Of remakes stopped, crazy and just plain audacious

I didn't bother to see "Mars Needs Moms," not because the idea of martians kidnapping and killing little kids' moms offended me, but just because I found something better to do (spend the weekend with mi hermano for a couple of epicly good Baseball Project shows.)

It seems, however, that that simple act of ignoring may have been my little part (and probably yours, since I don't think anyone went to see that) in stopping something much more insidious.

Robert Zemeckis, a producer of "Mars Needs Moms," had been plotting a digital remake of "Yellow Submarine," I guess just because he has the technological skills to do such a thing and, well, maybe he's just bored. Well, luckily, it seems the complete failure of "Mars Needs Moms" has led Disney to put the kibosh on that before it really got off the ground. Bully to that.

Another remake that is almost finished has apparently had a late and rather funny change of villainy in hopes of expanding its box office take.

The Los Angeles Times is reporting that MGM is changing the villains in "Red Dawn" from Chinese to North Korean in order to keep its access to the humongous Chinese box office. Take a second to let it sink in just how funny that is. The studio is apparently, though not terribly surprisingly, still looking for a distributor for the movie starring Chris Hemsworth, Josh Peck, Josh Hutcherson, Adrianne Palicki, Isabel Lucas, Connor Cruise and Jeffrey Dean Morgan.

Per the L.A. Times, the changes will cost less than $1 million and will "involve changing an opening sequence summarizing the story's fictional backdrop, re-editing two scenes and using digital technology to transform many Chinese symbols to Korean." Priceless. Actually, I think that might be enough to get me to at least watch this on DVD to see how many accidental Chinese symbols remain.

And in a final word about remakes before a couple of fun videos, it seems that Netflix is making a "bold" movie into "original" programming by paying $100 million or so for David Fincher and Kevin Spacey's remake of the sublime UK TV series "House of Cards." Quotations added by me and fully intended to be facetious.

To acquire the show, which I assume it will then lease to a TV network, Netflix has agreed upfront to a two season, 26 episode commitment, but I really can't see how in the world this is going to catch on.

If you've never seen the original, it stars the late and truly great Ian Richardson as Francis Urquhart, aka F.U., an enterprising Conservative politician who rises through the British Parliament from chief whip all the way to prime minister through increasingly and comically evil means. I just don't see how Spacey or anyone else will be able to pull off his unique brand of malevolence as its translated across the pond.

But only a sucker would bet against Netflix, which now has a rather amazing 61 percent of the streaming content on the Internet (and I must say I've been thoroughly enjoying its all six seasons of "The Larry Sanders Show" - TV perfection.) Stay tuned to find out if this turns out as well as just about everything else Netflix has laid its hands on.

OK, after all that today, all I have is a couple of videos. First up comes the comedy duo of Simon Pegg and Nick Frost taking a break from the set of "Paul" to do a fairly funny "Star Wars" send-up for the folks at College Humor. All the early reviews I've seen so far "Paul" indicate that Greg Mottola's movie will deliver broad sci-fi laughs when it his theaters Friday, so I'm certainly in. Enjoy the video, then stick around for one more.

See more funny videos and funny pictures at CollegeHumor.

Finally today, courtesy of Yahoo, here are the first five minutes of "Source Code," director Duncan Jones' follow-up to his sci-fi gem "Moon," which is set to hit theaters April 1. I suppose if you don't know what exactly Jake Gyllenhaal's character is supposed to stop in this flick, the end of this clip is a bit of a spoiler, but since it happens in the first five minutes, I really don't think it can be much of one. I've decided I'll be going to see this flick, which also stars Michelle Monaghan. Enjoy the clip, and have a perfectly endurable Wednesday. Peace out.

A Friday clip cache, aka when will it be safe to go the movies again?

I know this is always the time of year when movies just suck, but am I the only one who thinks that, so far in 2011, the stench has been even stronger than usual? It seems like forever since I've bothered to see a new movie in a theater, and though the Macon Film Festival was a very nice diversion, there has to be some relief in sight in the feature film arena.

And luckily, though there's no chance I'll be seeing either "Hall Pass" or "Drive Angry" this weekend, there is some good stuff right on the horizon. The one I'm most looking forward to in the coming month, as evidenced by the retro poster at the top of this post, is Zack Snyder's "Sucker Punch," which while it may indeed be imagination overkill, I'll take whatever genuine imagination I can get at this point. It opens March 25.

Before that, in fact as soon as next week, there are two entries that will get me to the multiplex for the first time in at least a month: "The Adjustment Bureau," a sci-fi/romantic thriller of sorts starring Matt Damon, Emily Blunt and even Roger Sterling too; and "Rango," the animated Western with Johnny Depp as a chameleon (yes, I have fairly low standards this time of year.)

And the week after, that, I'll certainly take a chance on the "Goth" retelling of "Red Riding Hood" with Amanda Seyfried, and if it somehow plays wide enough, "Sin Nombre" director Cary Fukunaga's take on "Jane Eyre" starring Mia Wasikowska.

So, if you're looking for potentially good movies in wide release again, keep hope alive, and here are two more new trailers for movies coming in the next month or so that I'll bite on. First up comes the first red band trailer for "Paul," and as you'll see, it earns its red status mostly because of the foul-mouthed, titular alien, voiced by Seth Rogen. This will all be extremely silly, but with Simon Pegg and Nick Frost starring in a movie written by them and directed by "Superbad" director Greg Mottola, about the duo discovering the titular (yes, I just like saying that) alien on a road trip to Comic Con, I'm definitely in when this opens March 18 (director Thomas McCarthy's "Win Win," which I'm certainly looking forward to, also opens this day, though I can't see it being wide enough to reach my little corner of the world.) Enjoy the clip.



Next up comes Duncan Jones' followup to "Moon," and though it looks like potentially a pretty generic thriller, I like "Moon" more than enough to take a chance on "Source Code" on April 1. As you'll see from this new trailer, Jake Gyllenhaal stars as a soldier who finds he has the ability to step into the identity of another man for eight minutes in the hopes of stopping a Chicago train bombing. Like I said, time-clock thrillers really aren't my thing, but I'll check this out with somewhat high hopes. Enjoy the trailer, and stick around for some further video odds and ends.



OK, looking further into the future, "The Hangover Part II" is set to come out May 26, and all you can gather from this first teaser trailer is that Todd Phillips at least knows his first "Hangover" movie was very funny (and it was). What it doesn't tell you is that this time the boys (Bradley Cooper, Ed Helms and Zach Galifianakis) head to Thailand for Helms' character's wedding (I have to assume to the hooker played by Heather Graham in the first movie, but her name's not in the IMDB credits for the new flick, so who knows?) Anyways, enjoy the clip, and keep hope alive that, since they really don't show us much of anything new, they're hiding some really good jokes.



I've been reading George R. R. Martin's first "Game of Thrones" book, and though it's sensational, it's a very complicated realm that should be a challenge to pull off right for TV. But that hasn't stopped HBO, thankfully, from trying, and the "Game of Thrones" series is set to debut on the channel beginning April 17 (bring it on already!) In this, the longest featurette I've seen yet, Martin, show creators David Benoiff and D.B. Weiss, and others explain a bit of what you'll be getting into with this, and just trust me, it's going to be epicly good. Enjoy.



And finally today, if you're lucky enough to live in UK you may have had a chance to see Benedict Cumberbatch (aka Sherlock Holmes in "Sherlock") and Johnny Lee Miller on stage in director Danny Boyle's production of "Frankenstein" at the National Theater. Here, for the rest of us, is the trailer for a version that is coming to at least some theaters in March, and I have to assume will be heading to PBS as soon as this summer or so. Enjoy, and have a perfectly pleasant weekend. Peace out.

