Muppet mania, the cover song edition, plus lots more fun stuff

A free preview of the Muppets-inspired "Green Album" is indeed the highlight around here today, but before that, there's a lot of fun news out there this morning, so let's just get right to it.

To start, no one I can think of is in more need of a genuinely funny comedy than Jason Bateman. Well, to be fair, I suppose there's at least a slight chance that it's "The Change- Up," but so far I've managed to avoid that, so I'll never know.

Much more likely should be something he's just signed up for with veryfunnywoman Melissa McCarthy, who's become one of the summer's true breakout stars with her rather outrageous (and sublimely funny) performance in "Bridesmaids." The two are set to star in "The ID Theft," and all I really know so far is that Bateman will play the victim of the titular ID theft by McCarthy's character. Stay tuned for more when I find it ...

And in other movie news, if I'm not mistaken, there are at least two Jeff Buckley biopics in the works, and now one of them has found its leading man.

Actor/singer-songwriter Reeve Carney, Broadway's Peter Parker in "Spider-Man Turn Off the Dark," has signed on to play Buckley in the as-yet-untitled biopic being directed by Jake Scott. The movie would certainly have to go better than that "Spider-Man" debacle has so far, and they apparently have full rights to Buckley's memoirs and music, so here's hoping something good springs from this.

After that it's almost exclusively about TV news before we finally get to the promised Muppets goodness, starting with a taste of what's to come on "The Office," courtesy of the seriously TV-obsessed James Hibbert of Entertainment Weekly.

With Steve Carell now gone, "The Office" should probably just be shuttered for good, in my opinion, but it does at least sound like they're trying to come up with some fun stuff for when James Spader takes over as the new boss. Here's a somewhat-spoilery taste:

* An established character will be promoted from within to take over as permanent Scranton branch manager subsequent to Robert California’s (Spader) promotion to CEO.
* Dwight will build a Productivity Machine that will evolve into something of a Doomsday Device.
* Riddled with hormones thanks to a second pregnancy, Pam will grow so paranoid she will come to rely on Dwight as the only individual she can trust to be honest with her.
* The entire Scranton warehouse staff will win the lottery and quit. (Something tells me somebody forget to offer Daryl his usual stake now that he’s no longer working in the warehouse.)

The Pam and Dwight stuff in particular should be a treat, so if you're interested, tune in again to find out how this all pans out on Sept. 22.

In other TV news, it's not terribly surprising that HBO is keeping its hands on director Todd Haynes, since it always holds on to talented people and his first HBO project, "Mildred Pierce," was just an Emmy nomination magnet (and awfully entertaining, if you haven't yet seen it.)

Now it seems he's signed for a full series, and one that could possibly reunite him with Julianne Moore. "Dope," based on the novel by Sara Gran, is about a recovering heroin junkie in 1950s New York, and certainly seems like material that's suited to Haynes' usually fully trippy style.

OK, I've buried this last TV bit at the end not just because it comes full circle with Jason Bateman news, but because as with all talk of an "Arrested Development" movie, it should be believed at your own peril. Screen Rant, however, has what it says is the plot line for an "AD" movie, so here goes.

According to the site, the movie follows the Bluth clan's attempts to make their own movie about their lives to compete with one narrator Ron Howard is working on. That said, it of course perfectly matches up with where the show itself left off, so this could just be another false start. Keep hope alive ...

Whew. This really has gone long enough already, I suppose, but there's at least one very funny video out there this morning, so I'll share it with you before we finally get to The Muppets. A YouTube user with the handle of pleatedpants and clearly enough time on his or her hands to match the imagination, has created this video that compiles scenes from "25 Actors Before They Were Famous in Three Minutes." It's pretty much as fun as that title implies, and definite highlights include Sarah Jessica Parker on "3-2-1 Contact" (huzzah!) and Joseph Gordon-Levitt on "Roseanne." Enjoy.



OK, I really do have some things to do before work today (including voting and swimming), so we're almost finished. To introduce the Muppets tribute album, there's first some fresh news about something the Jim Henson Company is cooking up with reality TV pioneers Bunim/Murray. And it sounds like a heck of a lot more fun than any reality TV show I've ever heard of.

"History Of," which as far as I can tell has yet to find a specific TV home, would have pop culture events re-enacted by Henson puppets, not necessarily, but possibly, including Muppets. According to The Wrap, Chris Regan, a former writer for "The Daily Show With Jon Stewart," has signed on to be showrunner and the show will feature surprise celebrity cameos.

Not terribly surprising, since the Muppets and their friends will be everywhere in advance of the November release of "The Muppets," the new movie starring Jason Segel, Amy Adams and all their little friends. One other arm of the marketing machine is "The Green Album," a collection of Muppets favorites covered by popular artists of the day. There are hits (Weezer's faithful but fun "Rainbow Connection" and Andrew Bird's "Bein' Green"), and a few misses, but the whole things wraps up in around a half hour, just like an episode of "The Muppet Show."

NPR is streaming the album, due for release Aug. 23, now, and I've embedded their player below. First, the track listing, followed by the streamer itself, so enjoy, and have a perfectly passable Tuesday. Peace out.

1. Muppet Show Theme Song OK Go
2. Rainbow Connection (feat. Hayley Williams) Weezer
3. Mahna Mahna The Fray
4. Movin' Right Along Alkaline Trio
5. Our World My Morning Jacket
6. Mr. Bassman Sondre Lerche
7. Halfway Down the Stairs Amy Lee
8. Wishing Song The Airborne Toxic Event
9. Night Life Brandon Saller
10. Bein' Green Andrew Bird
11. I Hope That Something Better Comes Along Matt Nathanson
listen 12. I'm Going to Go Back There Someday Rachael Yamagata

Dog days or flick finds? What to expect from the movies of August

Starting off with some funny, the banner above that welcomed the cast of "Community" back to the set this week for the filming of season three, and was tweeted by star Joel McHale, pretty much perfectly captures the comic spirit of the show, as do two of its upcoming multi-episode guest stars.

In season three, the great Michael Kenneth Williams, aka Omar from "The Wire," will join the show as Greendale's new biology teacher (I'm laughing at that already), and in potentially even better casting, John Goodman will play the vice dean of the School of Air Conditioning Repair, the only program at Greendale that gets any kind of good recognition.

Great news all that, and keep an eye out for the return of "Community" on Sept. 22, but here today its otherwise all about the movie slate for August, a month that gets a bad rap, but still often delivers some comedies that are, if you'll forgive the truly groan-worthy pun, august. Here's a look at some of what's coming up in the next month.

Aug. 5: "The Change-Up"
For a truly funny guy, Jason Bateman has managed to make some seriously wretched "comedies" since "Arrested Development" ended, and it certainly doesn't look like this frat-boy "Freaky Friday" of sorts also starring "Green Lantern" Ryan Reynolds will do anything to change that course.

Aug. 5: "Rise of the Planet of the Apes"
When exactly did the term "prequel" become the go-to idea when movie producers are lacking anything resembling an original thought? I can't pinpoint it, but even with engaging stars such as James Franco and Freida Pinto (from "Slumdog Millionaire"), I really can't see this one as being anything but one of the most unintentionally funny movies of this summer.

Aug. 10: "The Help"
In what I think will be one of the gigantic sleeper hits for the rest of this year, Emma Stone leads the cast of this flick based on the very popular novel by Kathyrn Stockett, which I read and mostly enjoyed. She plays Eugenia "Skeeter" Phelan, an awkward Southern socialite who organizes the black maids of 1960's Jackson, Miss., led in the movie by Viola Davis, to tell their stories.

Aug. 12: "30 Minutes or Less"
For that perfect combination of clever and just plain crude, director Ruben Fleischer's follow-up to "Zombieland" should be the flick to look out for this August. In it, Jesse Eisenberg gets a bomb strapped to his chest by unsavory characters Danny McBride and Nick Swardson and is forced to rob a bank. And hijinks will surely ensue.

Aug. 19: "One Day"
I've probably seen the trailer for this flick starring Anne Hathaway and Jim Sturgess more than any other this summer, but that hasn't made it look any more appealing. Granted, I'm not the target audience for romantic comedies like this one about two college friends who agree to meet for one day each year of their lives. It is, however, from "An Education" director Lone Scherfig, so here's hoping I'm wrong about this one and it turns out to somehow be a winner.

