Rev your engines: the "Sons of Anarchy" ride again starting tonight

Obviously, the poster above has nothing at all to with "Sons of Anarchy," but as a way to announce a new movie, it's a real doozy, made even better by the fact that it's for one by Jason Reitman.

So far, I've pretty much loved all of his movies I've managed to see, "Juno," "Up in the Air" and "Thank You for Smoking," so a new Reitman movie is certainly reason to celebrate, even if it isn't coming until Dec. 16.

And in case you didn't know, that's Charlize Theron passed out in the poster above. In the movie, according to THR, she plays "an alcoholic writer of young-adult novels who, on a whim, decides to return to the small town that she left behind years ago to aggressively pursue her ex-boyfriend from high school (Patrick Wilson) - only, now he is happily married and the father of a young child, which certainly complicates matters, and leads her to another high school classmate (Patton Oswalt), and no shortage of trouble."

Sounds like juicy fun to me, and since this is being written by "Juno" scribe Diablo Cody, this should be a real winner (and yes, I'm well aware that I had a truly painful experience sitting all the way through "Jennifer's Body," which was also penned by Cody, but let's just keep hope alive here.)

And in even better movie news, Studio Ghibli apparently has not one but two movies in the works, and one of them will be from the master himself, Hayao Miyazaki.

I was really hoping that, as he had announced, Miyazaki would do a "Porco Rosso 2," but what he's turning to instead could be even more amazing: An autobiographical movie (although he didn't specify if it would be his autobiography or someone else's.) Here's hoping it's his, because he's certainly had one fascinating life, but also that this doesn't signal that it will be his last movie.

Also, according to Twitch, "Grave of the Fireflies" director Isao Takahata is “reportedly working on a new film based on the classic Japanese tale about a princess who was discovered as a baby inside the stalk of a bamboo plant.”

I'm sure I'm far from alone in thinking that the world is a much better place with more Studio Ghibli movies in it, so bring them on ASAP!

OK, now, finally on to the main event, and I well may have missed one fall premiere of a show that I love, but tonight's season four premiere of "Sons of Anarchy" does indeed seem rather early, though certainly welcome in this little corner of the world.

The FX show about the motorcycle gang with (almost) a heart of gold may not be the deepest of entertainment, but it does have engaging story lines and keeps the smart action coming fairly quick.

The best thing about season four, however, may well be the guest stars, who are of a strong enough caliber that they might well overshadow stars Charlie Hunnam, Katey Sagal and Ron Perlman. Here's who's on board.

Georgia's Ray McKinnon, easily one of my favorite actors, will play the new fed determined to bring down SAMCRO. Perhaps even better, another Reel Fanatic fave, Rockmund Dunbar, most recently late of my favorite recent one-season wonder "Terriers," will play the new top cop in Charming, who apparently has no love for the SAMCRO posse. And finally, as you'll see from the preview below, Danny Trejo will join the cast as some kind of biker, I'd assume a rival to the SAMCRO gang, but that's not too clear yet.

But that, of course, is why you tune in, though Trejo apparently doesn't join the cast until episode two. If you're a fan, ride with "Sons of Anarchy" again beginning tonight at 10 on FX, and have a perfectly pleasant rest of your Tuesday. Peace out.

Wednesday news, of Spike Lee, Errol Morris and a small clip show

Actually, let's start with the photo above, which I'm sure everyone can tell is a photo of Woody Allen and Penelope Cruz on the set of his new film, "The Bop Decameron," in Rome. Why? Because I always like seeing Penelope Cruz, and with Woody's "Midnight in Paris" being my second-favorite movie so far of 2011 (behind only Thomas McCarthy's "Win Win"), you can certainly say I'm psyched to see what he cooks up on the next stop of his late-in-life European tour.

And after that, though the news about Spike Lee returning in a big way may be a bit old now, so am I, and besides, to me it's easily the biggest story of the week, and there's something new to report about his "Oldboy" remake.

Before he makes that, in better news, Mr. Lee is apparently already at work on a low-budget flick that will have him playing Mookie once again. Think for a minute about just how good that could be. The movie, called "Red Hook Summer," is about "an adult from Atlanta who comes and spends the summer in the Red Hook section of Brooklyn, NY."

That doesn't say a whole lot about where this might go, but as Lee fans will certainly know, the last time he made a big splash in Brooklyn in a very hot summer was with a little movie called "Do the Right Thing," so certainly stay tuned for more on this as soon as I can find out.

And Mr. Lee, apparently eager to get busy after his too-long hiatus from making big-budget feature films, has also signed on to direct Mandate Pictures' "Oldboy" remake, and there's good news today about how that might just come together.

Twitchfilm was the first to correctly report that Mr. Lee was going to direct this (the best way it could happen, since there's clearly no way to stop it), and the site is now reporting that Josh Brolin is being pursued for the main role. Without spoiling too much for anyone who somehow hasn't seen the original (do so, please!), he would play the American version of Oh-Dae Su, who is locked in a hotel room for 15 years before he finally gets to seek revenge on his unknown captors.

Perfect casting there, I'd say, so here's hoping it actually happens.

And there's other news out there this morning about another of my favorite directors who likes to move between the worlds of documentary and feature films, Errol Morris. In theaters in at least some corners of the world, he'll soon have a new documentary, "Tabloid," with the rather juicy subject matter of a model who allegedly kidnapped a Mormon to sex him up. I'm sure it's all more complicated than that, and it's just a great match for Morris.

For his next project, however, he'll be venturing into the world of feature films with a movie about cryogenics based on a the book "We Froze the First Man" by Robert F. Nelson and a "This American Life" segment titled "You're Cold as Ice." For me, Morris has always been at his best when he delves into the truly odd, as with "Mr. Death" and "Fast, Cheap and Out of Control," so this should be a real treat.

And now comes word that Paul Rudd has signed on to play the lead in this as-yet-untitled flick. It's unclear yet if he'll play the first man to be cryogenically preserved or Nelson, who helped invent the technology in the 1960s. Either way, this should be nothing but fun, so stay tuned.

OK, now on to the videos, and where better to start than with something new from Studio Ghibli, especially since, in Japan at least, it's coming out very soon. "From Up on Poppy Hill," directed by Goro Miyazaki from a screenplay by his father, one Hayao Miyazaki, it tells the story of a group of Yokahama teens who try to save their school's clubhouse from being torn down in preparation for the 1964 Tokyo Olympics. The real treat from Studio Ghibli will be "Porco Rosso 2," which the elder Miyazaki is at work on now, but in the meantime enjoy this teaser for his son's flick, which looks like a real winner too.



As far as the clips go, it's almost all about cartoons here today, but that's the way I like it, and I'm the author here, so deal with it. Next up comes the most thorough trailer I've seen yet for "The Adventures of Tintin: The Secret of the Unicorn." I still say that Tintin just looks way too modern in this, but it should still be a pretty good Christmas gift from Steven Spielberg to finish up this year. Enjoy.



OK, I know this weekend is all about "Harry Potter and the Deathly Hallows: Part 2," and I'll certainly go see that, probably on Friday, but there's also a "Winnie the Pooh" movie opening this weekend, and even though I don't have any little kids to drag with me, I think I'll sneak in to see that, too. After all, with two or three new songs from Zooey Deschanel and a good, old-fashioned story about Pooh and all his friends, what's not to like? Enjoy this trailer, and don't be afraid to unleash your inner little kid this weekend.



And where better to end up on a Wednesday morning than with a free movie, especially when it's "Repo Man," not to be confused with that "Repo Men" flick from a couple of years ago. That's right, this is the one with Harry Dean Stanton, Emilio Esteves and all kinds of punky fun, so enjoy it, and have a perfectly endurable Wednesday. Peace out.

What's next for Studio Ghibli: The first UK trailer for "Arrietty"

The other day at work, my fellow cubicle slave (and damn fine reporter) Mike Stucka and I were discussing the worst animated movies we had ever seen, and I somewhat facetiously mentioned "Cars" (though I do truly loathe that movie).

