This is like a family tree, if your family was made of whores ... Beavis and Butthead are back!

Yes, the boys are indeed back, and judging from the clip that Mike Judge just unveiled at Comic-Con, they thankfully haven't matured even one bit.

But first, a bit of movie news, because for fans of comedy (which it's all about today), this could be pretty great.

"Easy A," while lighter than air and clearly aimed at moviegoers much younger than me, was also easily one of the funniest movies of 2010. It's director, Will Gluck, has a new movie out today starring Mila Kunis and Justin Timberlake, which in spite of its rather tired "Friends With Benefits" title and premise looks like it could be pretty witty.

What really made "Easy A" a winner, however, was the writing, so the even better news today is that Fox Searchlight has just purchased a new spec script from "Easy A' screenwriter Bert Royal.

Titled "A Thousand Words or Less," the comedy, which Royal will also direct, is set in the cutthroat world of a national high-school (I'm assuming) essay contest. Shailene Woodley, who apparently stars on ABC Family's "The Secret Life of the American Teenager" (which I've obviously never seen) and can soon be seen in Alexander Payne's "The Descendants" with George Clooney, is apparently up for the lead role in this.

I guess you can't get Emma Stone every time, but this should be a hoot all the same, so stay tuned ...

And in other comedy news, I can understand why a lot of people don't like Ricky Gervais. He can be more than a bit of a prick, I suppose, but for comedy to work really well you almost always have to piss someone off, as he's clearly good at.

I can't wait to see what he came up with for the Warwick Davis mockumentary "Life's Too Short" (apparently coming to HBO, but no word yet on exactly when), but he's apparently already moved on to something new, titled "Afterlife."

As Gervais just revealed on his blog, the show, which he's working on with "Dexter" producer Clyde Phillips, will have him playing God, which should have probably an equal number of people cringing and laughing.

The comedy will be about an atheist who dies and goes to heaven ... and meets Gervais as God.

"Not the typical, wise, benevolent God -- that's Morgan Freeman's thing," Gervais wrote. He said his own version will be "an arrogant, wisecracking son of a bitch, who thinks he's the best thing since sliced bread. ... Actually he thinks he's the best thing ever because... well, he is. (He invented sliced bread by the way.) He also loves welcoming atheists to heaven with a smug grin on his face."

He went on to say that, despite his own being an atheist, this isn't an "atheist comedy" because if it was it wouldn't include a heaven or God.

Not sure about the logic there, or where or when this will actually hit the airwaves, but keep your eyes out for it (and I'll certainly let you know when I know more.)

OK, after that rather long detour, on to the main event. With "Beavis and Butthead" coming back to MTV this fall, only two questions popped into my head. Will they still be funny, at least for those people (like me) who found them to be very funny the first time around? And what in the world will they do between segments now that MTV no longer shows anything approaching music videos?

Well, as this 4-minute-plus Comic-Con clip shows, the boys have, if anything, possibly regressed. And in this first bit, which I'll only tell you is titled "Holy Cornholio" (you can probably guess where this is going), they're just as funny as ever. And as for the commentary, instead of videos, for this at least, it's "Jersey Shore," and if you can get past the obviously blatant plugging of MTV's own programming, the boys shred it pretty darn good. Anyways, enjoy, and have a perfectly pleasant weekend. I'm off to see "Captain America." Peace out.

Get More: Beavis and Butt-Head, MTV Shows

New "Beavis and Butthead"? Well, that won't suck

Actually, I was tempted to use that word in association with Mike Judge's craptastic last flick, "Extract," but let's just be nice and simply say perhaps the man should just stick to TV.

In easily the best combination of crazy and great news today, it seems that Judge is indeed now "outlining" 30 new episodes of "Beavis and Butthead," and if anything, our world is even more deserving of their deconstruction than it was when the duo first debuted in 1997.

There's no deal yet in place with MTV, but seeing as how it hasn't shown anything resembling a music video almost since our heroes left the air the first time, I can't imagine they'd turn this down. Actually, wouldn't that be a problem? Do people even make music videos anymore? If so, why, since no one shows them?

Even if that means the format would have to be tweaked somewhat, the potential return of Beavis and Butthead is still nothing but good news in this little corner of the world.

And in their honor, the synopsis is out for the the third adventures of Harold and Kumar, "A Very Harold & Kumar Christmas," due out Christmas Day 2011. Here goes:

The new "Harold & Kumar" comedy picks up six years after the duo's last adventure. After years of growing apart, Harold Lee (John Cho) and Kumar Patel (Kal Penn) have replaced each other with new best friends and are preparing for their respective Christmas celebrations. But when a mysterious package arrives at Kumar's door, his attempt to deliver it to Harold's house ends with him inadvertently burning down Harold's father-in-law's prize Christmas tree. With his in-laws out of the house for less than a day, Harold decides to cover his tracks rather than come clean, and reluctantly embarks on another ill-advised but hilarious journey with Kumar, taking them through New York City on Christmas Eve in search of the perfect Christmas tree.

Nothing but potential funny there, so here's hoping the third chapter is a whole lot better than "Harold & Kumar Escape from Guantanamo Bay," which, while still being a hoot, just too often crossed that fine line between clever and simply stupid.

And all I have after that today is a trio of videos that caught my eye this morning, starting, of course, with something in honor of the return of "Mad Men," coming July 25 with season four on AMC. The show's return is a definite entertainment highlight in any summer, but in this season of suck, it's even more vital. To whet your appetite, here's a clip some devoted and inspired fan with some time to kill made that compiles some of the best pickup lines and rejections. Enjoy.



Actually, in terms of movies that won't suck, the reviews I've read of "Despicable Me" indicate that should be a winner, and it should initiate at least a three-week streak of good flicks, being followed by Christopher Nolan's "Inception" (for which the early reviews could, without exaggeration, be called rapturous) and then Phillip Noyce's "Salt," starring Angelina Jolie. With flicks like "The Quiet American" and "Catch a Fire," Noyce has made himself into easily one of my favorite directors, and he's clearly at home with spy games, so I'm expecting this to be pretty great, and one of the surprise megahits of the summer. Enjoy this clip.