For Friday, a small cache of clips

Actually, there's some pretty big movie news out there, too, so let's get right to it: Judd Apatow is finally going to direct another movie, and even though it will have a familiar feel, it sounds like potentially a lot of fun.

Not a lot of details are available yet about the still-titled "Untitled Judd Apatow Project," but we do now know it will focus on the characters played by Paul Rudd and Leslie Mann (aka Mrs. Apatow) in "Knocked Up."

Despite the potential sequel/prequel feel to this, it could still be great, because they were easily the two most interest characters in that flick (and here's hoping that Katherine Heigl has NOTHING to do with this.) And besides, in a tidbit Apatow shared with HitFix, he promised it wouldn't be either of the dirty words at the beginning of this paragraph. Here's what he had to say:

"It is neither. It is just a story from Pete and Debbie's current life. People really responded to their characters and problems. I felt like there was a lot of ground I could explore with them, so we'll be shooting in July and will come out the following June."

June 1, 2012, to be exact, but given the increasing rarity of Apatow bothering to write and direct anything anymore, this is definitely something worth keeping an eye on.

OK, enough of that, on to the clips, and where better to start than with the seriously funny first full theatrical trailer for "Paul"? I didn't realize until this morning that, along with starring as the two geeks at the story's core, Simon Pegg and Nick Frost also wrote the script for this Greg Mottola flick due out March 18, but that just makes this all the more promising. And with "Your Highness" due shortly after this, it should be a better-than-usual Spring for good comedies. Enjoy the trailer.



If I knew what the next "Ice Age" movie - which if I'm not mistaken will be the fourth one - was about, I'd probably tell you, but since I haven't seen any one of them after No. 1, it just really doesn't interest me all that much. I can tell you, however, that it's called "Ice Age: Continental Drift", and it's set to come out July 13. And even better is this animated short film from Blue Sky Studios which explains exactly how Scrat, that crazy squirrel just trying to get a nut, was actually responsible for splitting the Earth into seven continents. Enjoy the clip.



Best of all today, however, is this short preview for season three of "Parks and Recreation," which is FINALLY coming back to NBC's Thursday night lineup at 9:30 p.m. on Jan. 20 (does that mean the end of "Outsourced"? One can only hope.) While not quite as funny as "Community," it still has a fun and funky spirit that nicely sets it apart from the sitcom pack, and with Adam Scott and Rob Lowe now regular players, this should just be even more fun. And with that, I'm out, for a movie weekend that will include a second viewing of "Black Swan" (because I just don't think I can bring myself to watch "Season of the Witch" or "Country Strong") and then most likely the Macon Film Guild's offering of the Cold War spy flick "Farewell" on Sunday. Peace out.

Could this be the funniest movie of 2011?

Actually, a better question this morning is why in the world is it so hard for Alfonso Cuaron to make a potentially smart and winning sci-fi flick?

I'm not sure I have this all right, because the saga of his attempt to make the movie "Gravity" is a story with many twists before the camera even starts rolling.

First, if I have this right, Angelina Jolie signed on for and then bailed on this tale of a female astronaut trying to get home after an accident in orbit, and then Natalie Portman did pretty much the same thing.

Well, Cuaron eventually settled on Sandra Bullock (a step back in my book, and an odd fit for this, but oh well), but seemingly just as soon as that was settled, Robert Downey Jr. backed out of playing the main supporting role (I'd assume some kind of NASA dude in touch with our heroine from Earth, but who knows for sure). Sheesh.

That move put this solidly in development limbo, but now in the latest twist, George Clooney has apparently stepped in to that role, so it's game on again ... for now.

Follow all that? If you've seen Cuaron's "Children of Men," you know why I'd certainly like to see him make another sci-fi flick, so here's hoping this really all does come together this time.

And what my world, at least, always needs is more real Westerns ("True Grit" next Wednesday, and I can't wait!), so it's certainly good news that director James Mangold is getting into that game.

He tried once with his remake of "3:10 to Yuma" with Russell Crowe and Christian Bale, but while that was a technically proficient flick, I really just couldn't get past the rather thorough unnecessaryness of it (I'm not sure that's even a word, but you get the point).

Now he's signed on to direct something called "The Gunslinger" for New Regency, which is being described as a "revenge thriller" about an ex-Texas Ranger who sets out to punish the men who killed his brother. Bully.

But the main course here today is the second - and much longer - trailer for "Paul," coming just in time for Valentine's Day, for some reason.

If I had to list my 10 or so favorite directors, Greg Mottola would make the list every time. "Superbad" is a comedy classic in my book, and though it goes down a lot drier, "Adventureland" is a heck of a lot of fun too.

Now, for "Paul," he's reunited the "Shaun of the Dead" and "Hot Fuzz" comedy duo of Simon Pegg and Nick Frost as two geeks on a road trip to Comic-Con who just happen to encounter the titular extraterrestrial along the way. You'll be able to tell from the trailer that Seth Rogen voices the alien, and the alwaysveryfunny Kristen Wiig and Jason Batemen appear in this too. It's rare that we get something potentially this good so early in the year, so enjoy this new trailer (which could disappear any minute now, since I swiped it from some kind of Russian video site), and have a perfectly great weekend, which for me will include both "Black Swan" and "The Fighter" on Saturday, so bring it on! Peace out.

The South will rise again .. in comedy

Actually, if the South ever does rise again, please, dear God, let it be in comedy (and not the Jeff Foxworthy kind), because that's easily the most harmless thing we (and I've lived here 10 years now, so yes, I can say we) could be good at.

And thankfully, Jody Hill, David Gordon Green and their running mates are already well off to a good start in that department.

Hill has struck comic gold in my book with "East Bound and Down," his HBO show starring Danny McBride as pretty easily the world's biggest asshole. In movies, he's been uneven, with "Foot Fist Way" being nothing but bitterly funny but "Observe and Report" being just an unfunny mess. I'd imagine the latter has probably taken him out of the feature film game for a while, but if my N'awlins hotel room wi fi lets me check (yes, I'm on vacation!), I will. Actually, he's on the books for something called "L.A.P.I." to star McBride next year, so bully.

Green, on the other hand, made the deliriously funny "Pineapple Express" and is set to follow that up in April with "Your Highness" (pun, I'm sure, fully intended), with some very funny people in tow. As you'll see from the trailer below, it's some kind of tale about princes and princesses, and it stars McBride, Natalie Portman and definite Reel Fanatic favorites James Franco and Zooey Deschanel. Enjoy the first trailer I know of, and keep an eye out for "Your Highness" on April 8.



OK, after that today, I just have one more clip, and then the first poster I know of for the comedy I'm actually most looking forward to for 2011. First, the clip, and it brings me no joy at all to confirm that Pixar is now clearly in the tired sequel game. In case you need any evidence, behold the first full trailer I know of for "Cars 2," set to crash and burn (OK, almost entirely likely not) next summer. In better news, Michael Caine is somehow in this, and any world in which he seems to be in one out of every 10 movies or so is just a better place to live to me. "Enjoy" the trailer.



And to close with some potentially good news to wash that away, there is apparently a Joe Strummer biopic in the works, and if it's done right (and completely nonlinear), I say why not? Todd Haynes could certainly have a lot of fun with this. No word yet on who will play the patron saint of conscious punk, but as soon as I hear word on that, you will too.

And I'll leave you today with the first poster I know of for "Paul." Given that it's directed by "Superbad" helmer Greg Mottola, and was written by and stars Simon Pegg and Nick Frost, yeah, I'm gonna watch that when it comes out in February. And if you'll excuse me now, I'm off to walk around the Garden District and then go see Kermit Ruffins at Vaughan's Lounge tonight, assuming I can get in. Yeah, New Orleans pretty much rules. Peace out.

