Don't blame the messenger: No "Mad Men" this year

Actually, before and after anything that depressing, why not some really good movie news to make it all go down sweeter?

First up, the certifiable funniest man on the planet (Bill Murray if you didn't know) has signed on to play Franklin Delano Roosevelt in a movie based on a real oddity, a radio play written in 2009 by someone named Richard Nelson (bully for still making those.)

"Hyde Park on the Hudson" tells the story of a true-to-life affair Roosevelt had with a distant cousin, and its set during a 1939 visit from King George VI, the first time in history that a British monarch had traveled to the U.S. Sounds like nothing but juicy fun there, so bring it on.

OK, an end to the good news for now, but I promise more of it, about two movies I really want to see, is coming. But before that, "Mad Men," already delayed until at least fall, now won't be coming on this year at all, and in case you can't tell yet, that makes this one man just mad as hell.

According to Deadline, show mastermind Matthew Weiner is holding out on three issues that, if this were a lesser show, I'd certainly deem worth fighting for. Per Deadline, those are: integrating product placement into the series, cutting two minutes from each episode's running time in favor of more commercials and eliminating/reducing two regular cast members to save money.

Again, all noble goals, but so is compromise. Though I'm obviously not in the room for this, if I were, of those three I'd think that cutting two minutes would be a lot less onerous than the other two demands, particularly the product placement, which would likely just be an awkward mess.

And there's of course a higher goal here, new episodes of "Mad Men"! No good word on that yet obviously, but as soon as I hear anything like that, you will too.

OK, enough of that gloomy stuff, so how about the opposite in two movie projects that could have been doomed to DVD getting at least a small release window?

First up is "The Rum Diary," which I had almost forgotten about because it's been on the shelf so long. Now, however, it's been picked up by FilmDistrict and even given a release date of Oct. 11 THIS YEAR, and with one Johnny Depp as the star, hopefully that means wide enough to even reach my little corner of the world.

The movie comes from "Withnail and I" director Bruce Robinson, definitely one of my personal favorites, and stars Depp as an American reporter who heads down to Puerto Rico, where he gets involved in a love triangle involving a married woman (Amber Heard) and her shady businessman husband (Aaron Eckhart). The film's been long finished, so bring it on already.

And for anyone who's never seen "Withnail and I," here's a taste of exactly why you should as soon as possible (and I believe it's streaming on Netflix).



And perhaps even less likely than a new movie from Bruce Robinson is one from Whit Stillman, who it's easy to forget managed to direct three very smart comedies in "Metropolitan" (a definite favorite around here), "Barcelona" and "The Last Days of Disco" before pretty much disappearing from the face of the planet around 1998. Well, now, he's finally back with something called "Violet Wister's Damsels in Distress," and even better, it's been picked up by Sony Pictures Classics, with a release date still to be determined.

So, what's it about? The story, which sounds perfect for Stillman's wit, is about a group of young women who come up with a code of conduct for a grungy east coast university. It's probably a whole lot better than I'm making it sound here, so here's hoping the flick starring Greta Gerwig and Adam Brody gets some kind fairly wide release soon.

OK, after that, a few tidbits from Pixar, and then something so silly for the finish that you really just have to give in and embrace it.

Up next for Pixar this summer is something I really can't manage to get excited about at all, "Cars 2." It's bad enough that the studio is now seemingly solidly in the sequel business, but everything I've seen from this particular one just looks like the height of banality.

After that, however, things should get interesting again. In Entertainment Weekly, Pixar has released concept art and the story for its 2012 fairy tale, now called "Brave" and formerly titled "The Bear and the Bow." And the best news of all about it is that it features the voice of Kelly Macdonald of "Trainspotting," "No Country for Old Men" and, most recently, "Boardwalk Empire" fame. Bully.

So, what's it about? Per EW, it involves Princess Merida (Macdonald) who one day breaks a sacred custom of her kingdom, led by King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson), that brings disorder to the land. To try to rectify the situation, Merida seeks out a Wise Woman (Julie Walters), who grants her a wish that turns out to have unlucky consequences.

Along with this being Pixar's first female heroine, it will also be the first Pixar movie to be directed by a woman, Brenda Chapman, director of "The Prince of Egypt." Definitely keep your eyes on this one. Here below is the best of the concept art featured in EW, which presumably features Macdonald's character:


Unfortunately, for 2013, Pixar is jumping right back into the sequel game, but at least this time it's for one of the studios funnest movies. "Monsters University" will again feature the voices of John Goodman and Billy Crystal as Sully and Mike, and will presumably be about their education. That could I suppose be fun, but I'll close today with one sequel that thankfully will go no further than the blissfully Funny or Die parody below. Tara Reid was rightfully mocked last year when she claimed, with no proof at all, that a sequel to "The Big Lebowski" was in the works, but you definitely have to give her credit for being able to make so much fun of herself in this video. Enjoy, and have a perfectly passable Wednesday. Peace out.