Aug. 26: "Our Idiot Brother":
If the entire secret to making funny movies would be simply to stock them with funny people, this flick somehow starring Paul Rudd, Elizabeth Banks, Zooey Deschanel, Emily Mortimer, Adam Scott and Rashida Jones would be an automatic success. And if director Jesse Peretz lets Rudd be truly funny as the titular "Idiot," I'm betting it will be.

Aug. 31: "The Debt":
By far the most serious wide-release movie of the month could also be a surprisingly big hit, with Joel Madden directing an espionage thriller about a trio of retired Mossad agents (Helen Mirren, Tom Wilkinson and Ciaran Hinds) who find a celebrated 1966 mission in which they tracked down a Nazi war criminal called into question. Exactly my kind of spy games.

Could this be the funniest movie of 2011?

Actually, a better question this morning is why in the world is it so hard for Alfonso Cuaron to make a potentially smart and winning sci-fi flick?

I'm not sure I have this all right, because the saga of his attempt to make the movie "Gravity" is a story with many twists before the camera even starts rolling.

First, if I have this right, Angelina Jolie signed on for and then bailed on this tale of a female astronaut trying to get home after an accident in orbit, and then Natalie Portman did pretty much the same thing.

Well, Cuaron eventually settled on Sandra Bullock (a step back in my book, and an odd fit for this, but oh well), but seemingly just as soon as that was settled, Robert Downey Jr. backed out of playing the main supporting role (I'd assume some kind of NASA dude in touch with our heroine from Earth, but who knows for sure). Sheesh.

That move put this solidly in development limbo, but now in the latest twist, George Clooney has apparently stepped in to that role, so it's game on again ... for now.

Follow all that? If you've seen Cuaron's "Children of Men," you know why I'd certainly like to see him make another sci-fi flick, so here's hoping this really all does come together this time.

And what my world, at least, always needs is more real Westerns ("True Grit" next Wednesday, and I can't wait!), so it's certainly good news that director James Mangold is getting into that game.

He tried once with his remake of "3:10 to Yuma" with Russell Crowe and Christian Bale, but while that was a technically proficient flick, I really just couldn't get past the rather thorough unnecessaryness of it (I'm not sure that's even a word, but you get the point).

Now he's signed on to direct something called "The Gunslinger" for New Regency, which is being described as a "revenge thriller" about an ex-Texas Ranger who sets out to punish the men who killed his brother. Bully.

But the main course here today is the second - and much longer - trailer for "Paul," coming just in time for Valentine's Day, for some reason.

If I had to list my 10 or so favorite directors, Greg Mottola would make the list every time. "Superbad" is a comedy classic in my book, and though it goes down a lot drier, "Adventureland" is a heck of a lot of fun too.

Now, for "Paul," he's reunited the "Shaun of the Dead" and "Hot Fuzz" comedy duo of Simon Pegg and Nick Frost as two geeks on a road trip to Comic-Con who just happen to encounter the titular extraterrestrial along the way. You'll be able to tell from the trailer that Seth Rogen voices the alien, and the alwaysveryfunny Kristen Wiig and Jason Batemen appear in this too. It's rare that we get something potentially this good so early in the year, so enjoy this new trailer (which could disappear any minute now, since I swiped it from some kind of Russian video site), and have a perfectly great weekend, which for me will include both "Black Swan" and "The Fighter" on Saturday, so bring it on! Peace out.

Will Tim Burton ever again have an original idea?

I wonder what would happen if Tim Burton ever encountered an original idea. Would his head - or perhaps his entire body - explode? He certainly must think so, because though the man is clearly a talented director (and yes, I really liked "Alice in Wonderland" quite a bit), he's also just as clearly incredibly insecure.

Rather than take a chance on anything even slightly out of the norm, he's instead signed on to direct a stop-motion animation adaptation of "The Addams Family." And yes, that Addams Family. Sheesh. I've never actually seen the movies that have already sprung from the horror/comedy franchise, but I did see a YouTube clip of Christina Ricci breaking down the real origins of Thanksgiving as Wednesday, and that was nothing but extremely funny (what ever happened to her, any way .. I mean, "Black Snake Moan" really was just about as horrible as it could possibly be, but was it a career killer?)

Actually, I've learned something from this news, so I guess I should be grateful. Did anyone else know the Addams Family actually originated as a New Yorker cartoon? Burton claims his movie will tap into this original spirit and show a "sharper wit than could be placed into a '60s family TV series." OK, fair enough, but you can't color me as anything but skeptical at this point. And besides, as great as "The Nightmare Before Christmas" was, please don't ever forget that that was actually directed by the great Henry Selick, not Burton. 'Nuff said on all that.

"Inception" details emerge and sound friggin great

There will certainly be many contenders for the movie of the summer (and my dark horse money is on Phillip Noyce's "Salt"), but there really can't be many at all that come burdened with higher expectations than Christopher Nolan's "The Dark Knight" follow up, "Inception." And as details emerge about what exactly it might be about, you can count me as more and more jazzed to finally see it.

He turned up for the big Warner Bros. event on the last day of ShoWest, and here's some of what he had to say about "Inception."

As he introduced a video clip from the flick, which I unfortunately can't find online, he described it as "an action film told in a grand scale by a character played by Leonardo DiCaprio, who runs a team of people who have access to a technology that allows them to enter people's minds through their dreams." He said there was shooting in six different countries to create all the dreamscapes. Here's a bit of how Collider, for which I occasionally contribute, described some of the footage:

The footage started with Leo cocking a gun and his voiceover saying, "There's one thing you should know about me. An inception is an idea that's like a virus, it's highly contagious. The small seed of an idea can grow to define or destroy you."

What follows are eerie visuals with people floating and the ethereal string chords build, as we see Leo sitting at a table in an ornately adorned room explaining to Ken Watanabe and Joseph Gordon-Levitt what they do:

"In the dream state, your consciousness defenses lower," he tells them. "It makes your thoughts vulnerable to theft, called extraction. So you can actually train your subconscious to defend itself from the most skilled extractor."

Watanabe asks how he knows that to which Leo replies, "Because I AM the best extractor."

It all sounds more than a bit like "Memento" writ on an extremely grand scale, which would be just fine with me. And Marion Cotillard, Cillian Murphy, Ellen Page, Joseph Gordon-Levitt and, inevitably I suppose, Michael Caine all appear in this too, so you can bet I'll be among the masses buying my ticket when this finally opens July 16.

A couple of biopics I can get squarely behind

The first thing I thought when I heard a Cesar Chavez biopic was at least in the early stages of development was, how has it taken so long? After all, he's a hero to millions of Hispanics and gringos alike, and his life would just make a grand tale.

It seems that screenwriter Keir Pearson and producer Larry Meli agree, and have optioned the life rights of the labor activist Chavez, and will be producing this with Gael Garcia Bernal and Diego Luna's Canana Films. Pearson, by the way, won an Oscar for co-writing "Hotel Rwanda" with director Terry George, and also has, among other projects, a biopic of Roberto Clemente in the works for HBO and Playtone.

And just in case anyone really hasn't heard of Chavez, he dedicated his life to improving the working conditions of California farm workers, eventually co-founding the National Farm Workers Association, which would later become the United Farm Workers.

Though it's of course far too early to be talking about who could pull this role off, Garcia Bernal would certainly seem to be a perfect choice. What say you?

In other, crazier, biopic news, it seems that independent filmmaker and writer David Miller is hard at work with his son, Jordan, on a movie about the truly odd and troubled Texas outsider musician Daniel Johnston. And yes, I know there's already been a documentary about Johnston, the very compelling "Devil and Daniel Johnston," but can you imagine how much fun (well, maybe that's not quite the right word) the right actor could have with this role?

Here's what he to say about the project to Pedestrian, via the Playlist:

I've got a few things going — we're doing a Daniel Johnston biopic and I'm Producing and Writing and Gabriel Sunday our star [from "My Suicide"] he's going to be Directing and playing young Daniel. It's going to be an epic super hero story and it's going to be a narrative biopic so it doesn't really cover any of the same stuff that the famous "Devil And Daniel Johnston" Documentary that won Sundance in 2005 covers.