Oh, the horror! My 10 or so favorite monster movies

When it comes to modern horror movies, I'd be the first to admit that I'm more than a bit of a wimp.

I just can't see the attraction of gorefests like "Hostel" or the "Saw" movies (yes, there's a 3D version coming out very soon, if that's your thing), and in particular I just don't have much stomach at all for movies that showcase the torture of women.

That said, however, I do love a good horror movie, and when you mix that up with a little humor, it's even better. Here, to get everyone in the Halloween spirit, are my 10 or so favorite horror movies, in no particular order.

Universal Studios Classic Monster Collection: If you spring for the whole box set, you get a big bite of truly classic horror with "Dracula" "Frankenstein," "The Mummy," "The Invisible Man," "The Bride of Frankenstein," "The Wolf Man," "Phantom of the Opera" and "Creature from the Black Lagoon." Or, you can buy them all individually for less than $10 a pop, and you really can't go wrong with any of these early favorites.

"Let the Right One In": Almost no one went to see the recent American remake of this Swedish vampire movie, "Let Me In," but do yourself a favor and rent the original this Halloween. Part horror movie and part coming of age tale, it's a truly unique movie experience, and my single favorite movie of 2008.

"The Orphanage": Orphanages are scary enough, but when you make them haunted it's that much more fun, and ghost tales just don't much more stylishly frightening than this Spanish flick from director Juan Antonio Bayona.

"Rosemary's Baby": If I had to pick one single favorite horror movie, this one from Roman Polanski would be it. Author Ira Levin's tale of the ultimate deal with the devil is a creepy as it is campy, and once you see it, I guarantee you'll never get Ruth Gordon out of your head.

"The Shining": Probably the most quotable horror movie of all time, it's easily the most fun movie Stanley Kubrick ever made and probably also the most fun Jack Nicholson ever had on screen too.

"The Evil Dead": No director better mixes humor and horror than Sam Raimi, and this is his masterpiece. Zombies have always been much more scary to me than vampires, and what could be worse than an army of them? Besides, has anyone ever heard of a cuddly zombie? 'Nuff said.

"Drag Me to Hell": A double shot from Raimi, because he really is a horror maestro. After the thorough disaster that was "Spider-Man 3," Raimi desperately needed to get back to his wickedly fun roots, and this gypsy curse tale was just the perfect cure. I bought this one for $5 at a Redbox machine a while ago, and go back and watch it every few months or so, and get thoroughly creeped out each time.

"Cloverfield": I normally have little time for "found footage" movies (don't even get me started on the friggin' "Blair Witch Project"), but this monster movie from Matt Reeves is a welcome exception. It expertly builds the tension until the monster is finally revealed near the end, and it's very well worth the wait.

"Near Dark": Long before Bella met Edward or Kathryn Bigelow won the Best Picture Oscar for "The Hurt Locker," Bigelow made this, my favorite vampire movie. Adrian Pasdar stars as young man who joins an evil pack of vampires because - why else? - he's chasing a pretty girl. Definitely watch this vampire Western (yes, really) if you can find it.

"Shaun of the Dead": That the great Simon Pegg is the most dead person in this zombie zoo may be the biggest and best joke in Edgar Wright's flick, but there's much more fun to discover if you've never seen it, and I guarantee that the pub scene will make you think twice before stopping into a seemingly tame watering hole you've never visited before. Simply hilarious from start to finish.

And there you have it. Please feel free to add any of your favorites I managed to snub (believe me, I could have taken this list to at least 20), and have a perfectly passable Tuesday. Peace out.

This just in: "The Blues Brothers" is a classic

Complaining about the vuvzelas is embarrassing. It's part of their game and we are their guests. Suck it up and stop whinging. Hooooooooonk!

Amen, brother. Not surprisingly, Simon Pegg gets it exactly right in that tweet. Do the vuvuzuelas really bother you that much, or more to the point, how are they any more annoying than thunder sticks, the wave or any other obnoxious thing we do at sporting events?

But, one paragraph in, already I digress. Just watch the World Cup already, and enjoy it as I am.

Here today, however, it's all about a startling discovery by the Vatican, well known for it's cutting-edge pronouncements on film and everything else. Its latest directive, issued in the Vatican's official newspaper "L'Osservatore Romano," in honor of the 30th anniversary of John Landis' movie, calls "The Blues Brothers" a "Catholic classic" and says it should be recommended viewing for Catholics everywhere.

Well, duh. The only way you could make that statement more accurate would be to make it say "film and comedy lovers" everywhere, but how in the world could the tale of Jake and Elwood, on a mission from God to save a Catholic orphanage, among other pursuits, not be a classic? Way to finally get on board, guys ...

And just in case you want to get all your viewing advice from the Vatican, here are a few others they have endorsed (and though I haven't seen "The Passion of the Christ" and won't, I can confirm that the rest of these are indeed very good, if not particularly edgy, movies): "The Blues Brothers" joins the list of dozens of films recommended by Catholic authorities that includes Cecil B. DeMille's "The Ten Commandments," "Jesus of Nazareth" from Franco Zeffirelli," Mel Gibson's "The Passion of The Christ," Victor Flemming's "Joan of Arc," and "It's a Wonderful Life" from Frank Capra.

OK, from here on out today, before we get to a few trailers, it will be all about comedies to come that will hopefully bring the serious funny, starting with a bold pronouncement from Ricky Gervais, who is the king of comedy in my book.

Anyone who's seen the original "The Office" or "Extras" knows that Gervais and writing partner Stephen Merchant have already established themselves as purveyors of very good observational comedy. So, when you see a statement like this, even if it's obviously self-promotion, you have to get at least a little excited:

"It's the funniest thing we've done," Gervais said while attending the Banff World Television Festival. "It's pure funny."

So, what's he talking about? Well, it's "Life's Too Short," and it's a show he's doing now for BBC2 (and hopefully HBO or some other American medium soon enough) starring the truly great Warwick Davis as a little person with "a small-man complex."

According to Gervais, among the real-world experiences shared by Davis are using a broom handle to retrieve out-of-reach supermarket products, or being forever touched by ordinary people for good luck, as if he were a leprechaun (just go ahead and admit it - you laughed at that last bit too. It's OK, because it's just plain funny.)

Bring this on already, and as soon as possible. If the aforementioned list of my funniest people in the world were expanded a bit, it would certainly include Tina Fey, Bill Murray, Dave Chappelle, Kristen Wiig and Larry David, and not too long after that, Danny McBride, so you can count me as psyched any time he sets up a new project.

Mandate has picked up "Bullies," from an original McBride idea and to be penned by "Yes Man" scribes Andrew Mogel and Jarrad Paul (so I suppose they're due for a winner, right?) The comedy, which one would have to assume will also star McBride, centers on two brothers who have bullied people their whole lives and finally get what is coming to them.

Sounds good to me, and for fellow Danny McBride fans, 2011 should be a very good year. He's just wrapped "Your Highness," a stoner/knights in armor comedy also starring James Franco, Zooey Deschanel and Natalie Portman, and directed by David Gordon Green (and if you've seen "Pineapple Express" and that didn't make you smile at least a little bit, why the heck not? If you haven't seen it, rent it immediately.)

He's also now shooting the second season of HBO's "Eastbound and Down" with director Jody Hill (yes, the South is rising again, in very good comedy.) I may be the only person in the world who's psyched that this seriously bitter show about a washed-up former pro baseball player (McBride, natch) got a second season, but I certainly am.