The Big Lebowski 2 with Tara Reid from Tara Reid

Ben Affleck may finally be ready to move onto a new "Town"

Though I wanted to love Ben Affleck's "The Town," I could never really quite get there for several reasons.

First of all, the story is familiar to the point of being tired. And though it's extremely well shot, the body count in those slick action scenes should have been in the 100's (it's just a movie, I know, but with the way Jeremy Renner was spraying bullets around, it just didn't even come close to adding up.)

But what it really left me with was the sense that, even though the best strength of "The Town" is its very strong sense of place in Boston's Charlestown neighborhood, perhaps its time for Affleck to finally branch out from his home turf as a director.

Well, Warner Bros., apparently has the same idea, and has now offered him the chance to direct something called "Tales from the Gangster Squad."

Adapted from a series of LA Times articles, the movie will explore the true story of a secret "off the record" police task force that went after Meyer Harris "Mickey" Cohen, a high-profile gangster who was a member of the "Jewish Mafia" in the 1940's. The screenplay has been drafted by former LA cop and novelist Will Beall.

Still a crime movie, obviously, but that's just fine with me, because Affleck has proven much more with "Gone Baby Gone" than with "The Town" that he has a sure hand in directing crime thrillers, so here's hoping he takes this rather epic-sounding one with a welcome change of scenery.

After that today, there are just a couple more tidbits about directors whose work I almost always enjoy, including one who hasn't managed to make a feature film in about 12 years or so.

Before that comes word that David Fincher has now seemingly filled all the major roles in his still thoroughly unnecessary but could be quite good remake of "The Girl With the Dragon Tattoo." The latest addition is Christopher Plummer as Henrik Vanger, the patriarch of the mysterious Vanger clan who hires Mikael Blomkvist (Daniel Craig) to investigate the Vanger family's secrets and track down his missing great-niece.

The biggest shoes to fill of all will be Rooney Mara, pictured here, stepping in to the titular role of Lisbeth Salander, already played to perfection by Noomi Rapace in the Swedish original by director Neils Arden Opley, but I think she'll do just fine. Round out the cast with Stellan Skarsgard as Martin Vanger and Robin Wright as Blomkvist's editor, Erika Berger, and you've got something that shapes up just about the same as Matt Reeves's "Let Me In," which has been receiving almost uniformly good reviews so far: A well-made movie with a sensational cast that, in a perfect world, probably shouldn't exist at all, because there's really very little room to improve on the original work it's based on.

Even so, I'll certainly turn out due to curiosity if nothing else to see what Fincher makes of all this, which is filming now in Sweden. (And if you want to see a first-rate, cerebral but truly brutal thriller, the original "The Girl With the Dragon Tattoo" is now both out on DVD and also streaming at Netflix, so watch it!)

And finally, does anyone remember Whit Stillman? Probably not, but with his very witty debut "Metropolitan" and then two lesser but still good followups, "Barcelona" and "The Last Days of Disco," he seemed to have a fairly flourishing indie movie career before pretty much disappearing after the latter's release in 1998.

He's tried to make several comebacks since that have fallen apart, but it looks like he finally really will return this time, with his "Damsels in Distress" having already started filming. Here, according the always reliable The Playlist, is what it's all about:

[Damsels in Distress] centers on a group of college girls who take in a new student and teach her their own misguided ways of helping people. Lily, a new student at Seven Oaks University, winds up filling in with a dynamic and highly individualistic group of girls, addicted to the elegance of the past: Heather, Violet and Rose all volunteer at the campus Suicide Prevention Center, convinced that musical dance, sharp clothes and good hygiene — the Dior perfume “Diorissimo” is their trademark — can all contribute to staving off the inevitable self-destructive impulses that follow hard on the heels of failed college romances. Despite their sophisticated talk and savvy use of perfume, the girls are plagued by Cupid’s arrows and must adjust their psyches to the onset of amour. [The Playlist]

As silly as all that sounds, it also sounds like just about the perfect milieu for the kind of sharp comedy of manners Stillman used to specialize in when he was able to work regularly. Greta Gerwig of "Greenberg," which I haven't seen, is apparently playing the role of Violet, and she will apparently be the closest thing to a star in this, assuming it really does come together.