And, it being Thursday, where else to end than with a clip from tonight's new "Futurama"? Last week's episode featuring everything from the Eye Phone to that thoroughly disgusting Susan Boyle boil was comedy gold, and as you'll see from this clip, tonight's episode is all about "robosexual marriage." Enjoy, and have a perfectly pleasant Thursday. Peace out.

Futurama	Thursdays 10pm / 9c
Preview - No on Infinity
www.comedycentral.com
Futurama New Episodes Futurama New Episodes It's Always Sunny in Philadelphia

A truly maddening dose of MPAA madness

Before I get into any of that, and a commendable scoop from easily one of this site's favorite movie reviewers, Nell Minow, there's news of a new Tyler Perry movie in works. I know that seems to happen at least twice a year, but this one really does sound pretty fascinating.

Lionsgate has now tapped him to direct a film based on the 1975 Ntozake Shange play "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf."

As far as I know, this would be the first Tyler Perry movie not based on his own work, and if it sticks to the structure of the play - a series of 20 poems read by women with names like "Lady in Purple" - will certainly present him with a challenge.

And I know Tyler Perry is an acquired taste for many, many people, and I can thoroughly understand, but for all his faults as a filmmaker I guarantee you there isn't a director out there who's now writing better parts for women than he consistently does. So this project should be just perfect for him.

And this being the fall, Mr. Perry has his second movie of this year coming out next Friday, "I Can Do Bad All By Myself." With easily one of my favorite actresses, Taraji P. Henson, as the star, you can bet I'll be there to see it Saturday afternoon.

But after that today, it's about something that really makes me irate, and I have to warn you, I'm not completely sure why as I start to type this. First the facts, per Nell Minow in today's (I think) Chicago Sun Times, which you can read here.

We've all gone to the movies and, for as long as I can remember, seen those green screens that precede the trailers and always say "appropriate for all audiences." Well, no more. In April without apparently telling, well, anyone, the MPAA (far from my favorite cabal in the world) just decided that green now means "appropriate for some audiences."

Now, I fully realize that for most of the world that means absolutely nothing, and if I were to decide to launch a career as a moralist I'd be a truly rotten one (I was sad to see today that the king of trash, John Waters, now says he's only going to make two more movies before he retires.) But stop for a second and think about just what "some audiences" means.

If you have any idea, please let me know, because I have no friggin clue. And I'm not a parent, but if you've gotten used to the green screen meaning you don't have to worry about the content of the trailer that's about to unfold in front of you, now be warned that you really can't count on that at all.

But what irks me even more than the randomness of this move is what seems to be the attitude behind it of just giving up. Of course, kids and anyone else can see "red-band" trailers on the Internet simply by typing in an age that is clearly not their own. But at least that's an attempt to keep some people from seeing it. Now, the green, in what was once considered a safe zone, is moving quickly toward the red, with no limitations whatsoever.

Though it's a slightly different subject (and, believe me, one I could go off on for no short amount of time), PG-13 has become the same sort of animal, a toilet full of every kind of random filth imaginable to push the limits of R as they keep getting flimsier.

Wow. That was quite a bit of bile for a Friday morning, so I'll just leave you with this assurance. I LOVE raunchy, R-RATED movies. I can't wait to see Mike Judge's "Extract" on Saturday afternoon, and despite some early middlin-to-bad reviews, I'm really looking to a solidly R-rated comedy.

But is it too much to ask from the MPAA that everything below R really is appropriate for folks under age 17 or so, or that we have some kind of control over what we have to see in trailers? Sheesh.

And to go out on a more pleasant note, and since I really do like to mention Spike Jonze's upcoming "Where the Wild Things Are" just about every day, check out this groovy cover of Filter magazine, illustrated by Geoff McFetridge. Looks like I'll be buying that soon. Peace out.

Film Forum with Beavis and Butthead? Bring it on!

Actually, before I get into any of that (plus a bonus clip for "Fantastic Mr. Fox" and even Alyson Hannigan as a Lusty Leopard stripper), there's a couple of bits of news out there today that are just too good not to pass along.

First up is that, though I might have to drive to Atlanta, I most likely will get to see Jean-Pierre Jeunet's crazy new flick "Micmacs" this fall now that it's been picked up for U.S. distribution by Sony Pictures Classics.

I believe the full original French name of the flick is "Micmacs à tire-larigot," but I'll take it in any form I can get it, especially since the plot sounds exactly like something that sprang from Jeunet's rather active imagination. In it, Dany Boon stars as a video store clerk who bands together with his friends to take out two weapons manufacturers after he gets a bullet lodged in his brain.

And in perhaps even better, though certainly expected, news, AMC has greenlit a fourth season of "Mad Men."

Beyond the acclaim the show brings to AMC, the numbers this year have been rather incredible, bringing in 2.8 million viewers for the season premiere (34 percent more than the season two premiere), with the total rising to 4.5 million viewers of subsequent airings during the first week.

And from an aesthetic view, the show has never been better, so I can only say bring it on. If I have this right, show creator Matthew Weiner only has a five-season arc planned, so this brings us into the home stretch. And I'll certainly be around until the very end.

OK, before we get into the videos, being a fan of Allyson Hannigan since the beginning of "Buffy the Vampire Slayer," I certainly couldn't help but pass along this photo of her apparently working at the Lusty Leopard from the Sept. 28 season premiere of "How I Met Your Mother." As best as I can tell, the premiere is called "Double Date," and from the photos I've seen, I think Barney finally gets a date with Robin and - of course - takes her to all his usual haunts. Enjoy!


I'll close today with a couple of clips, the first of which is a new featurette for Wes Anderson's "Fantastic Mr. Fox," which is set to drop Nov. 13. You can see from the clip that Anderson is paying a lot of attention to the details of the animated sets, much as he did with the live-action ones for "The Royal Tenenbaums" (still my favorite Anderson flick), and watching George Clooney roll around on the farm is just a hoot. Enjoy.