And finally, he'll also star in "30 Minutes or Less," director Ruben Fleischer's follow-up to the rather insanely funny "Zombieland." The dark comedy also starring veryfunnyguy Aziz Ansari is about two fledgling criminals who kidnap a pizza delivery man and strap a bomb to his chest to make him rob a bank. I said dark, right?

OK, enough of that. All I have after that today is a trio of trailers for flicks that look like they'll certainly be worth catching. First up, does anyone remember the "Chronicles of Narnia" series? The flicks certainly seem to be lost in our current sea of bad 3-D and thoroughly unnecessary sequels/prequels/remakes/reimaginings, but I loved "The Lion, The Witch and The Wardrobe," and thought "Prince Caspian" was even better. So, you can certainly count me as jazzed for "The Voyage of the Dawn Treader," set to come out this Christmas. Enjoy the first trailer I know of for it.



OK, since you must be using the Internet to read this, I have to assume you've been on it at least once, and have probably noticed that along with the musing of movie fans, you can also count on it as a pretty solid source of pornography of just about any kind you can imagine (if you somehow didn't know that, go ahead and take a few minutes to find out - I won't tell anyone.) Well, it wasn't always that way, and this next flick, "Middle Men," which I had never heard of until this morning, stars Luke Wilson and Giovanni Ribisi and takes a clearly tongue-in-cheek look at one of the pioneers of turning the Internet into a moral wasteland (congrats!) Seriously, though, this looks like it could be really good when it drops in August. Enjoy.



And finally, since I declare my love for "This is Spinal Tap" in the permanent sideboard of this site, I should at least give the benefit of the doubt to the first movie Rob Reiner has both written and directed since that true gem, right, even if he has made a ton of stinkers in between? "Flipped," as you'll see below, is a sweet-looking tale of kids growing up in the 1950s and discovering that, yes, boys and girls can have all kinds of fun together. It will make you obviously think of "Stand By Me," and it does somehow have veryfunnyguy J.K. Simmons in it, so here's hoping this will far from suck when it also comes out in August. Enjoy, and if you'll excuse me, I'm off to watch some World Cup before I have to go to the job that I somehow still get paid for. Peace and futbol ...

A Greg Mottola movie of "Dog of the South"? Bring it on

Greg Mottola's "Adventureland" is one of those movies that just gets better and better with age. I've seen it three times now, and though the ending seems ridiculously tacked on, it's still just a thoroughly entertaining snapshot of a time we've all been through at some point (though most likely not with Kristen Stewart to pitch woo at.)

He's in "post-production" now on something called "Paul" which, once it comes out, should just be a hoot. It stars British comedy duo Simon Pegg and Nick Frost of "Shaun of the Dead" and "Hot Fuzz" as two geeks who end up picking up an alien voiced by Seth Rogen (naturally) while on a cross-country trip to Comic-Con. I still have no idea when this will be released, but hopefully by the fall, and you can count me as thoroughly amped for it.

Mottola has developed into one of my favorite directors (he also made a little movie called "Superbad"), and he's now eyeing as a future project the Charles Portis novel "Dog of the South," for Bill Hader to star in. If you've ever read the novel, you should know just how funny this could be.

Portis' most famous novel, "True Grit," is getting the remake treatment (though in their hands, I'd really hesitate to use such a dirty word) from the Coen brothers this year, coming as a Christmas day gift and starring Josh Brolin, Matt Damon and the Dude. "Dog of the South," while certainly a lesser Portis work, is still worth reading if you like dry Southern comedy.

As a movie, it should be a great fit for Bill Hader. Simply put, it's about a guy who tracks his ex-wife and her lover through their credit card receipts, mostly so he can get his hands on the car she took with her. It's a lot better than I'm making it sound here, and well worth checking out. Here's hoping the movie comes together fairly quickly.

And speaking of "Adventureland," its star, Jesse Eisenberg, has just signed on to the followup by "Zombieland" director Ruben Fleischer, and it's quickly assembling a great comedy cast.

In the flick "30 Minutes or Less," shooting this summer, veryfunnyguy Aziz Ansari plays a junior high history teacher who is forced to join forces with a pizza delivery guy played by Eisenberg to rob a bank when one of them is strapped to a bomb vest. Throw in Danny McBride and Michael Pena as some of the baddies in this scheme, and you've got me pretty much hooked.

All I've got after that today is a clip from what has to be the one movie I'm most looking forward to seeing this year, assuming it eventually makes it down here somewhere even close to my little corner of the world, Jean Pierre Jeunet's "Micmacs." So far, I know it's playing in New York and L.A. this week, with four more cities promised next week, and only "coming to a theater near you" after that. Here's hoping that's true, because this one really does look like it's thoroughly infused with the Jeunet spirit. Enjoy this clip he introduces for HitFix (and swiped by me for you enjoyment), and have a perfectly passable Wednesday. Peace out.

Atlanta Film Festival report No. 3: "The Good Heart"

Since when I'm not on vacation (like I am now), this is often about movie news, here's first a tidbit that intrigued me this morning.

If I were list say, 10 or so favorite directors, I think Greg Mottola would make the list somewhere in the bottom half. His movies are far from complex works of art, but I have unconditional love for "Superbad" and almost as much for "Adventureland," so I'm certainly a fan.

He'll be back this summer (I believe, but I've allegedly been wrong at least a few times before) with "Paul," which sounds like nothing but a big geeky ball of fun. Simon Pegg and Nick Frost star as a couple of British blokes on a cross-country tour of the U.S. on their way to Comic-Con who encounter and sort of adopt the titular alien on a visit to Roswell. Count me as thoroughly psyched for that, whenever it will actually be coming out.

And now comes word of his next project, which will be a romantic comedy but likely less raunchy (but hopefully nearly as fun) as what he's done this far. He's signed on to write and direct a movie based on the novel "Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion and Jewelry" (the title of which rather wisely will be shortened to simply "Important Artifacts.")

The movie, is set to star Brad Pitt and Natalie Portman (sheesh, can a movie just be too good looking?) in a tale described as "a fictional estate auction catalog full of personal items and photographs from the four-year romance between a male photographer and a younger food columnist." Like I said, fairly heady stuff for Mottola, but I'm still intrigued.

However, since I'm a guest at the Atlanta Film Festival, this is supposed to be about the pretty uniformly great sights I've seen there, and I'm certainly happy to share them (I suppose this would feel more like "working" if I were ever to get paid for it.)

We start (and perhaps finish, depending on how long I go on about this flick) with "The Good Heart," which I was thoroughly psyched to see on the strengths of its two leads, Brian Cox and Paul Dano, who would both make any short list of my favorite actors. And, unlike with most of the movies being shown at the festival, you can probably see this one right away for a few bucks using the On Demand function, depending on your cable provider.

And, despite some qualms (the ending is ludicrous!), I'd say it would be well worth it for an evening rental. I deliberately read nothing about the movie going in except for the barest of plot structures: Cox plays a cantankerous bar owner who takes in a young homeless man (Dano) and tries to make him his protege. Within that loose framework, however, what you get is much more of an intense character study than you usually find in movies nowadays, and a real showcase for its two stars.

The two are brought together after Cox's Jacques, who is none-too-slowly drinking and smoking himself to death, suffers what is apparently not his first heart attack and meets Dano's Lucas, who has tried unsuccessfully to commit suicide, in the hospital. It would be hard to find two sadder sacks, so they form an immediate bond, and Jacques decides to help Lucas out (and get in the process an indentured friend, of course.)

