Rev your engines: the "Sons of Anarchy" ride again starting tonight

Obviously, the poster above has nothing at all to with "Sons of Anarchy," but as a way to announce a new movie, it's a real doozy, made even better by the fact that it's for one by Jason Reitman.

So far, I've pretty much loved all of his movies I've managed to see, "Juno," "Up in the Air" and "Thank You for Smoking," so a new Reitman movie is certainly reason to celebrate, even if it isn't coming until Dec. 16.

And in case you didn't know, that's Charlize Theron passed out in the poster above. In the movie, according to THR, she plays "an alcoholic writer of young-adult novels who, on a whim, decides to return to the small town that she left behind years ago to aggressively pursue her ex-boyfriend from high school (Patrick Wilson) - only, now he is happily married and the father of a young child, which certainly complicates matters, and leads her to another high school classmate (Patton Oswalt), and no shortage of trouble."

Sounds like juicy fun to me, and since this is being written by "Juno" scribe Diablo Cody, this should be a real winner (and yes, I'm well aware that I had a truly painful experience sitting all the way through "Jennifer's Body," which was also penned by Cody, but let's just keep hope alive here.)

And in even better movie news, Studio Ghibli apparently has not one but two movies in the works, and one of them will be from the master himself, Hayao Miyazaki.

I was really hoping that, as he had announced, Miyazaki would do a "Porco Rosso 2," but what he's turning to instead could be even more amazing: An autobiographical movie (although he didn't specify if it would be his autobiography or someone else's.) Here's hoping it's his, because he's certainly had one fascinating life, but also that this doesn't signal that it will be his last movie.

Also, according to Twitch, "Grave of the Fireflies" director Isao Takahata is “reportedly working on a new film based on the classic Japanese tale about a princess who was discovered as a baby inside the stalk of a bamboo plant.”

I'm sure I'm far from alone in thinking that the world is a much better place with more Studio Ghibli movies in it, so bring them on ASAP!

OK, now, finally on to the main event, and I well may have missed one fall premiere of a show that I love, but tonight's season four premiere of "Sons of Anarchy" does indeed seem rather early, though certainly welcome in this little corner of the world.

The FX show about the motorcycle gang with (almost) a heart of gold may not be the deepest of entertainment, but it does have engaging story lines and keeps the smart action coming fairly quick.

The best thing about season four, however, may well be the guest stars, who are of a strong enough caliber that they might well overshadow stars Charlie Hunnam, Katey Sagal and Ron Perlman. Here's who's on board.

Georgia's Ray McKinnon, easily one of my favorite actors, will play the new fed determined to bring down SAMCRO. Perhaps even better, another Reel Fanatic fave, Rockmund Dunbar, most recently late of my favorite recent one-season wonder "Terriers," will play the new top cop in Charming, who apparently has no love for the SAMCRO posse. And finally, as you'll see from the preview below, Danny Trejo will join the cast as some kind of biker, I'd assume a rival to the SAMCRO gang, but that's not too clear yet.

But that, of course, is why you tune in, though Trejo apparently doesn't join the cast until episode two. If you're a fan, ride with "Sons of Anarchy" again beginning tonight at 10 on FX, and have a perfectly pleasant rest of your Tuesday. Peace out.

A short Wednesday report, with "Sons of Anarchy," Darren Aranofsky and Sarah Palin

Just a very short report today because I'm soon to head off to Minneapolis/St.Paul to see mi hermano and my parents for a few days, and frankly my mind is already there, but since there's almost nothing on TV right now, why not start with a great development for what's coming this fall.

In its continuing quest to employ every single actor who has ever appeared on HBO's "Deadwood," it seems that FX will next be featuring Georgia actor Ray McKinnon in a season-long arc on "Sons of Anarchy," which has quickly risen to be one of my favorite TV dramas.

As for McKinnon, he may still be best known as the Rev. H.W. Smith on the first season of "Deadwood," but his other great roles have included playing one ornery bastard in "That Evening Sun" and even playing Vernon T. Waldrip in my favorite Coen brothers' movie, "O Brother Where Art Thou." In short, he's just a great actor, and bringing on him to play an unconventional prosecutor who will be on the trail of SAMCRO on the upcoming season will make an already pretty darn good show even better.

And in a bit of movie news before two funny videos that caught my eye this morning, having wisely dropped any plans to make yet another "Wolverine" movie, it seems that Darren Aronofsky is finally closing in on something much more suited to his vision.

He's currently seeking backers for his epic take on the biblical story of Noah and his ark. Take a second to picture how great, or at least epicly bizarre, that could be. No idea if this will actually be his next movie project, but with the script currently undergoing a rewrite by John Logan, who among other things wrote the screenplay for Martin Scorsese's upcoming "Hugo Cabret," things do seem to be moving forward. Stay tuned ...