And finally comes the main event for fans of truly juvenile humor (like me), the return of Beavis and Butthead. Sure, it's shameless promotion for Mike Judge's "Extract," which is indeed playing wide enough for me to go see it Saturday afternoon (huzzah!), but it's also very funny, and if you have American heroes Beavis and Butthead in your stable, why not use them? Enjoy, and have a perfectly passable Wednesday. Peace out.

Epic soundtracks? The 18 or so ones I own and still listen to regularly

I really can't see myself driving a half hour and then paying $15 to see this, but for boxing fans, it's really nothing but good news.

One of the best/worst jobs I ever had was dealing blackjack (yes, really) in the back of a "gentleman's club." Along with the obvious regular "entertainment," the owner of the club's son was a huge fight fan, and he'd order every pay per view boxing offering he could find - which at the time meant a whole lot of Mike Tyson - and turn them into major events (which, if I'm not mistaken, was highly illegal.)

I tell you all that to tell you this: Boxing is returning to movie theaters for the first time in almost three decades with the Sept. 19 welterweight championship bout between Floyd Mayweather Jr. and Juan Manuel Marquez and its undercard. Like I said, the only theater in my area that shows "events" like this (concerts, etc.) is about a half hour away in Centerville, so I can't see myself going, but this is still an awfully cool happening in my book (and it's apparently the first boxing event in movie theaters since the "No Mas Fight" between Sugar Ray and Roberto Duran - I remember that one.)

And if you happen to live in or will be visiting New York (which I will for the last week of the year), the Museum of Modern Art has something coming from Oct. 8-18 that will be a delight for fans of Spike Jonze (of which you can certainly count me one.)

The perhaps too cleverly titled "Spike Jonze: The First 80 Years" exhibit covers Jonze’s entire filmmaking and television career. Included are Jonze’s first two feature films, "Being John Malkovich" and "Adaptation," as well as two films that he co-produced: "Jackass: The Movie" and the documentary "Heavy Metal in Baghdad." I never would have guessed that about the "Jackass" flick, but I will admit I find it to be just about pure comic bliss.

Also featured will be music videos for Björk, Fatboy Slim,his award-winning Weezer, Beastie Boys, Wax, The Notorious B.I.G., and many others, as well as his commercials. Easily best of all, though, on opening night, will be "In Cahoots: Maurice Sendak and Spike Jonze," an evening of short films that Jonze made about, and with, Maurice Sendak during the production of his forthcoming feature, "Where the Wild Things Are" (which you just may have heard me talk about, oh, 290 times by now.) Nothing but cool there, and you New Yorkers, I'm nothing but jealous.

But before all that here today, it was supposed to (and still will) be about the 18 or so soundtracks (and movie-related oddities) that I discovered I own (or used to own) as I was cleaning up my CD collection. I wouldn't go so far to call too many of them among the best soundtracks ever, but I still listen to them all, so they're winners in my book. Here goes:

"Slumdog Millionaire": I hear tell that AR Rahman has done much better film score work than this, but as a representative sample of his sound, it's nothing but fun.

"Joe Strummer: The Future is Unwritten": Imagine listening to the late Joe Strummer play DJ, as he used to do for the BBC, and you'll come close to just how great the soundtrack for this documentary about him is. Elvis, Nina Simone, Eddie Cochran and, of course, lots of Clash all find a home here.

"Into the Wild": What has grown to become my favorite movie of 2007 has also slowly evolved into the year's best soundtrack in my book too. Eddie Vedder delivers these mostly great tunes with a guttural growl and howl that indeed almost transport you "Into the Wild."

"The Muppet Movie": It hurts me a little to even type this, because I grew up on it but now can not find the cassette tape my family and I burned a hole through when I was a kid. If anyone out there somehow has a copy of this they'd be willing to burn on CD, please let me know, and I'll gladly send you music, money or anything else you might desire in return. Man, do I love the Muppets!

"O Brother Where Art Thou": If the purpose of a movie soundtrack is to allow you to watch the movie unfold in your mind while you're listening to it, none succeeds as well as this one from the Coen Brothers (one of two that will make this list.)

"Avenue Q": OK, I concede that the soundtrack for this Broadway musical starring a bunch of puppets and even Gary Coleman is extremely silly, but it's also just perfect listening for whatever you may be doing around the house on a Sunday afternoon. This show is coming to Macon's Grand Opera House next May, and I highly recommend it.

"Hairspray": This could be either the soundtrack for the utterly addictive Jon Waters original or the Broadway musical, both of which I own, but not for that other movie, which I haven't and won't see. If I had to pick just one, it would probably be the Broadway set, which is just pure fun, but for one single song, I'll take the movie's "Nothing Takes the Place of You" by Toussaint McCall," which just slays me every time I hear it.

"Seu Jorge: The Life Aquatic Studio Sessions": OK, this is the first, but not the last, one on this list that really isn't a movie soundtrack at all. Instead, it's a collection of those David Bowie songs delivered in Brazilian Portuguese by Seu Jorge in director Wes Anderson's "The Life Aquatic with Steve Zissou," easily the best thing about that mostly disappointing film.

"Ladykillers": This second entry from the Coens also comes from a flick that most people find not only disappointing but downright useless. But I kinda like it, and I like the soundtrack, featuring a mix of genuine gospel greats from the likes of the Soul Stirrers and Donnie McClurkin with hip-hop from the Nappy Roots, a whole lot more.

Carole King's "Really Rosie": In the spirit of "Where the Wild Things Are" comes this soundtrack for the '70s (I think) TV special based on the children's collection by the great Maurice Sendak. And yes, I really do still listen to the likes of "Alligators all Around" and "The Ballad of Chicken Soup" and smile every time I do.

"Hedwig and the Angry Inch": Though the straightforward movie soundtrack for this divine oddity from the mind of John Cameron Mitchell is perfectly good in its own right, much better is the "Wig in a Box" collection, which features the Breeders, the Polyphonic Spree, They Might Be Giants and many more offering their takes on the very catchy songs. Pop perfection.

