What's next from Pixar? Dinosaurs, the human mind and more

There's really no way Pixar can be expected to make the best animated movie released every year (in fact, for me, already "Kung Fu Panda" was better than "Wall-E" and "Rio" was a good bit better than "Cars 2.") If they simply get back to making some movies based on fresh ideas - and wild ones at that - they will still, however, have a starting-out leg up on all the competition.

But just before we get into all that, and some big announcements at this week's D-23 Disney event, the photo above released at the confab shows Chris Cooper, who plays the big bad in "The Muppets," finally set to come out Nov. 23. Bring it on, already!

Also at D-23, the Pixar arm of the animation giant added details to its upcoming slate that fleshes out what the studio will have to offer for its next four flicks, and there's definitely some interesting stuff in the pipeline.

Next up will be "Brave," starring definite Reel Fanatic fave and "Boardwalk Empire" star Kelly Macdonald as the voice of the young Scottish princess Merida. What's been described as Pixar's "first fairy tale" will, of course, since its set in Scotland, also by force feature the voices of Billy Connolly and Colin Ferguson, and be released June 22, 2012.

Unfortunately, after that Pixar will get back into the sequel (well, actually prequel) game with "Monsters University," which brings back the voices of Billy Crystal and John Goodman, and adds Dave Foley, for a follow-up to "Monsters, Inc." The new movie will focus on Sully and Mike's early days at the University of Fear, and is set to come out June 21, 2013.

It's after that, however, that things start to really get interesting, with two new movies announced at D-23.

The first one, to be helmed by "Up" co-director Bob Peterson, is about dinosaurs, and is described by the following question: "What if the cataclysmic asteroid that forever changed life on Earth actually missed the planet completely and giant dinosaurs never became extinct?" Hopefully with echoes of my single favorite animated movie, "The Iron Giant," this one will be about a particular young boy and his dino friend, and is tentatively set for Nov. 27, 2013.

So, two Pixar movies in 2013? Bully. And after that, things should really get fun, as fellow "Up" co-director Pete Docter will "take you to a place that everyone knows, but no one has ever seen: the world inside the human mind." It's coming May 30, 2014.

For a long time now, when it comes to quality animation, it's really been Pixar's world, and we're just visiting, but at least (with the possible exception of "Monsters University) for the next few years it should be a world full of interesting flicks that will make it worth the trip.

Chuck vs. a fourth season: We all win

OK, I've seen it from enough sources now, but first at the Hollywood Reporter, that "Chuck" will in fact be back for a fourth season that I'm just gonna accept it as the truth and smile about it.

Details are still sketchy, but it looks like a fourth season will have 13 episodes, and that sounds about right to me. No word yet on when exactly we might see this, but I'd imagine next January would make sense.

The official word won't come until Monday morning, I think, when NBC unveils its upfront, but like I said, take this at least as a done deal. And now that NBC and the fans have shown "Chuck" the love, like I've said here once before, it's time for the show's creators to give us something in return: An epicly good, over-the-top big bad for season four.

Though the show has been as funny as ever this year, with only 13 episodes coming in the next season (and precious few left this year!), the opportunity is certainly there for some focus when it comes to the storytelling and a proper villain for Team Bartowski to set its sights on. Is that really too much to ask?

But enough quibbling on what is, after all, a great day. In the bigger picture, I think I can perhaps take my extremely tiny bit of credit now that my strategy of not watching one single network reality show since the first season of "The Real World" has finally paid off.

The big four are still gearing up, but what I've seen so far is a lot of scripted series ("Wilde Kingdom" from "Arrested Development" creator Mitch Hurwitz at Fox, Michael Chiklis in ABC's superhero show "No Ordinary Family" and NO ROCKFORD FILES at NBC) and not much reality TV at all. I'm probably dreaming here, but if that cancer is indeed finally starting to go into remission, it's a banner day for us all.

And in just a bit of movie news, there are a couple of tidbits out there today that are truly delightful for fans of animation and good comedy.

"Kung Fu Panda" was already my favorite animated movie of 2008 (yes, better than "Wall-E"), and now the 2011 sequel "Kung Fu Panda: The Kaboom of Doom" is getting some script touching up from ... Charlie Kaufman?

Yes, really. He's apparently put about two weeks into reworking the script, probably not enough to turn it into "Being Kung Fu Panda," but hopefully still enough to make it at least a bit of a trip.

And after directing the severely underrated "Role Models" (rent that already and be ready to laugh) and originating with "The State," Ken Wain is now reuniting with Paul Rudd and even bringing Jennifer Aniston along too for his next comedy, "Wanderlust."

In a story that sounds a heck of a lot like "Lost in America," the duo will play a married couple who flee the big city for life on a hippie commune, or something like that. Rudd is always money when it comes to funny, and I can certainly take Jennifer Aniston when she picks smart comedies, and this one written by Wain and fellow "The State" vet Ken Marino (the duo behind "Role Models") certainly should be. Stay tuned ...

And with that, I'll cut it short today, because I've started to at least slightly take on the clutter in my living room by offering some of my books for sale at Amazon. I've sold three since Wednesday, but that of course means I know have to actually send them out. I'll leave you with this prediction: "Iron Man 2" will win the box office this week, and by a pretty wide margin over "Robin Hood." Just a hunch. Have a perfectly great weekend. Peace out.

The best day ever for fans of animated science fiction?

These are both rumors at this point, but since it's Monday morning, isn't it just much more fun to take them as fact, especially when that would just make the day so much cooler?

The first is actually pretty solid. It's long been known that David Fincher, for obvious and hopefully very twisted reasons, has wanted to make a third movie inspired from the universe of "Heavy Metal" magazine. I've never seen the second, something called "Heavy Metal 2000, but I certainly can't wait for a third installment, especially with the directing talent that's now on board.

If FilmSchoolRejects has this right, and I rather believe they do, the anthology film will now also include segments to be directed by Zack Snyder, that pirate guy Gore Verbinski and even James Cameron. Perhaps best of all, "Kung Fu Panda" director Mark Osborne will reunite with Jack Black to do a comedy segment. I know this will be blasphemy to all Pixar fans, but as much as I loved "Wall-E" (and I did quite a bit, and much more than "Up"), I thought "Kung Fu Panda" was the better movie of the two.


Even better than that crazy news in my book, though much less close to confirmed, is this wild word about the future of "Futurama" that comes from Collider.

I've enjoyed the "Futurama" TV-to-DVD movies quite a bit, but was amazed they managed to make four of them and was fairly certain that that would be the end for Fox's most abused animated series, a title it won by just a nose over "King of the Hill." And I have to say, if Collider has this right, and I'm betting they do, "Futurama" is even more of a survivor than Mike Judge's show, which had a thoroughly improbably 13-season run.

Finally getting to the buried lead that just makes me giddy, Collider says Comedy Central has ordered 13 new episodes of "Futurama." Let that sink in a minute if you're a fan of very funny, almost-as-smart sci-fi (and if you're not, why not?) I guess it's not all that surprising, since it seems like Comedy Central shows "Futurama" every night of the week, but pretty friggin' amazing all the same. And if you'll excuse me now, I have to return to the job that still manages to pay most of my bills. Peace out.

Minority report: A slightly dissenting view of "Up"

Before I get into anything about Pixar's "Up," there's great news out there today about Duncan Jones, a k a David Bowie's son and the man who directed the best slice of old-fashioned sci fi I've seen this year, "Moon."

For his next project, Jones will direct "Escape From The Deep," the story of a World War II U.S. navy submarine that sank after a torpedo malfunction, leaving the crew stranded on the bottom of the Pacific Ocean. Faced with drowning, nine men made it out alive after swimming the 180 feet to the surface without getting the bends.

I love submarine movies, so that all sounds great to me, but I'm still more than a little peeved that "Moon," featuring a top-notch performance by Sam Rockwell, never got any proper distribution in the U.S. - definitely catch it on DVD as soon as it hits there.