Most of the joy in watching "The Good Heart" comes in seeing the two of them spar with each other and slowly adopt to each other's idiosyncrasies, which are many. In lesser hands, the story arc - Jacques slowly lowering all of his hostility and Lucas realizing there's something to live for - would be pretty seriously hallmark stuff, but here it never fails to engage. Most of the credit for that goes to Cox, who clings to Jacques' maddeningly inane fixations, like how to make the perfect cup of coffee, and makes you almost understand why he lives that way even as you just want to shake him and yell "wake up!" Dano, however, holds up his half of the successful equation too, letting his nerve build up at a steady pace until he finally stops taking all of Jacques' considerable abuse.

But there wouldn't be enough for a feature-length movie with just the two of them, so a temptress inevitably enters the picture to compete for the attention and affection of Lucas in the form of Sarah, played with vibrant appeal by Stephanie Szostak. Even better, however, are the bar regulars (none of them played by anyone you would recognize, so I'm not gonna bother to try and track down their names) who turn this into something we haven't seen since "Barfly," a genuine drinker's movie. And though that may not sound terribly appealing, I promise you that you'll be surprised by just how perfectly writer/director Dagur Kari knows this world, and how quickly what seem like deep bonds can be revealed as the empty shells they are, especially when a patron manages to piss off Jacques for what is inevitably the most trivial of "infractions."

OK, as predicted, I went on about that longer than I had planned, but it would be a real disservice if I didn't mention that the ending, which I won't reveal, will either bewilder you (as it did me, though not nearly enough to not like this movie) or seem like a natural fit. All I'll say is that if you think about the title a bit while you're watching this, it won't seem like nearly as much of a slap in the face as it did to me.

This one isn't showing again at the Atlanta Film Festival, to which I'll be returning Thursday, but like I said, you can probably find it on cable On Demand, and if you like Paul Dano and Brian Cox (and if you don't, why the heck not?), I hope I've made enough of a case to make you want to check it out.

And I'll leave you today with the trailer for a movie that looks like it will appeal to me in the same sort of way. Called "Get Low," it stars Robert Duvall as a man who decides he wants to plan his funeral party so he can attend it, and Bill Murray as the attorney who helps him plot this madness. It's set to come out in at least some corners of the world on July 30. Enjoy, and have a perfectly passable Tuesday. Peace out.

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Oh, that's what I should be reading.

Read the Twilight books on hols. Really enjoyed them in a sort of 'creepy old man reading delusional, horny, daughter's diary' way.

No, the title of this post doesn't refer to the Twilight books, which I'd never bother to read, but I just thought that tidbit from Simon Pegg was just way too funny to pass up.

What I'm actually referring is the quartet of Red Riding novels by David Peace, "Nineteen Seventy-Four," "Nineteen Seventy-Seven," "Nineteen Eighty" and "Nineteen Eighty-Three." If you're unfamiliar with Peace, he's also the author of "The Damned United," a damned fine book about football coach Brian Clough that's now been made into a feature film starring Michael Sheen, if you're lucky enough to see it.

The Red Riding novels, a different kettle of fish, sound a lot like a "Prime Suspect" kind of thing to me, and there's certainly nothing wrong with that. The books have already been made into a three-part British miniseries, which was unfortunately not yet available through my Netflix account, described as "a study of power and police corruption framed around the investigation of the disappearance of several young girls."

I'll see that as soon as I'm able, and I've already just ordered "Nineteen Seventy-Four" from the Amazon, but of course an American version (bastardization?) is also already in the works.

Ridley Scott has been hired to direct and Steve Zaillian to script a two-hour movie (shortened from the original five hours) flick which will transplant the action from the U.K. to the U.S., because I guess that's just supposed to be more palatable to us somehow. I'll keep an open mind about all that until I've at least read the four books and seen the original miniseries.

All I have after that today is a couple of fun videos, starting with this series of six clips from Wes Anderson's "Fantastic Mr. Fox," courtesy of Collider. The more I see of this stop-motion animated flick based on and expanded from the classic children's novel by Roald Dahl just makes me think it's gonna be a real winner when it comes out Nov. 25. Enjoy.



And lastly today, since my (and many other people's) most-anticipated movie of the year finally comes out tomorrow, here's a "Where the Wild Things Are" featurette showing how big a part actual kids played on the set of Spike Jonze's flick. Due to furloughs, vacations and other fun stuff, I'm gonna have to work instead of seeing this tomorrow, but I'll certainly be there Saturday morning, and I just can't wait. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Where the Wild Things Are Exclusive Featurette

Trailer Park|MySpace Videos

Free Tom Waits and a ton of fun news

The best thing I can possibly think of to start a Wednesday morning on which it's pouring outside would be some new, free music from Tom Waits.

The great Mr. Waits is about to put out a double live album recorded on his Glitter and Doom tour (which I didn't get to see), and he's released an eight-song preview through his Web site that you can get by clicking here and giving up your e-mail address (hey, nothing's really totally free, right?) Listening to it as I am now, I can confirm it's well worth checking out, and even contains one of my favorite Waits songs, "Fannin Street."

R.I.P. Johnny Fontane

Before I get into anything approaching the news of the day, it's sad to report that crooner Al Martino, a k a Johnny Fontane, has died at the age of 82. Before he became the entertainer at Connie's wedding and the reason for the horse head in the bed in "The Godfather," the south Philly singer also had a string of fairly big hits. Rest in peace, Mr. Martino.

Shaun and Dr. Who a comedy dream team?

According to Bloody Disgusting, David Tennant, a k a Dr. Who, has signed to co-star with Simon Pegg in "Burke and Hare," set to be directed by John Landis. Any flick starring those two and about the true story of two 19th century graverobbers who provided cadavers to an Edinburgh Medical School is certainly one I'm going to keep my eyes on.

Zombie Joe Pesci?

If you'll bear with me today, I'm certain it could seem like I'm more than a bit schizophrenic as I flit from topic to topic, but there's a lot of good stuff out there, including the inside dirt from Hitfix about how easily the funniest cameo of this summer almost didn't come to be.

I'm just gonna have to assume that everyone who cares knows by now that Bill Murray makes a hilarious appearance about halfway into "Zombieland" that wakes the movie up and makes it hum along right to the finish (which was, a co-worker tells me, filmed at Great Adventures in Valdosta, taking advantage of the Peach State movie-making tax incentive, so bully to that.) Here's what Mr. Murray, apparently quite seriously, had to say about Joe Pesci and the part he passed up.

"I just thought playing yourself as a zombie was irresistible. And I thought Pesci was a fool. Pesci would be a spectacular zombie. Just imagine that guy with super-human zombie powers. He's already like that. In a way I thought, 'He missed the boat on this one.' Even while we were shooting, 'Why did he not do this? This is crazy.' "

Indeed. Oh well, there's certainly gonna be a "Zombieland" sequel or two since it's made so much money already, so maybe Mr. Pesci can get in on the fun next time. I'm certainly glad he passed this time, though, because Murray was just the definition of funny.

Kudos for Kendrick

Just a quick word about this, but anyone who's been here before knows that the charming Anna Kendrick is a big favorite around here, so I wanted to share it. Kendrick, who you may have seen in a certain little movie called "Twilight" and in the much, much better "Rocket Science," co-stars with George Clooney as a fellow downsizer in Jason Reitman's "Up in the Air," has been rightly honored by the 21st annual Palm Springs International Film Festival with its Rising Star Award. Huzzah.

"Golden Suicides" for Van Sant

As morose as this new project sounds, it also seems to be just about right for Gus Van Sant, who will team with author Bret Easton Ellis to pen "The Golden Suicides."

