You know, I tend to rail against sequels and remakes all the time (and just for the case of symmetry, a rather dastardly one of the latter will be showing up at the end today), but occasionally you hear of one that's just screaming out to be made.
To give all credit to where it's due, I read about this amazing bit of news/gossip on the fantastic blog The Playlist. It seems that on Adam Carolla's podcast recently (I really can't imagine any way I'd be listening to that), he was apparently interviewing Jules Asner, who used to be a host on E! but is now, among other things I suppose, the wife of Steven Soderbergh.
Well, as they were discussing Soderbergh's movies, she let fly this juicy bit about what just happens to be my co-favorite (along with the sublime "Out of Sight") Soderbergh flick, "The Limey": "He wants to do a sequel to The Limey and Terence wants to do it. Terence and Michael Caine."
Take a minute to envision just how cool that could be. Now, I know that "The Limey" has a very definite ending, but I'd still certainly welcome the chance to see Terrence Stamp reprising his role as one of the baddest asses of all time, especially along with Michael Caine. Perhaps Soderbergh is up for a revenge flick after being burned so bad on "Moneyball," but whatever his motivation might be here, I can only say bring it on!
And, before I get to today's "Friday Night Lights" main course, and then two wickedly entertaining videos, comes easily the funniest bit of news I could find in the last couple of days.
When I first heard they were gonna make a live-action movie of "Hong Kong Phooey," I was perfectly happy to simply shrug it off as yet another movie I'll never, ever see. But then I saw who's producing it. It seems that Brett Ratner, who just made my eyes bleed with what he did to the "X-Men" saga, has nothing better to do than produce this mess. Sheesh.
OK, now on to the main event, which comes courtesy of the seriously TV-obsessed Michael Ausiello of Entertainment Weekly.
Anyone who tuned in to the third season of "Friday Night Lights" on either DirecTV or later on NBC (like me and most of the world) watched what I think has turned into easily the best drama on television right now. And if you didn't, why the heck not?
As you may well remember, season three ended at a definite crossroads, with Coach Taylor (Kyle Chandler) being ousted as coach of the Dillon Panthers and shipped off to coach at a brand new school, East Dillon High. It sets up all kinds of crosstown rivalry possibilities, especially since Dillon's QB1 JD McCoy (Jeremy Sumpter) was at the center of Taylor's ouster.
Anyways, it's gonna be hard to wait until February or so to get to see this again on regular TV, but Ausiello has four sketches of the new characters to fill the void a little. And please, as you read them, remember that one of the real pleasures of watching "FNL" (at least for me) is that it takes what truly is soap opera material and turns it into fairly high art, so the characters are gonna sound even more tawdry on paper. Per Ausiello, here goes:
Vince: A charming yet dangerous East Dillon junior. He's African-American and, when we first meet him, he's running from the cops. Look for Coach Taylor to put his speed to better use as a member of the Lions. Series regular.
Luke: Vince's classmate and arch nemesis. He's Caucasian, cocky, and charming. Reminds some of a young Paul Newman. Dillon's new geographical breakdown has him playing for the Lions, and he's not happy about it. Series regular.
Jess: The super-energetic daughter of a onetime NFL hopeful, she knows the game inside and out. When she's not busy coaching her younger brothers, this sophomore/junior is getting crushed on by every guy in Dillon, East and West. Series regular.
Becky: A freshman beauty queen whose family is purebred trailer trash. Think Blair Waldorf with lousy genes. She finds Riggins in bed with her mother and reacts by trying to seduce him herself. My new favorite character is listed as recurring.
That last bit is key, because I can only assume that means that, although regulars Minka Kelly, Adrianne Palicki and Zach Gilford have all been lost to graduation, Taylor Kitsch will take time out from his new life as Gambit to return to the role that made him semi-famous, Tim Riggins. Man, with this and "Chuck" returning, TV's second season is gonna easily be better than the first.
OK, enough of that. Before I go, I've got two videos that certainly made me smile. I've stated here before that I have almost unconditional love for what Zack Snyder did with "Watchmen." One of my only beefs, in fact, was that he omitted a key scene from Alan Moore's and Dave Gibbons' funny book, the death of Hollis Mason.
Well, as you can see from this video courtesy of Trailer Addict, it will be in the director's cut set to hit DVD July 21 (and though I've severely curtailed my DVD buying of late, that is a must-have for me.) I especially like how poor Hollis flashes back to the baddies of yore as his demise nears. Enjoy.