I eventually settled on "Chicken Little" for my pick, and I firmly stand by it, and he chose, sight unseen, "Anastasia," because as he said (and I'm probably paraphrasing by now), "why would you take a kid to a movie about an entire family being gunned down"?

Solid point, that, and all that got me thinking about what are actually my favorite animated movies, and found that they come from only two directors, Brad Bird and Hayao Miyazaki (hey, I know what I like). In order, they are:

1. "The Iron Giant"
2. "Kiki's Delivery Service"
3. "Ratatouille"
4. "Porco Rosso"
5. "The Incredibles"

And I tell you all that to tell you this, though thankfully Miyazaki is again at work on a new movie, and even better its the sequel "Porco Rosso 2" (due out in 2012), the next Studio Ghibli offering is something called "Arrietty," directed by studio animator Hiromasa Yonebashi.

Based on May Norton's "The Borrowers" series of novels, it's about a family of tiny people who live under the floorboards of a human family's house. And below is the first trailer I know of for the UK version, which, for some reason, will be different, voice-wise, from the American version, which is set to come out Feb. 17.

Any Ghibli, however, is potentially great Ghibli to me, so enjoy the trailer and have a great rest of the weekend. Peace out.

If the apocalypse comes, beep me .. well for "Buffy" fans, it's here

You know, no matter how hard it gets to do so, I still do try, even as a now certified middle-age curmudgeon, to look for the good things in life, so let's start there before I unleash what I'll warn you now will be a well-boiled pot of bile.

I, like I assume all subscribers, got an e-mail yesterday from Netflix, and as far as that goes at least, I'm now streaming only, for just $7.99 a month, and that's just fine with me. If there's a new release, I guess I'll just Red Box or maybe even buy it, and that's gonna have to do, because having all the TV and increasing movie content to stream directly to my TV was just too much to resist (and was, of course, Netflix's rather ingenious plan all along).

One thing I will, however, spring for on beautiful blu-ray are the movies of Hayao Miyazaki, and beginning in March with "Nausicaa of the Valley of the Wind," Disney will hopefully be bringing all the Studio Ghibli titles to the format. I'm sure that I will at least buy my two favorites, "Porco Rosso" and "Kiki's Delivery Service," as soon as I get the chance, and maybe more too.

When I first bought my blu-ray player (and only after my DVD player finally died - yes, I fear all change), Movie Mom Nell Minow suggested I buy a Pixar movie, because animation in particular just looks amazing on blu-ray. For me, that meant "Ratatouille," of course, and she was right, so I can't wait to see how great Miyazaki's best works will look.

And to keep the good vibes going before the "Buffy" bile, there are few subgenres of movies I love more than boxing flicks, and it seems a potentially great one is now in the works. Gael Garcia Bernal of "Y Tu Mama Tambien" fame has signed on to play boxer Roberto Duran in a flick called "Hands of Stone," and Al Pacino is "circling" the role of his trainer, Ray Arecel.

Even though that surely means Pacino will spend the entire movie yelling at him, that should still be rather amazing to watch. Someone named Jonathan Jakubowicz will write and direct the flick, which will apparently focus on the "No Mas" fight, in which, after getting rather soundly battered by Sugar Ray Leonard, Duran simply uttered those words and walked out of the ring forever. Bring it on!

OK, enough of the good vibes until today's video clips, because there's evil afoot that must be stamped out immediately. I first heard of a possible "Buffy the Vampire Slayer" "reboot" (whatever the hell that means) a few years ago, and was hoping that, since it dropped off the radar for a while, that simply wretched idea was dead.

No way. Unable to resist an obviously "Twilight"-inspired cash grab, Warner Brothers has apparently now hired an actress named Whit Anderson (whose three-movie resume contained nothing I've ever seen) to write a "Buffy" movie.

If you were a fan of the TV show, just let that craptastic idea settle in for a moment before I explain how it only gets worse from here. Charles Roven, who is producing this monstrosity, had this to say in a press release:

“While this is not your high-school Buffy, she’ll be just as witty, tough and sexy as we all remember her to be.”

So, Buffy won't be in high school. Since I'll never see this, fair enough. But just in case you ever happen to, know this: There also won't be any of the characters we all loved from the series. That means no Giles, Willow, Xander, Spike, Angel, Oz, Cordelia, Anya or even Dawn (always the weakest link to me.)

And, of course, there won't be any Joss Whedon, who created the show in the first place. So, if he's not involved, who is the real villain here? Well, it's apparently co-"creators" Fran and Kaz Kuzui, who had a big role in the fairly funny movie that preceded the TV show, and have held on to the rights all these years. Fran Kuzui directed the original "Buffy" movie, but beyond their "executive producers" credit, the duo had nothing at all to do with the TV show.

Whedon, for his part, has moved on to bigger (but not necessarily better) things with his "Avengers" movie, so I can certainly understand his fairly measured response to this when he was contacted by Kristin Dos Santos of E! Here's what he had to say:

Kristin, I'm glad you asked for my thoughts on the announcement of Buffy the cinema film. This is a sad, sad reflection on our times, when people must feed off the carcasses of beloved stories from their youths - just because they can't think of an original idea of their own, like I did with my Avengers idea that I made up myself.

Obviously I have strong, mixed emotions about something like this. My first reaction upon hearing who was writing it was, "Whit Stillman AND Wes Anderson? This is gonna be the most sardonically adorable movie EVER." Apparently I was misinformed. Then I thought, "I'll make a mint! This is worth more than all my Toy Story residuals combined!" Apparently I am seldom informed of anything. And possibly a little slow. But seriously, are vampires even popular any more?

I always hoped that Buffy would live on even after my death. But, you know, AFTER. I don't love the idea of my creation in other hands, but I'm also well aware that many more hands than mine went into making that show what it was. And there is no legal grounds for doing anything other than sighing audibly. I can't wish people who are passionate about my little myth ill. I can, however, take this time to announce that I'm making a Batman movie. Because there's a franchise that truly needs updating. So look for The Dark Knight Rises Way Earlier Than That Other One And Also More Cheaply And In Toronto, rebooting into a theater near you.

Leave me to my pain! Sincerely, Joss Whedon.

Not terribly surprisingly, very witty stuff, and certainly much funnier than anything that will spring from this abominable endeavour. I will, out of morbid curiosity if nothing else, dutifully report who gets the "honor" of playing the new Buffy once this all comes together, but for now, let's just move on, because life is indeed too short for so much bitterness.

OK, now for much better stuff, on to a couple of videos full of nothing but good vibes. I'm hoping that the presence of Natalie Portman will be enough to elevate Darren Aronofsky's sure-to-be-epicly-twisted ballerina tale "Black Swan" to a release wide enough to reach my little corner of the world when it finally comes out Dec. 3. In the meantime, there's this music video containing clips from the film, which also stars Mila Kunis. Enjoy.



And even better than that, for something which much more poetically expresses my exact reaction when I first saw all that "Buffy" crap, why not four minutes of something that needs no further explanation than its title, "Nicolas Cage Loses His Shit"? I'll only say that, while this proves exactly why Cage, while never quite a master thespian, is still often very fun to watch, please watch this with headphones if you're at work, because it is indeed just as profane as you could possible imagine. Enjoy, and have a perfectly passable Tuesday. Peace out.

Yes, I really did go see Piranha 3D

And I even kind of liked it too. Far from anything approaching high or even low art, Alexandre Aja's movie is what so many others just claim to be: A genuine B movie, chock full of gore, nudity and, best of all, humor.

It's no surprise to me, then, that the movie not only did fairly well at the box office ($10 million in week one), but also that Dimension has already announced a follow-up. In spite of its many excesses (just as a word of warning, I'm certain I didn't have to see a robotic piranha belch up a severed penis - yes, it's often that silly and gross, too), it's a really fun ride, and I'm almost certain I'll climb on board again, especially since the ending leaves open the possibility of something really wild (I won't spoil it for you.)

