Nine clips of some seriously "Funny People"

Not a whole lot of time this morning, since I worked last night and have to be right back this morning, but I would be remiss if I didn't offer kudos to Tina Mabry.

Mabry's "Mississippi Damned," while more than a little hard to watch because of the family and life issues it deals with, was easily one of the best movies I had the pleasure of seeing at this year's Atlanta Film Festival 365. It's just an extremely compelling drama, and it features the best all-black cast I've seen since Darnell Martin's "Cadillac Records."

No word yet on when it might be hitting DVD, but it seems that over the weekend Mabry and her movie won the grand jury award for outstanding dramatic feature at Outfest. Huzzah!

And after that, all I've got is these nine clips from Judd Apatow's "Funny People," all courtesy of Collider. The movie, starring Adam Sandler, Seth Rogen, Leslie Mann, Eric Bana, Jonah Hill and many other "Funny People," is set to come July 31, and it's certainly on my must-see list. Enjoy, and have a perfectly passable Monday. Peace out.

Friday morning links

Actually, the best news out there is that, with a revamped starting pitching staff and the best outfield in the American League, the Baltimore Orioles are now 6-1 in their last seven games. And, even better, supercatcher Matt Wieters finally makes his debut tonight against the Detroit Tigers.

With all this coming together, I can even see a .500 finish - poetically known in this corner as the "Run for 81" - in sight. Hey, one can dream, right?

And I'm almost as excited about the fact that this is clearly the best movie weekend of the year, even if it doesn't include Rian Johnson's "The Brothers Bloom." Because of my 10-10-10-5-5 (crazy, I know) schedule, I should be off of work by 4:30 or so today, and I'm gonna try and check out a screening of "Up!" for my supper.

I've been just as happy, though, to see that Sam Raimi's "Drag Me to Hell" has fared almost as well with the critics at Rotten Tomatoes - 98% for "Up" to 95% for "Drag Me to Hell" (actually, I looked through the six pages of reviews at RT to find the one splat for "Up" but couldn't find any ... I think they're just making it up.) It's clear that Sam Raimi is having fun again, and that we will too. For a great Raimi profile from the New York Times, click here (and the correction about the print headline is a hoot too ... that one had me scratching my head.)

But beyond that, here today it's about two sites I found recently that offer a little Friday morning time-wasting, the first way better than the second.

Anyone who's been here before knows that if there's a single upcoming movie I'm most obsessed with for the rest of this year, it would have to be Spike Jonze's "Where the Wild Things Are," and that really has nothing to do with all the ridiculous hoops that Warner Brothers has made Jonze and his crew jump through just to get it released.

From everything I've seen so far, they've managed to take my favorite childhood story and bring it to life with all its wild spirit intact. We won't get to see the final product until sometime in October, I believe, but just the trailers featuring that great Arcade Fire song "Wake Up" have been enough to get me thoroughly jazzed for this.

And now, the folks who are putting this together have started (well, it actually may have been going for sometime now already) a blog of sorts that's loosely about the movie, but moreso just about random thoughts that are always at least mildly diverting. The site, We Love You So, is well worth checking out, if for no other reason than right now, if you scroll down far enough, it contains a photo of a "Where the Wild Things Are" bento box. Yes, really.

Today's second site may simply be a bit of "viral marketing," but for that it is at least pretty clever. Judd Apatow's "Funny People," set to come out at the end of July, is certainly one of the summer movies I'm amped for, even if it seems like they did give away the entire plot in the trailer.

Though the main stars are Adam Sandler and Seth Rogen, the movie also features Eric Bana, Jonah Hill and a host of other hopefully "Funny People," including Jason Schwartzman, who this latest gimmick site is about.

His character in the movie, Mark Taylor, has a sitcom (or at least a pilot) on NBC called "Yo! Teach," so of course NBC has made a site devoted to it. The good news is that the three-minute-or-so clip on the first page is a pretty dead-on skewering of teacher sitcoms, and yes, that is indeed Roger from "What's Happening!!". Click here to check it out.

And, though I'm sure no one needs any incentive to go see "Up," I'll leave you with this clip introducing Doug the talking dog. Although "Ratatouille" will always be my favorite Pixar flick, I have a feeling this one will be right up there with "The Incredibles" competing for second place. Peace out.

"Star Trek": Not bold, but still brilliant

As I was waiting for J.J. Abrams' "Star Trek" to start last night (I showed up plenty early, expecting, frankly, a much bigger crowd), I was trying to remember the last time I had even bothered to watch a movie based on an old TV show, and I really couldn't think of one.

"Bewitched"? Why bother? And despite the presence of both adorable Anna Friel and veryfunnyman Danny McBride, I really can't see myself getting into Will Ferrell's upcoming "Land of the Lost."