Tuesday, July 14, 2009
What kinds of kids will appear next under "Friday Night Lights"?
Saturday, June 13, 2009
What will Pixar's first live-action movie be, and who will be in it?
Though any of you have much of a life will probably be out and about in some form tonight, I'll be at home watching my beloved Orioles most likely lose to my second-favorite baseball team (though there's a big gap between the two), the Atlanta Braves.
And after that, I'll certainly tune in for the final episode of "Pushing Daisies," which is dying far too soon tonight at 10 p.m. In what will have to serve as the finale, one-half of The Aquadolls (Nora Dunn and Wendie Malick), a synchronized swimming duo and rival to the Darling Mermaid Darlings, turns up dead, and of course Ned, Chuck and Emerson are on the case.
I've sung the praises of this fairy tale for adults loudly and proudly from the start, but on this sad occasion, I'll simply ask you this: How many shows in the past 10 years can you really call "unique" (a word that's used and misused far too often)? "Pushing Daisies," with its winning mix of humor, engaging story and pure whimsy, earned that title, and for that it will be sorely missed by at least by me.
But here today it's supposed to be about the star of another of my favorite TV shows, "Friday Night Lights," who's about to hit the really big time in what most likely will be the first live-action movie from the rather famous animation house Pixar.
I had thought that honor was going to go to "Ratatouille" and "The Incredibles" director Brad Bird with "1906," which just sounded like a perfect idea. Though I wasn't terribly impressed with the writing in the book by James Dalessandro, the story he came up with about the political intrigue that surrounded the great earthquake of 1906 in San Francisco was just crying out to be told on the big screen.
But it seems Bird has been hit both by trouble finishing the script and budget woes (at Pixar?), and it now seems that Andrew Stanton will get the live-action honor instead with "John Carter of Mars," set to begin filming in November in Utah. And, though most of the news reports I saw pitched it as Gambit from "Wolverine" landing the lead role, everyone should know that Taylor Kitsch is and always will really be Tim Riggins of the Dylan Panthers. Oddly enough, one of the female leads will be going to Lynn Collins, who played Hugh Jackman's "wife" in "Wolverine."
But, and if I were more of a proper geek I would probably know more about this, what in the world is "John Carter of Mars"? Well, it's a series of books by "Tarzan" creator Edgar Rice Burroughs, apparently, though I can't say I've ever read any of them (though that will change before this movie comes out.)
As far as I can tell, the story centers on a Civil War veteran who finds himself mysteriously transported to the red planet, where he gets involved with the planet's warring factions. I'm sure there's a lot more to it than that, and I'm also sure Taylor Kitsch will be great in what should turn into a series of flicks.
Oddly enough, I'm not sure how old the character is supposed to be, but also among the many actors considered for this part was Jon Hamm of "Mad Men." A truly odd combo there.
And I'll leave you today with this teaser trailer for Michael Moore's next, as yet untitled, flick, which as you'll be able to tell is going to be about the current state of our economy and just how we got into this mess. I'm kinda dreading just how smug, I-told-you-so he's gonna be about all this, but it's certainly a subject that fits him well, so here's hoping he comes up with something a lot more compelling and entertaining than the thoroughly missed opportunity that was "Sicko."
And now, if you'll excuse me, I'm off to see "The Hangover" (yes, I'm a week behind) rather than any remake of "The Taking of Pelham 123" or Eddie Murphy's latest family-friendly crap fest. And just a reminder that if you live anywhere near Macon, please come out to the Macon Film Guild's presentation of the baseball flick "Sugar" on Sunday at 2 (I'll be there), 4:30 or 7:30 p.m. at the Douglass Theatre. Peace out.
Wednesday, May 06, 2009
It's official: David Simon hits New Orleans, and, yes, the X-men will go on forever
Actually, before we get into all that, there are two bits of news out there that offer varying degrees of promise.
First of all, there was apparently a screening last night for movie executives of Terry Gilliam's "The Imaginarium of Dr. Parnassus" in an attempt to finally find Heath Ledger's last flick an American distributor even before it screens out of competition at the Cannes Film Festival. This is easily bordering on pathetic, but at this point, whatever it takes to get this into a theater anywhere near my little corner of the world will be welcome. Stay tuned ...