But, getting back to "Up," I should probably just keep this to myself, because for the most part I enjoyed Pixar's latest offering almost as much as everyone else in the world has seemed to. However, I didn't find it to be top-shelf Pixar, which for me includes "Ratatouille," "The Incredibles," "Wall-E" and "Toy Story."

So then, what kept me from loving "Up" unconditionally, which I certainly wanted to do going in? Well, from the outset it's a much more somber affair than I had been led to believe, but that certainly wasn't the problem. In fact, it turned what could have been the most mediocre of montages into perfectly concise storytelling as it opened by telling the life story of Carl Fredricksen (a seriously curmudgeonly Ed Asner) in heartbreaking fashion (and I'm not afraid to admit it was the first, but not the last, time that "Up" had this grownass man on the verge of bawling.)

And if I can skip ahead to the big action climax, it's a set piece that has Carl and young Russell (voiced by Jordan Nagai, who gets the movie's best line with his enthusiastic "But it's a talking dog!") battling the movie's big bad in an aerial encounter that finally delivers on the full promise of 3-D. It had me holding my breath and experiencing a serious fear of heights, and I'd imagine the real peril it puts our heroes in might be a bit much for the kiddies, but it's also just tons of fun.

So then, where's the beef? Well, to paraphrase Russell in talking about the middle of "Up," "But it's a flying house!" Watching it take off is indeed as remarkable as I could have expected, so I was just amazed at how little time they spent in the air before reaching their South American destination. I mean (AND THIS IS A BIG SPOILER, SO READ ON IF YOU DON'T WANT TO FIND OUT) really, having Russell almost instantly find it with his GPS device? Where's the adventure in that?

And once they're - sort of - tethered to the ground again, I was hoping for much more of a B-movie, Indy Jones sort of tale, but this part just never really got going, in large part because the big bad Charles Muntz, voiced by Christopher Plummer, was just one of the worst Pixar characters I've ever encountered. By having him stop well short of total madness, they also rob him of any real motivation and make this portion of the tale - in my opinion - just much less compelling.

Perhaps I'm being too hard on what is, after all, a kid's movie and a moving tale about one man reaching his life's aspirations. But this is Pixar, after all, and I've come to expect nothing short of perfection. And besides, like Carl Fredricksen, I guess I just like to complain, so please feel free to let me know all the ways I'm just off base on this one. Peace out.

An animated Best Picture nominee? Why the "Wall-E" not?

I'm always hopeful when I hear a major group of critics sharing the kudos love with animated movies, even if in this case it comes a year too late.

The Los Angeles Film Critics Association, usually a contrarian bunch, has just named "Wall-E" as its pick for Best Picture, with "The Dark Knight" as its runner-up. I think they'll end getting one out of two right in the end, with "The Dark Knight" snagging the final Oscar slot (If I had to pick it today, with the caveat that this is mostly a list of movies I haven't seen, I'd say the final five will be "The Curious Case of Benjamin Button," "Milk", "Revolutionary Road", "Slumdog Millionaire" and "The Dark Knight.") And if that is the final list, count me among the "Slumdog" supporters.

"Wall-E," however, certainly has enough charms to merit it at least being in the conversation, so thanks to the L.A. crew for that. The first 45 minutes or so of "Wall-E" are just the most enchanting kind of romance, and even if it does become more and more conventional as the story goes on, it's still often a very magical movie.

But like I said, the only problem I have with any of this is that it comes a year too late. Where were the critics when it came to hailing "Ratatouille," the best animated movie I've seen in many, many years, and my pick for the best movie of 2007?

My final five, if I remember this right, were in fact "The Savages", "Into the Wild", "Once", "Zodiac" and "Ratatouille." Of those five, I think "Into the Wild" stands the test of time the best, since I just watched it again the other day and loved it even more.

Though I have a slew of prestige pics to catch up on when I get the chance to hit NYC for the end of the year, I have to say that so far it looks like this year just doesn't measure up as well. So, in that void, why not a win for "Wall-E"?

Demko's DVD shelf: The wonder of "Wall-E" and the future of Pixar

Actually, the coolest news I could find out there this morning is that Shari Springer Berman and Robert Pulcini, who crafted the simply splendid Harvey Pekar bio "American Splendor," are now about to give the same treatment to Sam Kinison for HBO.

The duo are adapting the Kinison bio "Brother Sam" for Tom Shadyac (who, yes, has "Patch Adams" on his resume) to direct and Dan Folger (star of "Balls of Fury") to play Kinison. Folger can be a pretty annoying presence on screen, but, frankly, so could Kinison, and having seen Folger in "The 25th Annual Putnam County Spelling Bee" I can attest he can be a genuinely funny guy, so keep your eyes on this one.

But here today, however, it's about this week's DVDs and - more specifically - the wonder of "Wall-E." Looking back on my mid-year movie report, I had "Wall-E" fifth out of 10, not exactly a stellar rating giving that "Ratatouille" was my single favorite movie of all of 2007. I stand by that, but I will concede that, just as froggy director Guillaume Canet's "Tell No One" has delivered the best closing 30 minutes or so of this year with its amazing reveal, the first third of "Wall-E" is easily the best beginning to any movie of this year.

Watching our hero go through his daily routine and seeing robo-love slowly unfold with the tempestuous Eve (or, as he says, Ev-a) was without exaggeration magical. Here's what I had to say in my original review:

As corny as this certainly sounds, if you've seen Pixar's "Wall-E" (and if you haven't, why the heck not?), can you think of any movie in any genre for the last 20 years or so that had more to say about the power of love?

Well, robot love, of course, but the story of Wall-E and Eve still just grabs you faster and keeps you fully attached longer than almost any love story that I can think of (some might mention "The Notebook," but for simple entertainment value and much more, "Wall-E" just blows that away.)

It does lose a bit of steam as the movie slowly gets more and more conventional, but Andrew Stanton has still crafted a real charmer worth picking up on DVD. And more on Pixar coming in just a bit, but first two more DVD picks this week.

"Tropic Thunder"

When it comes to comedy, I have a broad range of likes, from the sweet (Woody Allen's "Vicky Christina Barcelona" and Peter Sollett's "Nick and Norah's Infinite Playlist" have lasted as two of my favorites from this year) to the truly crude.

In the latter category, there have been two truly tasteless moments in 2008 that I have to admit just made me howl. One is the anal sex joke that comes near the end of Kevin Smith's mostly satisfying "Zack and Miri Make a Porno" (which you won't hear any more about here since this is still linked from a family-friendly newspaper) and the other is Robert Downey Jr.'s "full retard" speech in "Tropic Thunder."

I just assumed that, given how much he appeared in the trailer, the best of his jokes as the black-faced method actor Kirk Lazarus were revealed there, but for once I was wrong. It's worth at least renting "Tropic Thunder," especially if you haven't seen it, for his retard speech alone, but there's also plenty of more crude capers (and more than a bit too much Jack Black), plus the rather funny mockumentary "Rain of Madness" to boot.

"Monty Python Holy Trinity"

I'm ashamed to say I own only one of these movies, "Monty Python's Life of Brian," on DVD. That one has just always had a special place in my heart, I think because amazingly enough I first watched it at a meeting of our Episcopal church youth group. Blasphemy, but not really all that harmful, methinks.

This week, for the rather reasonable price of $29.99 at Amazon, you get that flick packaged with the classics "Monty Python's Meaning of Life" and "Monty Python and the Holy Grail" with extras in a six-disc set. Not sure I can spring for it now - with Christmas coming up and all - but I have a feeling I will at some point in the fairly near future.

More on Pixar, present and future

I'll close today with a couple of clips. The first is "Burn-E," the Pixar short you'll get if you spring for "Wall-E" on DVD. It uses a lot of "Wall-E" in sharing the exploits of the welding robot, but the moment when he hangs his head in shame is just pretty cool.



Second comes the second trailer for Pixar's next flick, "Up," which rather ominously uses the first minute or so to simply extol the virtues of Pixar flicks past. Once it gets going we do get see our septuagenarian super hero (voiced by Ed Asner) and his flying house (ring any bells? I know there aren't that many original thoughts left at this point, but it would seem this steals rather directly and recently from Hayao Miyazaki!) Anyways, enjoy the trailer, and have a perfectly pleasant Tuesday.

