10 truly odd Christmas movies that capture the spirit

I have nothing at all against the traditional holiday favorites when it comes to movies and specials. I tune in every year for "A Charlie Brown Christmas," and always watch one of the 1,000,000 or so times that TBS airs "A Christmas Story."

But as with most categories of movies, I like my Christmas flicks with at least a few drops of odd, so here are my 10 favorite Christmas-related movies that you might not always think of this time of year.

"A Midnight Clear:" Before the two sides inevitably get back to, well, war, this Peter Berg movie has plenty of Christmas spirit as an American intelligence squad comes across a German platoon wishing to surrender in 1944 France, and everyone enjoys a good holiday feast before they get back to battling.

"Bad Santa": Not only easily the funniest Christmas movie (but certainly not one for the kids), I'd also argue that Billy Bob Thornton's mall Santa has his very drunk, extremely foul-mouthed heart still mostly in the right place. After all, all he wants to do is get his new friend a pink elephant (of course) for Christmas.

"Eastern Promises": OK, this gangster movie might only take place between Christmas and New Year's Eve and have little else to do with the holidays, but David Cronenberg's flick is still here because I wouldn't mess with Viggo Mortensen's Nikolai and tell him otherwise, would you?

"Die Hard": What could exemplify the Christmas spirit more than Bruce Willis' dream of spending the holiday with his estranged wife - even if he has to blow up half of Los Angeles to make it happen?

"In Bruges": Talk about a bummer: Not only does Colin Farrell's hit man end up accidentally killing a child, he then has to spend Christmas in the most boring place on Earth, Bruges (having been there, I can tell you it's far from that, but that's just one of the things that make this wickedly funny movie one of my all-time favorites).

"The Nightmare Before Christmas": Though its full title bears the name of Tim Burton and its in fact based on a poem Burton wrote, this tale of what happens when Jack Skellington opens the portal between Halloween Town and Christmas Town is pure Henry Selick, and that's what makes the stop-motion animated tale a timeless treat.

"Trading Places": Though I like presents as much as anyone, what's Christmas if we can't occasionally poke fun at all our excess, as this '80s flick starring Eddie Murphy and Dan Akroyd (easily one the best movies either of them ever made) does so well.

"The Muppet Christmas Carol": Of course Michael Caine (as Ebenezer Scrooge) just wants poor Bob Cratchit (Kermit the Frog, naturally) to work on Christmas - does that man ever stop working? Just in time for Christmas next year - or maybe a little earlier - we'll get a great gift, a new Muppets movie. Bully.

"Go!": Another one that's not for the kids, but Christmas is definitely a time to party, as Sarah Polley, Katie Holmes and others do as they rave their way through a chaotic Christmas Eve.

"Life of Brian": Sacrilegious? Most certainly, but the Monty Python take on the life of Jesus Christ is of course extremely funny too. And believe it or not, I really did first see this at an Episcopal youth group gathering when I was a teenager.

Merry Christmas to everyone!

The South will rise again .. in comedy

Actually, if the South ever does rise again, please, dear God, let it be in comedy (and not the Jeff Foxworthy kind), because that's easily the most harmless thing we (and I've lived here 10 years now, so yes, I can say we) could be good at.

And thankfully, Jody Hill, David Gordon Green and their running mates are already well off to a good start in that department.

Hill has struck comic gold in my book with "East Bound and Down," his HBO show starring Danny McBride as pretty easily the world's biggest asshole. In movies, he's been uneven, with "Foot Fist Way" being nothing but bitterly funny but "Observe and Report" being just an unfunny mess. I'd imagine the latter has probably taken him out of the feature film game for a while, but if my N'awlins hotel room wi fi lets me check (yes, I'm on vacation!), I will. Actually, he's on the books for something called "L.A.P.I." to star McBride next year, so bully.