In most cases, even if its called a "reimagining," it usually just means adding tired jokes about all the anachronisms. What Abrams has accomplished with "Star Trek," however, is something entirely different. By embracing the best elements of the original animal but adding a fresh and almost uniformly appealing cast and enough of his own touches to give the series a big jolt of new blood (and adrenaline), he's created something so entertaining that it should relaunch the series and have it thriving (or, if you must, prospering) for a long time to come.

Though our 7 p.m. showing was only a little more than half full, I could tell from the crowd that we were in for something thoroughly fun. Despite the absurdity of a local country station giving out Trek t-shirts (to the only two people who bothered to come in costume), all the good-natured "Star Wars" jokes ("I should have come dressed as Vader") just set the stage perfectly.

So, what about the movie itself? Well, after a superb opening sequence that simultaneously features the birth of Kirk and introduces the movie's big bad, the Romulan Nero (Eric Bana, not really all that menacing except for the fact that - with all the Romulan facial tattoos - he looks a lot like Mike Tyson), Abrams and screenwriters Roberto Orci and Alex Kurtzman wisely spend a lot of time introducing the new members of the Enterprise crew-to-be.

And though the types are already well set in stone, the new players are all just about perfectly cast (with the glaring exception of Simon Pegg, but more on that later.) The only thing I could remember seeing Chris Pine in was the mildly disappointing "Bottle Shock," but here he captures the combustible mix of anger and potential that makes the young Kirk intriguing, and though I gave up on "Heroes" during the disastrous second season, Zachary Quinto finds the soul of Spock rather than making him the cartoon it would have been easier to become.

Among the supporting crew, Zoe Saldana smolders just enough as Uhura, and gives the movie its most tender moment along with Quinto. Karl Urban's McCoy (a truly eerie dead ringer) and Anton Yelchin's Chekhov are mostly there for very effective comic relief, but my favorite crew member of all was John Cho's Hikaru Sulu, perhaps mostly just because it was so much fun to see him do something besides get incredibly stoned.

The main (and just about only) beef I had heard from the minority of critics who at least kind of panned this was that the story was lacking, but I have to disagree. Though it is indeed a fairly standard revenge tale with enough wrinkles thrown in to keep it interesting until the end, I have to wonder, just how intricate could you really expect what amounts to the first mission of Kirk's Enterprise crew to be?

As it is, Abrams keeps the tale moving at a very fast but fluid pace, enough so that - for once - I really didn't mind the occasionally shaky camera work because it really does set up some simply stunning set pieces. Kirk and Sulu get the best one of all, as they dive from the Enterprise to take out a crazy giant drill that Nero is using to assault the Vulcan planet. I guarantee it will be the best action sequence you'll see this summer (or at least I welcome the challenge from "Terminator: Salvation" trying to top it in two weeks or so.)

My only quibble (and I hesitate even to bring it up, because the movie really was just about perfect summer fare) was that, after producing a script that set up the natural dynamic of the young Enterprise crew, it really felt like they went back at the end and crammed in the catchphrases that any Trek fan (and even a casual admirer like me) expect to hear. They're very funny at first, but exceedingly just a little annoying as it feels like Abrams and crew are working from a checklist.

And the introduction of Pegg's Scotty unfortunately feels right in this vein too. You know going in that he can't be a member of the Star Fleet Academy class with Kirk and company, but he just feels tacked on when he's finally brought in, and it doesn't help matters that Pegg - shockingly - just doesn't seem to fit the part at all. It's the first time on the big screen that I just really haven't much liked him at all.

But all that said, the bottom line is that this is a thoroughly fun flick that will thrill "Star Trek" devotees and newcomers alike. And with that, I have to go pay $70 to keep from having my power cut off and then to the job that pays me just enough to put me in that admittedly rather sorry position. Peace out.

Bludgeoning "Battlestar Galactica," and the first glimpse of Apatow's "Funny People"

Actually, the best news out there this morning was that Christopher Nolan's "The Dark Knight" has entered extremely elite territory as it crossed the $1 billion mark worldwide.

With a combined domestic and international gross of $1,001,082,160, it joins "Titanic" (still the overall leader at $1.8 billion), "The Lord of the Rings: Return of the King" and "Pirates of the Caribbean: Dead Man's Chest" as the only four flicks to cross the billion-dollar line. Huzzah!

But the thing that most piqued my interest (and, well, ire) was news that Universal is in negotiations to make a big-screen "Battlestar Galactica" movie. Great news, right? Wrong. This won't be Ronald Moore's vision or anything like it. Instead, they're going to the original TV source, Glen A. Larson, to create something along the lines of the first series that aired on ABC in 1978.