Based on a Vanity Fair article, it will be the story of the double suicides of Theresa Duncan and Jeremy Blake, respectively a video game designer and "digital painter." The couple descended into a paranoid spiral when the artists developed a consuming belief that government and religious organizations were conspiring against them. She killed herself in 2007. Blake found her body on the floor of their bedroom, and walked into the Atlantic Ocean a week later, ending his life.

No word on whether or not Van Sant would direct this, but I'd have to assume so, and like I said, it seems like just about a perfect fit.

"Gilmore Girls" creator coming to HBO

Given how much I loved "Gilmore Girls" (yes, really, and you would too if you had watched it), I really should have led with this news.

It seems that "Gilmore Girls" creator Amy Sherman-Palladino has signed on with HBO to create an as-yet-untitled show which "chronicles the complicated relationship between three adult sisters, all writers sharing the same upper east side apartment building, and their mother, a domineering literary lioness who reserves most of her affections for their ne'er-do-well brother."

Sherman-Palladino has already made one post-"Gilmore" effort of sorts with the truly execrable "Return of Jezebel James" on Fox (if I remember correctly), but given her easy ear for family dynamics and the loose confines of HBO, I think this could be a real winner.

And finally, "Friday Night Lights"

If I had to pick one single favorite current TV show, it would certainly be "Friday Night Lights," edging out "Chuck" by a nose (it amazes me that NBC, the same network that makes eyeballs bleed with Jay Leno five nights a week, is also capable of airing such great shows - when it gets around to it.)

As fans of "Friday Night Lights" know, season three (the best yet, in my opinion) ended with a schism - Coach Taylor shipped out to coach at the new East Dillon High while Tami is left behind as the principal of Dillon. It also meant the graduation and departure of a lot of favorite characters, so it will be fascinating to see how they rebuild - though I won't get to see it until sometime next year.

For those of you who may have DirecTV, however, the show is about to return Oct. 28. Below is a sort-of-making-of featurette for a DirecTV promo, followed by the promo itself. I know that doesn't sound like much fun, but it's just nice to see all the characters again, and if you don't mind me saying, I think I'd be entertained by simply watching Connie Britton eat a box of crackers. Enjoy, and have a perfectly passable Wednesday. Peace out.

Where the wild sounds aren't: A soundtrack dud

Actually, the biggest - though I'm not sure the best - news in my book is that easily one of my favorite British TV shows is not only coming to America, but even to the burgh formerly know as Charm City, Baltimore itself.

On the surface, E4's "Skins" would look like the definition of a guilty pleasure for someone as old and often cranky as me, but I think it's so good it stands up as entertainment for all ages. I'm not sure exactly how I got hooked on it in the first place, but I think it was because someone who visits here once commented that Dev Patel of "Slumdog Millionaire" stars in the first two seasons, which is indeed the case. If so, I can't remember who it was, but thank you all the same.

The show, a primetime soap opera that fits squarely with Britain's best entries in that genre, follows the adventures of seven teens who have the misfortune of living in Bristol with at best very unfit parents. There's an awful lot of sex and drugs, but also just a lot of humanity and fantastic storytelling. And besides, Peter Capaldi of "In the Loop" makes a very memorable turn on a few episodes as one said parent, so you know they have to be doing something right.

The show has aired a third season with a new set of kids, which I'll pick up on DVD as soon as I'm able, but in the meantime comes the rather dubious news that MTV (attracted, I suppose, by all the sex and drugs) is not only doing an American version, but setting it in Baltimore with a cast of "unknowns."

Show creator Bryan Elsley will have a hand in at least the pilot, so perhaps this won't turn out as dreadful as I'm imagining it could be. And in the meantime, I really do recommend watching the first two seasons of "Skins" on DVD. It's not quite "Freaks and Geeks," but in it's own way, it's still a unique view of teenage life that I guarantee you'll find entertaining if you stick with it.

In other, much more geeky and less disturbing, news, John Landis and the great Simon Pegg are teaming up for a flick that - if I'm not mistaken - would be Landis' first big-screen feature directorial project since "Blues Brothers 2000" (which may well some kind of masterpiece, but since I'll never see it, I guess I'll never know.)

"Burke and Hare," which sounds like it's right up each of their alleys, will be about a pair of 19th Century grave robbers who dug up and sold cadavers to the Edinburgh Medical College for dissection. I'm laughing at that already, and if you pair Pegg and Nick Frost as the two grave robbers, even better.

And finally, before we get to the rather lame lead single from the upcoming "Where the Wild Thing Are" soundtrack and then a mind-bending teaser trailer from no less than Christopher Nolan, there's one more bit of news about what will most likely be Pixar's first live-action movie, "John Carter of Mars" (Brad Bird had been developing a live-action project titled "1906" about the great San Francisco earthquake, but it looks like that one might be in serious trouble.)

"John Carter of Mars" will be based on the series of books by Edgar Rice Burroughs about a Civil War veteran who is somehow transported to the red planet. Already, "Friday Night Lights" (man, do I miss that show) vet Taylor Kitsch has been cast as the titular John Carter, and now two of my favorite actors have joined the mix.

Dominic West, who walked the beat in Baltimore (you really can't have too much Charm City in one post) as Jimmy McNutty on "The Wire," will play Sab Than, the Martian prince who (according to reports, since I haven't read these books yet) tries to force the Martian princess Dejah Thoris to marry him. Even better, and wilder, Samantha Morton will play Sola, the "10-foot-tall, four-armed green secret daughter of Martian warrior Tars Tarkas."

Like I said, not having read the books, none of that means much to me, but I still can't wait to see what Pixar will do in live action (though it won't be coming until 2012), and especially with a cast that good.

OK, as we near the finish, it's time for something just almost completely disappointing. Anyone who's been here before knows that I've been tracking all the slightest bits of minutiae about "Where the Wild Things Are," because it pairs one of my favorite directors, Spike Jonze, with my favorite tale from childhood by Maurice Sendak.

In, I think, both of the trailers, they've used the simply sensational Arcade Fire song "Wake Up," which in both spirit and sound just fits the movie perfectly.

Now, however, they've released the first single from the upcoming movie soundtrack, by "Karen O and the Kids," with Karen O being the frontwoman for the Yeah Yeah Yeahs. And I have to say, having listened to it twice now, that it's unfortunately just a big ball of meh.

Don't take my word for it, though. Click here and scroll down the right side to listen yourself, and please feel free to let me know if I'm somehow just all wet about this.

And, really finally, I'm probably a few days late with this, but who really cares when it's the teaser trailer for Christopher Nolan's next flick, "Inception"? The clip doesn't reveal much except that it stars Leonardo DiCaprio, but I can also tell you young Ellen Page is in it, it won't come out until July and it should just be a real friggin mind trip when it finally drops. Enjoy, and have a perfectly passable Tuesday. Peace out.

Yes, I'll watch Ricky Gervais do ... well, just about anything

You know, I haven't been to a Broadway show in many years, but if I were to go wild and spring for one now it would certainly be what Julie Taymor is cooking up.

The stager of "The Lion King" has been working for some time now on a musical "Spider-Man," an idea so crazy that it should almost certainly work. And now she's got two of the main players from among her regulars.

Even Rachel Wood will play Spidey's paramour Mary Jane Watson, and the great Alan Cumming will play Norman Osborn/the Green Goblin. No word yet on who will play the webcrawler himself.

And, as a final word on all that, a formal apology from me to Ms. Taymor: I avoided seeing "Across the Universe" in theaters because it just looked like such a mess, but as happens what seems more and more every day, I was once again wrong. Yes, it's hippy, dippy and trippy, but it's also a heck of a lot of fun, so I'd definitely recommend a rental if you've never seen it.

And from here on out today, it's all about funny, and two flicks I'm certainly looking forward to.