Video dispatches from ComicCon: "The Office," "Heroes" and "Pushing Daisies"

First things first, even if it really didn't answer any questions, the return of "Mad Men" last night was simply sensational. We're still waiting to see what Peggy did with that pesky baby, but the new domestic arrangement between Don and Bertie and her encounters with the party girl and the mechanic were just wicked fun.

And while I did go see "X-Files: I Want to Believe" this weekend (scroll back one post for my rather lukewarm review), it's all about ComicCon here today (even though, of course, I'm not lucky enough to be there) and more specifically about some of my favorite shows. (But I do also get movie dispatches from the floor from Movie Mom Nell Minow, who just loves to geek it up, so I'll share anything she has to pass along too.)

First up is "Pushing Daisies," which I'd have to call my favorite show that falls into the odd category of fairy tale. Showrunner Bryan Fuller apparently teased lucky audience members that the show may soon do an all-musical episode (I know it's been done before, but so what), but as for the facts, they are these:

- The sometimes funny David Arquette will be joining the cast as Ned's new buddy.

- There will be kiddie versions of Olive and Emerson to go along with young Ned and young Chuck.

- Chuck moves out of Ned's place and into Olive's - "And there's a bit of a catfight," says Anna Friel.

- Chuck's aunts (Ellen Greene and Swoosie Kurtz) come to the Pie Hole and complicate Ned's life.

- Olive and Lily (Kurtz) find themselves in a nunnery ... with a pig.

- The character Mary Ann Marie Beetle, apparently seen in the "Muffin Buffalo" episode of Fuller's canceled Fox series "Wonderfalls," will appear in a crossover episode.

I didn't have the sense to watch "Wonderfalls" before it was canceled so quickly, but I can't wait to see the rest of what Fuller has in store for us this fall. In the meantime, enjoy this ComicCon clip of the great Kristen Chenoweth belting out a little "Somewhere Over the Rainbow."



"The Office"

Why would you want to hear me try and predict what's going to happen on TV's second-best comedy (after only "It's Always Sunny in Philadelphia") when you can see what the fine folks who toil there had to say at ComicCon? Here, in two takes, are Ryan, Kelly and a bunch of other players (including "Freaks and Geeks" vet Paul Feig, I believe, who's taking a big role in directing/writing season 4.)





Returning to "Heroes"

Though "Heroes" was one of the few shows that managed to cobble together something approaching a full season during the writers' strike, I can't say it was a terribly satisfying one. Despite the very welcome addition of Kristen Bell, they just gave way too short shrift to Hiro's adventures in Japan and spent way too much time with the simply boring Maya and Alejandro.

That said, things really started to pick up there at the end, and I'm rather excited for the return of Tim Kring's show for Vol. 3 this fall. Here's a Q&A with some cast members from ComicCon to get you back in the "Heroes" groove:



And finally, some Pixar

And what's better to brighten up a dreary Monday than a teaser look at Pixar's next flick, "Up." With Ed Asner providing the voice of septuagenarian superhero Carl Fredricksen, I have my doubts that this one will be as wildly creative as "Ratatouille" or "Wall-E," but I still don't expect Pixar to deliver anything that won't at least be lots of fun in 2009. Enjoy the teaser trailer for "Up," and have a perfectly bearable Monday. Peace out.

Midyear report card: The 10 (well, actually 11) best movies of 2008 (at least so far)

I thought about not doing this because I wasn't sure I'd be able to get to 10 movies I at least mildly liked this year - especially given just how rotten the year started out - but I ended up getting to 14 that were in the running. (UPDATE: I somehow left off Iron Man, which an alert reader brought to my attention, hence the reason this list now goes to 11!)

The biggest surprise was that "Wall-E" didn't end up at or even that near the top, but rest assured that that doesn't mean I love it almost unconditionally. And, yes, the No. 1 spot is held by the movie I've seen most recently, but if you've seen it I'm almost certain you'll agree with me.

So, with only the further proviso that I certainly haven't come close to seeing all the movies that have been released so far this year, here goes:

10. "Hellboy II: The Golden Army"
Just a fun ride from the start, I consider this really to be pulp movie-making, if there is such a thing. Guillermo del Toro clearly just threw at us as many of the magical things he could think of and cooked up a wild story for them, making for a flick almost as good as the original.

9. "Cloverfield"
I almost avoided this one completely because I was so afraid of a "Blair Witch"-style hoax, but I was thankfully wrong (which does seem to happen from time to time.) With a surprisingly steady camera, it really is Godzilla-meets-Youtube, and even though that sounds awful on paper it somehow just works.

8. "The Chronicles of Narnia: Prince Caspian"
People will surely scoff at me for including this one over, say, "Indiana Jones and the Kingdom of the Crystal Skull," but I just have a soft spot for the Narnia tales and this one just improves on "The Lion, the Witch and the Wardrobe" in almost every facet. The dialogue is smart and funny, and the final battle - while ultimately enough to numb your senses - is just a blast.

7. "Be Kind Rewind"
I wanted to put Michel Gondry's goofy little flick higher on the list, but just couldn't bring myself to do it. If you missed it, you can see it on DVD now, and I think you'll enjoy this silly movie that's all about the love of movies.

6. "The Bank Job"
For once, a heist movie that's at least as much about the characters and the caper as it is the gadgets. This "true" story just keeps getting wilder as it unfolds, and if you like heist flicks, I recommend this one very highly.

5a. "Iron Man"
I don't know how in the world I managed to leave this one off when I first compiled this list, other than that I do it when I first wake up in the morning. Although I loved what Jon Favreau and Robert Downey Jr. did with Iron Man, I'm even more amped to see what happens when the great Terrence Howard dons his own metal suit and Samuel L. Jackson gets in on the action next time.

5. "Wall-E"
Like I said at the outset, I'm surprised this one ended up so low on this list, but looking back it's just been a stronger year thus far for flicks than I thought. Pure magic in its first half hour dedicated to silent robot love, it loses its way just a bit in the middle but still manages to be another Pixar winner (I'd rank it third behind "Ratatouille" and "The Incredibles," respectively, but then I guess I'm just a Brad Bird partisan.)

4. "Son of Rambow"
I really thought this might catch on as the little indie hit of the summer, but it never quite got there. As the titles implies, this is just a smart and funny flick about two English boys who try to create their own version of "Rambo," and it's very well worth a rental when it finally hits DVD (I was surprised to find it wasn't there already.)

3. "The Fall"
Tarsem's second feature film is as much about the power of storytelling as it is about the touchingly odd relationship that develops between an injured stuntman (the great Lee Pace of "Pushing Daisies" fame) and a young girl he meets in the hospital (Catinca Untaru.) It's visually stunning, and even if the story he concocts for her induces some unintended guffaws, this is one I just love.

2. "Under the Same Moon"
Perhaps it's because we had a private screening of this one after it somehow lingered at one of my local multiplexes for six weeks or so, but Patricia Riggen's little movie about immigration and family ties has just lingered with me for a long time. Yes, it's sometimes as sappy as it sounds on paper, but spring for a rental and I think you'll be pleasantly surprised.

1. "The Dark Knight"
Was there really ever any doubt that this one would clinch the top spot? I've seen it twice in the theater and will surely spring for it one more time before it leaves some time in September. If all the hype has you skeptical, just give in and believe it, because this one is just pretty darn amazing.

So there you have it. And, for the record, here are the four flicks that almost made the 10-movie cut: "Indiana Jones and the Kingdom of the Crystal Skull," "Tyler Perry's Meet the Browns," "Kung Fu Panda" and "Forgetting Sarah Marshall."

With plenty of fun stuff coming later this summer and fall - including new flicks from David Fincher, the Coen brothers and Spike Lee, among others - I'm sure this list will look a lot different when I revise it in January. Please feel free to chime in with anything you might think I've just gotten wrong, and of course let me know if there are any 2008 flicks I just overlooked. Peace out.