Green, on the other hand, made the deliriously funny "Pineapple Express" and is set to follow that up in April with "Your Highness" (pun, I'm sure, fully intended), with some very funny people in tow. As you'll see from the trailer below, it's some kind of tale about princes and princesses, and it stars McBride, Natalie Portman and definite Reel Fanatic favorites James Franco and Zooey Deschanel. Enjoy the first trailer I know of, and keep an eye out for "Your Highness" on April 8.



OK, after that today, I just have one more clip, and then the first poster I know of for the comedy I'm actually most looking forward to for 2011. First, the clip, and it brings me no joy at all to confirm that Pixar is now clearly in the tired sequel game. In case you need any evidence, behold the first full trailer I know of for "Cars 2," set to crash and burn (OK, almost entirely likely not) next summer. In better news, Michael Caine is somehow in this, and any world in which he seems to be in one out of every 10 movies or so is just a better place to live to me. "Enjoy" the trailer.



And to close with some potentially good news to wash that away, there is apparently a Joe Strummer biopic in the works, and if it's done right (and completely nonlinear), I say why not? Todd Haynes could certainly have a lot of fun with this. No word yet on who will play the patron saint of conscious punk, but as soon as I hear word on that, you will too.

And I'll leave you today with the first poster I know of for "Paul." Given that it's directed by "Superbad" helmer Greg Mottola, and was written by and stars Simon Pegg and Nick Frost, yeah, I'm gonna watch that when it comes out in February. And if you'll excuse me now, I'm off to walk around the Garden District and then go see Kermit Ruffins at Vaughan's Lounge tonight, assuming I can get in. Yeah, New Orleans pretty much rules. Peace out.

My (and only my) best movies of the decade: The 2002 edition

With many movie years, you have to choose between quantity and quality, but that was certainly not the case in 2002.

There were so many good movies that year that it really is a shame to cut it down to just 10, but those were the rules I established. However, in a nod to just how many worthy selections there were, here's the honorable mention first:

Peter Greengrass' "Bloody Sunday," Christopher Nolan's "Insomnia," "Mostly Martha," Nicole Holofcener's "Lovely and Amazing," Hayao Miyazaki's "Spirited Away," "Jack-Ass: The Movie," Curtis Hansen's "8 Mile," Phillip Noyce's "Rabbit Proof Fence," Roman Polanski's "The Pianist" and Peter Jackson's "The Lord of the Rings: The Two Towers."

And when it comes to "Jack-Ass," yes, really, because that movie just makes me laugh from start to finish, and you really can't ask for more than that sometimes. And it really was a banner year for Noyce, who will make another appearance below. Here goes:

"Gosford Park"
Being Robert Altman's last movie should probably be enough by itself to earn a spot on this list, but "Gosford Park" has a whole lot more going for it than that. Proving he could take his talent for weaving together many storylines to just about anywhere, Altman and screenwriters Bob Balaban and Julian Fellowes turned this into not only a solid mystery but also captured the mannered intricacies of the upstairs/downstairs culture.

"Monsoon Wedding"
Does Mira Nair keep having to make movies about Indian subjects for them to be great? Not necessarily, but it certainly seems to help. Two other of her flicks that almost perfectly capture that state of being both Indian and a citizen of the world are "The Namesake" and "Mississippi Masala," but the titular wedding here, which draws guests and chaos from around the world, is her best work.

"Y Tu Mama Tambien"
The runner-up for best movie of 2002 in my book, and only because this year also contains what is my best movie of the decade (you'll have to keep reading to find out what it is, but a few may know already.) The first Alfonso Cuaron flick I managed to see ("Little Princess" is great too, but I didn't see that until it hit video) is a great Mexican road movie, a charmingly twisted coming-of-age tale and - in its own way - a statement on the corrupt nature of Mexican politics. And, for the ladies, of course, it introduced the world to Gael Garcia Bernal and Diego Luna. A sheer delight.

"Nine Queens"
I believe this great Fabian Bielinsky heist movie was actually first released in 2000, but it didn't make it to the US of A until 2002, so here it is. Bielinsky, by the way, is a first-rate director, but sadly died at only age 47 and after only helming two movies, this one and "El Aura," a nifty twist on the traditional film noir. Both are well worth an immediate rental.