I have, however, and probably shouldn't admit this, committed my first bit of thievery since I was 8 years old or so. Instead of "recycling" the 3D glasses this time, I just kept them, and plan to, the next time I give in and watch a movie in 3D, simply buy a ticket for a 2D release showing at nearly the same time, then just slip in to the 3D movie. Juvenile and crooked? Sure, but charging a $3.50 or so surcharge for each 3D movie is at least as criminal, and I'd argue much more so.

But enough about my latest petty scheme, since there's some other actual good movie news out there this week, starting with easily one of my favorite directors, the Japanese animation giant Hayao Miyazaki, who, thankfully, doesn't seem ready to slow down any time soon.

In an interview with the Japanese magazine Cut, thankfully translated by the Miyazaki-obsessed portal Nausicaa.net, he hinted that though he doesn't have any directing options in the immediate future, he does plan to hopefully produce a sequel of sorts to one of my favorite of his flicks, "Porco Rosso."

If you haven't seen that magical movie about a fighter pilot who's cursed to live his life as a pig (yes, really), it really is a delight, and here's some of what Miyazaki had to say about a sequel:

"So I want to escape to "Porco Rosso: The Last Sortie". I have all its materials."
"It should be interesting."
"It is set for Spanish Civil War."
"If next two films succeed and [studio president Toshio] Suzuki-san lets me make it (Porco) while saying, 'It cannot be helped because it's a hobby of the old man', I'm happy. It's my hobby."

The most beautiful animated movies around simply the "hobby of an old man"? You gotta love that, and a "Porco Rosso" sequel set in the Spanish Civil War? Sounds like its not yet a done deal, but I can only say bring it on.

And finally today, does anyone remember the original "Spy Kids" movie? Though Robert Rodriguez's movies lost more and more of the fun in its sequels, the first movie (starring Reel Fanatic fave Carla Gugino, among others) was a perfect little bit of escapist entertainment.

Well, Rodriguez, never one to tire of an idea quickly, has now decided to launch a reboot of sorts of the "Spy Kids" franchise, this time with Jessica Alba sort of in the role started by Gugino.

This time out, Alba will play a retired spy who has been reactivated. Her character is the mother of a baby and two preteen stepchildren. This will, of course, mean casting new "Spy Kids," since the originals, Alexa Vega and Daryl Sabara, are surely too old by now. The only other thing that's known so far is that the villain is known as the Time Keeper, whose goal it is to stop time.

That last bit, at least, gives me hope that this will return the series to its roots, which would be a fun turn. And Alba, of course, stars in Rodriguez's "Machete," which will cut a bloody swath through theaters beginning Sept. 3.

It's just about time for me to go to the job that still pays my bills, but I'll leave you with a clip from another movie opening that week, Anton Corbijn's "The American," starring one George Clooney. With its retro look and feel, the tale of a hitman trying to retire is one I'm certainly excited to see. Enjoy the clip, and have a perfectly passable Tuesday. Peace out.

Kiki's Delivery Service still manages to cast enchanting spell

Deceptively simple and sweet, Hayao Miyazaki's Kiki's Delivery Service has still managed to linger in the hearts of movie lovers, and now it's finally gotten the proper DVD release it deserves from Disney and Studio Ghibli.

Kiki, voiced by a young Kirsten Dunst in this Western version of the story, is a 13-year-old witch who - as is the custom - is sent to live away from her parents for a year to figure out what her talent is. Kiki eventually settles on the village of Koriko, which resembles a seaside European village in the 1950s, and sets up her titular delivery service.

One of the things that makes viewers of all ages become instantly engaged with Kiki's story is the genuine wonder with which she approaches the world, delivered in both Miyazaki's story (loosely based on the novel by Eiko Kadono) and in Dunst's voice work. He's said in interviews that he modeled Kiki's adventures on the mix of independence and reliance experienced by Japanese girls, and as he did for younger children with My Neighbor Totoro and later Ponyo, he's made a story that fits his heroine's age and outlook perfectly.

And it doesn't hurt that visually this is probably Miyazaki's best work too, and certainly his most mainstream. John Lasseter, who introduces the movie on DVD, is known to be a devoted fan, and you can see the direct link from the stunning sight of Kiki encountering her new seaside home for the first time and when Remy scurries to the rooftop and first overlooks Paris. Oh if only Pixar hadn't caught the 3-D bug ... oops, I won't digress.

As Kiki settles in Koriko and applies her talent for flying, she's always accompanied by her loyal sidekick, a black cat named Jiji, voiced in the Western version by the late Phil Hartman. Though he was never one of my favorite Saturday Night Live performers, he's restrained but seriously sarcastic here, and it's what I most like to remember him for.

Kiki also finds her first love in Tombo, a young boy who looks surely not coincidentally a heck of a lot like TinTin. Like Miyazaki, Tombo has a love of flying machines. And it's this signature Miyazaki trait that give's Kiki's Delivery Service its strongest act - the big finale.

The movie ambles along at a leisurely and breezy pace until Kiki starts to lose her two most valuable skills, flying and the ability to talk to Jiji. I don't want to give too much away, but she eventually gets them back with the help of a mysterious hippie artist named Ursula (Janeane Garofalo, yes really), just in time to come to the rescue of poor Tombo, who finds himself - among other things - hanging on to a rope attached to a crashed dirigible. It's a super action set piece that's rivaled in Miyazaki's work only by the finale of Castle in the Sky, and it's what seals the timeless quality of Kiki's Delivery Service.

In the extras, Miyazaki makes a sly dig at Western audiences who don't stick around through the credits (unlike Japanese audiences who, not surprisingly, apparently sit there dutifully until the lights come up), and there is indeed plenty of reason to stick around until the very end of Kiki's credits (which I admittedly didn't do until now.) It completes the story in a humorous and touching way, and just sums it up perfectly.

Though the real treasure among the extras are the original storyboards that allow you to see the movie coming together in Miyazaki's hands, there are also featurettes which let you hear from the man himself, and it's here that his genuine love for this movie comes through. The animation master hopefully has at least a few more movies left in him, and it's a pure joy to see the mischief in his eyes as he talks about "deceiving" Japanese viewers into thinking that Kokiro was based on actual European city, whereas it's clearly just a hodgepodge of classic European settings, rendered as beautifully as an impressionist painting.

And, most remarkable of all, producer Toshio Suzuki reveals that he pitched the idea of making a movie about an adolescent girl, and at the time Miyazaki said he knew nothing about them (having only sons.) As anyone who's seen Kiki's Delivery Service knows, that didn't keep him from making a movie that not only captures that awkward period in life perfectly but also delivers a tale that manages to cast a still lingering spell on viewers young and old more than 20 years after its original release.

What in the world ever happened to Brad Bird?

You know, when a dude has managed to direct two out of three of my favorite animated movies in "The Iron Giant" and "Ratatouille" (with only Hayao Miyazaki's "Kiki's Delivery Service" sandwiched in between), it really is odd to watch him pretty much just disappear, but that seems to be exactly what's happened to Brad Bird.

For the last few (or maybe more) years, he's been trying desperately to mount a live-action take on the novel "1906," which would just be a blast. Actually, I didn't really care for the book by James Dalessandro, but it's subject matter - the politically corrupt world of San Francisco in the titular year, and the great earthquake that brought it all crumbling down - is just ripe for Bird's natural gift for storytelling.

Though that's still somehow listed as a "2012" project at the IMDB, it still has no cast that I know of, and I'm fairly certain that Warner Bros. has balked at putting up the scratch Bird would need to pull it off - or apparently, even really get started.

Now, however, it seems that J.J. Abrams and Tom Cruise (it apparently does help to have friends in high places) might step in to give him something almost as fun to work with. With a May 27, 2011, release date already set and filming set to begin this summer on "Mission Impossible IV," the duo have yet to settle on one minor question: Who should direct this?

Well, it seems they've already talked with "Zombieland" director Ruben Fleischer and Edgar Wright, who has "Scott Pilgrim Vs. the World" coming this summer (bring it on, already!), and now you can add the most intriguing choice, Bird, to that list too.