Prince: "Parade": I was so addicted to Prince when I was a teenager that to this day, most of my computer passwords contain some variation on the word (which indeed draws raised eyebrows from my co-workers if I ever have to reveal that.) I've even seen all the Prince movies, and though "Under the Cherry Moon" is pretty darn wretched, the soundtrack stands up very well over time.

"Buffy the Vampire Slayer: Once More With Feeling": Who can't like this one? Buffy's musical episode was not only a ton of fun when it first hit the air, but if you go back and listen to it now - which I still do from time to time - you'll find that little pop gems like that "I'll Never Tell" with Xander and Anya are just pretty much timeless.

"Once": I've probably listened to this soundtrack for the great little Irish movie starring Glen Hansard and Marketa Irglova more often than anything else you might find on my desk at work, and each time it still manages to take me away, no matter how downright rotten my work day just might be.

"Spongebob Squarepants": Yes, that's right, "Spongebob Squarepants." I've seen the movie and I own the soundtrack, and I'm well aware that might mean there's something rather seriously wrong with me, but when it contains Ween, the Flaming Lips and even the delirious delight of "Prince Paul's Bubble Party", how can you resist? If you have kids and want to teach them to listen to good music, I can't recommend this highly enough.

"Office Space": I just tried to check the Web sites for my local multiplexes to see if Mike Judge's "Extract" would indeed play as widely as promised this week, but they haven't put up their Friday listings yet. I can't imagine "Extract" will be as funny or just therapeutic as "Office Space," which features a soundtrack full of gangster rap that just fits the movie perfectly.

"Big Bad Love": I managed to see this biopic of sorts based on the short stories of Southern writer Larry Brown in New York with an introduction by producer and star Debra Winger, and though I liked the movie quite a bit, I'm pretty sure I was one of about 10 people in the entire world who bothered to watch it. The soundtrack, full of a lot of genuine Southern blues and two great tracks by Tom Waits, is well getting your hands on if you can still find it.

"A Tribute to Robert Altman's Nashville": Whew, last one! Instead of what should have been an insufferable bit of hipster irony from Carolyn Mark and her buddies, this is instead a heartfelt tribute to one of American's great movie soundtracks. Robyn Carrigan's "It Don't Worry Me" is particularly just spot on.

OK, there you have it. And anyone who really made it this far deserves a reward, so here goes: If anything on this list strikes your fancy, simply e-mail me your name, address and request to keidem4@gmail.com, and I'll gladly burn you a copy of anything you want. Piracy? Perhaps, but I still spend more than enough money on music that I can make this offer with a clear conscience. Hope you enjoyed this list, and have a perfectly passable Tuesday. Peace out.

The best day ever for fans of animated science fiction?

These are both rumors at this point, but since it's Monday morning, isn't it just much more fun to take them as fact, especially when that would just make the day so much cooler?

The first is actually pretty solid. It's long been known that David Fincher, for obvious and hopefully very twisted reasons, has wanted to make a third movie inspired from the universe of "Heavy Metal" magazine. I've never seen the second, something called "Heavy Metal 2000, but I certainly can't wait for a third installment, especially with the directing talent that's now on board.

If FilmSchoolRejects has this right, and I rather believe they do, the anthology film will now also include segments to be directed by Zack Snyder, that pirate guy Gore Verbinski and even James Cameron. Perhaps best of all, "Kung Fu Panda" director Mark Osborne will reunite with Jack Black to do a comedy segment. I know this will be blasphemy to all Pixar fans, but as much as I loved "Wall-E" (and I did quite a bit, and much more than "Up"), I thought "Kung Fu Panda" was the better movie of the two.


Even better than that crazy news in my book, though much less close to confirmed, is this wild word about the future of "Futurama" that comes from Collider.

I've enjoyed the "Futurama" TV-to-DVD movies quite a bit, but was amazed they managed to make four of them and was fairly certain that that would be the end for Fox's most abused animated series, a title it won by just a nose over "King of the Hill." And I have to say, if Collider has this right, and I'm betting they do, "Futurama" is even more of a survivor than Mike Judge's show, which had a thoroughly improbably 13-season run.

Finally getting to the buried lead that just makes me giddy, Collider says Comedy Central has ordered 13 new episodes of "Futurama." Let that sink in a minute if you're a fan of very funny, almost-as-smart sci-fi (and if you're not, why not?) I guess it's not all that surprising, since it seems like Comedy Central shows "Futurama" every night of the week, but pretty friggin' amazing all the same. And if you'll excuse me now, I have to return to the job that still manages to pay most of my bills. Peace out.

Mottola, Pegg and Frost assembling A-list comedy

After the pure disaster that was Mitch Hurwitz's "Sit Down, Shut Up" (though out of loyalty, I did watch every episode that made it to air, hoping against all evidence that it would somehow get better ... it didn't), I could certainly use a smart and funny animated offering for my summer viewing slate. And I have a feeling Mike Judge has just the right thing with "The Goode Family," coming to ABC at 9 tonight.

According to Variety: What "King of the Hill" did for Texas rednecks, Mike Judge and crew accomplish with Prius-driving tree-huggers in "The Goode Family" -- a smart, wryly funny animated comedy that's going to need a strong word-of-mouth campaign to flourish.

Sounds great to me, and it also features wannabe freak Lindsay Weir, a k a Linda Cardellini, so I'm definitely in.

But the coolest news I saw this morning is about what Greg Mottola, who's quickly becoming one of my favorite directors, is cooking up starting very soon.

But first a look at his track record. As for this year, I'd say there have already been a surprising amount of good-to-great movies, with my list so far being: "Coraline," "The International," "Watchmen," "Tyler Perry's Madea Goes to Jail," "Duplicity," "Sin Nombre," "Moon" and "Tyson," with the best two of all being "Star Trek" and Mottola's "Adventureland." Though it thoroughly tanked at the box office, that flick starring Jesse Eisenberg, Kristen Stewart and a very funny Bill Hader and Kristen Wiig was just a real charmer that moved at a naturally entertaining pace.