Wall-E is a wonder to behold - and to love

As corny as this certainly sounds, if you've seen Pixar's "Wall-E" (and if you haven't, why the heck not?), can you think of any movie in any genre for the last 20 years or so that had more to say about the power of love?

Well, robot love, of course, but the story of Wall-E and Eve still just grabs you faster and keeps you fully attached longer than almost any love story that I can think of (some might mention "The Notebook," but for simple entertainment value and much more, "Wall-E" just blows that away.)

And at least as important as the robo-love is the love and adoration that director Andrew Stanton clearly has for great sci-fi, which he shows in almost every frame of "Wall-E." If even a sliver of the kids who managed to sit through the quieter stretches of "Wall-E" and later grows up to seek out the classics that inspired it - most clearly "Blade Runner" and "2001: A Space Odyssey," but also "Star Wars" - then mission accomplished.

Stanton's respect for "Blade Runner," in particular, is clear from the moment we see our hero roll on to the screen and into a trashscape that I guarantee - no matter how many times you've seen the Earth destroyed in apocalyptic fashion on the big screen - will look like nothing you've ever seen in movies before (and how many times nowadays can you really say that?)

And, even better, it's in this deliriously inventive opening third or so that Stanton makes the more subtle of his points about the numbing nature of our work-a-day routine. Even with the cute jokes about the amazingly fresh Twinkie and the spork, were there any adults out there who didn't just cringe a little when Wall-E comes home and immediately pops in a video tape, then struggles to put on his rollers the next morning before he's had that first jolt of coffee? (Or, in his case of course, sun.)

But as amazingly entertaining as this dialogue-free opening stretch is, it just gets more and more charming when Eve arrives on the scene to scan for signs of life in the barren wasteland. Just about equal credit for this rather ridiculous love story working so well goes to writer/director Stanton and robot voice specialist Ben Burtt.

Kudos to Stanton for making Eve at least as likable as Wall-E (yes, I realize she's tempermental, more than a little crazy and even more insecure, but I guess that's just my type.) But Burtt - who not only voiced Wall-E but also conceived all the robot sounds (Elissa Knight provides the voice of Eve) - manages to eke more emotion out of the two simple words "Ev-a" and "Wall-E" than comes from the entire script of most of the much-lesser fare that clutters our multiplexes. (And, luckily I was seated near the front with no-one next to me, so nobody was too disturbed when I couldn't help mimicking them out loud more than few times; no, I don't think I'll ever completely grow up.)

The enchanting story of Eve and Wall-E is more than enough to sustain the flick as it gets more conventional and less subtle aboard the Axiom where the Earthlings live out their days in extreme comfort. This is where the flick lost me for a few moments before Eve and Wall-E made their simply blissful pas-de-deux through space and brought the movie back to life.

I know I've talked an awful about only the first third or so of the movie, but as with the entire "Lord of the Rings" - which I still think was at its best in the opening sequence in the Shire - that was definitely the best part. But there's more than enough to love about "Wall-E" to keep it going through and beyond the magical moment when Wall-E emerges from the trash compactor ("Star Wars" again, but it still works tremendously well) and make it easily among Pixar's best flicks to date.

Not as good as "Ratatouille" in my mind, but that's just because I put that movie on a pedestal all by itself. The bottom line: Just go see "Wall-E" and get ready to fall hard for the little robot with a huge heart.

In this box-office battle, I'm with "Wall-E"

It gives me an odd feeling to say I'm probably just too old for the giddy gunplay of a movie like "Wanted" but more than ready to go ga-ga for an animated flick about a robot in love, but that's how the movie weekend is shaping up here.

Now, don't get me wrong: I love stylish violence as much as the next dude. And I don't even usually mind it when reality isn't anywhere to be found.

Easily one of my favorite movies from last summer was "Shoot 'Em Up," which delivered exactly what the title promises. Paul Giamatti was extremely funny and Clive Owen was as cool as Monica Bellucci was hot in this bullet ballet that played out like a cartoon and was apparently seen by only me and about 57 or so other people. If you're among the masses who missed it and aren't offended by a flick so off-kilter that one of the main gags is about a baby being in an almost constant state of peril, rent this one today and just give in to it.

So, why then can't I get too amped for "Wanted"? One reason, and I admit it might just be a silly one. In the trailer, which I'm sure everyone's seen more than once by now, James McAvoy appears to fire a bullet straight at Angelina Jolie's head, but manages to put enough "topspin" on it that it curves around her at the last second. Like I said, I guess I'm just too old, but if I can't buy that bit of baloney I don't think I'll have too much fun chomping down on the whole thing.

Besides, and not unexpectedly, the deck is just stacked in favor of "Wall-E" this weekend. Pixar's new creation will open in 3,992 theaters, to only 3,175 for "Wanted." This doesn't factor in that "Wall-E" will prolly be shown at least 15 times a day in each of those theaters, to no more than maybe half that total for "Wanted." People who get paid to do box-office projections don't expect "Wall-E" to reach the $70 million openings enjoyed by both "Finding Nemo" and "The Incredibles," but I'm betting the little guy will be closer to or better than $80 million.

But can "Wall-E" really be as good as the rather unbelievable and universal love from critics would have us believe? I want to be at least a little bit skeptical, but given how hard I fell for "Ratatouille" I'm fairly certain I won't be disappointed. In the Macon Telegraph, we most often run Roger Moore of the Orlando Sun-Sentinel for two reasons: 1. He turns in his reviews earlier than anyone else and 2. I get to pick the reviews and I think he's just about the closest thing to the people's critic working now. Here's a sample of what he had to say about "Wall-E":

The late, great Stanley Kubrick ("2001:A Space Odyssey") used to say that if you can turn off the sound and still follow the story, you've made a film, but if you black out the picture and can still follow the story with only the sound, you haven't. "WALL-E," a savvy sci-fi Pixar comedy, has almost no dialogue. But with images and sound effects alone, it touches, it teaches and it tickles. It's the best Pixar film since "Finding Nemo."

I'm trying hard to keep my already sky-high hopes in check, but I assure you my mind will be on "Wall-E" all day while I'm supposed to be working. And if I'm somehow just dead wrong about "Wanted," please feel free to let me know.

Hollywood's next war will be ... in Greece?

And since escapist wonders like "300" make more money than any of the flicks about the actual war going around us now, I suppose it makes perfect sense.

First, Relativity Media bought a script for something called "War of Gods," to be directed by visionary Tarsem Singh (and before you even accuse me of throwing around the visionary label too easily, at least go see Tarsem's "The Fall," easily one of my favorite movies of this year so far and just a real feat of storytelling.)

Now, only one day later, Warner Bros. has signed "The Incredible Hulk" director Louis Leterrier to direct a Lawrence Kasdan-scripted remake of "Clash of the Titans." I'm as sick as anyone of the need to remake just about everything in sight, so call me none too excited about this one.

So now, of course, the race is on to see who's able to pump out their epic first. In "War of Gods," the warrior prince Theseus leads his men into battle against evil that will see the gods fighting with soldiers against demons and titans (man will it be cool to see what Tarsem can do with all that!) And in "Clash of the Titans," as many will remember, Perseus, the son of Zeus, must overcome a series of obstacles to save his beloved Princess Andromeda.

So, it looks like we really might not have to wait for five years for Tarsem to make another movie, and I can only say huzzah to that.

No Emmy love for "Battlestar Galactica"? Color me not surprised

I'm finished railing against the maddening taste of Emmy voters, so I'll simply share the list of 10 semi-finalists in the comedy and drama categories.

COMEDY
Curb Your Enthusiasm
Entourage
Family Guy
Flight of the Conchords
The Office
Pushing Daisies
30 Rock
Two and a Half Men
Ugly Betty
Weeds

Only two brief thoughts about that: How in the world can you include the scattershot-at-best "Family Guy" (which I do still watch) but not the still-brilliant "South Park"? And second, a hearty huzzah for the inclusion of "Pushing Daisies." Don't be too surprised if this imaginative show somehow pulls an upset and wins the whole shebang.

