A Thursday clip show, closing with the funniest thing you'll see today

Starting with some movie news, having been thoroughly burned by Matt Reeves' soulless, shot-by-empty-shot remake of one of my favorite movies, "Let the Right One In," I should just run screaming from this, but there's news today that still gives me hope that another unnecessary remake of a modern European classic might actually be pretty good.

Guillaume Canet's "Tell No One," based on the American novel by Harlan Coben, actually came out in the same year as Tomas Alfredson's "Let the Right One In," and as a duo, they were my two favorites movies of 2008.

So there's nothing more representative of Hollywood's bankruptcy of ideas than the fact that they're both so quickly targeted for remakes, but in spite of that, I still have hope for the upcoming American take on "Tell No One" for exactly one reason: Ben Affleck.

He's now at work on "Argo," the odd thriller he's directing based on the true story of how the CIA and the Canadian government teamed up to rescue six U.S. diplomats who had been taken hostage by Iranians in 1979, developing a ruse that involved convincing the Iranians that the diplomats were a Hollywood film crew scouting locations for a movie called “Argo.”

That should be nothing but wicked fun, but today comes word that after that, he'll direct the American remake of "Tell No One," and though like I said I should know by now not to get suckered in so easily, the hard-boiled mind-bender would indeed seem to be perfectly catered to his directing style, if this remake needs to be made at all.

OK, enough of that. I promised clips, and the movie-related ones today are actually pretty sensational in my estimation, followed by three doses of pretty solid funny.

First up today is the first trailer I know of for the upcoming baseball flick "Moneyball," which, even with the thoroughly annoying "Entertainment Tonight" voiceover interruptions, looks like nothing but great. I love a good baseball movie, and this one starring Brad Pitt as Oakland A's bean counter Billy Beane, Jonah Hill as his assistant and, though he makes virtually no appearance in the trailer, Philip Seymour Hoffman as A's coach Art Howe, should be a real winner. Enjoy the trailer, and if you like baseball movies as much as me, keep an eye out for this in September.



Next up, if you take one piece of movie advice from me ever, it's go see "Tree of Life" if you have the chance. By far Terrence Malick's most personal movie, and in my opinion, his best, too. But don't take my word for it. In what I have to assume is a leaked DVD extra, Christopher Nolan and David Fincher eloquently make the case for why this is such a uniquely entertaining movie, emphasizing its naturalism as one of its chief strengths. Enjoy, go see the movie if you can, and stick around for three doses of good comedy, with the very best for last.



Part of my newspaper job (the one that actually pays me a bit of scratch) is to look for movie reviews of the week's opening releases, if there will be any. Well, this week, I just assumed several folks would step forward to review "Green Lantern" in time for inclusion in our entertainment publication, but only Rene Rodriguez took the plunge, and slightly too late, promptly giving the movie one star. With "Super 8" still to catch up with and perhaps Woody Allen's "Midnight in Paris" to see again (yes, it's just that good), I think I'll just say no, but just in case you're feeling tempted, here are the Onion folks to get you amped for the sure-to-be-phenomenon that is "Greg Lantern." Enjoy.



I read this book while in a Minneapolis bookstore last week, and even though I have no rugrats of my own to deal with, it was an amusing enough little ditty. I had no idea, however, that Adam Mansbach's "Go the F#$% to Sleep" was about to debut atop the NY Times bestseller list. Reading it is indeed a bit of fun, but believe me, hearing Samuel L. Jackson read it is at least 15 times better. Enjoy this audio-only clip, and then stick around for what is by a very wide margin the funniest thing I've seen today.



By himself, Karl Pilkington, the tormented genius of Ricky Gervais' podcasts and now his Science show "An Idiot Abroad," is pretty friggin funny already. But what happens when you combine him with Warwick Davis, the "Harry Potter" star who's also featured in his own upcoming Gervais series, "Life's Too Short"? Not surprisingly, comic gold. On the podcasts, Pilkington has made it clear that he fears just about everything even slightly out of the ordinary, especially little people, so when Davis sits on his lap in this clip, it's a riot. If you like this, be advised, it's only part one of four, and the rest can be found at YouTube by searching for "When Karl Meets Warwick." Enjoy, and have a perfectly pleasant Thursday. Peace out.

A cool Wednesday cache of clips

Before we get in to that, however, there are some bits of good news out there this morning, and it all starts with "Chuck."

With the still fairly great spy comedy premiering in the fall this year, I just assumed that a full fourth season had already been booked, but silly me. It apparently had to earn that right, and NBC has just announced that that will indeed happen (along with, unfortunately, a full season of "Outsourced" - who the hell watches this crap? And if this means something bad for the return of "Parks and Recreation," well, I of course won't be able to do anything about that, but I will be rather friggin pissed about it.)

As for "Chuck," this season had gotten off to a bit of a rough start in my book, with the show really unsure how to deal with Chuck and Sarah as a couple, but Monday's episode with Casey's "funeral" was a real winner, so here's hoping the show is back on track for its full 22-season run.