And before that, of course, he made for my money the best comedy of 2007 with "Superbad." I just watched that one again with that instant "play" feature on Netflix (man, is that addictive), and I have to say the B story about the cops played by Hader and Seth Rogen, which I initially thought was the far weaker of the two, has really grown on me. And, coincidentally enough given what's to follow here, I'm now waiting for "Spaced," starring Simon Pegg, to arrive in my Netflix mail, hopefully today.

Now to finally get to the main course, Mottola is next directing veryfunnyguys Pegg and Nick Frost in something called "Paul," from a Pegg/Frost script. The road trip flick is about two British geeks (Pegg and Frost, natch) who set out on a road trip from Comic Con to Area 51 and manage to encounter an actual alien named "Paul." And the flick, set to start shooting in June, is quickly attracting an A-list cast.

Rogen will provide the voice of Paul, and he'll be joined by Wiig, Hader, Jason Bateman and the seemingly ubiquitous Jane Lynch. As I said earlier, Mottola is rapidly becoming one of my favorites, and with this crew I don't see how this can be anything but extremely funny, so keep your eyes on it. And with that, I have to get ready for the job that still actually pays me a little scratch each week. Peace out.

A great day for comedy

If you like comedy of almost all kinds (and who doesn't?), there's a lot of good news and clips out there today, and at least one simply horrible idea: Having run out of appealing targets to roast well before they hit Larry the Cable Guy last month, Comedy Central is now turning to its worst subject yet: Joan Rivers.

I mean, really, if the person you're roasting is so unfunny that she deserves at least the abuse being hurled at her by her "friends" and more, where's the entertainment value in that? I think I'm just the wrong audience for these to start with, but that just sounds like a whole new low.

In much, much better news, tonight on NBC should just be epicly good. At 8:30, the new show created by "The Office" writers Greg Daniels and Michael Schur, "Parks and Recreation," debuts. I can only take Amy Poehler in very small doses, but I thought the same thing about Steve Carell before "The Office" started, so here's hoping I'm wrong.

Even better than that, though, is that it will be sandwiched between two brand spanking new episodes of "The Office" itself. I don't think anyone really believes Michael and Pam have left Dunder Mifflin for good, but it should still be cool to see Michael's big showdown with Charles, played by "The Wire" vet Idris Elba. For just a taste, here's the opening 90 seconds or so courtesy of NBC, featuring Kevin's considerable lack of ability to answer the phone and a very funny kicker:

You're bad at this too!



And in a very good bit of TV news for those who don't mind their humor dark and - as Jody Hill himself puts it - "full of a**holes," HBO has picked up a second season of Hill's series "Eastbound and Down," starring veryfunnyman Danny McBride as a former Major League ballplayer trying to make a comeback (like the mighty Baltimore Orioles, who are now 2-0 at the expense of the dastardly Yankees!)

Director Hill, of course, hits theaters this week with the mall-cop comedy "Observe and Report" starring Seth Rogen. Even with the tired premise, when I saw Associated Press critic Christy LeMire's hyper-ventilating review in which she called it both "vile" and "disgusting" (overkill, anyone?), I knew this would deliver just about completely what I'm expecting and looking forward to.

OK, enough of that. There are three promising trailers out there today that in their own way serve up comedy too. Sometime around August of last year, I put up a poll in which 26 readers voted (not a scientific sample, mind you, but not too shabby, I suppose) for the movie they were most looking forward to for the rest of the year. At the time, I declared that "Slumdog Millionaire" was the single movie I most wanted to see in all of 2008, and we all know what happened to that one.

Well, I don't think it's headed to the same fate as Danny Boyle's flick, but I'm giving the same designation this year to Rian Johnson's "The Brothers Bloom," finally set to open hopefully very wide in a busy May 29 weekend that will also feature at least Sam Raimi's "Drag Me to Hell" and Pixar's "Up."

Why so excited for this one? Well, if you haven't seen Johnson's high school noir flick "Brick," rent it now, and you'll see how much potential he has as a director. Plus, I just love goofy movies about a big con, and when it features Rachel Weisz, Mark Ruffalo, Adrien Brody and Rinko Kikuchi, I'm definitely in. Enjoy the new trailer.

"Where are we going?"
"New Jersey?"
"I'm gonna grab my coat."



Almost as good is the video proof that Mike Judge is returning to the working world for "Extract," hopefully coming to movie theaters outside of L.A. and Austin sometime in August. Starring Jason Bateman, Kristen Wiig, Mila Kunis, J.K. Simmons and a fairly well-disguised Ben Affleck, it's about "the personal and professional problems of the owner of a flower extract plant (Bateman)." I'm laughing about that already.

And if I can digress just a bit before we get to the trailer, as Judge's "King of the Hill" is coming to an end on Fox after a rather remarkable 13-year run, he's about to have a new animated comedy coming to ABC. Called "The Goode Family," the show about a politically incorrect clan will premiere at 9 p.m. May 27. And in a final bit of TV news for all fans of ABC's late "Pushing Daisies," the facts are these: The final three episodes of that fantastic fantasy will indeed hit the air, for three weeks in a row beginning at 8 p.m. June 20.

And now, without further dithering from me, here's the "Extract" trailer:

"They're just hanging there."



And finally, for real, here's a first glimpse of what Robert Rodriguez is cooking up with "Shorts," also set to hit theaters in August. I'm a sucker for what Rodriguez comes up with when he makes movies for kids, especially the first "Spy Kids." This one looks very similar to others in the current crop of mild fantasies being pitched to youngins by Walden Media and other companies, but I'm still betting it will be a lot of fun. Enjoy the trailer, and have a perfectly pleasant Thursday. Peace out.

"I wish I had telephonesis!"

Kevin Smith, the art of raunch, and the problem with PG-13

The saddest news out there today is that after abusing Mike Judge's wryly funny "King of the Hill" for 13 years now, Fox has finally pulled the plug, effective at the end of this season. After the way it's been treated with the often nonexistent post-pro football slot, you could really probably call this a mercy killing. Besides, 13 years is a pretty darn good run.