Somewhere out in the desert of New Mexico (or maybe old Mexico, it's hard to tell), veryfunnymen Simon Pegg and Nick Frost have been working on something called "Paul," and it looks like just my kind of thing. Directed by Greg Mottola, whose last two flicks, "Superbad" and "Adventureland," have just been fantastic in my book, it's an American road movie starring the two of them and an alien they somehow manage to pick up at Area 51 on their way to ComicCon.

And now it's got a Web site you can check out here. It's pretty primitive so far, with only three videos and two collections of flicker pics, but it's still worth checking out and will surely get much better soon. If you visit, among the many things you'll learn is that the flick is set to feature Jason Bateman, Kristen Wiig, Bill Hader and Joe Lo Truglio, among other funny folks, so keep your eyes on this one.

But the main event here today is the trailer for Ricky Gervais' fall flick, now titled "The Invention of Lying," which he co-wrote and co-directed with Matthew Robinson. It kind of looks like the most generic sort of romantic comedy, but since it's Gervais, I'm still betting it will bring the funny.

If I can make one more video recommendation, although just about no one in the world bothered to see it, "Ghost Town" is just a thoroughly entertaining little flick. Starring Gervais, a charming Tea Leoni and Wiig as a truly maddening doctor, it's well worth a rental too.

And with that, I'm off to enjoy a probably scorching day at Athfest, featuring Bloodkin, Patterson Hood and more, all for free. Enjoy the trailer, and have a great rest of the weekend. Peace out.

Mottola, Pegg and Frost assembling A-list comedy

After the pure disaster that was Mitch Hurwitz's "Sit Down, Shut Up" (though out of loyalty, I did watch every episode that made it to air, hoping against all evidence that it would somehow get better ... it didn't), I could certainly use a smart and funny animated offering for my summer viewing slate. And I have a feeling Mike Judge has just the right thing with "The Goode Family," coming to ABC at 9 tonight.

According to Variety: What "King of the Hill" did for Texas rednecks, Mike Judge and crew accomplish with Prius-driving tree-huggers in "The Goode Family" -- a smart, wryly funny animated comedy that's going to need a strong word-of-mouth campaign to flourish.

Sounds great to me, and it also features wannabe freak Lindsay Weir, a k a Linda Cardellini, so I'm definitely in.

But the coolest news I saw this morning is about what Greg Mottola, who's quickly becoming one of my favorite directors, is cooking up starting very soon.

But first a look at his track record. As for this year, I'd say there have already been a surprising amount of good-to-great movies, with my list so far being: "Coraline," "The International," "Watchmen," "Tyler Perry's Madea Goes to Jail," "Duplicity," "Sin Nombre," "Moon" and "Tyson," with the best two of all being "Star Trek" and Mottola's "Adventureland." Though it thoroughly tanked at the box office, that flick starring Jesse Eisenberg, Kristen Stewart and a very funny Bill Hader and Kristen Wiig was just a real charmer that moved at a naturally entertaining pace.

And before that, of course, he made for my money the best comedy of 2007 with "Superbad." I just watched that one again with that instant "play" feature on Netflix (man, is that addictive), and I have to say the B story about the cops played by Hader and Seth Rogen, which I initially thought was the far weaker of the two, has really grown on me. And, coincidentally enough given what's to follow here, I'm now waiting for "Spaced," starring Simon Pegg, to arrive in my Netflix mail, hopefully today.

Now to finally get to the main course, Mottola is next directing veryfunnyguys Pegg and Nick Frost in something called "Paul," from a Pegg/Frost script. The road trip flick is about two British geeks (Pegg and Frost, natch) who set out on a road trip from Comic Con to Area 51 and manage to encounter an actual alien named "Paul." And the flick, set to start shooting in June, is quickly attracting an A-list cast.

Rogen will provide the voice of Paul, and he'll be joined by Wiig, Hader, Jason Bateman and the seemingly ubiquitous Jane Lynch. As I said earlier, Mottola is rapidly becoming one of my favorites, and with this crew I don't see how this can be anything but extremely funny, so keep your eyes on it. And with that, I have to get ready for the job that still actually pays me a little scratch each week. Peace out.

"Star Trek": Not bold, but still brilliant

As I was waiting for J.J. Abrams' "Star Trek" to start last night (I showed up plenty early, expecting, frankly, a much bigger crowd), I was trying to remember the last time I had even bothered to watch a movie based on an old TV show, and I really couldn't think of one.

"Bewitched"? Why bother? And despite the presence of both adorable Anna Friel and veryfunnyman Danny McBride, I really can't see myself getting into Will Ferrell's upcoming "Land of the Lost."

In most cases, even if its called a "reimagining," it usually just means adding tired jokes about all the anachronisms. What Abrams has accomplished with "Star Trek," however, is something entirely different. By embracing the best elements of the original animal but adding a fresh and almost uniformly appealing cast and enough of his own touches to give the series a big jolt of new blood (and adrenaline), he's created something so entertaining that it should relaunch the series and have it thriving (or, if you must, prospering) for a long time to come.

Though our 7 p.m. showing was only a little more than half full, I could tell from the crowd that we were in for something thoroughly fun. Despite the absurdity of a local country station giving out Trek t-shirts (to the only two people who bothered to come in costume), all the good-natured "Star Wars" jokes ("I should have come dressed as Vader") just set the stage perfectly.

So, what about the movie itself? Well, after a superb opening sequence that simultaneously features the birth of Kirk and introduces the movie's big bad, the Romulan Nero (Eric Bana, not really all that menacing except for the fact that - with all the Romulan facial tattoos - he looks a lot like Mike Tyson), Abrams and screenwriters Roberto Orci and Alex Kurtzman wisely spend a lot of time introducing the new members of the Enterprise crew-to-be.

And though the types are already well set in stone, the new players are all just about perfectly cast (with the glaring exception of Simon Pegg, but more on that later.) The only thing I could remember seeing Chris Pine in was the mildly disappointing "Bottle Shock," but here he captures the combustible mix of anger and potential that makes the young Kirk intriguing, and though I gave up on "Heroes" during the disastrous second season, Zachary Quinto finds the soul of Spock rather than making him the cartoon it would have been easier to become.

Among the supporting crew, Zoe Saldana smolders just enough as Uhura, and gives the movie its most tender moment along with Quinto. Karl Urban's McCoy (a truly eerie dead ringer) and Anton Yelchin's Chekhov are mostly there for very effective comic relief, but my favorite crew member of all was John Cho's Hikaru Sulu, perhaps mostly just because it was so much fun to see him do something besides get incredibly stoned.

The main (and just about only) beef I had heard from the minority of critics who at least kind of panned this was that the story was lacking, but I have to disagree. Though it is indeed a fairly standard revenge tale with enough wrinkles thrown in to keep it interesting until the end, I have to wonder, just how intricate could you really expect what amounts to the first mission of Kirk's Enterprise crew to be?

As it is, Abrams keeps the tale moving at a very fast but fluid pace, enough so that - for once - I really didn't mind the occasionally shaky camera work because it really does set up some simply stunning set pieces. Kirk and Sulu get the best one of all, as they dive from the Enterprise to take out a crazy giant drill that Nero is using to assault the Vulcan planet. I guarantee it will be the best action sequence you'll see this summer (or at least I welcome the challenge from "Terminator: Salvation" trying to top it in two weeks or so.)

My only quibble (and I hesitate even to bring it up, because the movie really was just about perfect summer fare) was that, after producing a script that set up the natural dynamic of the young Enterprise crew, it really felt like they went back at the end and crammed in the catchphrases that any Trek fan (and even a casual admirer like me) expect to hear. They're very funny at first, but exceedingly just a little annoying as it feels like Abrams and crew are working from a checklist.