And in great TV news, Mindy Kaling, a k a Kelly on "The Office," has signed her own deal with NBC. Kaling, who along with playing Kelly has been writing for "The Office" for years now, will continue to work on that show next season as she simultaneously develops a new comedy in which she would also star.
Among the episodes she's responsible for is the one that's still my single favorite, "Diwali," a k a the "Hindu Halloween." Here's hoping this leads to something seriously funny, because TV could certainly use it.
But here today it's mostly about the return of David Simon to HBO, which has been kicked around for awhile but is now official as it has picked up his pilot for "Treme" and will be taking it to series.
Though Simon has stressed this won't be making " 'The Wire' twice," it's clear that what he's cooking up with fellow "Homicide" scribe Eric Overmyer will be just as political and probably just as often maddeningly entertaining as that scarring portrait of Charm City was. Per Simon:
"It will be uplifting at points, and may make viewers a little angry at points," Simon said. "And at another point it will make viewers a little depressed."
And best of all, the cast will prominently feature two vets of "The Wire" and even a former "Homicide" beat cop. New Orleans native Wendell Pierce, a k a Bunk Moreland, will play a struggling trombonist and Khandi Alexander - who starred on Simon's "The Corner" - will play his ex-wife, who owns a bar. Amazingly enough, Clarke Peters - a k a Lester Freamon - will play the leader of a Mardi Gras Indian tribe. And rounding out the cast will be Steve Zahn as a DJ with "anger management issues," and even Melissa Leo as a civil rights lawyer.
So, now that it's going to series, when will we get to see any of this? Well, in a uniquely New Orleans twist, though the pilot has been shot, work on other episodes can't begin until after hurricane season, meaning the show probably won't hit the air until next spring.
Here's hoping it's not delayed any more than that (though that at least puts off the date I have to start paying for HBO again), since as anyone who watched "The Wire" - easily the best cop show ever - knows, Simon and company will have a lot to say, and about more than the Crescent City itself. Again, per Simon:
"Look at what happened down there after Katrina. A lot of things in which New Orleans depended on and trusted turned out to be wholly undependable and untrustworthy. The governing institutions were supposed to monitor things of actual construct like the levees and the pumping stations. That could be an allegory for what we Americans presumed about our financial institutions, and the governing bodies that were supposed to monitor them."
Amen, brother.
"X-Men Origins: Deadpool"? Yawn
Given how much mad cash "Wolverine" scooped up in its opening weekend, I guess the question really wasn't whether or not Twentieth Century Fox would make another "Origins" spinoff, but which mutant?
Well, the answer is in, and unfortunately it isn't Taylor Kitsch's "Gambit." Instead, Ryan Reynolds will get to be the star as the company has greenlit a "Deadpool" movie instead.
Now, I have no problem at all with the concept of a Deadpool flick. The character, a mercenary who submits himself to the Weapon X genetic alteration experiment as he's dying of cancer, is certainly a worthy movie subject. My only beef is with Reynolds himself.
And it's not really just that he can't act, but instead that to me he's pretty much a "nonpresence," if that's even anything resembling an actual word. Floating through good movies like "Adventureland" and simply wretched ones like "Smokin' Aces," he usually just makes no impression at all, though I have to concede he was very funny in the underrated Watergate spoof "Dick."
And just in case you doubt that the "X-Men" will continue to rule the universe, along with "Deadpool" there's also already a Japan-set "Wolverine" sequel, a "Magneto" movie starring Sir Ian McKellen, and Josh Schwartz's sure-to-be-cheeky "X-Men: First Class" all in varying stages of development. Sheesh.
Several looks at "Ponyo"
Though we won't get to see Hayao Miyazaki's "Ponyo on the Cliff By the Sea" in the U.S. until at least August 14 (and with its heavily Disney voice cast, hopefully EVERYWHERE), the picture above and several other stills you can find here just make me - and hopefully someone else - smile. You can tell from all the vibrant colors that this one is clearly intended for the kids, and that's just fine with me. Bring it on already!
And finally, in sticking loosely with the theme of the day and just because I like it, I'll leave you with this clip of the Treme Brass Band performing "I'll Fly Away" in a jazz funeral procession through the streets of New Orleans. Peace out.
Saturday, May 02, 2009
"Wolverine": Damned if you do?