How are you going to portray older Daniel Johnston?
That's a really good question. We're either putting Gabriel in a fat suit or there's so many people that are reaching out that are huge Daniel Johnston fans. Philip Seymour Hoffman and John C. Reilly for example, Johnny Depp's a big Daniel Johnston fan though we'd like him to play the older brother. But we haven't really arrived at that yet — we're just in the scripting process at the moment but once we get the script finished we'll be able to get a better handle on what the budget will be.

Nothing like dropping some big names to get attention, but I'd imagine he's right that a lot of actors would indeed be interested in the chance to take on the life a true American original.

And with that, I've got to go to the job that still somehow pays me, but I'll leave you with the trailer for the next Jennifer Aniston movie I'll be seeing (hint: It won't be "Bounty Hunter.") "The Switch," which I believe used to go by the much funnier name "The Baster," is a comedy starring Aniston and veryfunnyman Jason Bateman, and you can watch the trailer below Enjoy, and have a great weekend (and if you can, go see Roman Polanski's new flick, which I'll be doing Saturday afternoon.) Peace out.

Well, there is an "Arrested Development" movie in the works, but ...

"Well, if there was a drinking game where one had to drink every time a character cursed then the player of that game would be dead in ten minutes. Seriously. Don’t play that game."
- Judd Apatow, about the amount of cursing in his new movie, "Funny People"

I love that quote, and it's easily the funniest thing in a recent interview Apatow gave to MTV Movies.

Even better, and I'm more than happy to swipe it - with credit, of course - the MTV Movies Blog also had an interview with Charlie Day of "It's Always Sunny in Philadelphia" which contained this rather juicy description of an upcoming show:

“One of my favorite scripts right now is an episode called ‘The Gang Wrestles for the Troop.' In our attempt to honor the troops coming back from Iraq, we try and put on a wrestling match and ‘Rowdy’ Roddy Piper is appearing in that. He’s playing a down on his luck wrestler called Da Maniac. All great wrestling performers had a good entrance song, so we’ve written our own entrance song about the Birds of War, which is what we call ourselves.”

Wow .. I can picture all that, and in my mind at least, it's just insanely funny. Day, who is somehow going to star in a romantic comedy called "Going the Distance" with Drew Barrymore, Christina Applegate and Justin Long, also promised some shenanigans with ponzi schemes and perhaps maybe even an octomom, so I'll definitely be watching when the show finally returns Sept. 17.

But, as the rather cruel headline promised, what I wanted to mention today was an "Arrested Development" movie of sorts, though certainly not the one many people have been hoping for.

Instead, as you can see from the trailer below, it's a documentary project by two rather crazed AD fans named Neil and Jeff, and I'm really not sure what to make of it. On the one hand, I can certainly admire and respect (actually, I just realized the Federer-Haas match is in a first-set tie-breaker ... be right back ... OK, Federer won, I'm back) that level of rather obsessed fandom, but I really can't imagine that 90 minutes of talking heads (though, not, apparently, stars who are still working, meaning Jason Bateman or Michael Cera) waxing nostalgic for this seriously great show, without apparently any clips, will be all that entertaining.

But, like I said, I can certainly support this level of obsession, so check out the site here, enjoy this trailer for what they're cooking up, and have a great weekend. Peace out.

See more funny videos and funny pictures at CollegeHumor.

Yes, I'll watch Ricky Gervais do ... well, just about anything

You know, I haven't been to a Broadway show in many years, but if I were to go wild and spring for one now it would certainly be what Julie Taymor is cooking up.

The stager of "The Lion King" has been working for some time now on a musical "Spider-Man," an idea so crazy that it should almost certainly work. And now she's got two of the main players from among her regulars.

Even Rachel Wood will play Spidey's paramour Mary Jane Watson, and the great Alan Cumming will play Norman Osborn/the Green Goblin. No word yet on who will play the webcrawler himself.

And, as a final word on all that, a formal apology from me to Ms. Taymor: I avoided seeing "Across the Universe" in theaters because it just looked like such a mess, but as happens what seems more and more every day, I was once again wrong. Yes, it's hippy, dippy and trippy, but it's also a heck of a lot of fun, so I'd definitely recommend a rental if you've never seen it.

And from here on out today, it's all about funny, and two flicks I'm certainly looking forward to.

Somewhere out in the desert of New Mexico (or maybe old Mexico, it's hard to tell), veryfunnymen Simon Pegg and Nick Frost have been working on something called "Paul," and it looks like just my kind of thing. Directed by Greg Mottola, whose last two flicks, "Superbad" and "Adventureland," have just been fantastic in my book, it's an American road movie starring the two of them and an alien they somehow manage to pick up at Area 51 on their way to ComicCon.

And now it's got a Web site you can check out here. It's pretty primitive so far, with only three videos and two collections of flicker pics, but it's still worth checking out and will surely get much better soon. If you visit, among the many things you'll learn is that the flick is set to feature Jason Bateman, Kristen Wiig, Bill Hader and Joe Lo Truglio, among other funny folks, so keep your eyes on this one.

But the main event here today is the trailer for Ricky Gervais' fall flick, now titled "The Invention of Lying," which he co-wrote and co-directed with Matthew Robinson. It kind of looks like the most generic sort of romantic comedy, but since it's Gervais, I'm still betting it will bring the funny.

If I can make one more video recommendation, although just about no one in the world bothered to see it, "Ghost Town" is just a thoroughly entertaining little flick. Starring Gervais, a charming Tea Leoni and Wiig as a truly maddening doctor, it's well worth a rental too.

And with that, I'm off to enjoy a probably scorching day at Athfest, featuring Bloodkin, Patterson Hood and more, all for free. Enjoy the trailer, and have a great rest of the weekend. Peace out.

Screw the Emmys ... Critics right a lot of TV wrongs from past decade

Although I watch the Oscars every year without fail, I very rarely tune in for even a minute of the Emmys. Why? Well, I understand that HBO makes great shows (I just reupped for "True Blood" season two - bring it on!) and I find "30 Rock" to be extremely funny, but there are so many others shows that just get ignored year after year.

Well, Variety did an interesting survey this week with members of the Television Critics Association, asking them to pick the best TV shows and stars from the past decade. The winners will be announced later this summer, and though I seriously doubt it will happen, it sure would be nice to see Lauren Graham win something. Here are the nominees, runners up and some brief comments from me:

DRAMA SERIES
NOMINEES:
"Friday Night Lights"
"Lost"
"Mad Men"
"The Sopranos"
"The West Wing"
"The Wire"

JUST MISSED:
"24," "Battlestar Galactica," "Big Love," "Buffy the Vampire Slayer," "Deadwood," "Grey's Anatomy," "House," "Rescue Me" and "The Shield"

Now there's a category. Three of these shows, "The Wire," "The West Wing" and "Friday Night Lights," are among my all-time favorites, and I certainly love "Mad Men" too (and can't wait for August to get here already.) Oddly enough, did anyone know that Elizabeth Moss, a k a Peggy Olson, also played Zoey Bartlet on "The West Wing"? I didn't realize it until a few days ago. Anyways, I'd go with "The Wire," the best cop show of all time, here, with "Friday Night Lights" a close second, but I have a feeling "The West Wing" will prevail.

DRAMA ACTRESS
NOMINEES:
Connie Britton "Friday Night Lights"
Glenn Close "Damages"
Edie Falco "The Sopranos"
Allison Janney "The West Wing"
Mary McDonnell "Battlestar Galactica"
Kyra Sedgwick "The Closer"

JUST MISSED: Frances Conroy "Six Feet Under," Jennifer Garner "Alias, Sarah Michelle Gellar "Buffy the Vampire Slayer," Rachel Griffiths "Six Feet Under" /"Brothers and Sisters," Sally Field "Brothers and Sisters" Holly Hunter "Saving Grace"

As much as I like Allison Janney and love her C.J., Connie Britton should be a big winner in this category. If you've never seen "Friday Night Lights" and think it's just a show about high school football, give it a chance, because Britton, Kyle Chandler and all the kids make it the best drama on TV now.

DRAMA ACTOR
NOMINEES:
Michael Chiklis "The Shield"
Bryan Cranston "Breaking Bad"
James Gandolfini "The Sopranos"
Michael C. Hall "Dexter"
Jon Hamm "Mad Men"
Hugh Laurie "House"

JUST MISSED: Gabriel Byrne "In Treatment," Kyle Chandler "Friday Night Lights," Ian McShane "Deadwood," Denis Leary "Rescue Me," Martin Sheen "The West Wing," Kiefer Sutherland "24"

Most of the action is in the runners up here. I appreciate that NBC tried to give McShane something to work with on "Kings," but he'll never get a role as good as Al Swearengen. Out of all these, my five would be McShane, Chandler, Jon Hamm, James Gandolfini and - rather than Martin Sheen, who is indeed great - Richard Schiff (Toby Zeigler) from "The West Wing."