DRAMA
Boston Legal
Damages
Dexter
Friday Night Lights
Grey’s Anatomy
House
Lost
Mad Men
The Tudors
The Wire

Go, go, go "Friday Night Lights" and "Mad Men"! The inclusion of "The Wire" on this list is bittersweet at best, since it comes only after that show has ended its five-season run (and with a series finale that just wrapped up way too neatly by "Wire" standards!) Since that's the pattern, I guess we can expect to see "Battlestar Galactica" make the semi-finalist cut next year only after it has ended its run on Sci-Fi.

And in one great programming note, CBS has announced we should tune in at 8:30 p.m. Sept. 22 to see if Stella says yes to Ted's marriage proposal on "How I Met Your Mother." No matter what she says, here's hoping we get to see a LOT more of Sarah Chalke on season four this fall!


A full gallery of "Dark Knight" shots

OK, I know this is more than a little long today, but could I really stop before guiding folks to the full press kit of photos for "The Dark Knight"? Go ahead and spend at least a little of your workday time perusing the full gallery supplied by Comingsoon.net here.

And, finally, a clip from "X-Files"

From what I've seen so far, Billy Connolly seems to have at least as big a role in Chris Carter's upcoming "X-Files: I Want To Believe" as either Mulder or Scully, but I'm still nothing but excited to see what he's come up with when this finally drops a week after "The Dark Knight." Enjoy this new clip and go see "Wall-E" this weekend. Peace out.

Robot dialogue coach?!?! How do I get that job?

In case anyone who's never been here before doesn't know it, I - like many people in the world - am simply a sucker for Pixar movies, so be warned you're gonna hear a whole lot about "Wall-E" here this week until and possibly after I get to see it, probably Saturday morning.

Sunday's Arts & Leisure section of the New York Times had a very interesting interview with "Wall-E" director Andrew Stanton, which you can still read here. Why in the world it didn't make the cover I'll never know, but people who make a lot more money than I do make those decisions.

Here are some of the highlights:

* Although I've seen a figure of $120 million listed, the Times article pegs the cost of "Wall-E" at $180 million, which must include marketing and various costs. No matter how you add it up, though, that's a lot of cheese for a relatively silent movie about robot love.

* Stanton, ever the film geek at heart, says he drew on films from science fiction’s golden age - “1968 to ’81” he said. The second half or so of "Wall-E" promised to be an epicly fun space journey, and I just can't wait to see it.

* And, in my favorite nugget of all, Stanton answers the question: What do you do when you need robot dialogue for a flick with very little of the human variety? Well, you get the guy who did the dialogue for R2D2 in "Star Wars" (and less excitingly, E.T. too), Ben Burtt. Stanton said he wrote a conventional script — “Hi, I’m Wall-E” — and Mr. Burtt essentially translated the dialogue into robot, something he calls “audio puppeteering.” How in the world can I get that job?

The headline of the article itself sums up the big storyline for "Wall-E": "Pixar Gambles on a Robot in Love." Following up "the rat movie" (my favorite movie of all of 2007, of course, "Ratatouille") with this endearing oddity may be a bit of a "gamble," but here's hoping the Disney-owned Pixar continues to take chances.

One thing I found surprising in the NYT article was that "the rat movie" actually made substantially more worldwide than "Cars," definitely not one of my favorite Pixar flicks. Here are the Box Office Mojo numbers:

“Finding Nemo”: $340 million domestic, $865 total.
"The Incredibles": $261 million domestic, $631 total.
"Cars": $244 million domestic, $462 million total.
"Ratatouille": $206 million domestic, $621 million total.

None of those numbers, of course, would show a studio that's really hurting in anyway, and I suspect that by the time you add in worldwide numbers for "Wall-E" it will be back around "Nemo" territory. Judging from the response of all the tots who laughed throughout the "Wall-E" trailer that preceded "Kung Fu Panda," the kids are certainly ready to embrace the little robot, and I am too. Peace out.

Pixar's new short? It will be "Amazing"

This week in our movie summer is so bad that I'm just gonna have to pretend it doesn't even exist.

"Get Smart" vs. "The Love Guru"? The only loser here appears to be the viewer. I can't even look at Mike Meyers without wincing, and even with Steve Carell and the very funny Ken Davitian on board I just can't bring myself to watch yet another TV retread.

But, if you can wade through all that crap (or, as I'm recommending, just ignore it), we finally get "Wall-E," the latest from Pixar, usually the highlight of my movie summer.

I've made my love of Pixar clear here many times before. Though I found "Cars" to be amazingly boring for very long stretches, the simply sublime "Ratatouille" was my favorite movie of all of 2007. And, given just how cool it looks and since I'm a sucker for space odysseys, I'm sure that "Wall-E" is gonna be almost as good.

But, of course, one of the other dependable delights with Pixar flicks are the shorts, and it looks like they've come up with something truly cool this time around. Here's a synopsis for "The Amazing Presto," the short that will run in front of "Wall-E":

Dignity. Poise. Mystery. We expect nothing less from the great, turn-of-the-century magician, Presto. But, when Presto forgets to feed his rabbit one too many times, well, there's really no telling what to expect! This latest comical short film from Pixar Animation Studios follows the escalating high jinx of the amazing Presto, his rabbit Alec, and what happens onstage when a star magician's ego provokes some clever revenge from his neglected costar.

In my mind I'm already there, but for the time being, enjoy the photo above and the poster for the "picturette" at right.

A look at Spike's "St. Anna"

No matter how much he runs his mouth - and his latest verbal tussle with Clint Eastwood is indeed fun to watch - I'll always have nothing but tons of time for Spike Lee. His documentaries ("When the Levees Broke" and "Four Little Girls") are tremendous, and "Do the Right Thing" remains easily one of my favorite flicks. And if I could make one recommendation from his lesser-known flicks you can still probably get on DVD, "Get on the Bus" - about a group of guys headed to the Million Man March - is also well worth watching.

And now it does indeed look like Mr. Lee might finally get the awards season acclaim he's already deserved for many years with his upcoming "Miracle at St. Anna." Judging from the trailer, he's concocted a flick that's as epic as its subject matter - the story of four black American soldiers who get trapped in a Tuscan village during World War II - and wrapped it all up in a mystery to boot. Count this one along with "Burn After Reading" and "The Curious Case of Benjamin Button" as the main movies I'm really looking forward to this fall. Enjoy the trailer, and have a perfectly pleasant Tuesday. Peace out.

Pixar and Disney look way into the future

"Anyone can go to Baghdad. Real men go to Tehran"
- Dick Cheney, from the first few pages of the working script for Oliver Stone's "W."

Though he, as of yet, hasn't taken up my suggestion of Dwight Schrute to play Karl Rove, Oliver Stone has indeed scooped up at least one very funny guy for his Bush biopic: "Daily Show" vet Rob Corddry will play press secretary Ari Fleischer (remember him?)

Unfortunately, what the first few script (surely a work in progress) pages reveal is that the movie itself could also be laughably bad. The "Axis of Evil" conversation that starts it off is just ridiculous (and, if it really happened that way, just scary as hell.) I didn't want to ruin it for you, so you can read it and judge for yourself here.

The order of the day here, however, is animation, easily one of my favorite subjects. Pixar and Disney have unveiled a rather ambitious slate that takes the studios through 2012, and though you won't find the name of animation master Brad Bird anywhere, there's still some really cool stuff. (Bird, if I'm not mistaken, is moving into the realm of live-action films with "1906," a historical drama about the fire that ravaged the then-quite-corrupt city of San Francisco.)

First up, of course, is Pixar's Wall•E, which promises to be all kinds of weirdness when it's released June 27, but hopefully also chock full of charm (man, could we use some of that in movies now!) Here are other highlights of what's coming down the pike from both animation houses:

Bolt (Disney, Nov. 26, 2008)
I can't say you're gonna get me too excited when your lead character is voiced by John Travolta, but the plot for this one sounds like it could be pretty fun. He voices Bolt, a Hollywood superdog who gets accidentally shipped to New York City and has to find his way back home with two companions, a jaded, abandoned housecat named Mittens and a TV-obsessed hamster in a plastic ball named Rhino.