OK, moving quickly on to the videos today, I had never heard of this movie, "The Guard," until I saw this rather seriously funny trailer this morning. In the movie, best as I can tell, the great Brendan Gleeson plays a rather racially insensitive Irish cop who joins forces with an American FBI agent (Don Cheadle, welcome back) to track some unsavory characters, including Mark Strong. As you'll see from the trailer, it looks like nothing but funny, and Gleeson has proven, best in "In Bruges," that he's a natural comedian. I know this played Sundance this year, but no idea when it will get any other kind of release in the U.S. Keep an eye out for it, and enjoy the trailer.



And to close today, if there's been a sillier season in American politics, I can't remember it. I'm not one to stay up much beyond 11 p.m. on school nights, but if the late night guys aren't just having a field day with the fact that a dude named Weiner is waving his genitals all around, I'd be sorely disappointed. And then there's Sarah Palin, the gift that just keeps on giving. I'd be willing to just let this go, but since her forces have taken to Wikipedia to try and rewrite history in her favor, she's certainly fair game, and this Stephen Colbert Paul Revere clip, though a bit long, is just a hoot. Enjoy, and have a great weekend. As for me, I'm off until next Tuesday, to visit the land of however many lakes there actually are in Minnesota. Peace out.

The Colbert Report
Tags: Colbert Report Full Episodes,Political Humor & Satire Blog,Video Archive

DVD picks of the week: All hail Hal Holbrook and Helen Mirren

Looking at that headline, it's probably as much as anything a reflection that I myself am getting pretty friggin' old, but - by a pretty wide margin - the best two things on DVD this week are a movie starring an 84-year-old man and the complete run of a sublime TV series starring a 65-year-old woman (though on the younger side of the scale, I'm watching vol. 3 of the UK teen series "Skins" streaming on Netflix too, and that's a real treat.)

First up comes "That Evening Sun," a genuine Southern drama that has been around for quite a while. I first missed the chance to see it at the 2009 Atlanta Film Festival 365, but luckily managed to catch it in its rather meager theatrical run (it apparently has made a paltry $281,000 or so at the box office) last spring. The flick also played the Macon Film Festival this year, and is extremely worth catching now on DVD.

The few who have seen this already will know it's a rare starring turn by Hal Holbrook, the kind of treasure that should be savored while it lasts. Holbrook is probably my favorite performer, if I were forced to pick only one, and here he plays Abner Meecham, an aging Tennesseean who bolts the nursing home to try and reclaim the family homestead that his son has sold out from underneath him.

It's really a role Holbrook was made to play, full of anger, pride and, best of all, a dark humor. Returning to the farm, he finds it now inhabited by two of my other favorite Southern actors, Ray McKinnon and Maconite Carrie Preston (aka Arlene on "True Blood"), along with their daughter, played by ingenue Mia Wasikowska.

What ensues is a war of wills that can at times be hard to watch because, as each holds his ground, they each become less and less likable, but that gives the drama based on a short story by William Gay and directed by Scott Teems a natural feel.

Music by Patterson Hood of the Drive-By Truckers makes this all go down even sweeter, so if you wanna take a chance this weekend on a movie that so far hasn't even managed to make a blip on the radar screen, trust me and give "That Evening Sun" a try.

Today's second pick comes with a disclosure: Acorn Media was kind enough to send me the complete "Prime Suspect" to review on DVD, but that doesn't change at all just how great the UK police procedural starring Helen Mirren was and still is.

Though the stories contained in the seven, three-hour-or-so installments are as gritty - and often more so - than anything you'll find on the best of American police procedurals, it's the performance of Helen Mirren at its core that make these so entertaining.

The humanly flawed cop has been played out way past the point of cliche many times, and very well by Dennis Franz on "NYPD Blue" and Dominic West on "The Wire," but Mirren plays it so naturally that it trumps the pattern completely.

Watching how her life's foibles (among other things, her Jane Tennyson battles the bottle as much as she does her inability to have anything approaching a full personal life outside of the police beat) intertwine with the often frustrating and sickening cases she pursues make this the most well-rounded police series I've encountered on TV. It's indeed on a level with David Simon's "The Wire," and anyone who's been here before knows that from me that's the highest form of praise.

These have been available individually on DVD for years now, but I believe Acorn's collection is the first time they've all been collected in one set. They would make a fine gift for anyone who enjoys great TV, or if you're so inclined, perhaps for yourself.

And with that, I have to go now to the job that pays me in something besides promotional DVDS. Peace out.

Me vs. the Atlanta Film Festival 365

Sorry about that rather ridiculous title, but I still have "Chuck" on my mind after last night's rather seriously entertaining episode.

Like everyone, I just get a tremendous amount of useless e-mails at work, but about a month and a half or so ago, I got easily the best one I've received in several years, inviting me to the upcoming Atlanta Film Festival 365 (this weekend!!) as a "member of the press."