COMEDY SERIES
NOMINEES:
"30 Rock"
"Arrested Development"
"Curb Your Enthusiasm"
"The Daily Show"
"Everybody Loves Raymond"
"The Office"

JUST MISSED: "The Big Bang Theory," "Flight of the Conchords," "Frasier," "Freaks and Geeks," "Friends," "Sex and the City," "The Simpsons," "Two and a Half Men"

I love that they just threw "The Daily Show" in the comedy category where it squarely belongs rather than into some goofy "late night" list. And huzzah to "Freaks and Geeks"! It's not terribly surprising that it would get love from critics, but it still just makes me very happy. Among the finalists, I'd go with "Arrested Development" here, by just a nose over "The Daily Show" and "30 Rock."

COMEDY ACTRESS
NOMINEES:
Tina Fey "30 Rock"
Lauren Graham "Gilmore Girls"
Patricia Heaton "Everybody Loves Raymond"
Jane Kaczmarek "Malcolm in the Middle"
Julia Louis-Dreyfus, "The New Adventures of Old Christine"
Mary-Louise Parker, "Weeds"

JUST MISSED: Jennifer Aniston "Friends," America Ferrera "Ugly Betty," Jenna Fischer "The Office," Felicity Huffman Desperate Housewives," Lisa Kudrow "Friends"/"The Comeback," Debra Messing "Will and Grace"

No contest here. Whether you want to call "Gilmore Girls" a comedy, drama or - bleh! - a dramedy, Lauren Graham should take this one running away. I love Mary-Louise Parker too, and it's nice to see some love for the blissfully silly "Malcolm in the Middle," but Graham is easily the most underappreciated TV actress of the past decade. 'Nuff said.

COMEDY ACTOR
NOMINEES:
Alec Baldwin "30 Rock"
Jason Bateman "Arrested Development"
Steve Carell "The Office"
Larry David "Curb Your Enthusiasm"
Ricky Gervais "The Office"
Kelsey Grammer "Frasier"

JUST MISSED: Zach Braff "Scrubs," Neil Patrick Harris "How I Met Your Mother," Jim Parsons "The Big Bang Theory," Ray Romano "Everybody Loves Raymond," Tony Shalhoub "Monk," Charlie Sheen "Two and a Half Men"

Carell vs. Gervais? I'd take Gervais every time, but in this category I'd give the nod to Bateman as the leader of the Bluth clan. I've given up any real hope that there will ever be an "Arrested Development" movie, but man wouldn't that be fun? And, as silly as "Scrubs" is, Braff is indeed very funny too, so kudos.

And with that, I'm off to Chicago for the weekend to hang out with mi hermano and watch two soccer matches (MLS Friday and U.S.-Honduras Saturday.) I'm also gonna hit the Art Institute of Chicago and - me being me - maybe a movie Saturday afternoon, "The Limits of Control" if I can find it. So I won't be seeing either of the two big comedies opening this weekend, but please feel free to let me know if they're any good or not. Peace out.

Mottola, Pegg and Frost assembling A-list comedy

After the pure disaster that was Mitch Hurwitz's "Sit Down, Shut Up" (though out of loyalty, I did watch every episode that made it to air, hoping against all evidence that it would somehow get better ... it didn't), I could certainly use a smart and funny animated offering for my summer viewing slate. And I have a feeling Mike Judge has just the right thing with "The Goode Family," coming to ABC at 9 tonight.

According to Variety: What "King of the Hill" did for Texas rednecks, Mike Judge and crew accomplish with Prius-driving tree-huggers in "The Goode Family" -- a smart, wryly funny animated comedy that's going to need a strong word-of-mouth campaign to flourish.

Sounds great to me, and it also features wannabe freak Lindsay Weir, a k a Linda Cardellini, so I'm definitely in.

But the coolest news I saw this morning is about what Greg Mottola, who's quickly becoming one of my favorite directors, is cooking up starting very soon.

But first a look at his track record. As for this year, I'd say there have already been a surprising amount of good-to-great movies, with my list so far being: "Coraline," "The International," "Watchmen," "Tyler Perry's Madea Goes to Jail," "Duplicity," "Sin Nombre," "Moon" and "Tyson," with the best two of all being "Star Trek" and Mottola's "Adventureland." Though it thoroughly tanked at the box office, that flick starring Jesse Eisenberg, Kristen Stewart and a very funny Bill Hader and Kristen Wiig was just a real charmer that moved at a naturally entertaining pace.

And before that, of course, he made for my money the best comedy of 2007 with "Superbad." I just watched that one again with that instant "play" feature on Netflix (man, is that addictive), and I have to say the B story about the cops played by Hader and Seth Rogen, which I initially thought was the far weaker of the two, has really grown on me. And, coincidentally enough given what's to follow here, I'm now waiting for "Spaced," starring Simon Pegg, to arrive in my Netflix mail, hopefully today.

Now to finally get to the main course, Mottola is next directing veryfunnyguys Pegg and Nick Frost in something called "Paul," from a Pegg/Frost script. The road trip flick is about two British geeks (Pegg and Frost, natch) who set out on a road trip from Comic Con to Area 51 and manage to encounter an actual alien named "Paul." And the flick, set to start shooting in June, is quickly attracting an A-list cast.

Rogen will provide the voice of Paul, and he'll be joined by Wiig, Hader, Jason Bateman and the seemingly ubiquitous Jane Lynch. As I said earlier, Mottola is rapidly becoming one of my favorites, and with this crew I don't see how this can be anything but extremely funny, so keep your eyes on it. And with that, I have to get ready for the job that still actually pays me a little scratch each week. Peace out.

A great day for comedy

If you like comedy of almost all kinds (and who doesn't?), there's a lot of good news and clips out there today, and at least one simply horrible idea: Having run out of appealing targets to roast well before they hit Larry the Cable Guy last month, Comedy Central is now turning to its worst subject yet: Joan Rivers.

I mean, really, if the person you're roasting is so unfunny that she deserves at least the abuse being hurled at her by her "friends" and more, where's the entertainment value in that? I think I'm just the wrong audience for these to start with, but that just sounds like a whole new low.

In much, much better news, tonight on NBC should just be epicly good. At 8:30, the new show created by "The Office" writers Greg Daniels and Michael Schur, "Parks and Recreation," debuts. I can only take Amy Poehler in very small doses, but I thought the same thing about Steve Carell before "The Office" started, so here's hoping I'm wrong.

Even better than that, though, is that it will be sandwiched between two brand spanking new episodes of "The Office" itself. I don't think anyone really believes Michael and Pam have left Dunder Mifflin for good, but it should still be cool to see Michael's big showdown with Charles, played by "The Wire" vet Idris Elba. For just a taste, here's the opening 90 seconds or so courtesy of NBC, featuring Kevin's considerable lack of ability to answer the phone and a very funny kicker:

You're bad at this too!



And in a very good bit of TV news for those who don't mind their humor dark and - as Jody Hill himself puts it - "full of a**holes," HBO has picked up a second season of Hill's series "Eastbound and Down," starring veryfunnyman Danny McBride as a former Major League ballplayer trying to make a comeback (like the mighty Baltimore Orioles, who are now 2-0 at the expense of the dastardly Yankees!)

Director Hill, of course, hits theaters this week with the mall-cop comedy "Observe and Report" starring Seth Rogen. Even with the tired premise, when I saw Associated Press critic Christy LeMire's hyper-ventilating review in which she called it both "vile" and "disgusting" (overkill, anyone?), I knew this would deliver just about completely what I'm expecting and looking forward to.

OK, enough of that. There are three promising trailers out there today that in their own way serve up comedy too. Sometime around August of last year, I put up a poll in which 26 readers voted (not a scientific sample, mind you, but not too shabby, I suppose) for the movie they were most looking forward to for the rest of the year. At the time, I declared that "Slumdog Millionaire" was the single movie I most wanted to see in all of 2008, and we all know what happened to that one.