And with that, I have to go now to the job that still somehow manages to pay me enough to keep the lights on. Peace out.

The return of "Lawman" Oliphant and a first look at "Mad Men" season three

Before I get into the really pretty good TV news out there today, there are some movie tidbits that have to start off with more on the craziest of all, Zhang Yimou's (unnecessary?) remake of the Coens' "Blood Simple."

I know I should be against this from the outset, but I have to admit it sounds intriguing. In Zhang's vision of the movie, which will apparently be distributed by Sony Pictures Classics, the noir story will move from the Texas bar to a Chinese noodle shop in a desert where "the owner of the noodle shop's seemingly simple plan to murder his adulterous wife and her lover quickly spins out of control after the introduction of a gun into the lives of characters more accustomed to knives and swords."

"Tampopo" meets "Blood Simple"? I think I'm in. My only real reservation is that this is described as a different angle because it's a "thriller-comedy," but the Coens' flick is - of course - in its own way a very funny movie already.

In two other short notes, there should be another movie based on Christopher Buckley's works coming to theaters, and that can only be a good thing. As many will know, among Buckley's many satirical D.C. novels is "Thank You For Smoking," converted into the sharp movie by Jason Reitman.

And now it seems that Charlize Theron's company has adopted another of Buckley's novels for herself to star in (well, that's one good way to get work.) "Florence of Arabia" is about a State Dept. employee (to be played by Theron) who, after watching her friend marry the prince of a Middle East country and subsequently get executed, fights for equal rights for the women of that country.

Doesn't sound quite as funny as the other Buckley books I've read, but I'm sure there's more to it than that. And in slightly older but odd Buckley news, Whit Stillman, who directed one of my favorite flicks, "Metropolitan", and two others before disappearing for many years, is still listed as the director of another Buckley movie, based on his novel "Little Green Men," which I did read. Don't hold your breath for that one.

And finally, before I get to the news that will have to be considered great for any fans of "Deadwood," there will be another Dr. Seuss movie coming soon in the form of "The Lorax."

Given my current distaste for 3-D animation, which everything seemingly has to be by now and so this will be, I should probably dismiss this outright, but it's a classic tale, and until that ridiculous song at the end, "Horton Hears a Who" was actually a really good Dr. Seuss flick, so who knows? Besides, that image of the poor Lorax standing among the fallen Truffula trees just gets me every time.

OK, now on the really good stuff. It seems that FX has picked up something called “The Lawman,” based on a character introduced in the Elmore Leonard novella “Fire In The Hole,” to begin airing early next year.

And much better, Seth Bullock himself, Timothy Oliphant, will return from video-game-movie hell to play "Stetson-sporting contemporary U.S. marshal Raylan Givens, who finds himself punished with a permanent assignment to Kentucky, where he was reared." I doubt there will be any characters as colorful as Ian McShane's Al Swearsallthetime, but I like everything I've read from Leonard, so Sheriff Bullock walking a modern beat sounds great to me.

Don't forget that FX also has two of my current favorites coming back very soon. The second season of the motorcycle gang drama "Sons of Anarchy," which just got better and better last year, begins Tuesday, Sept. 8. Even better in terms of real anarchy, "It's Always Sunny in Philadelphia" finally returns for its fifth season Thursday, Sept. 17. Friggin fantastic.

In one bit of other networks news that also only be called good, USA Network has picked up "Burn Notice" for a fourth season next summer, along with the freshman show that follows it, "Royal Pains."

As with another spy show I like even more, "Chuck," I was slow to pick up on the easy charm of "Burn Notice," but as the third season wraps up I'm now hooked. It hasn't been quite as good as season two, but it's still just about the best thing on TV now until the return of "Mad Men" (more on that below.) I've yet to even tune in for any of "Royal Pains" because, well, the idea of a show about a doctor to residents of the Hamptons just doesn't sound all that appealing to me. If I'm somehow wrong about this (after all, the show does now outdraw "Burn Notice," 7.3 million viewers to 7.1 million) please let me know.

And anyone who actually made it this far certainly deserves a reward, so here goes. Hitfix has put up a full gallery of "Mad Men" shots from the third season, which still seems like an eternity away at Aug. 16. Moving this back from its regular July return, though probably for some reason necessary, has just been agonizing, and I can't wait for it to finally begin anew. You can view the full gallery here, but I've included my two favorites, one of Robert Morse and John Slattery and another of the great January Jones as Bertie Draper. Enjoy, and have a perfectly passable Wednesday. Peace out.