I know that's a lot to write about a movie that's so far off, but I really just adore spy movies, and once this one finally comes together it should just be nothing but fun - especially in the hand of Brad Bird or Edgar Wright.

OK, after that today, it's all about Tyler Perry and Lee Daniels (well, until we get to the finale, at least.)

Because the man feels it's both his right and duty to direct at least two movies every year, Tyler Perry has a new movie, "Tyler Perry's Why Did I Get Married Too?", coming out next week. And though I've seen and at least somewhat enjoyed every movie the man has made so far (how many directors can you really say that about?), this is the first one I'm really just not looking forward to, because it's - obviously - the sequel to what I think was his worst movie so far.

But here today, it's not about any of that, but instead what's happening with his next movie, which should just be epicly good. His take on the play "For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf" by Ntozake Shange is set to shoot in New York this June, for a January 2011 release (meaning, rather amazingly, the man will only have one movie in theaters this year), and it's not surprisingly attracting some big names.

Mariah Carey, who proved she can really act in Daniels' "Precious," and "Why Did I Get Married" star Janet Jackson are the latest big names to join a cast that already has Whoopi Goldberg, Phylicia Rashad, Jurnee Smollett, Kimberly Elise (aka Perry's "Mad Black Woman"), Loretta Devine and singer Macy Gray. He apparently wanted Beyonce, Oprah and Halle Berry, too, but perhaps even Tyler Perry can't get everything he wants.

One of Perry's greatest strengths has always been his ability to write strong, well-rounded parts for women, so this flick should be a dream fit, and I can't wait to see what he comes up with.

And Daniels, a Perry protege of sorts, is also putting together a pretty fascinating cast for "Selma," which will be his followup to "Precious" and be about Martin Luther King Jr.'s pivotal 1965 march from Selma to Montgomery, Ala.

Already announced are Hugh Jackman as Sheriff Jim Clark, "Precious" vet Lenny Kravitz as Andrew Young and British actor David Oyelowo as Dr. King himself, and now you can add to that Liam Neeson as Lyndon Johnson and Cedric the Entertainer as King cohort Ralph Abernathy. Robert De Niro had earlier been rumored to be playing George Wallace, which would have been remarkable, but that apparently isn't happening. Even so, that's a pretty wild cast for this epic saga, so definitely keep your eyes on this one.

And finally, I'll leave you today with easily the funniest thing I found online this morning. Though as a matter of habit I usually go to bed by 11 p.m., on those occasions when I happen to be up later, I always go out of my way to watch Conan O'Brien, wherever he might be. For folks who make a whole lot more money than I do, he's on a live tour this summer, and hopefully headed back to late night as soon as this fall on Fox, but in the meantime singer/songwriter/comic Ben Sheehan has come up with this little tribute that fits this spirit of CoCo perfectly. Set to the tune of Diddy's "I'll Be Missing You" (which of course is already a grand pilferation from the Police), "I'll Be Watching You (Miss You Coco)" is as genuinely funny as it is simply bizarre. Enjoy, and have a perfectly pleasant Thursday. Peace out.

I'll Be Watching You (Miss You Coco) - watch more funny videos

DVD review: My Neighbor Totoro is still charming after all these years

In a movie world in which it seems like everything we see will be in 3-D (and I'm not exaggerating one bit there), there are really very few better reminders of how beautiful old-fashioned storytelling can be than in the still extremely charming films of Hayao Miyazaki.

Out now on DVD from Disney and Studio Ghibli are special editions of "Kiki's Delivery Service," "Castle in the Sky" and "My Neighbor Totoro." "Totoro," more than any Miyazaki movie, just perfectly captures his ability to view the world through the eyes of mischievous children, and in Totoro himself gave the studio its signature mascot.

Unlike most of Miyazaki's movies, "Totoro" has a definite time and place, rural Japan in the 1950s, and he and his animators turn the landscape of rice patty fields and wooded areas into an enchanting place to visit.

As the movie opens, Satsuki and her 4-year-old sister Mei, voiced with wide-eyed enthusiasm by Dakota and Elle Fanning in the Western version (yes, really), arrive with their father at their new home in the countryside, and of course immediately find it to be full of wonders, including the susuwatsari, soot sprites that disappear once the girls become comfortable in their new surroundings.

And this odd living arrangement (mom, it turns out, is recovering in a hospital from a long-term illness) just about perfectly captures how Miyazaki views the role of adults and children in the world. Dad, voiced by Tim Daly, is benevolent but aloof, happy to keep his nose buried in books while his daughters explore the world around them. It can be troubling if you think about it too much, and even more so in "Ponyo," but don't ... just let the charms of "Totoro" unfold around you as they do for young Mei.

After spying a pint-size, semi-translucent version of Totoro (there are, since Miyazaki is ever the prankster, three of them), Mei follows it through a thicket of trees and down a hole where she finally encounters the giant version of Totoro, who most closely resembles a big cat, but really just looks so odd that he can be just about anything you want him to be. There's a genuine goofy charm to their first encounter, as Mei lays on the stomach of a sleeping Totoro and tries to figure out just what in the world she's encountered.

I don't want to give away too much for anyone who's never seen this or just wants to rediscover the movie again, but from there it turns into one of Miyazaki's trippiest rides, and it's a thoroughly fun one to take. On the way we get a signature moment of Miyazaki wit when Totoro first reveals himself to Satsuki as she and Mei are waiting in the rain for their father at a bus stop, and promptly jumps up to drench her with water. Things get crazier and crazier, though at a natural pace, until a giant cat bus (you really have to see it to believe it) arrives to reunite the girls with their mother.

I think Miyazaki's best movies, "Totoro," "Kiki's Delivery Service" and "Ponyo" (though I have a real soft spot for "Porco Rosso" too), are the ones he has clearly made for kids. He's just a big kid himself, and he delights in creating worlds that let children explore everything around them and discover all the dangers and delights.

And, whether you've never seen "My Neighbor Totoro" or simply want to reunite with a movie I'm sure many of you loved when it first came out in 1993 (in the U.S.A., five years after its Japanese release), this "special edition" is one that truly earns that designation.

The real treasure here are the original Japanese storyboards, which let you watch the movie as a work in progress, with Miyazaki's raw drawings accompanied by the Western voice track. For animation lovers, this really is an indispensable treasure.

And in the World of Ghibli, there are a series of featurettes, the best of which feature Miyazaki himself talking about what he has created with "Totoro." It's here that you see both Miyazaki's clear love of Japan and his impish spirit emerge. And hearing producer Toshio Suzuki explain how Totoro himself is and isn't like "ET" is just a delight. One word of caution - unless you're simply in need of a sleeping aid, avoid at all costs the "The Locations of Totoro" featurette, which is simply a half hour of some Japanese actress walking through the Japanese countryside and saying things like "this farmhouse easily could have fit in 'Totoro'." Yes, really, and it's just as boring as it sounds here. Other than that, however, the extras here are well worth an hour or so to delve into the weird and often wonderful world of Studio Ghibli.

Whether you're discovering it for the first time or, like me, revisiting an old favorite, "My Neighbor Totoro" has a timeless charm that will never grow old, and is well worth watching again on this special edition release.

A visit to the magical world of "Ponyo"

As I woke up Sunday morning, I was more than ready to find out that, yes, Disney had lied to me once again and Hayao Miyazaki's "Ponyo" would not be playing anywhere even near my little corner of the world, but I was thankfully wrong.

Centerville, about a half hour to the south of me, has actually been good to Miyazaki through the years, showing both "Howl's Moving Castle" and "Spirited Away," and there was practically a packed house for the 1:30 screening of "Ponyo," which I have to say just warmed my extremely cynical heart to see.

Now, "Ponyo" certainly isn't one of Miyazaki's most epic works, but in my book it's still one of his best. I've always liked his stories when they keep things deceptively simple, as with my two favorites, "Kiki's Delivery Service" and "Porco Rosso." Like those two magical movies, "Ponyo" is clearly intended for children, and in all the best ways.