Well, I don't think it's headed to the same fate as Danny Boyle's flick, but I'm giving the same designation this year to Rian Johnson's "The Brothers Bloom," finally set to open hopefully very wide in a busy May 29 weekend that will also feature at least Sam Raimi's "Drag Me to Hell" and Pixar's "Up."

Why so excited for this one? Well, if you haven't seen Johnson's high school noir flick "Brick," rent it now, and you'll see how much potential he has as a director. Plus, I just love goofy movies about a big con, and when it features Rachel Weisz, Mark Ruffalo, Adrien Brody and Rinko Kikuchi, I'm definitely in. Enjoy the new trailer.

"Where are we going?"
"New Jersey?"
"I'm gonna grab my coat."



Almost as good is the video proof that Mike Judge is returning to the working world for "Extract," hopefully coming to movie theaters outside of L.A. and Austin sometime in August. Starring Jason Bateman, Kristen Wiig, Mila Kunis, J.K. Simmons and a fairly well-disguised Ben Affleck, it's about "the personal and professional problems of the owner of a flower extract plant (Bateman)." I'm laughing about that already.

And if I can digress just a bit before we get to the trailer, as Judge's "King of the Hill" is coming to an end on Fox after a rather remarkable 13-year run, he's about to have a new animated comedy coming to ABC. Called "The Goode Family," the show about a politically incorrect clan will premiere at 9 p.m. May 27. And in a final bit of TV news for all fans of ABC's late "Pushing Daisies," the facts are these: The final three episodes of that fantastic fantasy will indeed hit the air, for three weeks in a row beginning at 8 p.m. June 20.

And now, without further dithering from me, here's the "Extract" trailer:

"They're just hanging there."



And finally, for real, here's a first glimpse of what Robert Rodriguez is cooking up with "Shorts," also set to hit theaters in August. I'm a sucker for what Rodriguez comes up with when he makes movies for kids, especially the first "Spy Kids." This one looks very similar to others in the current crop of mild fantasies being pitched to youngins by Walden Media and other companies, but I'm still betting it will be a lot of fun. Enjoy the trailer, and have a perfectly pleasant Thursday. Peace out.

"I wish I had telephonesis!"

What's Zack Snyder up to after "Watchmen"?

The picture above is one of nine in a gallery online at Vanity Fair that's well worth checking out here. This "Honeymooners" shot had to be my favorite because Bill Hader, Anna Faris, Leslie Mann and Jason Bateman are all just sensationally funny people, but there's plenty more to enjoy - including Seth Rogen as Frida Kahlo - in the gallery.

And speaking of seriously funny, a hearty huzzah to Spike TV (which I'm fairly certain I haven't tuned in to up to this point) for reviving a true American hero of physical comedy, the great Super Dave Osborne. If you grew up in the '80s like I did, Super Dave was the king of failed stunts, and now he's about to bring it all back again for four episodes he will write and of course star in this summer. Definitely keep your eyes out for that.

And he's not the only very funny guy who's about to make a comeback. Dave Chappelle sidekick Charlie Murphy - a k a Eddie's currently funnier brother - will launch his show "Charlie Murphy's Crash Comedy" on something called Crackle.com beginning March 20. And please, please, please Mr. Murphy, just go right ahead and steal the concept of "Charlie Murphy's True Hollywood Stories." It was the funniest thing on Dave's show, and he apparently won't be needing it anytime soon.

And since this is already the longest intro having nothing to do with the headline, why not more really funny from Kevin Smith, who proves there's not only life after making a porno, but a real cash cow.

For the record, I really liked "Zack and Miri Make a Porno." It was sweet and funny all at once, and that thoroughly disgusting anal sex joke at the end - I suppose it was the "money shot" - just made me laugh out loud. Almost as funny but thoroughly depressing, however, is that - for Wal-Mart, at least - Mr. Smith and those Weinstein boys have stripped the "porno" from the title completely for DVD shelves, labeling it simply "Zack and Miri." Sad. Really sad.

Now, even though that flick only made a rather paltry $31 million in its theatrical run, Mr. Smith is about to hit the big time. Warner Brothers has signed him to direct the detective comedy "A Couple of Cops," which was apparently at one point, and in Smith's hands probably will again be, known as "A Couple of Dicks." It will star Bruce Willis and Tracy Morgan. In the flick, according to the trades, the duo will track down a stolen baseball card, rescue a Mexican beauty and deal with gangsters and laundered drug money.

I can't find anything but good news there. For proof that Willis can be a great comedic actor with the right material, look no further than "Bandits" with Billy Bob Thornton and Cate Blanchett (well worth a rental if you can still find it.) And Tracy Morgan, though Tina Fey and Alec Baldwin try to steal all the acclaim, is the biggest fool on "30 Rock" and plays it with gusto. That recent bit with Dr. Spaceman about how diabetes might give him the chance to replace one of his feet with a wheel was just priceless.

OK, enough of that. Since this is "Watchmen" week, it should be all about Zack Snyder, and I promise that from here on out it mostly will be. It may be old news to most of the world, but the item I came across this morning was the first I had heard about "Sucker Punch," his next flick after "Watchmen."

And it sounds thoroughly intriguing. The new news is that "Mamma Mia!" star Amanda Seyfried is about to sign on to lead the mostly female cast, with Vanessa Hudgens, Abbie Cornish, Evan Rachel Wood and Emma Stone all eyeing the project too.

So, what is it? Well, here's the description from Variety: Set in the 1950s, "Punch" follows a girl who is confined to a mental institution by her stepfather, who intends to have her lobotomized in five days. While there, she imagines an alternative reality to hide her from the pain, and in that world, she begins planning her escape, needing to steal five objects to help get her out before she is deflowered by a vile man.

Sounds like it steals more than a bit from "Pan's Labyrinth," but I love movies about the imagination, especially when it's needed to survive. And Zack Snyder has already proven that he has a pretty wild one himself, and he promises he'll use it to fill "Sucker Punch" to create something like " 'Alice in Wonderland' with machine guns," so definitely stay tuned for more on this.

And finally today, a little catching up. No less than two of my co-workers asked me yesterday if I had seen the new trailer for McG's "Terminator Salvation," which will unspool in front of "Watchmen" (which I'll be watching in Imax!) this weekend. I had to admit I had not, but as you can see below, it does indeed - as they led me to believe - kick all kinds of ass. Enjoy, and have a perfectly passable Wednesday. Peace out.

What did we learn, kids? Don't f#%&$ with Tyler Perry!

How in the world did Tyler Perry manage to beat down the Jonas Brothers? I should have suspected something was up when black folks outnumbered teens and tweens by better than two to one as I lined up for a ticket Saturday (I was going to see "Milk" before it leaves theaters for good.)

In the biggest surprise so far this year, "Tyler Perry's Madea Goes to Jail" managed to hold on to the top box office slot with a week-two haul of $16.5 million, while those Jonas kids only limped home with $12.7 million for "Jonas Brothers: The 3-D Concert Experience."

Amazing but, in my opinion, well-deserved, because despite his usual haul of lukewarm-at-best reviews, this is Tyler Perry's best film since "Madea's Family Reunion," and one I think just about anyone willing to take a chance on it will enjoy.

Beyond that on a quiet Monday morning (on which, amazingly, there is still some snow on the ground outside in Macon, Ga.!), the biggest news out there is about Jason Reitman's next flick, "Up in the Air." It wouldn't seem like taking a more-than-two-year directing break after something as solidly entertaining as "Juno" would be the best of career moves, but thankfully he's back at work now on something that sounds like a lot of fun.

George Clooney has already signed on to play a corporate downsizer who is obsessed with collecting frequent flyer miles at the expense of having a life, and now "Juno" star Jason Bateman has signed on to play his boss. "Twilight" fans should take note that Anna Kendrick, easily one of my favorite young actresses, has a pretty big role in this one too (though I plug it all the time, if you haven't seen the charming little flick "Rocket Science," in which she also stars, rent it immediately.) Her role was initially described as a love interest for Clooney, but since she still only looks like she's maybe 20 years old, I don't think they really want to go there.

Remember Gurinder Chadha?

The other big news from this morning's box office report was that "Slumdog Millionaire" enjoyed the best post-Oscars bounce since "Titanic." Danny Boyle's flick grossed $12.2 in an expanded run, and has now brought in more than $115 million in the U.S. alone.