Now, I haven't been called that since I was asked several years ago to talk to a group of fourth-graders about my job. Here's hoping things go better this time, especially since it means two weekends of free movies!

It really is shameful that, since I've lived about 90 minutes from Atlanta for more than nine years, I've never attended this event before. I did try to go to the Savannah Film Festival last year with my folks, but since that's a much more star-studded affair, all the passes were sold out by the time I enquired.

Judging from the movie lineup, the Atlanta gathering, which runs from this Friday through Saturday, April 25, seems to me a more organic affair, offering genuinely independent movies from throughout the Southeast and the world, which is just fine by me. If you're anywhere in the area, individual movie tickets and festival passes are still on sale, with most of the showings taking place at the fabulous Landmark Midtown Art Cinema. Click here to see the movie lineup and learn more.

One certain highlight I'm gonna have to miss because I still have a schooldays job that pays the bills is the Tuesday night screening of the romantic-comedy-of-sorts "500 Days of Summer" starring Zooey Deschanel and Joseph Gordon Levitt. Check it out if you can, and here are the movies I'll be checking out (assuming they don't sell out, since perfectly understandably the mighty dollar is much more powerful than the pen.)

Friday:

"I am the Bluebird"
Judging from the plot alone, this Georgia flick sounds a lot like any number of the generic medical thrillers that pollute our multiplexes, but I'm confident it's gonna be a whole lot better than that. In Thomas Verrette's flick, a young man awakens from an experimental surgery performed by his father to find he's suffering from temporary memory loss. From there, I'm hoping this does indeed turn out to be a "taut mystery" (as the promotional blurb promises) as he tries to put his life back together. Here's the trailer.



"Blood River"
I had never heard of the British horror director Adam Mason, but if as promised this - his first American feature film - delivers a brand of horror that's as psychologically intriguing as it is simply bloody, than it will be perfect Friday night fare. In what admittedly sounds like a pretty standard horror flick plot, a couple's car breaks down in the California desert, and they end up in the titular town, where they (of course) meet a mysterious drifter named Joseph. Like I said, I'm hoping this will be a whole lot better than I'm making it sound here.

Saturday:

"Prom Night in Mississippi": Things really start to get potentially great starting with this documentary by Paul Saltzman. It is indeed shameful, and perhaps little known about outside the Southeast, that there are still places where white and black kids still go to separate proms. This flick shows what happens when one town in Mississippi tries to finally do the right thing, and I have a sneaking feeling not everything's gonna run quite smoothly.

"The Desert Within": I'm just a sucker for Mexican movies, and especially ones that deal with the hold that the Catholic church has on the lives and imaginations of its citizens. This flick by Rodrigo Plá takes place during the 1928 Mexican Revolution, and is about a couple determined to have their baby baptized even as churches are being closed all around them. The promotional summary describes it as a "spiritual journey that takes a strange and disturbing turn," and I'm in for that.

"Idiots & Angels": I was just happy to hear that animator Bill Plympton is still making feature-length flicks, so I wasn't about to pass this one by. In the typically odd tale, a morally bankrupt man named Angel (so much for subtletly) wakes up one day with the good wings that make him want to do good things. Here's the trailer:



"Moon": If any of these are going to sell out and block me from attending, I'd have to guess Duncan Jones' sci-fi flick will be the one to do it, but here's hoping I get to see it. In easily one of the movies I'm most anticipating for this year, Sam Rockwell stars as a man who toils in solitude on the far side of the moon mining the Earth's primary source of energy. Just as his three-year stint is coming to an end, he encounters what appears to be a younger, angrier version of himself and, well, I'd imagine things kind of deteriorate from there.

Sunday:

"Rain": In what hopefully be a gritty and at least somewhat inspiring slice of life, Bahamian director Maria Govan's flick tells the story of Rain, a 14-year-old girl who, after the death of her grandmother, seeks out the mother she hardly knows in the big city of Nassau. I don't think I'll ever get to go to the Bahamas myself, so this might be as close as I'll ever get.

"Mississippi Damned": It's a sad fact well worth reporting (and, I think, still true) that Kasi Lemmons is still the only black female director to direct three feature-length Hollywood films ("Eve's Bayou", "The Caveman's Valentine" and "Talk to Me" - all fine films if you haven't seen them), so here's hoping this flick launches director Tina Mabry down that path and further on. Rather than me tell you about her semi-autobiographical flick about growing up in Mississippi, let her do it herself in this interview:



"That Evening Sun": This will be the first time I've seen Hal Holbrook since his rather remarkable turn in "Into the Wild," and since here he's paired with Georgia actor Ray McKinnon (who played the Rev. H.W. Smith in season one of HBO's "Deadwood"), I can only say bring it on. In Scott Teems' flick, Holbrook stars as a man who escapes from the retirement home he's been dumped in to return to the family farm, only to find it's now inhabited by his old enemy, played by McKinnon.