And Mike Judge will be OK, with a feature film, "Extract," hopefully soon to come out in more than Austin and L.A. before hitting DVD. Starring Jason Bateman, Ben Affleck, Kristen Wiig, Clifton Collins Jr., Mila Kunis and (huzzah!) J.K. Simmons, all I really know about it is that Bateman plays the owner of a flower extract factory. Mr. Judge will also be returning to animated TV comedy with something called "The Goode Family" coming soon to ABC.

But all that's not the order of the day around here. In honor of Kevin Smith, who I still have loads of time for when he's not simply rehashing his own movies, it's all about R-rated comedies in which the R is squarely for raunch. And before you say that's too harsh, look at his last three movies: "Clerks II", "Jersey Girl" and "Jay and Silent Bob Strike Back." Though both of the sequels-of-sorts were funny enough, he's definitely in need of a new crowd, which he has now with Seth Rogen and the utterly charming Elizabeth Banks (more on her later) for "Zack and Miri Make a Porno."

It's sad that Smith squandered the opportunity he had such a big hand in creating with the current wave of R-rated comedies that throw in just enough heart to make the crude go down as almost sweet. My brother thinks Kevin Smith is just, using language Mr. Smith would surely appreciate, "a tool", but I'll definitely turn out for his new one this weekend (even if I will probably be shamed enough to ask the inevitably teen clerk simply for a ticket to "Zack and Miri," as unable to bring myself to use the taboo word "Porno" as the network TV ads are.)

My main point in this admittedly rather disjointed diatribe, however, is that the PG-13 rating - a shameful ruse for many reasons - has watered down the art of true raunch to the point that it just becomes silly juvenilia (though I admittedly often have a stomach for that too.) Here's a test in the form of my 10 favorite raunchy movies, in no particular order. Can you pick out the only one that's not rated R?

Animal House
Clerks
Bad Santa
Superbad
Super Troopers
Airplane
South Park: Bigger, Longer and Uncut
Blazing Saddles
Fast Times at Ridgemont High
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

And the answer? I thought for a second it might be "Superbad," but Jonah Hill's tirade about the "Ghostbusters lunchbox dick treasure chest" among many other gems made that one thankfully too rude for PG-13. The answer is "Airplane," which I haven't seen for a while, but I guess must be fairly tame by today's standards.

"Airplane" earned a PG rating four years before the PG-13 rating was created, on July 1, 1984 - a truly dark day in my book.Why? Well, you'll find I'm more than a little conflicted about it, but I think both sides I cling to are right, so bear with me.

My main beef with PG-13 is that it's so arbitrary. It was created, according to Wikipedia, in response to the violence in "Indiana Jones and the Temple of Doom" and "Gremlins" (really? WTF?!?!) Since then, however, it has clearly become a toilet for really gross "horror" movies and teen "comedies" that test the limits of taste without taking any time to think about such trivialities as much of a plot.

At the same time, however (remember, I said I'm very inconsistent on this), PG-13 movies too often just don't go far enough. I still find that woman in "Clerks" dryly explaining that she "manually masturbates caged animals for artificial insemination" for a living and the perpetually 8-year-old Stan looking for the clitoris in "South Park: Bigger, Longer and Uncut" to be extremely funny, and I hope I always will.

I suppose that's just the built-in problem with the middle ground: It may be the best way forward, but it will always leave increasingly both grumpy and old men like me complaining. The bottom line is, even if "High School Musical 3: Senior Year" will probably top the box office yet again, I'm glad Kevin Smith is back with a lot of raunch, a little smarts and a little more heart, and I hope a lot of people turn out for "Zack and Miri Make a Porno."

And I'll close with a bit more about Elizabeth Banks, easily my favorite comic actress working today (though Anna Faris is rising in the ranks too). She was rather severely underused in "W.", but you're about to see a lot of her: This week in Smith's flick, next week in the extremely silly but hopefully fun (and yes, R-rated) "Role Models" with Paul Rudd, and early next year in the horror movie "The Uninvited" with David Strathairn and Emily Browning (Violet in "Lemony Snicket's A Series of Unfortunate Events).

I don't turn out for horror movies much any more (the last one I saw and kind of enjoyed was J.A. Bayona's "The Orphanage), but with that cast I'll give this one a chance. Here's the trailer, which does indeed make it look like it might be a cut above the gore-over-suspense fare that passes for most "horror" flicks nowadays. Enjoy, and have a perfectly pleasant weekend.

I truly love Anna Faris, but ...

Before we get into this week's movies, two of which I think I'll actually see. there's a couple of other cool little nuggets out there today to deal with.

First, it seems that Mike Judge might actually get to make a movie that plays in theaters somewhere besides New York, L.A. and Austin before hitting DVD.

As far as I can tell, "Extract" is about two dudes who toil in a flower extract factory, to be played by Ben Affleck and Jason Bateman (huzzah!). I'm not even sure what "flower extract" means, but with Mila Kunis and Clifton Collins Jr. (who, frankly, should be an Oscar winner already for his work in "Capote") also in the cast - and Judge writing and directing - I'm definitely in.

And I've never really understood why Judge hasn't been given much of a chance to show he has artistic life after Beavis and Butthead. "Idiocracy," while certainly not a groundbreaking work of any kind, was a solidly funny comedy that almost no one got to see in a movie theater, and if you haven't seen "Office Space" more than once by now I'm just really not sure what to tell you.

The second thing that grabbed my attention was a Michael Ausiello piece for Entertainment Weekly with this rather enticing headline: Exclusive: Bell, Thomas Orbit 'Veronica Mars' Movie.

Despite that bit of exaggeration, the actual news isn't all that major, but when it comes to a "Veronica Mars" movie I'll take whatever I can get. What actually happened was that Kristen Bell stopped by the office of "Veronica Mars" creator Rob Thomas, which just happens to be on the same studio lot where Bell is working on the next season of "Heroes" (which I think is gonna be just great after a rather off-putting Vol. 2.) The talk naturally turned to "Veronica Mars," and Thomas tells Ausiello, "Kristen and I ran into each other, and we did discuss a Veronica movie," and that he's also had "a few conversations" with "Mars" executive producer Joel Silver.