And now, jumping while Indian fever is still the fad of the week, British director Gurinder Chadha is cooking up something that sounds really fun.

Remember her? Before seeming to disappear completely, she directed one of my favorite movies in "Bend It Like Beckham." High art? Perhaps not, but being a soccer movie with a great pop soundtrack and a thoroughly healthy-looking Kiera Knightley gallivanting around in a sports bra for much of the flick, it's just for me the definition of cinematic comfort food. After that she made the somewhat entertaining "Bride & Prejudice" and then, in what always reliable reviewer Emma at All About My Movies called easily one of the worst movies of 2008, something called "Angus, Thongs and Perfect Snogging."

Now, however it seems she's hopefully getting back on course by turning to - where else? - zombies. She describes "It's a Wonderful Afterlife" as "My Big Fat Greek Wedding" meets "Shaun of the Dead," and Variety says its about what happens when a British-Asian mother's obsession to marry off her daughter leads to serial murder.

That all sounds great to me, but it wouldn't be Monday of "Watchmen" week here if I didn't mention something about the flick that finally arrives Friday, so here it is: I've finally taken the plunge and opted for Imax. I just bought my ticket (for $17?!?!) this morning for the 12:20 p.m. Saturday show, and I can't friggin' wait. And now, if you'll excuse me, I have to get ready for work, where I will at least attempt to do something besides daydream about Dr. Manhattan's voyage to Mars all day long. Peace out.

Kevin Smith, the art of raunch, and the problem with PG-13

The saddest news out there today is that after abusing Mike Judge's wryly funny "King of the Hill" for 13 years now, Fox has finally pulled the plug, effective at the end of this season. After the way it's been treated with the often nonexistent post-pro football slot, you could really probably call this a mercy killing. Besides, 13 years is a pretty darn good run.

And Mike Judge will be OK, with a feature film, "Extract," hopefully soon to come out in more than Austin and L.A. before hitting DVD. Starring Jason Bateman, Ben Affleck, Kristen Wiig, Clifton Collins Jr., Mila Kunis and (huzzah!) J.K. Simmons, all I really know about it is that Bateman plays the owner of a flower extract factory. Mr. Judge will also be returning to animated TV comedy with something called "The Goode Family" coming soon to ABC.

But all that's not the order of the day around here. In honor of Kevin Smith, who I still have loads of time for when he's not simply rehashing his own movies, it's all about R-rated comedies in which the R is squarely for raunch. And before you say that's too harsh, look at his last three movies: "Clerks II", "Jersey Girl" and "Jay and Silent Bob Strike Back." Though both of the sequels-of-sorts were funny enough, he's definitely in need of a new crowd, which he has now with Seth Rogen and the utterly charming Elizabeth Banks (more on her later) for "Zack and Miri Make a Porno."

It's sad that Smith squandered the opportunity he had such a big hand in creating with the current wave of R-rated comedies that throw in just enough heart to make the crude go down as almost sweet. My brother thinks Kevin Smith is just, using language Mr. Smith would surely appreciate, "a tool", but I'll definitely turn out for his new one this weekend (even if I will probably be shamed enough to ask the inevitably teen clerk simply for a ticket to "Zack and Miri," as unable to bring myself to use the taboo word "Porno" as the network TV ads are.)

My main point in this admittedly rather disjointed diatribe, however, is that the PG-13 rating - a shameful ruse for many reasons - has watered down the art of true raunch to the point that it just becomes silly juvenilia (though I admittedly often have a stomach for that too.) Here's a test in the form of my 10 favorite raunchy movies, in no particular order. Can you pick out the only one that's not rated R?

Animal House
Clerks
Bad Santa
Superbad
Super Troopers
Airplane
South Park: Bigger, Longer and Uncut
Blazing Saddles
Fast Times at Ridgemont High
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

And the answer? I thought for a second it might be "Superbad," but Jonah Hill's tirade about the "Ghostbusters lunchbox dick treasure chest" among many other gems made that one thankfully too rude for PG-13. The answer is "Airplane," which I haven't seen for a while, but I guess must be fairly tame by today's standards.

"Airplane" earned a PG rating four years before the PG-13 rating was created, on July 1, 1984 - a truly dark day in my book.Why? Well, you'll find I'm more than a little conflicted about it, but I think both sides I cling to are right, so bear with me.

My main beef with PG-13 is that it's so arbitrary. It was created, according to Wikipedia, in response to the violence in "Indiana Jones and the Temple of Doom" and "Gremlins" (really? WTF?!?!) Since then, however, it has clearly become a toilet for really gross "horror" movies and teen "comedies" that test the limits of taste without taking any time to think about such trivialities as much of a plot.

At the same time, however (remember, I said I'm very inconsistent on this), PG-13 movies too often just don't go far enough. I still find that woman in "Clerks" dryly explaining that she "manually masturbates caged animals for artificial insemination" for a living and the perpetually 8-year-old Stan looking for the clitoris in "South Park: Bigger, Longer and Uncut" to be extremely funny, and I hope I always will.

I suppose that's just the built-in problem with the middle ground: It may be the best way forward, but it will always leave increasingly both grumpy and old men like me complaining. The bottom line is, even if "High School Musical 3: Senior Year" will probably top the box office yet again, I'm glad Kevin Smith is back with a lot of raunch, a little smarts and a little more heart, and I hope a lot of people turn out for "Zack and Miri Make a Porno."

And I'll close with a bit more about Elizabeth Banks, easily my favorite comic actress working today (though Anna Faris is rising in the ranks too). She was rather severely underused in "W.", but you're about to see a lot of her: This week in Smith's flick, next week in the extremely silly but hopefully fun (and yes, R-rated) "Role Models" with Paul Rudd, and early next year in the horror movie "The Uninvited" with David Strathairn and Emily Browning (Violet in "Lemony Snicket's A Series of Unfortunate Events).

I don't turn out for horror movies much any more (the last one I saw and kind of enjoyed was J.A. Bayona's "The Orphanage), but with that cast I'll give this one a chance. Here's the trailer, which does indeed make it look like it might be a cut above the gore-over-suspense fare that passes for most "horror" flicks nowadays. Enjoy, and have a perfectly pleasant weekend.

Well, it's not an "Arrested Development" movie, but ...

Mitch Hurwitz, already at work on an animated offering as a midseason replacement for Fox, has now also signed on with CBS for something that sounds right up the "Arrested Development" creator's alley (even if it will star Jason Biggs.)

Biggs would topline what's being described as a comedy about a family that "loves too much," revolving around adult siblings and their parents who are "over-involved in one another's lives."

If that sounds an awful lot like "Arrested Development" itself, well, here's hoping. In another encouraging sign for the show, James Vallely, who wrote 15 episodes of "Arrested Development," is on board as Hurwitz's co-writer for at least the pilot. It has so far received a put pilot commitment and an order for six additional scripts.

Now, about that casting, and since it's the political season, here goes ... Mr. Biggs, I've met Jason Bateman (well, not really, but you know what I mean), and you sir are no Jason Bateman. OK, that didn't even really make me laugh, so I apologize if it just made everyone else groan too. I do hope I'm wrong and he and this as-yet untitled show thrive (or at least actually make it onto the air.)

And as for the other Hurwitz project, Wikipedia has quite a bit of information about it, which I'll shamelessly cut and paste here. It's based on a short-lived New Zealand (not Australian, as an anonymous poster corrected me on) sitcom called "Sit Down, Shut Up." Now called "Class Dismissed," it revolves around a group of "unconventional" educators at a northwestern U.S. high school. And, best of all, here's the rather "Arrested Development"-heavy voice cast:

Will Arnett as bodybuilder Ennis Hofftard
Maria Bamford as Miracle Grohe, a religious science teacher.
Jason Bateman as Larry Slimp, the gym teacher and only staff member that can teach.
Will Forte as Vice Principal Stuart Prozackian.
Tom Kenny as Happy, the secretive custodian.
Nick Kroll as Andrew Sapian, the flamboyant drama teacher
Cheri Oteri as Helen Klench, the unappreciated librarian.
Kenan Thompson as Principal Sue Sezno.
Henry Winkler as Willard Deutschebog, a suicidal German teacher.

Sounds great to me, and for anyone who may not know, Tom Kenny is also the voice of "SpongeBob SquarePants." And now, before I end this prattling on about a show that won't even hit the airwaves until next Spring (at 8:30 Sundays, right after "The Simpsons"), I'll end this with a publicity shot from the show.