Even though Nicki Finke is claiming, at her as-often-wrong-as-right Hollywood Deadline Daily site, that "Chuck" has indeed been renewed for a third season, almost everyone else who claims to know anything about it is saying the decision will be delayed for a week or more, so let's talk about something else entirely instead.
Actually, one more note about that, and then I'll move on, I promise. How cool would it be if Zachary Levi were to drop in through the ceiling, superspy style, to announce "Chuck" was back during today's NBC "infronts"? It won't happen, but one can dream, right? The one good and sure thing I can tell you about TV this morning is that ABC will begin burning off the last three episodes of the too-brilliant-to-survive "Pushing Daisies" on May 30 for three weeks in a row.
But here today, it's all about "Wolverine," which given that it only got about 37 percent positive on Rotten Tomatoes, could have turned out a whole lot worse in my book. Which isn't to say that Gavin Hood's mutant movie isn't without its faults.
In fact, the first half or so was just so boring that I'm fairly certain, judging from the rather sharp elbow to the ribs I got about a half hour in, that I actually fell asleep at least once. But to be fair I'm really not sure what he could have done any differently, since we're all by now terribly familiar with the saga of the origin of Wolverine.
Even so, I also can't imagine he could have made the opening half any more passionless or by-the-numbers. Though the brotherly banter of Hugh Jackman's Wolverine and Liev Schrieber's Victor Creed/Sabretooth is often clever, and Dominic Monaghan makes a touching turn as Chris Bradley/Bolt, there were two specific things about the beginning that just bugged me beyond all reason.
First, did we really need to be introduced to the cliched older couple who welcome Wolfie into their home despite the fact that he shows up naked, only to see them blown away five minutes later by Stryker's assassins (sorry if that's spoiling anything, but it's not much of a spoil anyway, and with "Wolverine" having already made north of $85 million I'd imagine just about anyone who wants to see this has done so by now already)? It was just as insulting as it was thoroughly unnecessary. And secondly, how many times did we really need to see a closeup of Wolverine unleashing his steel claws? The payoff in the dick joke with Scott Adkins' Weapon XI near the end is indeed pretty damn funny, but the claws just got old way before Hood seemed to realize.
All that said, however, something happens to "Wolverine" about halfway in or so that manages to turn it into at least a satisfyingly entertaining little popcorn flick, which before "The Dark Knight" and "Iron Man" used to be about all we could honestly ask for from summer superhero flicks. Gavin Hood seemed to wake up at just about the same point I did.
And coincidentally or not, it happens with "Wolverine" thanks almost entirely to Taylor Kitsch's Gambit/Remy LeBeau, who arrives and stays all too briefly (couldn't they have given him some of Will I Am's thoroughly unnecessary time?) but still manages to liven things up just in time (though a big part of me wishes this were the last of the "Origins" movies, I have to say a Gambit movie starring Tim Riggins would be far from the worst thing imaginable; indeed, details are scant, but there is a listing at the IMDB for a 2011 "Gambit" movie.)
From Gambit's arrival on out, Hood manages to turn "Wolverine" into a still terribly familiar but equally thrilling tale, culminating with a three-way battle between Wolverine, Sabretooth and Weapon XI that takes place on top of a nuclear reactor on Three Mile Island. And the ending neatly sets up what I would really rather see than any more "Origins" flicks: The possible cast of a "X-Men: First Class" flick, which "Chuck" and "Gossip Girl" mastermind Josh Schwartz is supposedly cooking up right now.
If that doesn't happen, the wild success of "Wolverine" should at least set up a "Magneto" flick starring Sir Ian McKellen, to which - thanks to the presence of Sir Ian himself - I can only say bring it on. And here's what Taylor Kitsch had to say to MTV about the possibility of a "Gambit" movie:
"I want to go into the Thieves Guild part of his story [the union of thieves that Gambit was raised in]. How cool would it be to see him stealing things to survive because the stakes are so high? Come on, Fox, let's do it."
Amen, brother. So, the verdict? "Wolverine" is terribly slow to kick into gear, but once it does, it's probably worth at least a matinee for fans of the X-Men, which is a damn sight better than anything you could possibly say about "The Last Stand." And with that I'll leave you with this teaser for the new season of "True Blood," which returns to HBO June 14 and for which you can count me thoroughly jazzed. If I'm not mistaken, it contains the new Bob Dylan song "Beyond Here Lies Nothing," which just sounds great. Enjoy, say a prayer for "Chuck," and have a perfectly passable Monday. Peace out.