In movie news, if you didn't see Roman Polanski's "The Ghost Writer," I highly recommend a rental. It was a whipsmart political thriller until the ending is wrapped up way too neatly, and any movie that has that much Ms. Cross - a.k.a. Olivia Williams - definitely can't be all bad.

And now comes word that he's assembled a first-rate cast for his next directing project, "God of Carnage." John C. Reilly, Jodie Foster, Christoph Waltz and Kate Winslet will play the leads in the movie based on the Tony award-winning play by Yasmina Reza, about two sets of parents who meet after their kids brawl in the schoolyard, and they get along worse than the kids did.

Reilly will play Michael, the role originated onstage by James Gandolfini, and Foster plays his wife, so by force I would have to assume Waltz and Winslet (what a pair) play the other couple. Filming for this begins in January in Paris, so definitely keep your eyes on it.

And finally, before we dive into the clips today, it seems that Ben Affleck may be closing in on his directorial followup to "The Town."

Speaking of that flick, I know I'm in the minority, but the more time and space I get removed from it, the more it just leaves me cold. Sure, an expertly directed crime thriller with a great cast in top gear, but the story was just so familiar to the point of being tired.

But I digress a bit. Despite my unheard reservations about "The Town," Affleck found himself more than a bit of a hot property after its release, being courted for and turning down the next "Superman" flick (which went to Zack Snyder) and a movie called "Tales from the Gangster Squad," about the police force who cracked down on Jewish mobsters in 1940s Hollywood.

Now, however, he seems to be circling something that he's actually interested in, and thankfully it would pull him out of his Boston crime rut. Warner Bros. wants him to direct a movie based on the Ken Grimwood novel "Replay," about a 45-year-old man who has a fatal heart attack while trying to prevent the murder of a jogger in New York's Central Park. Instead of dying, however, he is stuck in a "replay" of his life beginning at age 18 in Brooklyn. With his knowledge of the future, he changes his life and builds a financial empire, only to die again at age 45. The "replay" continues, however, as he and the murdered jogger fall in love and struggle to break the cycle of their repeating lives.

Despite the rather "Groundhog Day" nature of its premise, that actually sounds pretty intriguing, and despite my reservations about "The Town," Affleck is a genuinely great director in the making, so stay tuned for more on this as soon as I find it.

OK, getting into the clips today, where in the world else would you start than with the teaser trailer for what could quite possibly be the funniest movie of 2011, Greg Mottola's "Paul." As you'll see from the trailer, it stars dynamic duo Simon Pegg and Nick Frost as two geeks on their way to Comic-Con in a Winnebago when they - naturally - encounter the titular extraterrestrial, voiced by Seth Rogen. With "The Daytrippers," "Superbad" and "Adventureland" under his belt, Mottola has yet to direct a movie I didn't like quite a bit, so enjoy the trailer, and definitely keep an eye out for this to come out March 18.



It seems like forever since Alejandro Gonzales Inarritu last directed a movie, and it has indeed been four years since "Babel," which I loved almost unconditionally, though I know many people who didn't. Soon to come out will be his new flick, "Biutiful," starring one Javier Bardem. Here's the synopsis, courtesy of The Playlist:

Biutiful is a love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life's corridors, whether bright, bad - or biutiful.

Rather heady stuff that. Enjoy this, the first full trailer I know of, and keep an eye out for this in surely limited release starting Dec. 29.


Biutiful Trailer
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The first trailer for David O. Russell's "The Fighter" really didn't seem to promise much more than an average sports underdog flick starring Mark Wahlberg, but Sunday's fuller look that came with the finale of "Mad Men" (I miss it already!), had a lot more of Amy Adams and Christian Bale in it, and just made it look like a much more intriguing flick. Here's a look, and keep an eye out for the movie itself Dec. 10.



So, what can fill the Sunday void left by "Mad Men"? Well, nothing really, but "Sherlock," coming to PBS' Masterpiece Theatre (or whatever the heck its called now) for three installments beginning this Sunday, should at least be small solace, and I'll definitely be tuning in. As you'll see from the promo below, someone named Benedict Cumberbatch (yes, really) plays Sherlock himself, and the great Martin Freeman (of the UK "Office" fame and apparently the new Bilbo Baggins in Peter Jackson's "The Hobbit") plays Watson. Enjoy the clip, definitely tune in for this, and have a perfectly passable Wednesday. Peace out.

Ben Affleck may finally be ready to move onto a new "Town"

Though I wanted to love Ben Affleck's "The Town," I could never really quite get there for several reasons.

First of all, the story is familiar to the point of being tired. And though it's extremely well shot, the body count in those slick action scenes should have been in the 100's (it's just a movie, I know, but with the way Jeremy Renner was spraying bullets around, it just didn't even come close to adding up.)

But what it really left me with was the sense that, even though the best strength of "The Town" is its very strong sense of place in Boston's Charlestown neighborhood, perhaps its time for Affleck to finally branch out from his home turf as a director.

Well, Warner Bros., apparently has the same idea, and has now offered him the chance to direct something called "Tales from the Gangster Squad."