Up (Pixar, May 29th, 2009)
Being someone who's perfectly happy to go to bed no later than 10 p.m. (and often earlier if the Braves aren't playing on TV), I say it's way past high time that a movie was made about a super hero who just happens to be in his 70s. With the new news that our hero will be voiced by certified grump Ed Asner, I'm nothing but jazzed for this one.

The Princess and the Frog (Disney,Christmas 2009)
I'd be much more excited for this one if they had actually managed to pick a black composer (rather than the omnipresent and increasingly insipid Randy Newman) for this, Disney's first grand animated musical with a black heroine, but I guess we should be thankful for baby steps. Besides, there's a lot of good going on here anyway. The story takes place in New Orleans, it stars Anika Noni Rose, and it should be a return to the kind of old-fashioned animation that made Disney famous in the first place.

Toy Story 3 (Pixar, June 18th, 2010)
I sure hope this trilogy doesn't go the way of "X-Men" and "Spider-Man," as it has thus far (the first one very good, the second great but the third one simply craptastic.) A while back, in an article about the merging of the studios, the Wall Street Journal let fly that the plot for the third installment will be this: “Woody the cowboy and his toy-box friends are dumped in a day-care center after their owner, Andy, leaves for college.” Sounds cool enough to me, so bring it on! The next Pixar sequel on the list, however ... more on that later.

Rapunzel (Disney: Christmas 2010)
Don't have much to say about this one except that, after a one-movie-only respite from the 3-D/CGI onslaught, Disney will be going all modern with this one.

Newt (Summer 2011: Pixar)
When it's not making sequels, it looks like - thankfully - Pixar is gonna just keep getting weirder with its storylines. In this one, the last remaining male and female blue-footed newts on the planet are forced together by science to save the species, but of course they can't stand each other. Even with the rather tired tag line "Love, it turns out, is not a science," this could still be a lot of fun.

The Bear and the Bow (Christmas 2011, Disney/Pixar)
A load of quality voice talent is already on board for this trip to "rugged and mythic" Scotland (whatever that means.) Reese Witherspoon is an impetuous princess who would much rather shoot her bow and arrow, Emma Thompson voices her mother and Billy Connolly (of course!) voices her father.

Cars 2 (Summer 2012, Pixar)
This is the only true turkey I can see in Pixar's near future. The first "Cars" was my least favorite Pixar movie by far, with that long middle passage that was simply a road to nowhere, so I just can't get excited much at all about a sequel. Besides, does the world really need more Larry the Cable Guy in any form?

King of the Elves (Disney, Christmas 2012)
This is definitely a case of saving the best for last, methinks. Disney will take on Philip K. Dick's foray into fantasy storytelling. It tells the tale of a dude living in the Mississippi Delta whose reluctant actions to help a desperate band of elves being menaced (of course) by a troll leads them to name him their king (why can't I have days like that?)

That did go on for a while, but hopefully the news was worth it!

"The Office" is open!

Though "Friday Night Lights" and "The Wire" helped me make it through the writers strike in a reasonably good mood, there was no show I missed more from week-to-week than "The Office," which thankfully returns to NBC tonight at 9 p.m. (followed by a new "Scrubs" too.)

You know, it's more than a little disturbing to find out your TV is smarter than you are. I went to set the DVR to tape both of these, only to find that it had saved my recording request from before the strike. I know I'm more than a bit of a Luddite, but that still kind of amazes me. Anyways, here's what's coming in the next four episodes:

"Dinner Party" (9 tonight)
Pam and Jim find they have run out of excuses and are forced to go to Jan and Michael's house for dinner. When Andy and Angela are also invited to dinner, Dwight's jealousy gets the best of him.

"The Chair Model" (April 17)
Michael's fascination with a woman modeling a chair in an office supply catalog makes him feel things he hasn't felt in a while. With Michael distracted, Kevin and Andy team up to win back Dunder-Mifflin's stolen parking spaces, forcing them into a showdown with the bosses of the five businesses of the office park.

"Night Out" (April 24)
Michael and Dwight decide to surprise Ryan in New York for a night of clubbing and meet his friends. Meanwhile, the Scranton branch is upset when they find out they have to come in on a Saturday for Ryan's Web site project. Jim's plan to save them has unexpected results. (Michael and Dwight on the town? I'm there!)

"Did I Stutter?" (May 1)
When Stanley snaps at Michael during a meeting, Michael tries to give Stanley an attitude adjustment. Dwight decides to buy Andy’s car. Meanwhile, Pam deals with an unexpected inconvenience after spending the night at Jim’s.

Sounds like a lot of fun stuff, but rather than let me prattle on anymore about it, here's a clip of Angela Kinsey and Jenna Fischer telling two rather dippy Utah news anchors about tonight's episode (note the 3-2 Orioles victory over the Mariners in the sports ticker!) Enjoy, and remember to tune in tonight. Peace out.

The joys of summer: 10 to definitely get geeked up for

Instead of using this space to announce my personal multiplex boycott (which will only last about a week and a half anyways), I've decided to keep things positive and future-oriented here today. Besides, the friggin Baltimore Orioles are 6-1, so what could really be so wrong with the world at this moment?

Now, two things you won't see in my summer 2008 preview are any movies directed by Fred Durst (he actually has one coming out in July called "The Comebacks") because, well, he's Fred Durst, or - despite its obvious primal charms - Anna Faris' turn as a Playboy bunny in "House Bunny" on Aug. 22. (But, as you can clearly see, I have rather crassly included - in honor of both summer and, well, Anna Faris - a picture of her in character.)

Unfortunately, you also won't see any little comedies with the potential charms of a "Waitress" or "Little Miss Sunshine," not because I don't want them but simply because I couldn't find them. If you know of any I'm missing, please let me know. One more disclaimer: I'm really looking forward to "Forgetting Sarah Marshall" on April 18, but since this is about summer, I've restricted this preview to May to August.

And now, without any further hesitation, are 10 movies I surely won't miss seeing this summer, in order of just how unreasonably geeked up for each I am (and in a few cases, the trailers too.)

10. Redbelt
If you're gonna make yet another movie about the world of underground fighting, do you really cast Tim Allen in one of the leads? Two things in this one's favor, though: The truly great Chiwetel Ejiofor is the badass at the flick's center, and it springs from the mind of David Mamet who, oddly enough, is apparently a purple belt in jujitsu himself. I sure hope this plays wide when it opens May 2 and kicks off Summer with a real bang. (The trailer is below.)



9. The Happening
No one is more in need of a winner than poor M. Night Shyamalan, and I, at least, am hoping he gets it with this one. Mark Wahlberg, Zooey Deschanel and the always-welcome John Leguizamo lead the cast in this "environmental thriller" which, as far as I can muster, is about some kind of force that leads people to commit suicide. Man, do I hope this doesn't just suck when it comes out June 19.

8. Hellboy II: The Golden Army
This one should be pretty fascinating, if I indeed have my plot summary right. Instead of taking on Nazis, according to Mike Mignola, this time Ron Perlman, Selma Blair and the crew will be taking on some crazy version of the American Indian who - and can you really blame them? - have gotten their hands on a nuclear weapon or some other silliness and turned on the gringos. I can't see myself really cheering against Indians, but man do I love me some Hellboy, so I'll be there July 11. (The trailer is below.)



7. Iron Man
The more I see of this one the more I'm convinced that Robert Downey Jr. really does have the chops to play our hero May 2 and turn this one into a franchise. Director Jon Favreau has plans to make it at least a trilogy, and you can look for Downey just about everywhere this summer, turning up as Tony Stark again in "The Incredible Hulk" on June 19 and in black face for "Tropic Thunder" on July 11.

6. X-Files 2
Chris Carter said he has struggled to come up with a better title for this one, but I'll be there no matter what it's called July 25. The plot, of course, is pretty tightly under wraps, but I do know that - unlike the rather disastrous first X-Files flick - this one will spring almost directly from one of the show's late storylines (possibly about Scully's offspring), so it should be great.