"Sunshine State"
This was the last time I really thought John Sayles used his storytelling talent to its full strength, and coincidentally enough, it comes 10 years after what for me is still his best flick, "Passion Fish." It probably helps that I had visited my brother in South Florida and got a feel for the murky world Sayles delves into here, but he really got to the crooked heart of it nearly perfectly. (His last movie, by the way, "Honeydripper," was just a real flaming turd in my book, so here's hoping Mr. Sayles makes a return to top form soon.)

"24-Hour Party People"
Michael Winterbottom makes far too many movies for them all to be great - or even good - but not coincidentally the best two put Steve Coogan front and center, this and "A Cock and Bull Story" (which may very well make an appearance on the 2005 list.) Coogan's flair for blustering ego combined with the improbably true story of the rise and fall of Manchester's Factory Records told with a winking wit make this a real gem.

"Super Troopers"
Is, on any possible scale, Broken Lizard's "Super Troopers" better than the 10 or so movies that only made this year's honorable mention? Probably only mine, but the guys made just about the ultimate "comfort" movie with this just wacky enough look at what really happens in the lives of highway patrolmen. Though "Beerfest" was fairly funny, I don't think they'll ever be as good as they were with this one, but here's hoping "Slammin' Salmon" both gets a wide enough distribution that I get to see it and doesn't disappoint. (Amazingly, it looks like there may well be a "Super Troopers 2" in 2011 .. bring it on!)

"City of God"
OK, I probably shouldn't reveal this only three years into the decade, but this Fernando Meirelles flick is, for me, the best movie of the last 10 years. None better combines simply dynamic storytelling in the saga of two boys growing up in the violent slums of Rio de Janeiro with stunning visuals that will stay burned on your brain, especially in a street party scene that's as electric as it is harrowing. This movie spawned both a Brazilian TV series and a sequel of sorts, both titled "City of Men," which are both worth watching but don't quite capture the unique magic of Meirelles' masterpiece.

"The Quiet American"
Occasionally, remakes can work just right, as is the case with Phillip Noyce's update on the Graham Greene novel about Vietnam. Well, update isn't really the right word, because Noyce keeps it right in the same time and place and brings along Brendan Fraser as the titular yank and Michael Caine as a wizened British journalist to tell the tale of how love, politics and intrigue all collide with more style and certainly more steam than the 1958 original. And Mr. Noyce, a definite favorite around here, may very well make another appearance on the 2006 list for "Catch a Fire."

"Talk to Her"
Even when he goes completely over the top, I almost always find something redeeming in Pedro Almodovar's works, but he's at his best as with "Talk to Her" when he takes things a little more seriously without losing any of his unique view of the world. I suggested this one as a Macon Film Guild selection (though I'm sure they had it on their list already), and was pleasantly surprised to find out no one complained, even when one of the two men at the core of this story finds himself shrinking and exploring his comatose lover's body until, inevitably I suppose, he ends up inside her vagina. Almodovar just has a knack for writing great roles for women, as he appears to have done again this year for Penelope Cruz, so I'll leave you today with what I think is the latest trailer for his "Broken Embraces," which is slowly building buzz and should be a strong awards season dark horse. Enjoy, and have a great weekend. Peace out.

What kinds of kids will appear next under "Friday Night Lights"?

You know, I tend to rail against sequels and remakes all the time (and just for the case of symmetry, a rather dastardly one of the latter will be showing up at the end today), but occasionally you hear of one that's just screaming out to be made.

To give all credit to where it's due, I read about this amazing bit of news/gossip on the fantastic blog The Playlist. It seems that on Adam Carolla's podcast recently (I really can't imagine any way I'd be listening to that), he was apparently interviewing Jules Asner, who used to be a host on E! but is now, among other things I suppose, the wife of Steven Soderbergh.