I'd say that's pretty far from them "circling" a "Veronica Mars" movie, but we can always keep hope alive!

And now, finally, on to this week's movies, in the order that I want to see them:

1. "The Rocker"
From the reviews I've read so far, just about every scene in this one is stolen almost directly from either "School of Rock" or "This is Spinal Tap," but if you're gonna pilfer your inspiration you might as well start with two flicks I just adore. Besides, Rainn Wilson is simply a very funny guy, and if it means seeing him expose his rather flabby physique way too much to get him a starring role on the big screen, I'm in.

2. "The House Bunny"
As the title of this post makes clear, I think Anna Faris is also just a natural comedienne (and a first-rate cutie, of course, which never hurts.) I've been pleasantly surprised by the positive reviews so far for this one, with a glowing one from Variety and an even split (13 tomatoes, 13 splats) at Rotten Tomatoes. One critic I always trust, however, Nell Minow, has this to say: "The screenplay inflicts a little more injury on Faris than it intends to by committing the very sins it half-heartedly attempts to parody." I'm still in and hoping against hope that she's wrong on this one.

3. "The Longshots"
It's certainly nice to see Ice Cube doing something besides abusing himself, his movie family and all his audience members in those pathetic "Are We There Yet" movies, but I'm afraid I'm just too old for this feel-good flick about a girl who just wants to play Pop Warner football with the boys. That said, Keke Palmer was simply fantastic in "Akeelah and the Bee," so I hope this makes tons of cash and continues her road to stardom.

4. "Death Race"
As cool as Jason Statham was in this year's most surprisingly entertaining flick, "The Bank Job," I just don't think there's any way I can go for a beyond thoroughly unnecessary remake of Paul Bartel's already very silly (bur also really fun) "Death Race 2000." As my rather observant and witty co-worker Erin Ivanov noted, once a movie has had the "Mystery Science Theater 3000" treatment, there's just no way it should ever be remade. And I sure hope Joan Allen and Ian McShane were well, well paid for lowering themselves to this!

And there you have it. Because of an odd confluence of overtime I actually have four days off in a row (I'm not complaining, believe me!), so I'm also headed to Atlanta on Sunday to finally see the Georgia Aquarium and possibly even another movie. Woody Allen's "Vicky Christina Barcelona," which should be playing everywhere already (as its TV commercial already promises) is probably my first choice, but we'll see. Have a perfectly pleasant weekend!

Never hitting No. 1? No problem

I had a sobering thought as the opening sequence of "Harold & Kumar Escape from Guantanamo Bay" was unspooling before us on Saturday afternoon: I'm just too old for this.

I mean, I still love the guys, and when it was about the two of them and their juvenile exploits the sequel was still often very funny. But it also just contained some of the most tired jokes about prison and Southerners I've ever seen (and, really, when that prison is Guantanamo Bay, is there anything to laugh about?) Overall I'd say if you like Harold and Kumar it's still worth a rental.

I did, however, buy tickets for me and a few friends for the 10:30 p.m. Thursday night screening of "Iron Man," which I'm thoroughly jazzed about, and I still laughed through the entire length of that redband trailer for "Pineapple Express," so I'm definitely ready for summer!

Before we get into that, however, a nugget of news about Jason Bateman, who anyone who's been here before knows I rather like. Along with being Will Smith's life coach in the upcoming "Hancock," he's now signed on for what will most likely be a pretty funny movie that no one will get to see.

Why? Well, it's being written and directed by Mike Judge, whose last fairly funny offering, "Idiocracy," managed to play only in L.A. and Austin, if I'm not mistaken, before heading straight to video. Now he's heading back to the big screen with Bateman in tow for something called "Extract," which explores "what it's like to be the boss when everything seems to be shifting around you." Sounds more than a little just like "The Office," but I'm still betting it will turnout pretty good.

And in one other "Arrested Development" note, it looks like Mitchell Hurwitz's fall Fox offering is definitely headed to series, with the hiring of "Simpsons" veterans Bill Oakley and Josh Weinstein to be most likely showrunners. "Sit Down Shut Up," based on a New Zealand sitcom, will be an animated tale about teachers and administrators at a high school who care much more about their own hijinx than the students they supposedly supervise.

And one more nugget before I move on to the main course. Now that he's officially on board for "The Hobbit" and "The Hobbit 2.0," Guillermo del Toro gave the requisite interview with TheOneRing.net. You can read the whole thing here, but here's what I found most intriguing, since it hopefully means he understands that "The Hobbit," much more than "The Lord of the Rings," is a tale for the young and the young at heart:

"Another thing people will notice, at the beginning of the film will be the palette, that will be slightly different, the world will be the same but it will be a more ‘golden’ world, a more wide-eyed world."

Amen brother.

No No. 1? No problem?

Now, for the summer blockbusters that are about to come our way, that would of course be a fallacy, but there are plenty of movies that never reached No. 1 but still had a very healthy domestic box-office take. Here, with a hearty thanks to Box Office Mojo (which is really a stat-lover's dream come true), are 10 (with their chart positions) that I love from the list of the top 150 grossing flicks that never managed to make it to the top of the box office pack (the No. 1 flick, by the way, is "My Big Fat Greek Wedding," which never went higher than No. 2 but still managed to take in a rather astonishing $241,438,208):

6. "Chicago": The high-powered musical reached No. 2 when it was released in 2002 and went on to gross $170,687,518

12. "Knocked Up": Judd Apatow's comedy also peaked at No. 2 last year and went on to take in $148,768,917. And, in case you're wondering, "Superbad" isn't eligible for this list because it did indeed open at No. 1, but only took in $121,463,226.

17. "Juno": I can remember watching the numbers for "Juno" during the run-up to the Oscars and hoping it would sneak up to a late-run No. 1 visit, but it never got past No. 2 either in grossing $143,306,893.

26. "Crouching Tiger, Hidden Dragon": Man do I miss truly epic kung fu movies. I still haven't seen "Forbidden Kingdom" (though might today), but I hardly think that really counts. This one peaked at No. 4 on its way to taking in $128,078,872.