For anyone who doesn't already know, our titular heroine, voiced in the Western version by Hannah Montana's brother, apparently, is a goldfish who just wants to be a little girl. And to enjoy this blissfully simple creation, that's all you really need to know.

From there, Miyazaki goes on to explore many of the themes that have flown through his best movies through the years. At the movie's core, it's about friendship and - hokey as it may sound - love, between Ponyo and her new human friend Sosuke (apparently a Jonas of some kind), Sosuke and his mother Lisa (voiced by Tina Fey), and, well, all living things (like I said, you have to swallow a whole lot of hokey to go along with this one.)

But just as important as the story here is that "Ponyo" looks as good as any Miyazaki movie ever has, particularly when he explores one of his favorite realms, the sea. Though I had seen the scene when Ponyo emerges from the sea on the backs of a school of fish on the small screen beforehand, it's still a majestic sight, made all the more magical in the vivid and yes, 2-D strokes that turn Miyazaki's pallet into a watercolor tableau full of beautiful colors.

I'm not sure anyone will pay enough attention ("Ponyo" did manage to crack the top 10, taking in about $3.6 million in week one), but with this and the coming "The Princess and the Frog" Disney has, perhaps unwittingly, entered into an animation war to save the traditionally beautiful art form (and, interestingly enough of course, at direct odds with its almost always better half, Pixar.) In this looming battle, 2-D is sure to lose, but I'll be its champion until it disappears for good.

As with any Miyazaki movie, "Ponyo" does just have head-scratching plot turns that demand you suspend all logic. The most glaring example is that we're to believe an apparently very loving mother would leave her 5-year-old son (and his new goldfish inamorata) at home alone during a very violent storm. But if you're willing to suspend reason for a while and can stand a big dose of sugar, I can almost guarantee you'll enjoy a ride with "Ponyo."

I'll close with the most direct comparison I can think of, to M. Night Shyamalan's "Lady in the Water," easily one of the worst movies I've ever seen. Though both movies were written explicitly for children - Miyazaki's movie for his grandson and M. Night's crapfest as a supposed "bedtime story" - "Ponyo" succeeds where the other movie fails so miserably because it delights in majestic storytelling rather than simply throwing out ludicrous ideas with no spirit behind them (it's painful to remember, but didn't M. Night cast himself as the writer who can somehow save the world - sheesh.)

Here's hoping Miyazaki has at least a few more movies left in him, because "Ponyo" proves he's still very much near the top of his game. Peace out.

Scab-free "Futurama" - plus two tantalizing trailers

Actually, there's at least a rumor out there today that's crazy enough I should really start out with it (and it's not the fact that Rob Marshall will be stepping in to direct "Pirates of the Caribbean 4," which I really couldn't care less about.)

It seems that, at least according to the Hollywood Reporter's Risky Biz blog, "500 Days of Summer" director Marc Webb may now be tapped to helm another big-screen take on "Jesus Christ Superstar." Take a second to digest that.

As for his first flick, which I saw a few weeks ago, I'd say like Summer herself I was in a state of "like" rather than "love" by the end. The two leads, Zooey Deschanel and Joseph Gordon Levitt, have charm to spare, as does most of the movie, but I couldn't help but feel an evolving sense of stasis since going in you knew at least sort of how it was going to end.

I will say two things in its favor: It's easily the best "romantic" movie I've seen so far this year, and as far as break-up movies go, it's just miles and miles and miles better than that turd of a flick "The Break-Up," starring Jennifer Aniston and Vince Vaughn. Man, did that stink. As for "500 Days of Summer," I'd say if it's playing anywhere near you, take a chance on it for a fun summer diversion.

And as for Universal's apparent plans to remake Tim Rice and Andrew Lloyd Webber's musical, which was already made into a wacky little flick by Norman Jewison, I'd say it could certainly work and will make a ton of money, and Webb can certainly do it. Myself I'd call marginally interested at best. I am, however, always interested in "She & Him" by Deschanel and M. Ward, which I'm listening to right now. Priceless.

Now to what for fans of good, smart, funny sci-fi can only be great news. I had a sneaking feeling that the news Twentieth Century Fox was recasting for the upcoming new episodes of "Futurama" on Comedy Central was just a negotiating ploy.

The main thing "Futurama" has going for it, beyond the fact that it's just thoroughly entertaining, is that it has a devoted fan base of folks like me. Going to the trouble of making new episodes after you've alienated everyone by firing the entire cast would really defeat the entire purpose of bringing it back.

Thankfully, it's not to be. It seems all the main cast members - Billy West, Katey Segal, John DiMaggio, Maurice LaMarche and Tress MacNeille - have all now signed for the new season of 26 episodes at a little less than they wanted but more than the studio was initially offering before breaking things off. So now I'm certainly in when this finally comes back in mid-2010 or so.

And in one other really good bit of TV news, it seems I will indeed be holding onto my HBO for a bit longer after this season of "True Blood," because the "Seinfeld" reunion of sorts on "Curb Your Enthusiasm" is turning into more than a minor affair.

I assumed they - Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards - would only agree to it for one episode, but apparently I'm wrong (yes, I'm used to it by now.) When the show returns in September (I think), the "Seinfeld" angle will be a "major arc," with all the cast members appearing in at least five episodes, according to HBO. Rather than an actual "Seinfeld" reunion, Larry David says it will instead be more about why that would be such a bad idea in his mind and what everyone's been up to in the last 11 years (wow, really?) In the case of Richards, at least, that should be pretty fascinating.

OK, now on to the trailers. The first, which I think actually came out yesterday and was pointed out to me by Movie Mom Nell Minow, is the first trailer for Wes Anderson's "The Fantastic Mr. Fox," and I have to say it looks at least as good as I could have hoped. If you're gonna tell a classic children's tale, I'd much rather watch it in this appealing stop-motion style rather than with even-more-souped-up 3-D gadgetry. Enjoy, and stick around for one that gets me even more giddy.



Finally, as far as I know, this is the first trailer for Hayao Miyazaki's "Ponyo" that contains a lot of the Western voice-over, and though as usual the dubbing doesn't match up at all with the moving mouths, it still looks amazing. Seeing Ponyo turn from goldfish into little girl is just great, so here's hoping this really does open "NATIONWIDE" as Disney has promised on Aug. 14. And if you'll excuse me now, I'm off to see Judd Apatow's "Funny People" and hoping I'll like it a lot more than some of the critics have. Peace out.

A glorious glimpse of "Where the Wild Things Are" on a newsy day

This being Comic-Con season and all, there's a lot of great news out there for a Saturday morning, so I'll just jump right into it - finishing up with the truly fantastic new footage of "Where the Wild Things Are."

First up comes news about the second season of Joss Whedon's "Dollhouse" on Fox, which I'm rather amazed - but happy - is happening at all. The show took a good six or seven episodes to get started, but once it did, it was solid and increasingly crazy (especially the finale) sci-fi.

Well, "Buffy the Vampire Slayer" and "Firefly" fans should definitely take note, because Whedon announced at Comic-Con that (Salisbury, Md., native, huzzah!) Alexis Denisof, aka Wesley Wyndham-Pryce, will have a recurring role on season two of the show, and River Tam herself, Summer Glau, will probably factor into it somehow too now that "Terminator: The Sarah Connor Chronicles" has gotten the axe.

And, since I suppose he couldn't resist, Whedon slipped in a thoroughly deserved dig at "Heroes" season two: "As long as we don't send anyone to feudal Japan, I think we'll be okay."

And I've also included a teaser poster for "The Cabin in the Woods," the horror movie that Whedon is cooking up with Drew Goddard. Funny as they are, the posters aren't all that promising, but with Richard Jenkins and Bradley Whitford headlining this, and even "Dollhouse" and "Angel" star Amy Acker in tow, I'm betting its gonna be a lot of fun when it finally comes out in February.