5. Pineapple Express
Anyone who knows me knows that I hold comedy in extremely high esteem, so you'll find two in the big five, starting with this Camp Apatow offering starring former "Geeks" James Franco and Seth Rogen. Frankly, I can take or leave stoner comedies, but judging from the trailer below this one should definitely provide some serious laughs on August 8.



4. The Rocker
I had forgotten all about this one, but since it stars comedy god Rainn Wilson I'm certainly hoping its almost as funny as it is sure to be simply silly on Aug. 1. Wilson is Robert "Fish" Fishman, the devoted drummer who gets kicked out of the '80s hair band Vesuvius. Twenty years later, he jumps at the chance to make his comeback in A.D.D., the high school rock band fronted by his nephew. If something in that doesn't make you laugh, I probably just can't help you.

3. Wall-E
OK, it's only the big guns from here on out. I don't think Pixar's latest offering will reach the lofty perch that "Ratatouille" holds in my heart, but here's hoping anyway. I do know that it will be an odd offering, with a lot of none-too-subtle preaching about environmentalism and the dangers of Wal-Mart, plus an opening half-hour with no human dialogue at all. Find out if it works or not June 27. (The trailer is below.)



2. "Indiana Jones and the Kingdom of the Crystal Skull"
It was a photo finish at the top, but in the end, I'm just not as excited about Harrison Ford's return to his most famous role as I am about the flick that nabbed the top spot on this list. Now, mind you, I will, assuming there is one, turn out for a midnight show when this opens May 22 (the day after my birthday!), and will hopefully cheer like a giddy kid at least once.

1. "The Dark Knight"
In spite of the tough competition from "Indy," this one was really a no-brainer for me. Either I've managed to tune it out or Warner Bros. has actually resisted the urge to crassly use the late Heath Ledger to market Christopher Nolan's flick. Besides, with a definite step up from Katie Holmes to Maggie Gyllenhaal as Rachel Dawes and the addition of Aaron Eckhart as Harvey Dent, I really don't see any possible way this one can suck on July 18.

So, there you have it. Please feel free to add any I have missed, and have a perfectly pleasant Wednesday. Peace out.

Sam Raimi visiting the "Monster Zoo"

Even if he has been rejected by Ellen Page, Sam Raimi still seems to be having a boatload of fun since unshackling himself from the "Spider-Man" ship.

After directing the Universal thriller "Drag Me to Hell," which he's co-writing with brother Sam (and which Page pulled out of, to be replaced by Alison Lohman), he'll next take the producing reins of (and maybe direct, who knows) a crazy creation called "Monster Zoo," an upcoming graphic novel by Douglas TenNapel.

Now, one of the many problems with having to work for a living is that I don't get to sit around and read comic books all day, so I must confess I wasn't familiar with that name before reading the report this morning. I've included, however, courtesy of Amazon.com, the cover of "Monster Zoo."

So, what is "Monster Zoo" about? Well, thankfully, the title pretty much says it all: It's the story of a young boy who discovers his local zoo contains critters much more frightening than the ordinary collection. The tale is apparently set in motion when an ancient idol is unearthed and transported to the zoo, where its spirit awakens and starts to mutate the caged animals (of course.)

This just all sounds like tons of fun to me, and here's what the creator himself, Mr. TenNapel, had to say about it in getting geeked up on his own blog:

Raimi’s movie A Simple Plan is among my favorite all-time films. It’s nice to be in business with people who love telling stories…about creatures, comics and underdogs. Amen, brother.

Amy Sherman-Palladino is - finally - back!

A hearty huzzah to always-welcome reader Jeremy, who clued me in to the fact that Amy Sherman-Palladino's new series, "The Return of Jezebel James," will finally hit the airwaves this Friday night at 8 on Fox (with two back-to-back episodes, no less.)

Now, it's been a while since I've talked about it, but I've made no secret of my love for ASP'S "Gilmore Girls." For six years or so (not counting the last, rather disastrous season), it was just about the funniest and smartest thing on TV, and packed with beautiful women to boot, so why not tune in week after week?

Thankfully, though a half-hour comedy (probably saddled with a laugh track, sheesh), "Jezebel James" seems to mine many of the same issues, and it's headed by two veritable babes as well, if I may be so blunt.

Parker Posey and Lauren Ambrose lead the cast as two estranged sisters. In the pilot episode (of which I've included a short YouTube preview below), Posey asks Ambrose's character to move in with her and, rather more importantly, I'd think, carry and have a child for her. "Gilmore Girls" fans should note that Scott Cohen, a k a Lorelai Gilmore's paramour Max Medina, will also be a "Jezebel" regular.

In a preview at the great Gilmore Girls News site, doubts were raised about whether or not Posey can keep up with ASP's signature quick and (hopefully still) witty dialogue, but I'm hoping they're wrong. Definitely tune in to find out (or if, like me, you have to work on Friday nights or - even better - actually go out on the town, set your TIVO/DVR.)



Mitchell Hurwitz's coming back too!

I suppose this means that any movement toward an "Arrested Development" movie is, for now at least, on hold, but let's just focus on the positive for the moment.

The good news is that the "AD" creator is coming back to Fox with an animated adaptation of the short-lived Aussie comedy series "Sit Down, Shut Up." Though I've never heard of it, it apparently revolves around the lives of seven staff members of a dysfunctional high school in a small northeastern fishing town (sounds like perfect Hurwitz territory already.)

I'm a little skeptical about the animated thing, but it's certainly what Fox thrives on, so here's hoping that Hurwitz can come up with a winner if and when this finally comes to fruition (and that, of course, all hope is not lost for an "Arrested Development" movie somewhere down the line!)

Fun with posters ... and a trailer

OK, I'm bringing it back to movies now. Though these two posters are, I suppose, both somewhat related to kung fu, they really couldn't be much more different. My impressions: The one for the Jackie Chan/Jet Li flick "Forbidden Kingdom" looks a little bit queer (not that there's anything wrong with that, of course), and the tagline for Jody Hill's "Foot Fist Way" is enough to reinforce my belief that the flick, coming in June, will be a real sleeper hit this summer. Enjoy!



And, lastly, here's the final trailer for Pixar's next summer offering, "Wall-E," also scheduled to hit in June. Unlike what we've seen thus far, this clip offers a look at the second half of the flick, after our hero has left his cleanup job on Earth. I'm still more than a little skeptical that a flick with little to no discernible dialogue will be much of a hit with the tykes, but it looks simply beautiful, so here's hoping I'm wrong. Peace out.

Ellen Page is headed to "Hell"

The big news this morning, of course, is that the writers' strike finally appears to be at an end.

Showrunners are back at work today, and writers are expected back Wednesday, but I have to ask: what exactly did they win? WGA west President Patric Verrone said the new deal is "... not all that we hoped for, and it is not all we deserve." Judging from what I see in TV commercials, however, I fear it will be even worse than that.

Why so pessimistic? I was fairly happy that this was all over until, on Sunday night, I saw a commercial for something on NBC with the word "Truth" in it (the full name escapes me, and I really just can't justify the effort to find out what it is). On this rather reprehensible program, a man seemed to be answering questions, while hooked up to a lie detector, with his marriage and, I presume, most of his life in the balance.

Does anyone see the entertainment value in this? And if so, could you please explain it to me? Here's hoping that the labor peace will lead to some actually scripted TV this fall, but I fear the breach will be too much to mend. I'm sure there's blame to go around, but just to pile on NBC a bit more, the network has already announced it is ending the pilot process used to woo advertisers, which can only be a bad sign.

But enough of that. Even if I fear it will be a phyrric victory at best, the writers are indeed headed back to work, and we should at least celebrate that. And, since nothing makes Mondays go down better than good news about beautiful women, that's all I'll have from here on out (at least until the very end.)

No "Heroes" until Fall

One show that will definitely return, but not until Fall, is NBC's "Heroes," which is seriously in need of a good season after the near-disaster that was Volume 2.