Part of me wants to just say fair enough. The fact that Will Ferrell (and, because I guess everyone has to work, simply adorable Anna Friel from "Pushing Daisies") are about to star in a big-screen treatment of "Land of the Lost" proves there's an interminable market for campy updates of '70s fluff, and I can normally just shrug it off and move on.

But not this time, because as anyone who watches the Sci-Fi show which now only has five episodes left knows, Moore didn't just continue the story that began in 1978. He completely reimagined the concept, factoring in the atmosphere of post-9/11 America and imbuing his show with big ideas about religion, politics and government to go along with all the big space battles. Along with "The Wire" and "Friday Night Lights," it's easily one of the best TV dramas of recent years, so how in the world do you come back from that and return to the '70s camp?

The short answer, for me at least, is I won't, but I just wanted to share that bit of Saturday morning bile with everyone anyway. Things get more cheerful from here on out, I promise, even if it does involve Adam Sandler's possible impending death (which I guess would make some people cheerful anyway.)

A seriously funny trailer for "Funny People"

Until this trailer appeared on Moviefone, I really had no idea what Judd Apatow's third flick, "Funny People," was all about beyond what its title implies.

As you'll see from the long trailer, the flick - starring Adam Sandler, Seth Rogen, Jonah Hill, Eric Bana, Jason Schartzman and, of course, Mrs. Apatow herself, Leslie Mann - does indeed bring the funny, but also throws in a serious side too. But with real funny people Dave Atell, Sarah Silverman and Norm MacDonald, among others, all set for cameos when this comes out at the end of July, I'm somehow betting the funny will win out in the end.

My favorite thing in it would have to "That was like a scene from 'The Deer Hunter'," but at only three minutes, there's still a lot to enjoy here. Enjoy, and if you want to laugh some more, go see "Tyler Perry's Madea Goes to Jail," as I'm gonna do in about four hours. Peace out.

Take "The Fall" and just enjoy the ride

What's a guy to do when "Sex and the City" is the only new game in town and he's under no obligation to see it? Well, leave, of course, and go see a different movie in a bigger town.

Now, I have no problems whatsoever with "Sex and the City," and I certainly hope all movie studio executives were paying attention to the fact that a movie starring four women made $56 million in its opening weekend. A hearty huzzah to that.

But, having no interest in it myself, I went up the road to Atlanta to see Tarsem's "The Fall," and despite the toll that gas prices took on my wallet, I'm certainly glad I did.

But before I get to that, there are two bits of news today about two flicks to definitely keep your eyes on. First, the very funny Ed Helms of "The Office" fame has joined Billy Bob Thornton in the Polish brothers upcoming flick, "Manure," which, as you can probably guess, is about a trio of guys who make a living selling animal excrement.

In possibly even better news, Judd Apatow has set his next directing effort (after "The 40-Year-Old Virgin" and the far superior "Knocked Up") to be about the world of stand-up comedians. It's set to star Adam Sandler, Seth Rogen, Leslie Mann (a k a Mrs. Apatow) and Eric Bana, who many people might not know started out as a stand-up comedian himself way back when. And though I have no desire to see Sandler ham it up this weekend in "Don't Mess With the Zohan," he is a naturally funny guy with the right material, and as I found out when we played a round of pool at Kitty O'Shea's bar in D.C., also a genuinely nice dude.

But, I definitely digress from the matter at hand, Tarsem's mostly satisfying "The Fall."

Most of the noise you'll hear about this flick will have to do with the rather astounding visuals, which are a definite asset but, in my opinion, also somewhat of a handicap.

Why? Well, because Tarsem's movie is really about two stories that run on parallel tracks, and the more visually stunning one that springs from the mind of Lee Pace is often the weaker of the two.

The flick is at its strongest when it sticks to the more intimate tale of Roy, a stuntman injured in a fall and played by Pace of "Pushing Daisies" fame, and Alexandria, a young girl with a busted arm played endearingly by Catinca Untaru. Pace plays it cool until his character takes a turn for the much worse, and that's when he really shines. (And, if I may digress yet again, why in the world isn't ABC replaying the first season of the great "Pushing Daisies" to get everyone reacquainted with it in time for season two this fall?) And though young Ms. Uncaru is too often just too cute to bear, her enthusiasm for the imaginary world Roy creates for her gives the flick much of its drive.

And it's the visuals in the story he fishes from his mind that will rightfully garner the most attention, and they are indeed pretty darn stunning. Tarsem was clearly having fun here, and if I have this right, he shot it all without the aid of any kind of digital enhancement, so huzzah to that.