Next up, in movie news so good I probably should have led with it, David Cronenberg is about to - finally - get back to making movies again. He had been rumored to be making something from the Robert Ludlum spy vs. spy tale "The Matarese Circle" with no less than both Denzel Washington and Tom Cruise, but it sounds like the frankly more promising project below might happen first.

The new word is that Cronenberg is teaming up with a Portuguese producer to bring novelist Don DeLillo's "Cosmopolis" to the big screen. I've not read that one, though I did read "Underworld," but the plot certainly sounds nuts enough for Cronenberg: The story of a 28-year-old multimillionaire on a 24-hour odyssey across Manhattan to get a haircut.

I kind of miss the days when Cronenberg's movies had a more creepy side to them ("Spider" is still my favorite), but it's just nice to hear the man is working on the big screen again at all.

On another subject completely, it seems that Todd Phillips' follow-up to the wildly popular and mostly deserving "The Hangover" just got a lot more classy, even if does fall squarely in to the road-trip rut he's crafted for himself.

It seems that Robert Downey Jr. has signed on to play the lead in Phillips' next flick, "Due Date," along with "Hangover" star Zach Galifianakis. Downey will play an expectant father who finds himself on a road trip with a mismatched partner (Galifianakis, natch) as he races to get home before the birth of his first child.

Though Downey is now crafting a solid career as an action star with "Iron Man" and now "Sherlock Holmes," I always like him best when he's funny, as he rather deliriously was in "Tropic Thunder," so to this I can only say bring it on.

And, finally before we get to the "Where the Wild Things Are" goodness, if I were really able to go to Comic-Con rather than just be there in my mind, the one other panel (along with "Where the Wild Things Are") that I'd be sure not to miss would be the Miyazaki/Disney panel, at which John Lasseter made a promise that damn well better be true about Hayao Miyazaki's new flick, "Ponyo."

Disney deserves credit for getting behind the Western release of Hayao Miyazaki's movies, but they've never really given them a full-throttle Disney push, until now. Here's hoping that Lasseter meant it when he said of "Ponyo," "We are going to give this a nice big release. Disney believes that strongly in the film."

And I can promise you I will be one irate moviegoer if that doesn't turn out to be true come Aug. 14.

OK, finally comes the "Where the Wild Things Are" featurette screened at Comic-Con that just made me smile broadly through its entire three-and-a-half minutes or so. Along with interviews with Spike Jonze and Maurice Sendak, it also contains some new footage, and yes, I do plan to howl like a wild thing in the theater once I finally get to see this for real. Enjoy, and have a great rest of the weekend. Peace out.

With "Ponyo," three glimpses of how people view the world around them

First and foremost, happy birthday America, and in your honor, I'm not going to even try to tell one single joke about Sarah Palin ... well, maybe just one, which I admittedly stole directly from my Facebookbud and Twin Cities DJ Jason Nagel:

What's the difference between a hockey mom and a pit bull? A pit bull doesn't quit.

OK, enough of that, because here today it's once again all about Hayao Miyazaki's upcoming "Ponyo" (as I believe it's known in this wonderful country), and a glimpse of how people around the world can view the same thing differently.

What it is, courtesy of the delightfully obsessive Ghibli Blog, is three international trailers for the flick, first the Japanese, which as you can see, is all about fun, right down to that instantly addictive "Ponyo" song, which damn well better appear in the American version set to drop Aug. 14.



Cool enough, but the French version is all kinds of crazy. Serious, not surprisingly, but also combined with a simply ridiculous opera track. Enjoy.



And finally, the American version, which I admit I just posted here less than a week ago, bur for the sake of this, here it is again. Being Americans, we go straight for the spectacle, hence the big time paid to that stunning shot of Ponyo running out of the ocean on the backs of a school of fish.



That's close to all I have today, but since it's my favorite holiday, a gift for anyone who made it this far. Atmosphere, the Twin Cities' and one of America's best rappers, has put out a new 7-song EP you can download for free and enjoy here. As usual, it's pretty epically good stuff.

And with that, I'm off to watch the all-American showdown of Venus and Serena in the Wimbledon final. Peace out.

Remember glorious 2-D animation? Miyazaki does, and it looks amazing

Before we get into all that, when I first saw this news, I assumed it had to be a joke, but apparently not. And given how much David Fincher's been a hired hand in his directing career, I guess it kind of makes sense.

It seems that Fincher, who in my book is in need of a winner after the sappy swill that was "Benjamin Button," is in final negotiations to direct "The Social Network," Columbia Pictures' upcoming movie about the creation of Facebook. Take that in for a sec, because it does just indeed seem quite ludicrous.

But the idea of a Facebook flick has a little more merit when you dig into it. The already-written script is by Aaron Sorkin, who before he became infatuated with the religious right was capable of producing some seriously witty stuff. It's based on the book "The Accidental Billionaires" by Ben Mezrich, and will be set at Harvard, where then-sophomore Mark Zuckerberg and his friends set up the social networking monster (yes, I'm on it, and it does prove to be at least a mild diversion.)

While I can't help but think this will be horribly dated if and when it ever gets made, and I can't fathom what beyond a truckload of cash would draw Fincher to it, something still has me holding out hope that it could be a lot of fun.

In much, much crazier directing news, it seems that Zhang Yimou, who last choreographed that simply insane opening ceremony for the Beijing Olympics and hasn't directed a feature flick since 2006's "Curse of the Golden Flower," is now shooting a Chinese remake of the Coen brothers' "Blood Simple."

No, I'm not making that up, and I'm not really sure I could. Called "San Qiang Pai An Jing Qi" - which roughly translates as "The Stunning Case of the Three Gun Shots" - the "thriller-comedy" is set to be released later this year.

Now, I normally rail against remakes as much or more than anyone, but something about a Chinese director actually bothering to take on the Coens' little film noir just makes me smile and laugh, and you can bet I'm gonna see it as soon as I can.

And finally, before we get to the Miyazaki goodness, if you think you're having a bad day at work, just be thankful your boss isn't this guy:


That, of course, is the great Ricky Gervais, and the picture comes from his blog, which you can read here. It's a shot from his upcoming movie, "Cemetery Junction," which will (huzzah!) see him working with Stephen Merchant once again and be about three young men who sell insurance in Reading in the 1970s. "The Office" meets "Mad Men"? I'm there.

But of course, before I got sidetracked, this was supposed to be all about the trailer for Hayao Miyazaki's "Ponyo," which just made its debut and in just a minute-and-a-half or so looks like a real stunner.

And man do we need it. I know I'm just an old curmudgeon standing in front of a thundering freight train, but I sorely miss the good old days of 2-D animation. It's gonna take a revolution to turn back the clock now, and with the voice talents of Tina Fey, Matt Damon, Liam Neeson and even a lesser Jonas and a lesser Cyrus, plus the power of Disney behind it, I'm hoping this shot from the master will play really wide when it opens Aug. 14 and gets things started.

Who really needs to see this, beyond me, of course, is Pixar's John Lasseter, who, before making the fool pronouncement that his company would from now on only make movies in 3-D, expressed a love and admiration for Miyazaki's work. Here's hoping he sees this flick and has at least a partial change of heart.

Anyways, as you can see from the trailer, this is Studio Ghibli animation at its best. That scene when Ponyo rides out of the sea on the backs of a school of fish is just fantastic, and has me thoroughly jazzed to see this as soon as possible. Enjoy, have a passable Wednesday, and if you have a chance, take a break to watch some of the U.S.A.-Spain Confederations Cup semifinal this afternoon on ESPN. Peace out.

My problem with 3-D, and a fantastic film opportunity in Macon

Just in case you thought there might be some end in sight to the 3-D wave of animation (and eventually, I fear, nearly everything else), there was an odd story this morning that shows just how much it's taken over just about the entire world.

It seems that even Frenchies like Patrice Leconte, director of one of my favorite froggy mind-benders in "The Man on the Train" and many other flicks, is getting into the 3-D animated game. Granted, he's making something called "Le Magasin des Suicides" (literally, "The Suicide Store"), a "dark comedy" about a family-owned shop that sells suicide tools to a depressed and suicidal world.

