A short Thursday report long on fun news

If you skipped Derek Cianfrance's "Blue Valentine" last year, either because of its mind-boggling NC-17 rating or simply because the subject matter sounded so depressing, fix that right away with a rental, because in many ways the movie is a real joy to watch.

It is indeed about a marriage that's imploding in front of our eyes, but the acting from Michelle Williams (rightly nominated for an Oscar) and Ryan Gosling is nothing short of amazing to behold, and the story goes on a journey well worth exploring that will make you smile and laugh more than it will make you blue. The "future room" alone makes this movie well worth renting (it's out on DVD now, so check it out).

And even better comes big casting news about Cianfrance's next movie, the crime drama "The Place Beyond the Pines," which reunites him with Gosling. He will play a biker who, after having a child, begins robbing banks to support the baby. And now comes word that Bradley Cooper will play a rookie cop who's on his trail.

Filming will start in July, and Cianfrance is a real talent to keep an eye on, so stay tuned for more on this whenever I find it.

In other news about a director I can't get enough of, it's now guaranteed that even people in my little corner of the world will get to see Tomas Alfredson's follow-up to the simply sublime "Let the Right One In" (still streaming on Netflix), a remake of "Tinker, Tailor, Soldier, Spy."

The news is that Focus Features has taken over distribution from Universal and has set an awards season U.S. release date of Nov. 18, and best of all, will apparently do so in glorious "wide release."

Bully to that, because Alfredson has compiled a stellar cast for the Cold War spy saga based on the John Le Carre novel, starting with Gary Oldman as George Smiley, the British spy charged with uncovering a Russian mole in his ranks, and also featuring Colin Firth, Ciaran Hinds, Tom Hardy and Mark Strong.

Bring it on already, even for people like me, who live in tiny burgs!

And finally (and inevitably) today, Paramount is finalizing an option deal to develop a movie based on "Furious Love," an account of the public love affair of Elizabeth Taylor and Richard Burton, and is ready to hand it off to one Martin Scorsese to direct.

Scorsese is currently wrapping up "Hugo Cabret" starring Chloe Moretz and Asa Butterfield (based on one of my favorite novels, "The Invention of Hugo Cabret," so bully to that) for a Nov. 23 release, and after that he has a number of potential projects on his plate. Included among those are "Silence," a tale of two Jesuit priests (potentially Daniel Day Lewis and Benicio Del Toro, imagine that) in 17th century Japan, the hitman drama "The Irishman" and a Frank Sinatra biopic.

Though any of those would be a natural fit, I'd imagine he would gladly put them all on hold to jump on this, given his interest in Hollywood history and how simply juicy the story is. Burton and Taylor were both married when they met on the set of "Cleopatra" in 1960, and began a public romance that inflamed the paparazzi. They eventually married in 1964, divorced in 1974, remarried in 1975 and separated for good in 1976.

And with that, I'm off to the job that still pays my bills, so have a perfectly pleasant Thursday. Peace out.

A fun Friday clip show

I suppose the news of the day is Matthew Weiner's inevitable deal with AMC for three more years of "Mad Men," but the most I can really bring myself to say about all that is that should TV ever, even when it's this good, be so complicated?

Here, however, are the details as I know them. With the deal (actually with Lionsgate, I believe), Weiner has agreed to do a fifth and sixth season, and if AMC wants it, a seventh season. I can't imagine they wouldn't, so what that gives us is an effective end for the show after seven seasons. I read somewhere that Weiner planned to end it after five, but things are certainly going strong now, so why not two more?

As for AMC's demands, the show, as it airs on the network, will be indeed two minutes or so shorter to incorporate more ads, but the much more onerous idea of product placement has been shelved. And as for any demand to cut or slim down the roles of characters to cut costs, I'm not sure about that, but Weiner always kind of rotates in supporting players anyway, so I doubt we'll even notice when this finally returns early next year.