But it's this aspect of the story that has also drawn the most criticism, mostly due to what some critics saw as a lack of creativity in the tale that springs from Roy's mind. Though it does indeed feature some groan-worthy moments and more than a couple instance of unintentional humor, I was willing to forgive this due to the circumstances he was in when he created it (which, so I won't ruin anything, you won't hear about from me.)

When these two worlds finally collide at the finish what you have is a movie that's at least as much about the power of this odd friendship as it is about the magic of storytelling. And, much like young Alexandria as it came to a close, I was left saying "Thank you, thank you, thank you" as the credits started to roll.

Definitely go see this one if you can find it, and have a perfectly bearable Tuesday. Peace out.

Demko's DVD shelf: Why I love the Muppets so much

In one of my many moments of daily distraction yesterday, I stopped to think of just why I miss the Muppets so much. Was the show ever really that good, or am I simply letting nostalgia cloud my vision?

Well, this week on DVD comes the evidence that it's most likely the former. With season two of "The Muppet Show," you get guest stars including Judy Collins, Don Knotts, Bernadette Peters, George Burns, John Cleese and Bob Hope. And, of course, all your favorite Muppets, from Kermit the Frog on down to the Swedish Chef.

But just what made the Muppets so great, beyond the fact that it came on TV when I was 6 years old and, therefore, rather susceptible to a TV show with awesome puppets? Looking at what passes for "quality" TV nowadays (with a few exceptions that I still tune in for every week), I think I have the answer.

When's the last time there was a genuine variety show on primetime television? The closest thing I can think of (and yes, I understand it's not often on during primetime) is "Saturday Night Live," which hasn't been as funny as "The Muppet Show" since the late 70s. Dave Chappelle, by including great rap acts to close out every show and, of course, offering the funniest skit television in many years, came awfully close too before he cracked up (absolutely no pun intended.)

But the Muppets, in their own way, were every bit as funny as Dave Chappelle, albeit in a much more family-friendly way. Season 2 offers proof in the form of 24 episodes with great skits like "Pigs in Space" and "Veterinarian's Hospital" (there's no way you can't laugh at Rolf operating on his fellow animals.)

And the Muppets weren't just funny. The music, by Muppets and humans alike, was almost always fantastic too. In season two, you get Kermit crooning "It's not Easy Being Green" and Judy Collins' "Send in the Clowns," among many others.

If you don't like the Muppets, well, I guess I can understand that, but, well, I just kind of feel sorry for you.

Other picks this week:

The Simpsons: Season 10: Watching these again on DVD, I've yet to find the point where the shows stopped being fall-down funny. It had to happen sometime in the last five years or so, but until I find the turning point, I'll keep being a sucker for the DVDs.

Bubba Ho-Tep: I can't see any reason to put out yet another version of this on DVD except that we're soon to come upon the 30th anniversary of Elvis' death. Pretty shameless timing, but a great movie nonetheless. A nursing home with Bruce Campbell as Elvis and the late, great Ossie Davis as JFK as residents? It's even better than it sounds here, and almost as touching as it is funny. If you haven't seen it yet, do so now.

Crime Story: Instead of shelling out your hard-earned cash for yet another "Rush Hour" crapfest, why not rent a great Jackie Chan Hong Kong movie. In this one supposedly based on a true story, Jackie's a special agent (shocker!) assigned to protect a wealthy business magnate who gets kidnapped in a daring ambush. Jackie being Jackie, he kicks many butts to get him back, and its just fun to watch.

The most inappropriate Youtube clip ever?

Well, probably not, but I've yet to see one that made me laugh this hard, and it's been at least a week since I pimped for "Superbad," so here goes.

Be warned before you even think of clicking on this one at work: It features, many, many times, Jonah Hill's character drawing pictures of, well, the male unit. If that bothers you, please don't watch this, and I can't stress enough, please don't do so around any of your co-workers. I don't want to get anyone fired here.

If you do watch it, however, be prepared to laugh out loud. I can't tell you anymore except that it contains the words "Ghostbusters lunch box dick treasure chest" in that order. Enjoy!



And, if I didn't lose you with that perfectly crude bit of entertainment, why not another plug for the current best way to waste time on the Internet,
Clarkandmichael.com. Click on it for a very funny series of webisodes featuring George Michael Bluth Cera and bud Clark Duncan trying to pitch a TV series. It's just extremely funny stuff.

And, brace yourself, because it's about to get completely shameless around here. I have no idea if the movie "The Other Boleyn Girl" will be any good or not, and we'll have to wait until December or so to find out, but for now we get this poster featuring Natalie Portman and Scarlett Johansson in rather alluring attire (and, if your eyes can find him in the middle, that is indeed Eric Bana.) Hope this makes your Tuesday just a little more bearable. Peace out.