At least the story sounds interesting enough, but as much as I've tried, I just can't get into 3-D animation as anything more so far than a gimmick. I thought Pixar's "Up" would be the movie that finally gets me on board, but I think I can now officially count myself as someone who just doesn't believe the hype.

Now, there was one movie so far that I thought really made fantastic use of the technology, Henry Selick's "Coraline," but that's really it. Every other time I've seen a 3-D movie (and there's been at least "Up," "Monsters Vs. Aliens" and "Nightmare Before Christmas"), the supposed thrill just left me cold, and I think I've finally figured out (after discussing it with my fellow cubicle slave Randy Waters) why.

It's those glasses, which to me just make the whole screen muddy. A big part of the thrill in animated movies for me is to see the vibrant colors used to create something as beautiful as a painting. Think back to when Remy the rat first beheld the cityscape of Paris in "Ratatouille" or when Kiki was flying over Mediterranean Europe in Hayao Miyazaki's "Kiki's Delivery Service." I just can't imagine those unforgettable images would be as magical if they had been run through the 3-D machine.

And beyond the muddiness of the images, I just feel like it removes me from the experience by a level or two, putting this filter between me and the screen that just creates a remoteness that limits my engagement with the movie.

Now, even if I am an increasingly old curmudgeon about this and other things (I listened to the Black Eyed Peas' "Boom Boom Pow" the other day to see if I could get into it, but I can't ... I love hip-hop and always will [listening to Dead Prez right now], but I just can't stand that vodaphone crap, another gimmick that just distorts the beauty that is rap music), I am sane enough to realize there's really nothing I can do about it. I was tempted to go back and watch "Up" in 2-D to see if I would enjoy it more, but decided to save my money instead.

But before I go any further on in that longer-than-expected tangent, this was supposed to be a plug for the Macon Film Guild, which is showing what I expect to be a truly great flick this Sunday in "Sugar."

It's been forever since I've seen a great baseball flick in a movie theater, so I was hoping that this one from Anna Boden and Ryan Fleck would get a proper run, but it never materialized. I was bit underwhelmed by "Half Nelson," mostly because by the time I finally managed to see it the flick had been hyped so much that I was just expecting more, I guess.

With "Sugar," however, you can count me as thoroughly amped. The flick tells the story of Miguel "Sugar" Santos, a Dominican teenager who gets scouted as a pitcher and at 19 enters the U.S. minor league system with hopes of hitting it big.

The Macon Film Guild, which consistently shows quality flicks that should find more of an audience, is showing this one at 2, 4:30 and 7:30 p.m. Sunday at the Douglass Theatre in Macon, so if you're anywhere in the Middle Georgia area, come out and check it out, because it deserves a big crowd. If you're at the 2 p.m. show, I'll see you there.

And I'll leave you today with the first trailer I've seen for Martin Scorsese's next flick, "Shutter Island," which looks, thankfully, like it will be even crazier than I was hoping. Based on a Dennis Lehane novel, it of course stars Leonardo DiCaprio as a U.S. marshall who uncovers a nasty secret at a hospital for the criminally insane. It really looks like Scorsese making a B-movie, and almost a horror flick, and I can't possibly see anything wrong with that. Peace out.

It's official: David Simon hits New Orleans, and, yes, the X-men will go on forever

Actually, before we get into all that, there are two bits of news out there that offer varying degrees of promise.

First of all, there was apparently a screening last night for movie executives of Terry Gilliam's "The Imaginarium of Dr. Parnassus" in an attempt to finally find Heath Ledger's last flick an American distributor even before it screens out of competition at the Cannes Film Festival. This is easily bordering on pathetic, but at this point, whatever it takes to get this into a theater anywhere near my little corner of the world will be welcome. Stay tuned ...

And in great TV news, Mindy Kaling, a k a Kelly on "The Office," has signed her own deal with NBC. Kaling, who along with playing Kelly has been writing for "The Office" for years now, will continue to work on that show next season as she simultaneously develops a new comedy in which she would also star.

Among the episodes she's responsible for is the one that's still my single favorite, "Diwali," a k a the "Hindu Halloween." Here's hoping this leads to something seriously funny, because TV could certainly use it.

But here today it's mostly about the return of David Simon to HBO, which has been kicked around for awhile but is now official as it has picked up his pilot for "Treme" and will be taking it to series.

Though Simon has stressed this won't be making " 'The Wire' twice," it's clear that what he's cooking up with fellow "Homicide" scribe Eric Overmyer will be just as political and probably just as often maddeningly entertaining as that scarring portrait of Charm City was. Per Simon:

"It will be uplifting at points, and may make viewers a little angry at points," Simon said. "And at another point it will make viewers a little depressed."

And best of all, the cast will prominently feature two vets of "The Wire" and even a former "Homicide" beat cop. New Orleans native Wendell Pierce, a k a Bunk Moreland, will play a struggling trombonist and Khandi Alexander - who starred on Simon's "The Corner" - will play his ex-wife, who owns a bar. Amazingly enough, Clarke Peters - a k a Lester Freamon - will play the leader of a Mardi Gras Indian tribe. And rounding out the cast will be Steve Zahn as a DJ with "anger management issues," and even Melissa Leo as a civil rights lawyer.

So, now that it's going to series, when will we get to see any of this? Well, in a uniquely New Orleans twist, though the pilot has been shot, work on other episodes can't begin until after hurricane season, meaning the show probably won't hit the air until next spring.

Here's hoping it's not delayed any more than that (though that at least puts off the date I have to start paying for HBO again), since as anyone who watched "The Wire" - easily the best cop show ever - knows, Simon and company will have a lot to say, and about more than the Crescent City itself. Again, per Simon:

"Look at what happened down there after Katrina. A lot of things in which New Orleans depended on and trusted turned out to be wholly undependable and untrustworthy. The governing institutions were supposed to monitor things of actual construct like the levees and the pumping stations. That could be an allegory for what we Americans presumed about our financial institutions, and the governing bodies that were supposed to monitor them."

Amen, brother.

"X-Men Origins: Deadpool"? Yawn

Given how much mad cash "Wolverine" scooped up in its opening weekend, I guess the question really wasn't whether or not Twentieth Century Fox would make another "Origins" spinoff, but which mutant?

Well, the answer is in, and unfortunately it isn't Taylor Kitsch's "Gambit." Instead, Ryan Reynolds will get to be the star as the company has greenlit a "Deadpool" movie instead.

Now, I have no problem at all with the concept of a Deadpool flick. The character, a mercenary who submits himself to the Weapon X genetic alteration experiment as he's dying of cancer, is certainly a worthy movie subject. My only beef is with Reynolds himself.

And it's not really just that he can't act, but instead that to me he's pretty much a "nonpresence," if that's even anything resembling an actual word. Floating through good movies like "Adventureland" and simply wretched ones like "Smokin' Aces," he usually just makes no impression at all, though I have to concede he was very funny in the underrated Watergate spoof "Dick."

And just in case you doubt that the "X-Men" will continue to rule the universe, along with "Deadpool" there's also already a Japan-set "Wolverine" sequel, a "Magneto" movie starring Sir Ian McKellen, and Josh Schwartz's sure-to-be-cheeky "X-Men: First Class" all in varying stages of development. Sheesh.


Several looks at "Ponyo"

Though we won't get to see Hayao Miyazaki's "Ponyo on the Cliff By the Sea" in the U.S. until at least August 14 (and with its heavily Disney voice cast, hopefully EVERYWHERE), the picture above and several other stills you can find here just make me - and hopefully someone else - smile. You can tell from all the vibrant colors that this one is clearly intended for the kids, and that's just fine with me. Bring it on already!

And finally, in sticking loosely with the theme of the day and just because I like it, I'll leave you with this clip of the Treme Brass Band performing "I'll Fly Away" in a jazz funeral procession through the streets of New Orleans. Peace out.