Adapted from a series of LA Times articles, the movie will explore the true story of a secret "off the record" police task force that went after Meyer Harris "Mickey" Cohen, a high-profile gangster who was a member of the "Jewish Mafia" in the 1940's. The screenplay has been drafted by former LA cop and novelist Will Beall.

Still a crime movie, obviously, but that's just fine with me, because Affleck has proven much more with "Gone Baby Gone" than with "The Town" that he has a sure hand in directing crime thrillers, so here's hoping he takes this rather epic-sounding one with a welcome change of scenery.

After that today, there are just a couple more tidbits about directors whose work I almost always enjoy, including one who hasn't managed to make a feature film in about 12 years or so.

Before that comes word that David Fincher has now seemingly filled all the major roles in his still thoroughly unnecessary but could be quite good remake of "The Girl With the Dragon Tattoo." The latest addition is Christopher Plummer as Henrik Vanger, the patriarch of the mysterious Vanger clan who hires Mikael Blomkvist (Daniel Craig) to investigate the Vanger family's secrets and track down his missing great-niece.

The biggest shoes to fill of all will be Rooney Mara, pictured here, stepping in to the titular role of Lisbeth Salander, already played to perfection by Noomi Rapace in the Swedish original by director Neils Arden Opley, but I think she'll do just fine. Round out the cast with Stellan Skarsgard as Martin Vanger and Robin Wright as Blomkvist's editor, Erika Berger, and you've got something that shapes up just about the same as Matt Reeves's "Let Me In," which has been receiving almost uniformly good reviews so far: A well-made movie with a sensational cast that, in a perfect world, probably shouldn't exist at all, because there's really very little room to improve on the original work it's based on.

Even so, I'll certainly turn out due to curiosity if nothing else to see what Fincher makes of all this, which is filming now in Sweden. (And if you want to see a first-rate, cerebral but truly brutal thriller, the original "The Girl With the Dragon Tattoo" is now both out on DVD and also streaming at Netflix, so watch it!)

And finally, does anyone remember Whit Stillman? Probably not, but with his very witty debut "Metropolitan" and then two lesser but still good followups, "Barcelona" and "The Last Days of Disco," he seemed to have a fairly flourishing indie movie career before pretty much disappearing after the latter's release in 1998.

He's tried to make several comebacks since that have fallen apart, but it looks like he finally really will return this time, with his "Damsels in Distress" having already started filming. Here, according the always reliable The Playlist, is what it's all about:

[Damsels in Distress] centers on a group of college girls who take in a new student and teach her their own misguided ways of helping people. Lily, a new student at Seven Oaks University, winds up filling in with a dynamic and highly individualistic group of girls, addicted to the elegance of the past: Heather, Violet and Rose all volunteer at the campus Suicide Prevention Center, convinced that musical dance, sharp clothes and good hygiene — the Dior perfume “Diorissimo” is their trademark — can all contribute to staving off the inevitable self-destructive impulses that follow hard on the heels of failed college romances. Despite their sophisticated talk and savvy use of perfume, the girls are plagued by Cupid’s arrows and must adjust their psyches to the onset of amour. [The Playlist]

As silly as all that sounds, it also sounds like just about the perfect milieu for the kind of sharp comedy of manners Stillman used to specialize in when he was able to work regularly. Greta Gerwig of "Greenberg," which I haven't seen, is apparently playing the role of Violet, and she will apparently be the closest thing to a star in this, assuming it really does come together.

And with that, I have to go now to the job that still somehow manages to pay me enough to keep the lights on. Peace out.

Fast forward: 10 movies I'm amped to see this fall

Since it's still hot as, well, August outside, what better time than now to look ahead to a time when the weather is cooler and the movies are reliably better, fall.

And just to clarify, on my movie calendar, fall starts in September and ends in November, no matter what the calender says. That said, here are 10 movies I'm definitely psyched to see this fall.

9/1: "The American": George Clooney stars as a hitman who's given one final, inevitably complicated, assignment to complete in Italy in this sure-to-be-cool thriller from director Anton Corbijn, who made the Ian Curtis biopic "Control."

9/3: "Machete": Whether or not Robert Rodriguez's revenge pic starring Danny Trejo (developed from the fake trailer of the same name that appeared in between the two halves of "Grindhouse") is any good, with a cast that also somehow includes Robert De Niro, Jessica Alba, Don Johnson, Michelle Rodriguez, Steven Seagal and even Lindsay Lohan, it should be anything but boring. Enjoy the latest trailer.



9:15: Never Let Me Go: Here's one case where I'm definitely glad I haven't read the book first, because Kazuo Ishiguro's novel, which has been made into a movie starring Carey Mulligan, Keira Knightley and Andrew Garfield, is about students at a boarding school with a mysterious secret, and I don't want to already know what that is going in.

9/17: Easy A: I'm surely too old for teenie adaptations of classic works, but this take on Nathaniel Hawthorne's "The Scarlet Letter" just looks extremely clever, and star Emma Stone is a natural comedienne. Enjoy the trailer below.