Well, as they were discussing Soderbergh's movies, she let fly this juicy bit about what just happens to be my co-favorite (along with the sublime "Out of Sight") Soderbergh flick, "The Limey": "He wants to do a sequel to The Limey and Terence wants to do it. Terence and Michael Caine."

Take a minute to envision just how cool that could be. Now, I know that "The Limey" has a very definite ending, but I'd still certainly welcome the chance to see Terrence Stamp reprising his role as one of the baddest asses of all time, especially along with Michael Caine. Perhaps Soderbergh is up for a revenge flick after being burned so bad on "Moneyball," but whatever his motivation might be here, I can only say bring it on!

And, before I get to today's "Friday Night Lights" main course, and then two wickedly entertaining videos, comes easily the funniest bit of news I could find in the last couple of days.

When I first heard they were gonna make a live-action movie of "Hong Kong Phooey," I was perfectly happy to simply shrug it off as yet another movie I'll never, ever see. But then I saw who's producing it. It seems that Brett Ratner, who just made my eyes bleed with what he did to the "X-Men" saga, has nothing better to do than produce this mess. Sheesh.

OK, now on to the main event, which comes courtesy of the seriously TV-obsessed Michael Ausiello of Entertainment Weekly.

Anyone who tuned in to the third season of "Friday Night Lights" on either DirecTV or later on NBC (like me and most of the world) watched what I think has turned into easily the best drama on television right now. And if you didn't, why the heck not?

As you may well remember, season three ended at a definite crossroads, with Coach Taylor (Kyle Chandler) being ousted as coach of the Dillon Panthers and shipped off to coach at a brand new school, East Dillon High. It sets up all kinds of crosstown rivalry possibilities, especially since Dillon's QB1 JD McCoy (Jeremy Sumpter) was at the center of Taylor's ouster.

Anyways, it's gonna be hard to wait until February or so to get to see this again on regular TV, but Ausiello has four sketches of the new characters to fill the void a little. And please, as you read them, remember that one of the real pleasures of watching "FNL" (at least for me) is that it takes what truly is soap opera material and turns it into fairly high art, so the characters are gonna sound even more tawdry on paper. Per Ausiello, here goes:

Vince: A charming yet dangerous East Dillon junior. He's African-American and, when we first meet him, he's running from the cops. Look for Coach Taylor to put his speed to better use as a member of the Lions. Series regular.

Luke: Vince's classmate and arch nemesis. He's Caucasian, cocky, and charming. Reminds some of a young Paul Newman. Dillon's new geographical breakdown has him playing for the Lions, and he's not happy about it. Series regular.

Jess: The super-energetic daughter of a onetime NFL hopeful, she knows the game inside and out. When she's not busy coaching her younger brothers, this sophomore/junior is getting crushed on by every guy in Dillon, East and West. Series regular.

Becky: A freshman beauty queen whose family is purebred trailer trash. Think Blair Waldorf with lousy genes. She finds Riggins in bed with her mother and reacts by trying to seduce him herself. My new favorite character is listed as recurring.

That last bit is key, because I can only assume that means that, although regulars Minka Kelly, Adrianne Palicki and Zach Gilford have all been lost to graduation, Taylor Kitsch will take time out from his new life as Gambit to return to the role that made him semi-famous, Tim Riggins. Man, with this and "Chuck" returning, TV's second season is gonna easily be better than the first.

OK, enough of that. Before I go, I've got two videos that certainly made me smile. I've stated here before that I have almost unconditional love for what Zack Snyder did with "Watchmen." One of my only beefs, in fact, was that he omitted a key scene from Alan Moore's and Dave Gibbons' funny book, the death of Hollis Mason.

Well, as you can see from this video courtesy of Trailer Addict, it will be in the director's cut set to hit DVD July 21 (and though I've severely curtailed my DVD buying of late, that is a must-have for me.) I especially like how poor Hollis flashes back to the baddies of yore as his demise nears. Enjoy.