Will Miyazaki's "Ponyo" ever hit U.S. theaters?

Actually, the most depressing news out there is that Jackie Earle Haley has signed on to play Freddie Krueger in Platinum Dunes' remake of "A Nightmare on Elm Street." Digest that for a second.

Now, on paper, Mr. Haley as Freddie isn't that much of a stretch. He certainly has the manic look down, but any news about what Michael Bay's Platinum Dunes company is up to just turns my stomach and makes it do flips.

Remaking fun movies like "Friday the 13th" and "Nightmare" aren't exactly bold artistic moves, but neither are they really high cinematic crimes. But the Platinum Dunes folks have no plans to stop there; they've got real classics in their sights too.

Further along is a "retelling" (the dirty little euphemism used to claim you're not making a "remake") of Hitchcock's "The Birds." I'm still hoping this will never happen, but assuming it does it will star Naomi Watts in Tippi Hedren's iconic role and have Martin Campbell of "Casino Royale" fame as its director.

Even more insidious but still in pre-infancy stage (if that's possible) is the company's plan to remake what remains my single favorite horror film, Roman Polanski's "Rosemary's Baby." If anyone out there has the power to stop all this madness, please do!

OK, enough of that. This was supposed to be all about Hayao Miyazaki, a subject which makes me much, much happier.

It seems that not only does his new film, "Ponyo on a Cliff by the Sea" (to be retitled simply "Ponyo") finally have a U.S. release date of Aug. 14 (more than a friggin' year after it debuted in Japan!), but it also has some kids in the lead voice roles that just might give it enough cache to even open in my little corner of the world.

Ensuring that Billy Ray Cyrus will apparently be able to live off the talents of his kids forever, it seems there's another little Cyrus running around, named Noah, and he has landed the titular role of the goldfish princess who just wants to be human. Just in case that's not enough Disney for you, it seems that yet another of those Jonas kids, someone named Frankie, will voice the role of Sosuke, the young boy who befriends Ponyo.

I really have no idea who any of those people are, but if that's what it takes to finally bring this to American movie theaters, bring it on. Among the adults involved in this are Cate Blanchett, Matt Damon, Tina Fey and Liam Neeson.

And in even better news that only impacts, well, me, I'm off to see "Adventureland" today at 2:15, and I'm fairly confident it's just going to rule. Peace out.

Happy Thanksgiving from me and Ponyo!

Happy Thanksgiving to all, and what could be better news for a holiday than that Hayao Miyazaki's "Gake no ue no Ponyo" is well on course to hitting theaters - maybe even near me! - as "Ponyo on the Cliff by the Sea" as soon as April 2009.

The news from GhibliWorld is that Disney is currently holding test screenings for the U.S. version that includes the following stable of voice talent: Matt Damon, Tina Fey, Cate Blanchett, Liam Neeson, Lily Tomlin, Betty White, Fankie Jonas, Noah Cyrys and Cloris Leachman.

From everything I've read this one may be even more than most magical Miyazaki movies specifically made for children, but so what? I act like a little kid at least once every day, and I'm sure I'll fall for this tale of a 5-year-old boy's friendship with the goldfish princess Ponyo who only wants to become human, all rendered in beautiful watercolors rather than any CGI crap. (And if Tina Fey were to voice a goldfish princess, wouldn't that just be all kinds of fun?)

There's no firm date yet for a North American release, but all I've read puts it in the first quarter of 2009, and I can only say bring it on! In the meantime, there's no real video clip here, but I defy you to listen to the "Ponyo, Ponyo, Ponyo" theme song and not end up humming it for the rest of the day. Enjoy, and have a perfectly pleasant turkey day!

Demko's DVD shelf: The wonder of "Wall-E" and the future of Pixar

Actually, the coolest news I could find out there this morning is that Shari Springer Berman and Robert Pulcini, who crafted the simply splendid Harvey Pekar bio "American Splendor," are now about to give the same treatment to Sam Kinison for HBO.

The duo are adapting the Kinison bio "Brother Sam" for Tom Shadyac (who, yes, has "Patch Adams" on his resume) to direct and Dan Folger (star of "Balls of Fury") to play Kinison. Folger can be a pretty annoying presence on screen, but, frankly, so could Kinison, and having seen Folger in "The 25th Annual Putnam County Spelling Bee" I can attest he can be a genuinely funny guy, so keep your eyes on this one.

But here today, however, it's about this week's DVDs and - more specifically - the wonder of "Wall-E." Looking back on my mid-year movie report, I had "Wall-E" fifth out of 10, not exactly a stellar rating giving that "Ratatouille" was my single favorite movie of all of 2007. I stand by that, but I will concede that, just as froggy director Guillaume Canet's "Tell No One" has delivered the best closing 30 minutes or so of this year with its amazing reveal, the first third of "Wall-E" is easily the best beginning to any movie of this year.

Watching our hero go through his daily routine and seeing robo-love slowly unfold with the tempestuous Eve (or, as he says, Ev-a) was without exaggeration magical. Here's what I had to say in my original review:

As corny as this certainly sounds, if you've seen Pixar's "Wall-E" (and if you haven't, why the heck not?), can you think of any movie in any genre for the last 20 years or so that had more to say about the power of love?

Well, robot love, of course, but the story of Wall-E and Eve still just grabs you faster and keeps you fully attached longer than almost any love story that I can think of (some might mention "The Notebook," but for simple entertainment value and much more, "Wall-E" just blows that away.)

It does lose a bit of steam as the movie slowly gets more and more conventional, but Andrew Stanton has still crafted a real charmer worth picking up on DVD. And more on Pixar coming in just a bit, but first two more DVD picks this week.

"Tropic Thunder"

When it comes to comedy, I have a broad range of likes, from the sweet (Woody Allen's "Vicky Christina Barcelona" and Peter Sollett's "Nick and Norah's Infinite Playlist" have lasted as two of my favorites from this year) to the truly crude.

In the latter category, there have been two truly tasteless moments in 2008 that I have to admit just made me howl. One is the anal sex joke that comes near the end of Kevin Smith's mostly satisfying "Zack and Miri Make a Porno" (which you won't hear any more about here since this is still linked from a family-friendly newspaper) and the other is Robert Downey Jr.'s "full retard" speech in "Tropic Thunder."

I just assumed that, given how much he appeared in the trailer, the best of his jokes as the black-faced method actor Kirk Lazarus were revealed there, but for once I was wrong. It's worth at least renting "Tropic Thunder," especially if you haven't seen it, for his retard speech alone, but there's also plenty of more crude capers (and more than a bit too much Jack Black), plus the rather funny mockumentary "Rain of Madness" to boot.

"Monty Python Holy Trinity"

I'm ashamed to say I own only one of these movies, "Monty Python's Life of Brian," on DVD. That one has just always had a special place in my heart, I think because amazingly enough I first watched it at a meeting of our Episcopal church youth group. Blasphemy, but not really all that harmful, methinks.

This week, for the rather reasonable price of $29.99 at Amazon, you get that flick packaged with the classics "Monty Python's Meaning of Life" and "Monty Python and the Holy Grail" with extras in a six-disc set. Not sure I can spring for it now - with Christmas coming up and all - but I have a feeling I will at some point in the fairly near future.

More on Pixar, present and future

I'll close today with a couple of clips. The first is "Burn-E," the Pixar short you'll get if you spring for "Wall-E" on DVD. It uses a lot of "Wall-E" in sharing the exploits of the welding robot, but the moment when he hangs his head in shame is just pretty cool.



Second comes the second trailer for Pixar's next flick, "Up," which rather ominously uses the first minute or so to simply extol the virtues of Pixar flicks past. Once it gets going we do get see our septuagenarian super hero (voiced by Ed Asner) and his flying house (ring any bells? I know there aren't that many original thoughts left at this point, but it would seem this steals rather directly and recently from Hayao Miyazaki!) Anyways, enjoy the trailer, and have a perfectly pleasant Tuesday.