9/17: "The Town": Ben Affleck's directing followup to "Gone Baby Gone" features a stellar cast - including Jeremy Ritter, Reel Fanatic fave Rebecca Hall and Don Draper - in a Chuck Hogan novel about bank robbers in Boston and the FBI man who's out to get them.

9/24: "It's Kind of a Funny Story": Co-directors Anna Boden and Ryan Fleck, who made last year's seriously satisfying baseball/immigration drama "Sugar," return this time with the story of a teenager who checks himself into a mental institution and ends up getting housed in the adult area, where he meets Zach Galifianakis and all kinds of other colorful characters. The one movie I'm most looking forward to seeing this fall. Enjoy the trailer below.



10/1: "Social Network": The creation of Facebook may not exactly sound like a riveting story of American ingenuity, but I'm betting that in the hands of director David Fincher and with a script from "West Wing" creator Aaron Sorkin, this flick starring Jesse Eisenberg and Justin Timberlake will be a real winner.

10/1: "Freakanomics": If too many cooks don't spoil the soup, this documentary based on the best-selling book about the often bizarre rules of causality from six directors - Heidi Ewing, Alex Gibney, Seth Gordon, Rachel Grady, Eugene Jarecki and Morgan Spurlock - should be a surprise hit this fall.

11/5: "Fair Game": Spy games are always best when they're based on a true story, so even if it's clearly old news by now, you can count me in for director Doug Liman's take on the story of outed CIA agent Valerie Plame (Naomi Watts), with her husband being played by Sean Penn.

11/5: "127 Hours": Director Danny Boyle kind of snuck up on Oscar voters to take the top prize with "Slumdog Millionaire," and I think he just might do it again with the story of mountain climber Aron Ralston, played by James Franco, who survived the titular 127 hours trapped under a boulder in a Utah canyon.

So there you have it. Please feel free to let me know of any I've snubbed (and remember that there will be some great ones in December, but that's not on this list) or any you're really amped to see this fall, and have a perfectly passable Tuesday. Peace out.

Catching up with some news and clips

Many of these things may have indeed happened while I was on vacation with mi hermano in New York and Philly, but they're all fascinating to me, so if you want to, please feel free to read on.

Easily the best news, and fresh I think, is that HBO has set the return dates for two of my favorite TV comedies, and is in fact packaging them back to back this September. "Bored to Death" and "Eastbound & Down" will indeed premiere as a block beginning at 10 p.m. Sept. 26, and I can only say bring it on.

If you've never seen "Bored to Death," and I'm sure there's many more than a few of you who haven't, I really can't recommend many TV comedies higher. The show from novelist Jonathan Ames (if you haven't read his "Wake Up, Sir!", do so right away) is about a struggling writer (Jason Schwartzman) who decides to list himself as a private eye on Craig's List. As he goes on various misadventures in New York City, he's often joined by co-star Zach Galifianakis and, even better, Ted Danson, who steals every minute he's in as a crazed magazine editor.

"Eastbound & Down," from the Southern-fried comedy shop of Jody Hill and friends, is a more bitter pill to swallow, but in its own way almost as funny. At the end of season one, Danny McBride's Kenny Powers had burned all his bridges in his pathetic attempt to return to the big leagues as a pitcher, and if I'm not mistaken, the new season will at least in part have him hurling in Mexico. That should be a hoot, so if you've never seen this little odd show, give it a chance.

In another bit of TV news, though I'm now thoroughly convinced there will never be an "Arrested Development" movie, two of its funniest actors will be reuniting on creator Mitch Hurwitz's new show, "Running Wilde," starting Sept. 20 on Fox.)

In the show, Gob Bluth plays a rich callow dude (sound familiar?) who falls in love with a crusading environmentalist played by Keri Russell. And now comes word that in a casting change, the extremely funny David Cross will play a radical environmentalist who competes for her affections for at least seven episodes. Nothing but funny there (or at least here's hoping, because Hurwitz's last show, "Sit Down, Shut Up," was just a flaming turd.)

And finally, both because this is nominally supposed to be about movies and because I love Sam Raimi at his best, he's attached to direct something that could be all kinds of fun (and I'm not talking about that "Oz" prequel, which even with Robert Downey Jr. as the wiz himself should just be terminated with extreme prejudice.)

After that, I suppose, Raimi has set his sights on adapting the graphic novel "Earp: Saints for Sinners," from a script by the novel's author, Matt Cirulnick. As the title implies, this would indeed be about the Western hero Wyatt Earp, but transport him into a future in which he takes on outlaws in a ravaged society where the only boomtown left is Las Vegas. Now, having sat through "Spider-Man 3" I know Raimi can fall as much as anyone, but this just sounds like fun to me.

OK, from here on out it's all about clips, the first two of which come directly from Roger Ebert's newsletter, which really is a must-read if you love movies (and at $4 a year, it's a real steal too.)

First up comes the first proof that this fall and winter are going to be all about James Franco, and as a devoted "Freaks and Geeks" fan, that's just fine by me. Later, in December (I think), he'll star in Danny Boyle's next flick, "127 Hours," as mountain climber Aron Ralston, who became trapped while climbing in Utah and had to go to desperate measures to survive. You can count that as one of the very few flicks I'm most looking forward to for the rest of the year, but before that, on Sept. 24 if you live in one of America's bigger cities, you'll be able to see him as the poet Allen Ginsberg in "Howl." Here, courtesy of the Ebert crew, is the first trailer I know of. Enjoy.