Are the Hughes Brothers really going to make another movie?

Does anyone remember Allen and Albert Hughes, much better known as the Hughes Brothers?

I can't blame if you don't, but before pretty much disappearing from the film world, they managed to make four pretty darn entertaining flicks between 1993 and 2001: "Menace II Society," "Dead Presidents" (a seriously underrated movie), "American Pimp" and "From Hell."

Since then they've pretty much toiled in TV and advertising, but now that a rather large star named Denzel Washington is on board their latest attempt to return to the big screen, I have to believe it's gonna happen.

Washington has signed on to star in "Book of Eli" as "a lone hero in a not-too-distant apocalyptic future who must fight across America to bring society the knowledge that could be the key to its redemption," according to Variety.

That sounds a bit meh to me, but the Hughes Brothers, who will direct this for producer Joel Silver, have a real style that I've been missing in movies for a long time now. Here's hoping this actually happens! And, since it's a Friday and my mind is moving all over the place, I'll close with the video for one of my favorite Dead Prez songs, simply and aptly titled "Hip-Hop," and, of course, go see a movie.

"Hancock": A tale of three movies, none of them any good

Well, I guess it had to happen eventually. After a summer in which I've liked just about everything I've seen since "Iron Man" (with the caveat that I simply skipped several flicks on general principle), I've finally found a true stinker in "Hancock."

I mean, even M. Night's "The Happening" kept me laughing throughout at just how bad it is in stretches and therefore, I must confess, made me enjoy watching it a lot more than I could have possibly expected, but this one is just a lifeless - and pretty much soulless - creation.

I suppose my opinion doesn't matter too much since Will Smith+the Fourth of July still=mad money in the bank ($41.3 million BEFORE the actual holiday), but that doesn't mean I won't sound off anyway.

So, who's to blame for making this an almost singularly unwatchable mess? There's plenty to go around, but it has to start at the top with Mr. Smith himself this time.

I've had my bones to pick with him through the years, but I never really thought it would come down to him not being enough of an asshole to make a movie work.

However, after spending his entire career crafting his image as the black guy so nice that even the late Jesse Helms (sorry, but he's on my brain after reading his obituary) might invite him home to dinner, he simply doesn't have the edge - no matter how hard he tries - to play a character as innately unlikable as the seriously flawed hero "Hancock." So what you get is Will Smith walking around looking surly for 90 minutes or so, telling all the jokes you've already heard in the trailer and no more of any note. What a waste.

I suppose I would have been able to forgive this if director Peter Berg and writers Vincent Ngo and Vince Gilligan had been able to choose which direction they wanted to go in with this one. Either unable or unwilling to turn the once-promising premise into a real satire on the nature of heroes and our expectations of them, they instead let the movie just get more and more boring as Hancock is rehabilitated, until it reaches a "twist" ending that will just make you want to scream "wtf!" at the screen (I managed to refrain, but it took a whole lot of self-control!)

It certainly felt like they just reached a point where, after putting together 70 minutes or so of footage that goes absolutely nowhere, they all huddled and came up with the most ludicrous way possible to bring this to its mercifully quick end (though sequels are definitely already on the way.)

Jason Bateman does his best to wrest some laughs from his part as Hancock's PR man, and indeed succeeds at a few points, but he's just fighting a losing battle here. Charlize Theron, however, just looked even more confused by this maddening flick than I was.

And, as much as it pains my heart to say it, Berg's direction here is almost as bad as the story itself. Unsure where to point his camera at many points, he simply lets it spin around at least 360 degrees, never for any apparent reason. And lest anyone who's never been here before think I just had it in for "Hancock" from the start, that's simply untrue. I have nothing but love for Berg's "Friday Night Lights" and even more so the nearly perfect TV show that followed in it wake. But "Hancock" is simply an awful movie from start to finish.

Even so, there are surely great things to come very soon in superhero land, with Guillermo del Toro's "Hellboy II: The Golden Army" coming next week and then a little movie you may have heard of called "The Dark Knight" right after that, so keep hope alive. Peace out.

An "Arrested Development" movie? The stars seem to think so

I still won't believe this one until - and probably after - there's solid confirmation in the trades, but two of the stars of Fox's best sitcom in many, many years certainly seem to be sure there's an "Arrested Development" movie in the works.

First comes word from Jeffrey Tambor, a k a George Bluth, from the red carpet at the Hollywood premiere of "Hellboy II" (via Entertainment Weekly): “After months of speculation, I think we have finally figured out for sure that we are indeed doing an Arrested Development movie. I am very excited about that. I love that cast and crew and I felt like we had more to say."

Sounds pretty definite, right, but as far as I know Tambor doesn't have any actual power to make this happen. Still, just to get your hopes up even higher (and hopefully not just to have to dash them later), here's more from Jason Bateman, a k a Michael Bluth (via Bob and Justin's Mad Movie Blog) hinting there indeed may already be a script ready to go: "It's typically bent and twisted," Bateman said of the story concocted by series mastermind Mitchell Hurwitz. "He's got a really, really good idea for the movie version that would not be just simply the equivalent of four episodes back to back to back. It's actually something that would be specific to the medium of film."

None of this, of course, means this is ever going to happen (especially with the SAG strike just about a certainty now), but there are several reasons why it would make good sense.

First, look at "Sex and the City." Now, I understand that the "Arrested Development" cult isn't as large as Carrie Bradshaw's following, but I'd argue we're probably at least as devoted. You'd have an obvious built-in audience, and given how much the stars want to do it, I can't imagine the budget for any "Arrested Development" movie would be terribly high.

And unlike all the other TV retreads we've seen lately (I've heard some surprisingly good things about "Get Smart," but I just really can't go there), this would instead be an idea that springs from the minds of the people who actually created the show and know and love what it's all about.

As always when it comes to an "Arrested Development" movie, just keep hope alive!

A funny take on Sherlock and Watson?

On paper this could certainly work, and I think they've got the casting just about right.

Anyone remember "Talladega Nights"? There's really not much reason to except that Sacha Baron Cohen managed to walk away with every scene he was in as the French Formula "Un" driver and make Will Ferrell funnier in doing so.

So it's a bit surprising but very welcome news that for this new Sherlock Holmes comedy from scribe Etan Cohen ("Tropic Thunder"), Cohen will take the lead as Sherlock and Ferrell will be the sidekick Watson. Sounds like fun to me, but this being Hollywood, no idea (good or bad) ever comes by itself. Warner Bros. is apparently also prepping a Holmes drama to be directed by Guy Ritchie.

My money's on the funny guys in this one, but we'll just have to wait and see.

A rather uber-cool new "The Dark Knight" poster

I've got to wrap this up and get to the job that still pays me, so I'll just leave you with rather wickedly awesome "The Dark Knight" poster. If you stare at it long enough I think it might turn into one of those hidden sailboat paintings, but I can't guarantee it. Peace out.

Never hitting No. 1? No problem

I had a sobering thought as the opening sequence of "Harold & Kumar Escape from Guantanamo Bay" was unspooling before us on Saturday afternoon: I'm just too old for this.

I mean, I still love the guys, and when it was about the two of them and their juvenile exploits the sequel was still often very funny. But it also just contained some of the most tired jokes about prison and Southerners I've ever seen (and, really, when that prison is Guantanamo Bay, is there anything to laugh about?) Overall I'd say if you like Harold and Kumar it's still worth a rental.

I did, however, buy tickets for me and a few friends for the 10:30 p.m. Thursday night screening of "Iron Man," which I'm thoroughly jazzed about, and I still laughed through the entire length of that redband trailer for "Pineapple Express," so I'm definitely ready for summer!

Before we get into that, however, a nugget of news about Jason Bateman, who anyone who's been here before knows I rather like. Along with being Will Smith's life coach in the upcoming "Hancock," he's now signed on for what will most likely be a pretty funny movie that no one will get to see.

Why? Well, it's being written and directed by Mike Judge, whose last fairly funny offering, "Idiocracy," managed to play only in L.A. and Austin, if I'm not mistaken, before heading straight to video. Now he's heading back to the big screen with Bateman in tow for something called "Extract," which explores "what it's like to be the boss when everything seems to be shifting around you." Sounds more than a little just like "The Office," but I'm still betting it will turnout pretty good.