Hayden Panettiere, while at the Berlin Film Festival, spilled the beans to an AICN scribe that filming on season three is set to start in April, which would logically mean we wouldn't get anything new until the Fall.

Whenever it comes, I'll be ready for more. Season two was often a maddening one to me (what in the world was the point of adding the wonder twins Maya and Alejandro, for starters?), but the last few episodes really picked up steam and set up well for the next edition, so definitely bring it on.

Ellen Page is headed to "Hell"

And finally we get to the still-fairly-young lady of the moment. Lest anyone get suspicious that I write about Ms. Page so often simply because it leads to more traffic on this site (which it certainly does), you'll have to trust me that that's not it.

I've seen "Juno" twice now, and it's simply a charming little movie, and mostly thanks to Page's work in the lead role. It's not the best movie of 2007, an honor that I'd split between "No Country for Old Men" and "Ratatouille," but I would call it just about the most fun flick of the year, and that's good enough for me.

And now Ellen Page is about to spread some of her good karma to someone who sorely needs it: Sam Raimi. No one (except for maybe M. Night Shymalan) is more in need of a satisfying flick than Raimi after the dour disaster that was "Spider-Man 3," and his next one, "Drag Me to Hell," is rapidly shaping up to be just the ticket.

All I know so far is that Ellen Page has just signed on to star in the horror flick and that it's described simply as "a morality tale about the unwitting recipient of a supernatural curse."

Raimi and his brother Ted, the team behind "Spidey 3," wrote the script for this one too, so here's hoping they indeed have a lot more fun when this begins shooting in March.

"Veronica Mars" gets Disney treatment

Speaking of "Heroes," Season 2 semi-regular Kristen Bell has just signed on for a Disney romantic comedy, not at all my cup of tea but noteworthy nonetheless.

In "When in Rome," also set to begin filming in March," Bell will play a successful real estate agent in New York City who can't find a lasting relationship (already more than bit hard to believe.) When her younger sister impulsively marries in Rome, she flies out for the wedding and, after picking up coins from a reputed "fountain of love," finds an overabundance of suitors waiting for her back home.

Like I said, sounds like a whole lot of meh to me, but don't blame the messenger.

"Ratatouille" cleans up at Annies

And speaking of "Ratatouille," Brad Bird's Pixar flick won a leading 11 Annies (by my best estimate) at Friday's ceremony, so a hearty huzzah to that.

Along with best picture, best writing and best directing, it also scored the voice work prize for Ian Holm (though I would have given the honor to either fellow "Ratatouille" nominee Janeane Garofalo or the somehow-snubbed completely Peter O'Toole.) And while we're at it, congrats too to "Buffy the Vampire Slayer" vet Seth Green, a winner for best director of a TV show for the sublime "Robot Chicken."

And why not wrap this up with a look at Pixar's next summer offering, "Wall-E"? I still have doubts that this largely dialogue-free flick will work, but just a look at Wall-E's eyes is enough to give me hope. Enjoy the trailer, and have an entirely bearable Monday. Peace out.

No Oscars? This strike just keeps getting worse

I know a lot of people dismiss the Oscars as simply a rigged-from-the-start Hollywood lovefest, but I'll always be a sucker for it. Just as I watch the World Series no matter who is in it because I just adore baseball, I tune in to most of each year's Oscars broadcast because I love the movies so much. (My favorite steroids-related headline, by the way, was on the Washington Post's Web site: Despite Miguel Tejada and many other Orioles getting dragged into it, they went with "Yankees Prominently Mentioned." God bless the hometown newspaper.)

But back to the Oscars and, to a lesser extent, the Golden Globes, which I also find to be a fun broadcast to catch. Well, now it seems that on Monday WGA West President Patric Verrone rejected waiver requests for the kudos-casts, and who can blame him? They certainly don't deserve to be held to a different standard than any other form of written entertainment.

The first hit would be the Golden Globes, set to be handed out Jan 13. Dick Clark Prods. has indicated it will try to find a route to work around the impasse, perhaps as an independent producer of some kind. The Oscars, however, would be much more tricky, me thinks.

Let's just assume this strike isn't going to end anytime soon (and, I hate to be the bearer of bad news if you didn't know this already, but the actors are set to follow the writers rather soon if something dramatic doesn't happen.) Can you imagine any actors will be willing to walk the red carpet if it means they have to cross the picket line to do so? I can't imagine even the most conservative of Hollywood folk would be willing to do that.

And, perhaps more importantly, can you imagine that host Jon Stewart would be willing to participate under these circumstances? I can't imagine so.

And, in the ugliest of all scenarios, it's entirely possible you could have major stars picketing the broadcast, which would certainly be a circus. No matter how it unfolds, unless the strike ends soon, awards season is shaping up to be nothing but ugly.

Good guys caught in the middle

No matter whose side you're on in this labor action (and, with way too much TV on DVD in hand already as survival material, I'm still squarely behind the writers), there are always going to be good people who get caught in the crossfire.

And it would certainly seem that Jay Leno and Conan O'Brien fall into this category (well, Conan anyway ... I have never watched Jay Leno's show, and never will.) Faced with staffs of 80 to 100 nonwriting people who aren't getting any paychecks, both hosts have decided to go back on the air in early January (David Letterman, who owns his show, is free to negotiate with the writers on his own terms, which he is apparently doing now.)

Here's some of what Conan had to say about proceeding without writers:

"My career in television started as a WGA member and my subsequent career as a performer has only been possible because of the creativity and integrity of my writing staff. Since the strike began, I have stayed off the air in support of the striking writers while, at the same time, doing everything I could to take care of the 80 non-writing staff members on Late Night. Unfortunately, now with the New Year upon us, I am left with a difficult decision. Either go back to work and keep my staff employed or stay dark and allow 80 people, many of whom have worked for me for fourteen years, to lose their jobs. If my show were entirely scripted I would have no choice. But the truth is that shows like mine are hybrids, with both written and non-written content. An unwritten version of Late Night, though not desirable, is possible – and no one has to be fired. I will make clear, on the program, my support for the writers and I'll do the best version of Late Night I can under the circumstances. Of course, my show will not be as good. In fact, in moments it may very well be terrible."

Thanks for the warning Conan, but I have a hunch these shows may not only not be terrible, but maybe even inspired. As he mentioned in that statement, Conan was once a writer himself, and a darn good one. He wrote for "Saturday Night Live" and "The Simpsons," and for the latter penned the very funny "Marge Vs. the Monorail" episode.

His show, at least in its earliest days, was always best when it relied on sketches anyway, so if he can manage to come up with some very funny stuff the show might be just fine even if many stars refuse to participate, which I'd imagine they will. Stay tuned.

Holofcener and Keener, together again

In the world of indie movies, at least, there have been very few more fruitful partnerships than that of the great Catherine Keener and director Nicole Holofcener. And now, assuming it doesn't get consumed by any kind of actors' strike, the duo have announced plans for a fourth collaboration.

Holofcener will write and direct the as-yet-untitled movie about a group of New York women who live in the same apartment building. Keener will play the neighbor of a cantankerous elderly woman and her two granddaughters.

Though Nicole Holofcener has the distinction of directing one of my least favorite movies, the simply useless "Friends With Money," she's also made two I just love in "Lovely and Amazing" and "Walking and Talking." The common factor in all of these has been Keener, who I will gladly watch in just about anything.

And you can look for her fairly soon in Charlie Kaufman's (huzzah!) "Synecdoche, New York" and then in director Andrew Fleming's "Hamlet 2" with veryfunnyman Steve Coogan. I know I certainly will.

A new look at Wall-E

Please allow me to introduce this new trailer for Pixar's next flick, "Wall-E," with another plea that its last, "Ratatouille," be one of the final contenders for a Best Picture Oscar (assuming, of course, that there even is an Oscars show.) As the first half hour or so of the movie will apparently be, this new "Wall-E" clip is silent except for robot noises made by our hero. It will be an odd movie for kids, me thinks, but one I almost certainly will enjoy. Peace out.