I thoroughly enjoyed Ben Affleck's directing debut with "Gone Baby Gone," so you can certainly count me as psyched for his sophomore effort, "The Town," based on the novel "Prince of Thieves" by Chuck Hogan and set to come out Sept. 10. The rather stellar cast includes Gossip Girl Blake Lively, Jeremy Renner, Reel Fanatic fave Rebecca Hall, Jon Hamm and Chris Cooper in a Boston flick about a bank robber and his contacts with the FBI, amorous, contentious and otherwise (sounds more than a little like "Out of Sight," which is fine with me.) Enjoy the first trailer I know of.



Next up comes the first American trailer for Woody Allen's "You Will Meet a Tall Dark Stranger," which, even with the awful narration that also was the only blemish on his sublime "Vicky Cristina Barcelona," looks like it should be another winner. The cast includes, Josh Brolin, Naomi Watts, Anthony Hopkins, Antonio Banderas and the simply stunning Freida Pinto, so we at least know there will be a lot of pretty people, hopefully doing very funny work when this comes out (and hopefully everywhere) Sept. 22. Enjoy the trailer.

And where better to finish up today than with more silliness from the Muppets? We'll have to wait until Christmas 2011 for the new Muppet movie, "The Greatest Muppet Movie Ever Made," being cooked up by Jason Segel, Nicholas Stoller and James Bobin. In the meantime, thankfully, Jim Henson's creations keep popping up in new YouTube creations like this latest clip of the Swedish chef cooking up some popcorn shrimp, with predictably disastrous results. Enjoy the clip, and have perfectly passable Wednesday. Peace out.

The Coens as "Serious" men? Well, sort of, and here's a look

Actually, there's some great TV and other movie news too, but before I get into any of that, there's a quiet little thing going on in New York City on Monday morning that's certainly worth a mention.

Remember Adrienne Shelly? She's best known now as the writer/director/star of the thoroughly charming movie "Waitress," but she was also the star of several great Hal Hartley movies early in her career and other flicks. And she was also murdered in her New York apartment in 2006, before "Waitress" even came out.

Now she's about to get a small tribute, thanks to her husband, Andy Ostroy - a memorial garden in Manhattan's Abingdon Square Park, across from where she used to live. Perhaps not very important to many people in the world, but it's interesting to me, so there it is.

But enough of that depressing stuff, 'cause there's a lot more fun news out there. I know there are vampires everywhere, but I'm certainly not immune to them, so I can only call this great stuff.

It seems that joining the thoroughly campy but entertaining "True Blood" sometime soon will be a TV series based on the Guillermo Del Toro/Chuck Hogan novel "The Strain," to be masterminded by none other than Marti Noxon, one of the big brains behind "Buffy the Vampire Slayer."

"Strain," which I've just started reading, is a much more serious (well, as serious as this stuff can really get) affair than "Buffy," however. It tells the story of an outbreak in the U.S. of a virus that either kills those who are exposed to it or turns them into vampires, and I can tell you that so far it's an engrossing read. The plan, apparently, is to shop the TV project, envisioned as an event series unfolding over three seasons, early next year after the second book in a planned trilogy is released.

Noxon has also signed on to create, along with professional partner Dawn Parouse Olmstead, a series for HBO revolving around a feminist icon who launches a sex magazine for women. Diane Keaton is slated to star in it, which could be really funny, but I don't think it's enough to keep me from dropping my HBO again once "True Blood" winds up season two.

And in one other bit of really good TV news, "Veronica Mars" creator Rob Thomas has re-upped to create a second show for Starz to go with his comedy series "Party Down."

If you missed "Party Down" during its bitter but extremely funny first season, I believe Netflix subscribers can watch the entire season on their computers, as I did. It's about a bunch of wannabe actors who work at a catering company, and it gets my good show guarantee.

And now, Thomas has signed to develop another hourlong show for Starz titled "Waterloo," which will follow a struggling rock band and be based on his own youthful experiences trying to launch a music career in Austin (and please keep any Matchbox 20 jokes to yourself.)

If we're never gonna get "Veronica Mars" back in any form, which looks increasingly likely to be the case, I'll certainly give a chance to anything else Mr. Thomas has to offer.

OK, we're almost to the main attraction, but one movie note about a flick that's quickly attracting what could be the best small cast of 2010 so far. I mentioned recently that Ben Affleck has set his second directorial effort as "The Town," based on the novel "Prince of Thieves" by the aforementioned Mr. Hogan, and that it had already attracted Jon Hamm of "Mad Men" and the simply stunning Rebecca Hall to join the cast.

Well, now Jeremy Renner, who is just outstanding in Kathyrn Bigelow's "The Hurt Locker" (if you have any chance at all, please see that right away!), has also joined the fray. In the flick, Affleck plays a bank robber who becomes infatuated with the manager (Hall) of a bank he's robbing. Renner will be a member of Affleck's gang, and Hamm will be the lawman on their trail.