OK, enough serious stuff, but there is word this morning about when two other of my favorite shows will be returning. In the past five years or so, there's only been one TV drama I've enjoyed more than "Mad Men," and that's NBC's sublime "Friday Night Lights." That show will be wrapping up its run (and probably already has on DirecTV) on NBC with this final season beginning appropriately enough Friday, April 15, and it's certainly been a great five-year run.

Also returning soon will be David Simon's New Orleans drama "Treme," on Sunday, April 24 to HBO. If you missed season one, you really missed out on a true American original, a show that moves albeit a bit slowly, but at its own rhythmic pace much like the city it portrays, and takes a lot of time for fantastic character development. If you missed it, there's really no reason I can see not to get started with season two anyway if you get HBO.

Not too many details are known about what's coming in season two, but I do know that food writer Anthony Bourdain has joined the writing staff, and that the great David Morse, who played the police chief in season one, will now be a series regular. Here's a bit more of what Simon had to say about what's in store:

"We are following the actual timeline of post-Katrina New Orleans as a means of understanding what happened -- and what didn't happen -- when an American city suffered a near-death experience. In doing so, we're trying to address ourselves to what the American experiment has become and what possibilities remain for us."

Making the role of cops more central can only be an improvement, so I'll definitely be tuning in for this. And after that today, I just have a quartet of clips, two trailers and two music clips that are just goofy fun. First up comes the first full trailer for "The Hangover Part II," which is set to drop May 26. As you'll see from the trailer, and probably already know, this time around Bradley Cooper, Zach Galifianakis and Ed Helms end up in Bangkok, and in my estimation at least, it promises to deliver some solid laughs, especially once Ken Jeong of "Community" turns up once again. Decide for yourself.



Next up comes the first trailer for something at least slightly more serious, the Will Ferrell dramedy "Everything Must Go," which is set to open in at least limited markets May 6. I hope Ferrell is enough to get this flick based on a short story by Raymond Carver to eventually play much wider, because I really enjoy Ferrell when he tones it down a bit. Enjoy, and stick around 'til the end for a very funny soccer joke.



OK, on to the music. First up comes the music video for the National's "Think You Can Wait," which doubles as the theme for director Thomas McCarthy's "Win Win," which is in at least a few theaters now. The song itself has a fairly groovy Nick Cave kind of vibe, and the video is a fun collection of bloopers from the movie, but it really just makes me want to see it, and has me contemplating a drive up to Atlanta this Saturday to do just that. Enjoy.



And finally today, where better to end up on a Friday morning than with Zooey Deschanel serenading Winnie the Pooh? If you've ever heard what she's doing with M. Ward as She & Him, you know it's the sweetest kind of California pop, and she carries that sound into the song from the movie featured here, "So Long." And if you've never checked out She & Him, do it already. I guarantee you won't be disappointed. And smile, folks, because it's baseball season, and the Orioles begin tonight against the Rays. Bring it on!

A Friday clip cache, aka when will it be safe to go the movies again?

I know this is always the time of year when movies just suck, but am I the only one who thinks that, so far in 2011, the stench has been even stronger than usual? It seems like forever since I've bothered to see a new movie in a theater, and though the Macon Film Festival was a very nice diversion, there has to be some relief in sight in the feature film arena.

And luckily, though there's no chance I'll be seeing either "Hall Pass" or "Drive Angry" this weekend, there is some good stuff right on the horizon. The one I'm most looking forward to in the coming month, as evidenced by the retro poster at the top of this post, is Zack Snyder's "Sucker Punch," which while it may indeed be imagination overkill, I'll take whatever genuine imagination I can get at this point. It opens March 25.

Before that, in fact as soon as next week, there are two entries that will get me to the multiplex for the first time in at least a month: "The Adjustment Bureau," a sci-fi/romantic thriller of sorts starring Matt Damon, Emily Blunt and even Roger Sterling too; and "Rango," the animated Western with Johnny Depp as a chameleon (yes, I have fairly low standards this time of year.)

