Keener, Hal Holbrook and others, and it's a deeply effecting flick.

"No Country for Old Men"
I would never even come close to writing off the Coen brothers, but I have to admit their output between the great "O Brother Where Art Thou" and this gem had me a little worried. By making Cormac McCarthy's meditation on violence all their own and mixing it with the most uneasy kind of humor, they managed to craft a movie that really only could have come from the Coen brothers. As far as I can tell, "Burn After Reading" should be next on their busy schedule, and I just can't wait.

"Once"
As with "Breach," I was a little off-base going into this one. I was expecting a full-scale musical, but instead got a perfect moment in time with two non-actors, Marketa Irglova and Glen Hansard (from "The Commitments"), delivering captivating performances. But there are, of course, a lot of songs, and they all just fit right into this story that's as much about the creative process as it is about the power of love (cheesy, I concede, but it really does work.)

"Persepolis"
It's possible, I guess, that this just snuck in here because I saw it on the last weekend of the year, but I don't really think that's the case (Paul Thomas Anderson's "There Will Be Blood," which I admit I'm still digesting, for example, didn't make it even though it was viewed then too.) Using mostly a stark black and white palate, graphic novelist Marjane Satrapi and co-director Vincent Paronnaud nonetheless fill the screen with memorable images in this spirited autobiographical tale of Satrapi's life growing up in Iran and Europe. Highly recommended, if you can find it.

"Ratatouille"
I rewatched this again a few weeks ago and loved it just as much as I did the first time. That sequence which starts with Remy and Auguste looking down on Gustave's and finishes with Remy's first scamper through the kitchen remains my favorite of the year, and the movie is just full of enough magical moments to take my 2007 crown.

"The Savages"
Another one from the last weekend of the year, but if you've seen Tamara Jenkins' tender and often very funny family tale starring Laura Linney and Philip Seymour Hoffman, I seriously doubt you'll argue it doesn't deserve this lofty spot. Watching the return of "The Wire" (thank God!) last night, it finally hit me that the nursing home attendant Jimmy was played by Gbenga Akinnagbe, who also plays hitman extraordinaire Chris on "The Wire," which judging from last night's season five premiere is definitely set to go out on top.

"Superbad"
Yes, that's right, "Superbad." After laughing through just about every minute of this one with my brother in Minneapolis this summer, I watched it again a few weeks ago and was struck by how much I enjoyed the B storyline about Bill Hader and screenwriter Seth Rogen as those two cops who just refuse to grow up. I probably identified with them much more than any healthy middle-aged person should!

"Waitress"
I was cheering for this one out of the gate simply because it was written and directed by the late Adrienne Shelly, who was murdered in 2006 for the simple offense of complaining about a neighbor's playing the radio too loud. Even without this depressing context, however, her romantic tale starring Keri Russell, Captain Mal and Andy Griffith was just the perfect counterweight to the summer blockbuster slate, and one that has lingered with me all year.

"Zodiac"
Although I misjudge these things all the time, I'm feeling a genuine surge for David Fincher's true-crime epic as a dark horse contender for a Best Picture nomination, and it's definitely got my support. There wasn't a better crime movie in 2007, or a better one about the power of obsession. I can't wait to see what Fincher does this year with "The Curious Case of Benjamin Button," F. Scott Fitzgerald's tale of a man who is born at age 80 and ages in reverse through the 20th century.

And there you have it. I've included a honorable mention that features just about every movie I liked in 2007, so maybe you'll get some rental ideas of any movies you might have just missed. Peace out.

Honorable mention: Tyler Perry's Daddy's Little Girls, Starter for 10, 300, The Namesake, The Wind that Shakes the Barley, The Lookout, Grindhouse, The Hoax, Hot Fuzz, 28 Weeks Later, Knocked Up, Harry Potter and the Order of the Phoenix, The Simpsons Movie, Rocket Science, Shoot Em Up, Eastern Promises, The Kingdom, Michael Clayton, Tyler Perry's Why Did I Get Married?, Gone Baby Gone, American Gangster, Margot at the Wedding, The Mist, Charlie Wilson's War, Sweeney Todd: The Demon Barber of Fleet Street, Juno, Walk Hard: The Dewey Cox Story, There Will Be Blood