And finally, as promised long ago, the first trailer I've seen for the Coen brothers' next flick, "A Serious Man," and just from this two-minute glimpse or so it looks like they have a real winner here. As best as I can tell, it's about, among other things, a Midwestern college professor who finds his life falling apart when his wife threatens to leave him because his annoying brother won't move out of the house. It doesn't feature any of the Coen regulars, but you'll get a glimpse of Richard Kind as said brother and, even in this short bit, the dark humor that marks the Coens' best work. Keep your eye out for this one on Oct. 9, and have a perfectly pleasant Thursday. Peace out.

Yes, there will be a new Wes Anderson movie

After his last two flicks I wasn't completely sure I really wanted this day to come, but it seems there really will be another Wes Anderson movie, and it will indeed be opening the London Film Festival in October, and then supposedly get a very wide release in the U.S. beginning Nov. 13

And to that I can at least conditionally say bring it on, in large part to the new gallery of photos from "Fantastic Mr. Fox" that they've just put up at the movie's official site, which so far has little else on it.

The pictures, however, are well worth a visit, because they reveal an attention to detail, especially in the Fox family home, that compares favorably to - and I know I'm getting my hopes up way too high for what is an animated children's story, albeit a classic one - the Tenenbaum home in "The Royal Tenenbaums," by a nose my favorite Anderson movie.

With George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Michael Gambon, Willem Dafoe, Owen Wilson and even Jarvis Cocker providing voices, it should at least hopefully be a lot of fun.

And in other good news, I was proven even more wrong than usual when - even after the positive reviews came pouring in - I just couldn't believe that any movie directed by Ben Affleck would be fairly great. Well, anyone who's seen that flick, "Gone Baby Gone," will probably agree that it was one of the best of 2007, and now he's back with a cast that sounds really promising.

Affleck will star in and direct "The Town," based on the novel by Chuck Hogan, and he'll be joined by Jon Hamm of "Mad Men" and, in even better news in my book, Rebecca Hall of "Vicky Cristina Barcelona" (and, I like to point out, "Starter for 10," just because it's a fun little British teen romantic comedy very few people have seen.)

Affleck is playing a bank robber who becomes smitten with the teller of a bank he held up (Hall, natch), and Hamm is an FBI agent on his trail. The teller, of course, makes the robber want to go straight, but she is also the FBI's golden ticket to catching Boston's most wanted bank robber.

Sounds pretty standard to me, but with that cast, I'm in.

And fans of "How I Met Your Mother" - of which you can still count me one, even if it slipped a bit last season - might be curious to know that Ted himself, Josh Radnor, has apparently directed his first movie.

Radnor also wrote the script for "HappyThankYouMorePlease" (wow is that a bad title), which stars Malin Akerman, Kate Mara, Richard Jenkins (huzzah!) and even Buster Bluth, Tony Hale.

In what sounds a heck of a lot like "HIMYM" itself, the comedy "follows the lives and loves of six New Yorkers not quite ready to embrace adulthood. Sounds awfully meh to me, but I guess we'll have to wait and see.

And speaking of "Mad Men," I'll close with an extended Comic-Con clip from AMC's coming update of "The Prisoner," which I had thought was going to premiere directly before or after "Mad Men" finally returns Aug. 16 (the day after I get back from Mexico!)

It now seems AMC's "new" show won't appear until November, but with Sir Ian McKellen as the mysterious interrogator I'm gonna tune in for at least a few episodes, and the nine-minute-or-so clip (I did warn you) actually raises some hope that this might have been a good idea in the first place. And with that, it's off to the salt mine. Peace out.

Kevin Smith, the art of raunch, and the problem with PG-13

The saddest news out there today is that after abusing Mike Judge's wryly funny "King of the Hill" for 13 years now, Fox has finally pulled the plug, effective at the end of this season. After the way it's been treated with the often nonexistent post-pro football slot, you could really probably call this a mercy killing. Besides, 13 years is a pretty darn good run.

And Mike Judge will be OK, with a feature film, "Extract," hopefully soon to come out in more than Austin and L.A. before hitting DVD. Starring Jason Bateman, Ben Affleck, Kristen Wiig, Clifton Collins Jr., Mila Kunis and (huzzah!) J.K. Simmons, all I really know about it is that Bateman plays the owner of a flower extract factory. Mr. Judge will also be returning to animated TV comedy with something called "The Goode Family" coming soon to ABC.

But all that's not the order of the day around here. In honor of Kevin Smith, who I still have loads of time for when he's not simply rehashing his own movies, it's all about R-rated comedies in which the R is squarely for raunch. And before you say that's too harsh, look at his last three movies: "Clerks II", "Jersey Girl" and "Jay and Silent Bob Strike Back." Though both of the sequels-of-sorts were funny enough, he's definitely in need of a new crowd, which he has now with Seth Rogen and the utterly charming Elizabeth Banks (more on her later) for "Zack and Miri Make a Porno."