40. "Big": Has it really been since 1988 that there's been a Tom Hanks movie this fun? The big kid flick managed to peak at No. 2 and take in $114,968,774.

47. "Chicken Run": Back in the day when Aardman Animation wasn't reduced to making TV specials (Wallace & Gromit are coming back to the BBC soon!), they used to have a deal with Dreamworks which led to this zany tale that hit No. 2 in 2000 and managed to gross $106,834,564.

56. "The Aviator": Not even the presence of Leo DiCaprio and tons of Oscar hype could ever lift this higher than No. 3 at the box office, but it still did manage to gross $102,610,330. That makes it the No. 2 all-time hit for Mr. Scorsese, behind only "The Departed," which took in $132,384,315 domestic.

72. "Unbreakable": The last M. Night Shyamalan movie I just loved is also the first one on this list not to cross the $100M box-office barrier. The uber-cool superhero-of-sorts flick hit No. 2 and managed to take in $95,011,339 in 2000.

90: "The SpongeBob SquarePants Movie": I may be too old for Harold and Kumar, but I don't think I'll ever outgrow Spongebob. The flick was surprisingly clever, and it managed to peak at No. 2 and gross $85,417,988.

and, finally,

139: "No Country for Old Men": I was sure the Coens' biggest hit would be higher on this list, but shockingly it never made it past No. 5 at the box office. It still did, however, manage to dwarf my favorite Coen brothers' flick and their previous top contender, "O Brother Where Art Thou," $74,283,625 to about $45.5M.

So, there you have it. A waste of time? Perhaps. But still being a huge baseball fan, and since the Orioles are still over .500 at 14-11, I thought a stat-heavy post was in order. I hope someone else found it even a little bit interesting. Peace out.

This definitely does not suck: Mike Judge's back on TV

Even though I don't go out of my way to watch it any more, Mike Judge's "King of the Hill" has been kind of like an old sweater you find hidden in the back of a dresser drawer: No matter when you find it, it's always immediately comforting.

And "King of the Hill," of course, has been a rather amazing survivor, lasting for more than 10 years now (and I think still going) despite being abused by Fox for years with the inevitably wiped-out 7 p.m. after Sunday NFL football slot.

And now Mr. Judge is set to have another animated series, this time on ABC and presumably by the fall. "The Goode Family," which has received a 13-episode order, centers on a do-gooder family that tries to do the right thing in all facets of life. Sounds just right for Mr. Judge, but how in the world is this possible with the WGA strike still going on? Well, Media Rights Capital, the folks behind this project, got an interim deal with the WGA to get back to work.

And speaking of the strike, definitely keep your eyes on Saturday, when the east and west branches of the WGA will meet seperately to discuss the latest contract proposal. I doubt a final resolution will come then, but as always, keep hope alive.

Whither "Friday Night Lights"?

In bittersweet TV news at best, the last new, pre-strike episode of easily network TV's best drama, "Friday Night Lights," comes tonight. But what will happen to this great show after that?

I obviously can't say for sure, but given how quickly the networks have acted to spoonfeed us tons of reality crap (which people apparently seem to wolf down very willingly), I'm not sure how much appetite there will be to re-pick up shows like this or ABC's sublime "Pushing Daisies."

Which, for "Friday Night Lights," at least, would be real shame, because the show is doing extremely well in the coveted 18-34 demographic and, just as importantly, is at least as strong storywise in Season 2 as it was during its rookie year.

Anyways, here's the plot summary for tonight's episode, which unfortunately seems to wrap some things up (and therefore could be, against my fervent wishes, some kind of finale):

"A DAY OF SURPRISES"
Brian "Smash" Williams (Gaius Charles) is determined to get a football scholarship to college despite the recent events that have transpired, and he is very shocked when the most unlikely place offers him what may be the opportunity of his life. Tami Taylor (Connie Britton) runs into her ex-boyfriend from high school, a big real estate mogul, and he decides to stay in Dillon for a few days, which proves to be too long as Coach Taylor (Kyle Chandler) begins to feel a bit jealous. Elsewhere, Jason Street (Scott Porter) hears the biggest news of his life since his accident and must decide if he's ready for a dramatic change. Meanwhile, Tim Riggins (Taylor Kitsch) continues his pursuit of Lyla (Minka Kelly) by getting his own radio show at the Christian radio station.

The Riggins stuff in particular lately has been extremely funny, so please, please, please let this not be the last episode ever of "Friday Night Lights"!

Mira Nair's new movie

Buried under the rather meh headline "Hilary Swank to Play Amelia Earhart" was this nugget: This biopic will be the next flick from the great Indian director Mira Nair, easily one of my favorites.

Nair was supposed to make "Shantaram," which would have starred Johnny Depp (heard of him?) as an Australian prisoner who escapes and pretends to be a doctor in India's slums. With that nasty strike intervening, however, Johnny got a better offer in the form of Michael Mann's "Public Enemies," so I can only assume "Shantaram" is on potentially permanent hiatus.

In the meantime, the great Ms. Nair will make the Earhart flick from a script by Ron Bass. Swank will play Earhart in the formative stages of her career. George Putnam, a publisher and publicist, was engaged by society denizen Amy Guest to set up a daring nonstop flight across the Atlantic Ocean. When Guest was talked out of trying to become the first woman to make the trip, she dispatched Putnam to find a female pilot, and to turn the flight into a media event.

Sounds like it could be fun, and by the way, if you haven't seen Mira Nair's "The Namesake," please rent it right away. The film, featuring outstanding performances from Kal Penn (yes, that Kal Penn), Irfan Khan and Tabu, is as viaually stunning as it is just tremendously entertaining.

A little strike lightness

With hopes that real progress will come from Saturday's WGA talks, here's a rather funny bit of propaganda I found on YouTube. Some writers use clips from "The Jerk" and other flicks to make their point about what a world without them might look like. Enjoy "The Phone Book: The Movie," and have a perfectly pleasant weekend. Peace out.