And in one other "Arrested Development" note, it looks like Mitchell Hurwitz's fall Fox offering is definitely headed to series, with the hiring of "Simpsons" veterans Bill Oakley and Josh Weinstein to be most likely showrunners. "Sit Down Shut Up," based on a New Zealand sitcom, will be an animated tale about teachers and administrators at a high school who care much more about their own hijinx than the students they supposedly supervise.

And one more nugget before I move on to the main course. Now that he's officially on board for "The Hobbit" and "The Hobbit 2.0," Guillermo del Toro gave the requisite interview with TheOneRing.net. You can read the whole thing here, but here's what I found most intriguing, since it hopefully means he understands that "The Hobbit," much more than "The Lord of the Rings," is a tale for the young and the young at heart:

"Another thing people will notice, at the beginning of the film will be the palette, that will be slightly different, the world will be the same but it will be a more ‘golden’ world, a more wide-eyed world."

Amen brother.

No No. 1? No problem?

Now, for the summer blockbusters that are about to come our way, that would of course be a fallacy, but there are plenty of movies that never reached No. 1 but still had a very healthy domestic box-office take. Here, with a hearty thanks to Box Office Mojo (which is really a stat-lover's dream come true), are 10 (with their chart positions) that I love from the list of the top 150 grossing flicks that never managed to make it to the top of the box office pack (the No. 1 flick, by the way, is "My Big Fat Greek Wedding," which never went higher than No. 2 but still managed to take in a rather astonishing $241,438,208):

6. "Chicago": The high-powered musical reached No. 2 when it was released in 2002 and went on to gross $170,687,518

12. "Knocked Up": Judd Apatow's comedy also peaked at No. 2 last year and went on to take in $148,768,917. And, in case you're wondering, "Superbad" isn't eligible for this list because it did indeed open at No. 1, but only took in $121,463,226.

17. "Juno": I can remember watching the numbers for "Juno" during the run-up to the Oscars and hoping it would sneak up to a late-run No. 1 visit, but it never got past No. 2 either in grossing $143,306,893.

26. "Crouching Tiger, Hidden Dragon": Man do I miss truly epic kung fu movies. I still haven't seen "Forbidden Kingdom" (though might today), but I hardly think that really counts. This one peaked at No. 4 on its way to taking in $128,078,872.

40. "Big": Has it really been since 1988 that there's been a Tom Hanks movie this fun? The big kid flick managed to peak at No. 2 and take in $114,968,774.

47. "Chicken Run": Back in the day when Aardman Animation wasn't reduced to making TV specials (Wallace & Gromit are coming back to the BBC soon!), they used to have a deal with Dreamworks which led to this zany tale that hit No. 2 in 2000 and managed to gross $106,834,564.

56. "The Aviator": Not even the presence of Leo DiCaprio and tons of Oscar hype could ever lift this higher than No. 3 at the box office, but it still did manage to gross $102,610,330. That makes it the No. 2 all-time hit for Mr. Scorsese, behind only "The Departed," which took in $132,384,315 domestic.

72. "Unbreakable": The last M. Night Shyamalan movie I just loved is also the first one on this list not to cross the $100M box-office barrier. The uber-cool superhero-of-sorts flick hit No. 2 and managed to take in $95,011,339 in 2000.

90: "The SpongeBob SquarePants Movie": I may be too old for Harold and Kumar, but I don't think I'll ever outgrow Spongebob. The flick was surprisingly clever, and it managed to peak at No. 2 and gross $85,417,988.

and, finally,

139: "No Country for Old Men": I was sure the Coens' biggest hit would be higher on this list, but shockingly it never made it past No. 5 at the box office. It still did, however, manage to dwarf my favorite Coen brothers' flick and their previous top contender, "O Brother Where Art Thou," $74,283,625 to about $45.5M.

So, there you have it. A waste of time? Perhaps. But still being a huge baseball fan, and since the Orioles are still over .500 at 14-11, I thought a stat-heavy post was in order. I hope someone else found it even a little bit interesting. Peace out.

Weekend update: What - if anything - is worth watching?

I suppose I'd be extremely remiss if I didn't lead off today with the news that Guillermo del Toro is now officially going to be making "The Hobbit," even if the news does now seem more than a little anticlimactic.

He'll be moving to New Zealand for the next four years because, I suppose, it's now written law that any Tolkein movie with Peter Jackson involved has to be filmed there (and I can certainly think of a few worse sacrifices to have to make.)

The somewhat dubious move, of course, is that they're actually making two movies, one that's the real "The Hobbit" and then a sequel that somehow bridges the gap between that work and the first of the "Lord of the Rings" novels. Since this rather extreme act of hubris means they certainly can't call the sequel "J.R.R. Tolkein's 'The Hobbit'," how about "Guillermo del Toro and Peter Jackson's imaginary bridge to 'The Lord of the Rings' "? I kid, of course, but I bet they'll both turn out to be simply uber-cool.

Though no release date has been set, Variety - with the four-year window - bets it will be one in 2011 and one in 2012, which seems to make sense.

And, before we move on to this week's movies, two bits of TV news, one nothing but bad and one that could turn out to be surprisingly good.

Just to get the ugly out of the way quickly (it is Friday, after all), NBC has definitely traded down in announcing Jimmy Fallon will take over Conan O'Brien's show when the latter moves into the "Tonight Show" chair. I've been wrong at least once before, and to be honest I rarely manage to stay up until 12:30 a.m. very often any more anyway, but I just can't see any scenario in which I'll do so for Jimmy Fallon. Sheesh.

In better news, Nathan Fillion - a k a Captain Mal from "Firefly" and "Serenity" - has signed on to star in a pilot for ABC called "Castle." Despite that rather mundane title, the premise - a "comic procedural" about a famous mystery novelist (Fillion) who helps the NYPD solve crimes - does hold some promise.

But enough about that ... now lets take a look at this week's offerings (which are all really just filling space until the arrival of "Iron Man" anyway), with the added bonus of a trailer for a flick that should probably have made my previous Summer Top 10 list.

1. Harold & Kumar Escape from Guantanamo Bay
I realize that I'm far too old to watch this one in a theater, and I can't with good conscience recommend that anyone else take a chance on anything this juvenile, but I will indeed be there Saturday afternoon. My inner snob led me to pass on "Harold & Kumar Go to White Castle," but once I saw it on DVD it's just become one of those silly little comfort movies - like "Office Space" or "Super Troopers" - that help erase my mind after a particularly dreary work day. Besides, here's what critic Nell Minow, an always reliable friend to this site, had to say:

Cheerfully offensive, cheekily raunchy, happily outrageous, and often just plain disgusting, the movie avoids the usual sophomore slump by ramping up the political jabs while keeping it all unpretentious and moving quickly.

Sounds right up my rather juvenile alley, so this time, I'll be there for the first round.

2. Deception
I had never heard of this until it showed up at our multiplexes this week, but with a cast that includes Michelle Williams (hearty huzzah), Ewan McGregor and Hugh Jackman, I might have been willing to take a chance. A quick peek at the Rotten Tomatoes, however, shows it only managed a 6 % positive rating, which seems rather astonishing. Granted, that's only with a few reviews, but the words "predictable potboiler" are enough to stop me (and besides, even "Harold & Kumar" managed to garner 51 % positive.)

3. Baby Mama
I have nothing but love for both Tina Fey and Amy Poehler, but I just can't shake the suspicion that this one just won't have enough funny to sustain a feature-length movie. Besides, in the commercial, there's a litmus-test joke, methinks, when Maura Tierney actually wipes something brown off the face of youngun and tastes it to decide if it is "chocolate or poop" (I may be paraphrasing just a bit, but you get the gist.) It's hypocritical I know since I support the often just disgusting "Harold & Kumar," but that joke just kind of makes me sick enough to wait for DVD on this one.

And finally, as promised, the extended trailer for "Hancock," which made its premiere on the TV last night, probably during the rather great "Office" episode with the coke-addled Ryan, but since I fast-forward through the commercials I would have missed it anyway. For anyone else who did the same, here's a look at Peter Berg's July 2 flick about an alcoholic superhero (Will Smith) in need of a makeover from a PR expert (the always funny Jason Bateman.) All those ingredients sound right to me, and the trailer is indeed pretty darn funny. Enjoy, and have a perfectly enjoyable weekend. Peace out.