It's sad that Smith squandered the opportunity he had such a big hand in creating with the current wave of R-rated comedies that throw in just enough heart to make the crude go down as almost sweet. My brother thinks Kevin Smith is just, using language Mr. Smith would surely appreciate, "a tool", but I'll definitely turn out for his new one this weekend (even if I will probably be shamed enough to ask the inevitably teen clerk simply for a ticket to "Zack and Miri," as unable to bring myself to use the taboo word "Porno" as the network TV ads are.)

My main point in this admittedly rather disjointed diatribe, however, is that the PG-13 rating - a shameful ruse for many reasons - has watered down the art of true raunch to the point that it just becomes silly juvenilia (though I admittedly often have a stomach for that too.) Here's a test in the form of my 10 favorite raunchy movies, in no particular order. Can you pick out the only one that's not rated R?

Animal House
Clerks
Bad Santa
Superbad
Super Troopers
Airplane
South Park: Bigger, Longer and Uncut
Blazing Saddles
Fast Times at Ridgemont High
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

And the answer? I thought for a second it might be "Superbad," but Jonah Hill's tirade about the "Ghostbusters lunchbox dick treasure chest" among many other gems made that one thankfully too rude for PG-13. The answer is "Airplane," which I haven't seen for a while, but I guess must be fairly tame by today's standards.

"Airplane" earned a PG rating four years before the PG-13 rating was created, on July 1, 1984 - a truly dark day in my book.Why? Well, you'll find I'm more than a little conflicted about it, but I think both sides I cling to are right, so bear with me.

My main beef with PG-13 is that it's so arbitrary. It was created, according to Wikipedia, in response to the violence in "Indiana Jones and the Temple of Doom" and "Gremlins" (really? WTF?!?!) Since then, however, it has clearly become a toilet for really gross "horror" movies and teen "comedies" that test the limits of taste without taking any time to think about such trivialities as much of a plot.

At the same time, however (remember, I said I'm very inconsistent on this), PG-13 movies too often just don't go far enough. I still find that woman in "Clerks" dryly explaining that she "manually masturbates caged animals for artificial insemination" for a living and the perpetually 8-year-old Stan looking for the clitoris in "South Park: Bigger, Longer and Uncut" to be extremely funny, and I hope I always will.

I suppose that's just the built-in problem with the middle ground: It may be the best way forward, but it will always leave increasingly both grumpy and old men like me complaining. The bottom line is, even if "High School Musical 3: Senior Year" will probably top the box office yet again, I'm glad Kevin Smith is back with a lot of raunch, a little smarts and a little more heart, and I hope a lot of people turn out for "Zack and Miri Make a Porno."

And I'll close with a bit more about Elizabeth Banks, easily my favorite comic actress working today (though Anna Faris is rising in the ranks too). She was rather severely underused in "W.", but you're about to see a lot of her: This week in Smith's flick, next week in the extremely silly but hopefully fun (and yes, R-rated) "Role Models" with Paul Rudd, and early next year in the horror movie "The Uninvited" with David Strathairn and Emily Browning (Violet in "Lemony Snicket's A Series of Unfortunate Events).

I don't turn out for horror movies much any more (the last one I saw and kind of enjoyed was J.A. Bayona's "The Orphanage), but with that cast I'll give this one a chance. Here's the trailer, which does indeed make it look like it might be a cut above the gore-over-suspense fare that passes for most "horror" flicks nowadays. Enjoy, and have a perfectly pleasant weekend.

I truly love Anna Faris, but ...

Before we get into this week's movies, two of which I think I'll actually see. there's a couple of other cool little nuggets out there today to deal with.

First, it seems that Mike Judge might actually get to make a movie that plays in theaters somewhere besides New York, L.A. and Austin before hitting DVD.

As far as I can tell, "Extract" is about two dudes who toil in a flower extract factory, to be played by Ben Affleck and Jason Bateman (huzzah!). I'm not even sure what "flower extract" means, but with Mila Kunis and Clifton Collins Jr. (who, frankly, should be an Oscar winner already for his work in "Capote") also in the cast - and Judge writing and directing - I'm definitely in.

And I've never really understood why Judge hasn't been given much of a chance to show he has artistic life after Beavis and Butthead. "Idiocracy," while certainly not a groundbreaking work of any kind, was a solidly funny comedy that almost no one got to see in a movie theater, and if you haven't seen "Office Space" more than once by now I'm just really not sure what to tell you.

The second thing that grabbed my attention was a Michael Ausiello piece for Entertainment Weekly with this rather enticing headline: Exclusive: Bell, Thomas Orbit 'Veronica Mars' Movie.

Despite that bit of exaggeration, the actual news isn't all that major, but when it comes to a "Veronica Mars" movie I'll take whatever I can get. What actually happened was that Kristen Bell stopped by the office of "Veronica Mars" creator Rob Thomas, which just happens to be on the same studio lot where Bell is working on the next season of "Heroes" (which I think is gonna be just great after a rather off-putting Vol. 2.) The talk naturally turned to "Veronica Mars," and Thomas tells Ausiello, "Kristen and I ran into each other, and we did discuss a Veronica movie," and that he's also had "a few conversations" with "Mars" executive producer Joel Silver.