And the week after, that, I'll certainly take a chance on the "Goth" retelling of "Red Riding Hood" with Amanda Seyfried, and if it somehow plays wide enough, "Sin Nombre" director Cary Fukunaga's take on "Jane Eyre" starring Mia Wasikowska.

So, if you're looking for potentially good movies in wide release again, keep hope alive, and here are two more new trailers for movies coming in the next month or so that I'll bite on. First up comes the first red band trailer for "Paul," and as you'll see, it earns its red status mostly because of the foul-mouthed, titular alien, voiced by Seth Rogen. This will all be extremely silly, but with Simon Pegg and Nick Frost starring in a movie written by them and directed by "Superbad" director Greg Mottola, about the duo discovering the titular (yes, I just like saying that) alien on a road trip to Comic Con, I'm definitely in when this opens March 18 (director Thomas McCarthy's "Win Win," which I'm certainly looking forward to, also opens this day, though I can't see it being wide enough to reach my little corner of the world.) Enjoy the clip.



Next up comes Duncan Jones' followup to "Moon," and though it looks like potentially a pretty generic thriller, I like "Moon" more than enough to take a chance on "Source Code" on April 1. As you'll see from this new trailer, Jake Gyllenhaal stars as a soldier who finds he has the ability to step into the identity of another man for eight minutes in the hopes of stopping a Chicago train bombing. Like I said, time-clock thrillers really aren't my thing, but I'll check this out with somewhat high hopes. Enjoy the trailer, and stick around for some further video odds and ends.



OK, looking further into the future, "The Hangover Part II" is set to come out May 26, and all you can gather from this first teaser trailer is that Todd Phillips at least knows his first "Hangover" movie was very funny (and it was). What it doesn't tell you is that this time the boys (Bradley Cooper, Ed Helms and Zach Galifianakis) head to Thailand for Helms' character's wedding (I have to assume to the hooker played by Heather Graham in the first movie, but her name's not in the IMDB credits for the new flick, so who knows?) Anyways, enjoy the clip, and keep hope alive that, since they really don't show us much of anything new, they're hiding some really good jokes.



I've been reading George R. R. Martin's first "Game of Thrones" book, and though it's sensational, it's a very complicated realm that should be a challenge to pull off right for TV. But that hasn't stopped HBO, thankfully, from trying, and the "Game of Thrones" series is set to debut on the channel beginning April 17 (bring it on already!) In this, the longest featurette I've seen yet, Martin, show creators David Benoiff and D.B. Weiss, and others explain a bit of what you'll be getting into with this, and just trust me, it's going to be epicly good. Enjoy.



And finally today, if you're lucky enough to live in UK you may have had a chance to see Benedict Cumberbatch (aka Sherlock Holmes in "Sherlock") and Johnny Lee Miller on stage in director Danny Boyle's production of "Frankenstein" at the National Theater. Here, for the rest of us, is the trailer for a version that is coming to at least some theaters in March, and I have to assume will be heading to PBS as soon as this summer or so. Enjoy, and have a perfectly pleasant weekend. Peace out.

"Se7en" creators back together again, and lots of other good news

OK, there's a lot of news out there today about movie people I really like, so let's just get right into it. Well, actually, it starts with the director of one of my favorite documentaries jumping into something I'll never see, but it's all gravy after that, I promise.

If you haven't seen "Man on Wire," which I had the pleasure of seeing at the 2008 Rehoboth Independent Film Festival, you're really missing out on a magical documentary. Director James Marsh mixed live footage from tightrope artist Philippe Petit's several stunts with "Cops" style re-enactments that certainly would have been disastrous in lesser hands to make something truly magical. Rent it immediately if you haven't seen it.

Now, however, it seems that Marsh is jumping into fictional features with something I'll never see, both because I have little time for the "found footage" subgenre of horror flicks and also because just as a rule I never see movies that take the rather simple step of demonizing the Vatican. "The Vatican Tapes" will center on a series of events that unfold after a tape gets leaked from the Vatican that displays an exorcism that goes wrong.