Week two, Friday:

"The Death of Alice Blue": In the realm of vampire flicks, which I almost always enjoy, I'd imagine Canadian vampires just might be the oddest breed of all, and if I have the plot of this one right I'm about to find out. Hopefully this flick from director (I'm not kidding) Park Bench delivers a lot of dry humor along with the bloodsuckers that toil at a Canadian advertising agency (actually, I'm laughing about that already.)

"Tyson": This one may well sell out too, but if not I'm hoping that James Toback's portrait of the rather odd former heavyweight champ provides some insight into what just makes him tick. I love boxing documentaries, so this should be just about perfect.

Saturday:

"Faded Glory": Given how much I love baseball (the Orioles, after somehow hanging on for a 10-9 victory over the Rangers, are now 5-2!), it's probably just a good thing that I'm no good at all at playing it, or I just might be hanging on like these guys. Director Richard Cohen's documentary tracks the just-about-dashed dreams of the member of a Network 38+ team through one season as they head towards the Men's Baseball League World Series. Sounds like nothing but fun to me. Here's the trailer.



"Neshoba": Mississippi is certainly a theme here, and this documentary from directors Micki Dickoff and Tony Pagano mines its truly dark side. In returning to the county where three civil rights workers were murdered in 1964 (dramatized in "Mississippi Burning"), the directors talk with residents about the improbable 2005 conviction of 80-year-old preacher Edgar Ray Killen for the heinous crime, and ask if that represents any kind of real justice.

"Rudo y Cursi": For it's closing night gala film, which I just might buy a ticket for to make sure I get in, the Atlanta Film Festival 365 has chosen the debut film by Carlos Cuaron, brother of Alfonso. The flick reunites Gael Garcia Bernal and Diego Luna, stars of Alfonso's "Y Tu Mama Tambien" (easily one of my favorite movies), in a story about two brothers who work on a banana plantation and have dreams of playing soccer in the Mexican professional leagues. Sounds exactly right up my alley.

So, there you have it. If you're gonna be at the festival, please let me know, and if not, hopefully you still found something in this list worth checking out if you can. Peace out.

The best actor you've (probably) never heard of

Though you can probably only see it in Atlanta so far, Ray McKinnon has a new movie opening today. Who, you ask? I did too until I did a little investigating.

I first heard of McKinnon when he presented his Oscar-winning short film, "The Accountant," at the Middle Georgia Video and Film Festival two years ago. I tried to find out if you can still rent or buy it on DVD, but came up empty. If you can find it, however, it's a darkly comic little gem.

McKinnon, has 63 acting credits listed at the Internet Movie Database, starting, appropriately enough for a dude from the tiny burg of Adel, Ga., with the role of "Alabama trooper #1" in "Driving Miss Daisy." Sandwiched in that list I found two stellar performances in one of my favorite films and one of TV's best (and most missed) shows.

The first role I'm talking about was as Vernon T. Waldrip in what's still, for my money, the best Southern movie ever not made by Southerners, "O Brother Where Art Thou?" Though that name might not strike a chord with you right away, just remember that, as Holly Hunter's suitor, he was George Clooney's rival in being "bona fide."

McKinnon was even better in a much more prominent role on HBO's "Deadwood." Anyone who's seen season one of this David Milch Western on HBO will know him as the Rev. H.W. Smith. And if you've seen the season finale with his final encounter with Ian McShane's Al Swearingen, I think you'll agree with me that it's one of the best hours you'll ever see on TV anywhere.

Along with being an actor, McKinnon also has written and directed three films, starting with "The Accountant," then "Chrystal" (a Southern gothic flick starring Billy Bob Thornton that just got added to my Netflix queue) and now "Randy and the Mob."

The latter, which will slowly spread beyond Atlanta starting next week, sounds like a thoroughly goofy but hopefully very funny little flick. McKinnon stars as Randy, a small-time Southern businessman who makes the always wise move of borrowing money from some Italian-American gangsters. Along with McKinnon, it also stars Lisa Blount, Bill Nunn and, believe it or not, Burt Reynolds.

See this one if you get the chance. Given that this was executive produced by the late Phil Walden, the Maconite who played a key role in developing the Allman Brothers, Otis Redding and other musicians, I'm hoping it will come to Macon very soon.

Besides, when's the last time you watched a "Southern" movie that actually starred Southern people? ("Cold Mountain" is the one that really grates my cheese for not even bothering to look for any, but there are plenty of other truly egregious examples.) Well, directors, Ray McKinnon's out there, and he is indeed "bona fide."

And now, if you'll excuse me, I have to wrap this up now so I can go see David Cronenberg's "Eastern Promises." Sometimes, life really is good.