I'd say that's pretty far from them "circling" a "Veronica Mars" movie, but we can always keep hope alive!

And now, finally, on to this week's movies, in the order that I want to see them:

1. "The Rocker"
From the reviews I've read so far, just about every scene in this one is stolen almost directly from either "School of Rock" or "This is Spinal Tap," but if you're gonna pilfer your inspiration you might as well start with two flicks I just adore. Besides, Rainn Wilson is simply a very funny guy, and if it means seeing him expose his rather flabby physique way too much to get him a starring role on the big screen, I'm in.

2. "The House Bunny"
As the title of this post makes clear, I think Anna Faris is also just a natural comedienne (and a first-rate cutie, of course, which never hurts.) I've been pleasantly surprised by the positive reviews so far for this one, with a glowing one from Variety and an even split (13 tomatoes, 13 splats) at Rotten Tomatoes. One critic I always trust, however, Nell Minow, has this to say: "The screenplay inflicts a little more injury on Faris than it intends to by committing the very sins it half-heartedly attempts to parody." I'm still in and hoping against hope that she's wrong on this one.

3. "The Longshots"
It's certainly nice to see Ice Cube doing something besides abusing himself, his movie family and all his audience members in those pathetic "Are We There Yet" movies, but I'm afraid I'm just too old for this feel-good flick about a girl who just wants to play Pop Warner football with the boys. That said, Keke Palmer was simply fantastic in "Akeelah and the Bee," so I hope this makes tons of cash and continues her road to stardom.

4. "Death Race"
As cool as Jason Statham was in this year's most surprisingly entertaining flick, "The Bank Job," I just don't think there's any way I can go for a beyond thoroughly unnecessary remake of Paul Bartel's already very silly (bur also really fun) "Death Race 2000." As my rather observant and witty co-worker Erin Ivanov noted, once a movie has had the "Mystery Science Theater 3000" treatment, there's just no way it should ever be remade. And I sure hope Joan Allen and Ian McShane were well, well paid for lowering themselves to this!

And there you have it. Because of an odd confluence of overtime I actually have four days off in a row (I'm not complaining, believe me!), so I'm also headed to Atlanta on Sunday to finally see the Georgia Aquarium and possibly even another movie. Woody Allen's "Vicky Christina Barcelona," which should be playing everywhere already (as its TV commercial already promises) is probably my first choice, but we'll see. Have a perfectly pleasant weekend!

Ben Affleck getting back in the director's chair

There were few more criminally overlooked 2007 movies, at least when it came to awards season, than Ben Affleck's "Gone Baby Gone."

You're always gonna hook me when you pack a "gritty" crime drama with my favorite HBO veterans (Amy Ryan, of course, but also Titus Welliver of "Deadwood" and Michael K. Williams, a k a stick-up man extraordinaire Omar Little on "The Wire.") But beyond that, it was just a compelling movie from start to finish, and unlike many people I talked to, I thought the third act was the best.

So it can only be called good news that Affleck is getting back in the director's chair with another crime epic, this one coming from Marcus Sakey's debut novel "The Blade Itself" (which I have not yet read.)

Best as I can tell, "Blade" revolves around two Chicago childhood friends who made their reputation committing petty crimes as kids before choosing different paths in life. When they are reunited years later, one is forced to decide how far he will go to protect the secrets of his past.

Sounds to me like its in the vein of "Angels With Dirty Faces," and should be right up Affleck's alley. Just to clarify a bit, so far Affleck is only listed as producing this for Miramax along with "Gone Baby Gone" partner Sean Bailey, but I can only assume that's so he can direct it too.

And, believe it or not, this would be Affleck's third directing job. Among his IMDB credits is this, from 1993: director of a short film called "I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney." I can't make this stuff up, folks.

"Parnassus" officially back on

This had been in the works for some time, but I tend to have doubts about anything I read about the simply snakebitten Terry Gilliam until I hear it from one of the official trades.

But yes, it does seem that shooting is really back on now in Vancouver for Mr. Gilliam's "The Imaginarium of Doctor Parnassus," which had of course been interrupted by the death of Heath Ledger. Through the magic-mirror nature of the plot, the filmmakers will be able to keep Ledger's work and supplement it with a trio of rather familiar substitutes, Johnny Depp, Colin Farrell and Jude Law.

According to the producers, Ledger had completed all the shooting that takes place in the contemporary world, so this can somehow be sewn together to make a coherent flick (or as close as you can get to one from Terry Gilliam.) Just good news all around.

"No Country" hits DVD

I'm fairly certain that the Coen's "No Country for Old Men" is still playing at at least one of Macon's multiplexes until Thursday, so I was surprised to see it hitting DVD already today.

If you spring for the DVD release, which I certainly will, here are some documentary extras you'll get: Working With the Coens: Reflections of Cast and Crew, The Making of No Country for Old Men, Diary of a Country Sheriff. Doesn't sound like much, but the movie's so good that doesn't really matter much to me at all in this case. Peace out.