Like I said, all that just makes me say a resounding meh, but I've been wrong at least once before, and probably already today.

OK, enough of that, now onto the good stuff ...

"Se7en" team to reunite

You know, when I first heard David Fincher was gonna take on something as crazy as "The Curious Case of Benjamin Button," I was sure he'd make it just delightfully twisted, but it was just so banal that it has to qualify as one of my biggest movie disappointments of the last five years or so.

And I should probably keep that in mind before I get too geeked up about this new news, but I just can't help it. It seems that Fincher and "Se7en" screenwriter Andrew Kevin Walker are teaming up to take on the Max Ehrlich novel "The Reincarnation of Peter Proud," which is apparently about a college professor who begins having recurring dreams and nightmares and, realizing they are images of a past life, decides to search out the source of his visions.

Sounds just as intriguing as "Benjamin Button" did on paper, but I've decided to put most of the blame for that disaster on screenwriter Eric Roth for making it way too "Gump"-like, and keep the faith that Fincher and Walker can come up with something much better.

And Fincher is about to start shooting a movie based on the creation of "Facebook" (which I'm somehow on), "The Social Network," which was penned by Aaron Sorkin. Yeah, I'll watch that.

"Black Swan" assembling stellar cast

When I first heard that Darren Aronofsky's fifth feature film was going to be something called "Black Swan," a supernatural drama set in the competitive world of New York City ballet and starring Natalie Portman and Mila Kunis, you could already count me as at least curious. And now the news about it just keeps getting better.

According to the always very reliable /film, Winona Ryder, Vincent Cassel and Barbara Hershey have all now joined the cast. Ryder will play a rival ballerina who has been getting all the lead parts but is now nearing the end of her career. Cassell will play the director of the ballet school's new production, "Swan Lake," and Hershey will play Portman's character's mother. All sounds great to me, and this apparently is about to starting in NYC very soon (if not now.)

Duncan Jones picks his next project

Duncan Jones' "Moon," which I had the pleasure of seeing at this year's Atlanta Film Festival 365, is easily one of the best movies of 2009, featuring a remarkable performance from Sam Rockwell. If you haven't seen it, rent it as soon as it comes out Jan. 12 and I guarantee that if you like smart science fiction, you'll like this one.

And now it seems that Jones has picked his next project, something called "Source Code." All I really know about that is that it's apparently about "a soldier who wakes up in the body of a commuter who must solve the mystery of a train explosion," and Jake Gyllenhaal is set to play the soldier. Sounds more than a little meh to me, but with Mr. Jones in charge, I'm sure I'll come along for the ride. This is set to go into production early next year.

"Mad Men" creator Weiner hitting big screen

If you watch "Mad Men" (and if you don't, why the heck not?), then you know the season three finale was a real doozy, featuring the simultaneous demise of Don and Bertie's marriage and rise of Sterling, Cooper, Draper and Price. I can't wait to see what will happen next summer, but now it seems that "Mad Men" creator Matthew Weiner has set up his first feature film from a script he wrote during his "Sopranos" days.

The romantic comedy "You Are Here" will apparently star Jennifer Aniston, Bradley Cooper and Zach Galifianakis, and, because Mr. Weiner clearly has his priorities straight, won't start filming until after Weiner and co. shoot the fourth season of "Mad Men," which was predestined to run for five seasons.

OK, anyone who actually stuck around through all that today certainly deserves a reward, and here's the best I've got. Broken Lizard's "Super Troopers" remains one of my very favorite silly comedies, and one I like to watch once a month or so, but the guys really haven't come close to being even nearly that funny since. Here's hoping their new feature, "Slammin' Salmon," will be a return to form, but I can't say I have terribly high hopes. As you can see from the trailer below, it somehow stars both Michael Clarke Duncan and Cobie Smulders of "How I Met Your Mother." Enjoy, and have a perfectly pleasant Tuesday. Peace out.