And the introduction of Pegg's Scotty unfortunately feels right in this vein too. You know going in that he can't be a member of the Star Fleet Academy class with Kirk and company, but he just feels tacked on when he's finally brought in, and it doesn't help matters that Pegg - shockingly - just doesn't seem to fit the part at all. It's the first time on the big screen that I just really haven't much liked him at all.

But all that said, the bottom line is that this is a thoroughly fun flick that will thrill "Star Trek" devotees and newcomers alike. And with that, I have to go pay $70 to keep from having my power cut off and then to the job that pays me just enough to put me in that admittedly rather sorry position. Peace out.

Is there anything worth watching in the year's busiest frame?

The surprising answer is yes, I think there are actually three movies in wide release that I want to see this week. And, well, there's also a movie about talking chihuahuas, but I guess you can't win them all, right?

For as long as my three-day weekend lasts (which may not be much longer, though I did manage to survive my newspaper's latest round of layoff/buyouts fairly intact), I'll probably go see three movies if I can find three I think are worthy of a matinee. Here's a look at what's available in a week that has, rather amazingly, seven new movies opening in wide release, in the order that I want to see them (and not including Bill Maher's "Religulous" for two reasons: It's not playing here and I wouldn't bother to see it anyway because that's simply not my cup of bile.)

1. "Blindness"
I'm willing to make one exception to my new rule that I will no longer watch the world end (yet again!), but only because this comes from the great Brazilian director Fernando Meirelles, who created the simply perfect flick "City of God." (By the way, I recently watched the sequel of sorts, "City of Men" [pictured here], on DVD, and while it' a different kind of flick it is - in its own way - a compelling tale of coming of age on the rough streets of Rio.) Reviews have been surprisingly abysmal for this flick starring Julianne Moore, Mark Ruffalo and Diego Luna, but I'll find out for myself anyway, probably Saturday.

2. "Nick and Norah's Infinite Playlist"
Roger Moore threw down the gauntlet of hyperbole by calling this flick "this generation's 'Say Anything'," but as comparisons go, here's hoping he's accurate. Extremely funny man Michael Cera and Kat Dennings star in a tale of two teens who find love and hopefully a lot of funny high jinks during a wild night in NYC.

3. "Appaloosa"
I'm really glad that 1. someone in Hollywood (in this case Ed Harris) loves old Westerns as much as I do and 2. this movie is actually playing in theaters near me, unlike the sublime "The Assassination of Jesse James by the Coward Robert Ford," for which I had to settle for DVD. Here, Harris and Viggo Mortensen star as hired guns brought in to restore order to a town under the control of strongman Jeremy Irons. Renee Zelweger is unfortunately in here somehow too, but hopefully she won't have too much to do.

4. "Flash of Genius"
As silly and sappy as it is, there are just very few movies I love more than Francis Ford Coppola's "Tucker," so I've always had a soft spot for movies about the little guy and cars. Unfortunately, reviews so far have painted this flick starring Greg Kinnear as intermittent windshield wipers inventor Bob Kearns (and Gilmore Girl Lauren Graham as his wife, huzzah!) as too heavy on the courtroom and too light on inspiration. I'll wait a week, but if you see this one and I'm wrong, please let me know.

5. "How to Lose Friends and Alienate People"
I guess I shouldn't be surprised given the title of this one that Simon Pegg just looks extremely annoying in the trailer. I'll see it eventually, because I like movies about journalists and see just about anything with Jeff Bridges in it, but not this week.

6. "An American Carol"
With Michael Moore reduced to releasing his latest "movie," "Slacker Uprising," on the Internet for free, doesn't this flick just seem like a really mean-spirited case of kicking the man when he's already way down? I guess it's nice that Hollywood's Republicans get to have a little fun, but I'll wait until at least DVD to see this one.

7. "Beverly Hills Chihuahua"
I have to assume that this one will win the weekend, but I really have nothing to say about that.

Instead, check your multiplexes Saturday night for a possible sneak preview of "The Express," starring Rob Brown as Ernie Davis, the first black dude to win the Heisman trophy. "Glory Road" was just a crapfest of epicly bad proportions, but I have high hopes that this flick will be much better. Peace out.

Pegg and Wright, together again? Frak yeah!

That last bit of juvenilia was, of course, in honor of the premiere of the fourth season of "Battlestar Galactica" tonight (or earlier), but we'll get to more on that later.

The almost-as-good news today is that Edgar Wright and Simon Pegg, the comedy masterminds behind "Shaun of the Dead" and "Hot Fuzz," will join forces again for a third film, to be titled "The World's End." Though I don't know anything about the plot beyond the title, judging from their first two very funny films I'd have to guess this one will be a spoof on/valentine to sci-fi flicks.

I just couldn't bring myself to watch Simon Pegg in "Run Fatboy Run," and I don't have very high hopes he's gonna be terribly funny in "How to Lose Friends and Alienate People," due in October, either. I mean, I hate to pigeonhole the man, but he's clearly at his best with his friends, and thankfully he seems to realize that too.

"The World's End" is part of a two-picture deal Wright has signed with Working Title. Before reteaming with Pegg, he'll make something for the studio called "Baby Driver," which is described as "a wild spin on the action and crime genre which will be set in the US." Cool enough.

Even before that, me thinks, Wright will also be making "Scott Pilgrim vs. the World" with veryfunnyman Michael Cera based on the graphic novel about a young lad (Cera) who has to do battle with his new girlfriend's seven exes.

That's almost too much funny, but given the mediocre slate of movies we have right now, I really don't think that's possible. Bring it all on!

Remember Olivia Williams?

I have to confess I didn't immediately without seeing her picture, but Williams is, of course, the school teacher hot enough to make Max Fischer try to build an aquarium on a baseball field.

I loved her in "Rushmore" (which I once drove two hours to D.C. just to see), but really haven't seen much of her at all since. A quick look at her IMDB resume reveals that she has been working steadily, but not in a movie that I have managed to see since 1999's "The Sixth Sense."

Now, however, she's back in something I'll definitely tune in for, Joss Whedon's return to TV in the form of "Dollhouse."

On the Fox show about drones programmed to execute various missions (the "dolls," of which Eliza Dushku, thankfully, is the main one), Williams will play the ruthless matron who controls the "Dollhouse." I have to say, I'd do just about anything Olivia Williams asked me to, whether she was being "ruthless" or not.

Actually, looking back at the IMDB, it also says she had an "uncredited" role in "X-Men: The Last Stand" as Dr. Moira MacTaggart. Can anyone remember that? I've just wiped every memory of that awful mess from my mind completely.

The bottom line: The world is certainly a better place with more Rosemary Cross in it.

"Battlestar Galactica" is back!

It would be hard to overstate just how geeked up I am for the fourth season of "Battlestar Galactica," which premieres at 10 tonight on the Sci-Fi Channel or, if you have a fast hookup, even earlier (at noon EST) on line here.

What's so good about "Battlestar"? Well, it's extremely smart science fiction, and also at times very funny. It tries and almost always succeeds to be a biting commentary on our society, and is easily the best show on TV right now (with "The Wire" gone for good.)

Phillip Ramati, a k a the TV Guy, was luckily (and enterprising) enough to get an advance copy and reports that, not surprisingly at all, it's as good as ever. He doesn't reveal any serious spoilers, but for just a tease read what he had to say about it here.

As for me, I'm gonna brave one trip to the multiplex this weekend, but it won't be for George Clooney's "Leatherheads." Against all my better judgment, I'm actually gonna take a chance on "The Ruins" and hope to find something suitably entertaining and creepy. Peace out.