Before we get into any of that, does anyone remember Amy Sherman-Palladino? Before she quit her own show between the sixth and seventh (final) seasons, she was the creator of "Gilmore Girls," a show that was miles better than it had any business being.
The CW show starred Lauren Graham and Alexis Bledel as a single mother and her teenage daughter, and on paper that should have been enough to keep me away. And for the first couple of seasons, it was, but I eventually caught on an up, and I'm certainly glad I did.
Along with the great relationship - and two electric stars - at its core, the show had genuine quirk, not the forced and piled on kind (though there was a whole lot of it), but the organic kind that genuinely makes you laugh (and is sorely missing almost everywhere else on TV.) And it also had very fast - and almost equally smart and funny - banter, something you don't find outside of Aaron Sorkin's best work.
And I tell you all that to tell you this: After first attempting a post-"Gilmore Girls" comeback with the disastrously short-lived "The Return of Jezebel Jones" with Lauren Ambrose and Parker Posey (how in the world do you make her not funny? Sheesh), she's now back in a pretty big way, scripting a pilot for ABC based on the best-selling book "The Nanny Diaries."
If that sounds familiar, it's already been made into a movie I somehow managed to miss starring Scarlett Johansson and directed by Shari Springer Berman and Robert Pulcini (who also made the delightful "American Splendor" and, more recently, "The Extra Man," well worth a rental.)
And on paper, this new show, about an NYU undergrad hired to care for the 4-year-old child of a wealthy New York family, sounds as unpromising as "Gilmore Girls" first did to me, too, but since I was wrong once, I'll probably at least tune in for the pilot for this, when and if it ever materializes. Welcome back.
OK, after that today, it's nothing but filthy fun, I promise, starting with the first trailer I've seen for "A Very Harold and Kumar 3D Christmas." Yes, 3D, but as you'll see from the trailer, it's as much a target as a prop, and should be put to some pretty friggin funny use. I'm not sure there really needs to be a premise for a Harold and Kumar movie, but this time out Harold (John Cho) is happily married when Kumar (Kal Penn), of course, shows up to drag him back into his hedonistic ways. I hope I never get too old to enjoy a good stoner movie, and here's hoping also that this turns out to be one (I'm betting on yes) when it opens in November. Enjoy.
And finally, satires don't get much smarter or funnier than what Michael Jai White and director Scott Sanders cooked up with "Black Dynamite," so I was plenty happy to hear the saga was continuing in animated form on Adult Swim. I have no idea if this is going to series, but with the first short episode embedded below, I can tell you two things: Though it's not quite as funny as the movie (and really, few things are), it's still pretty darn good, and also, please be warned, this is EXTREMELY not safe for work. Enjoy it when you're sure it won't get you in trouble. Peace out.
You know, as those "Pirates" movies keep getting weirder I just lose more and more interest, but Rob Marshall, director of the upcoming "Pirates of the Caribbean: On Stranger Tides," has at least come up with one thing to get me intrigued.
Ian McShane, Al Swearengen himself, is about to sign to to play Blackbeard, the legendary pirate who piloted the ship Queen Anne's Revenge. With Penelope Cruz already on board as a definite case of trading up from Keira Knightley, I think that just might be enough to get me to buy a ticket for this.
And in another bit of news that interests me (and life's frankly just too short to spend any time on things that don't), details are starting to emerge on just what "Gilmore Girls" creator Amy Sherman-Palladino is cooking up now for the CW.
Yes, I realize I'm far too old to watch this stuff, but at its rare and best (as with "Gilmore Girls"), the station occasionally offers shows that cater to folks over the age of 15, which will hopefully be the case with this. "The Wyoming Project," which needs to start by getting a better name very soon, will star someone named Sean Faris as a 22-year-old dude who inherits a Wyoming ranch and the custody of his three younger sisters. What made "Gilmore Girls" so great was the keen eye for familial relations combined with a genuinely quirky sense of place, so here's hoping she can do at least something close to that magic this time around.
And after that today, all I have left is the first episode, in its entirety, of something Spike Jonze and David Cross teamed up to create for British TV. If that sounds like a dream team to you, than you're with me, and as you'll see from this trio of YouTube clips containing the first episode of "The Increasingly Poor Decisions of Todd Margaret," they don't disappoint.
I'm not sure what British network this is on, but be warned, whichever one it is certainly isn't afraid of profanity, which spews from the mouth of Will Arnett, who also stars in this, almost as freely as it did from Peter Capaldi's Malcolm Tucker in "In the Loop." Definitely watch this with headphones if you're at work, and have a perfectly pleasant Tuesday. Peace out.
Even if the end was inevitable - because the show was in many ways just bloody awful - this is still an awfully harsh fall from grace for the creator of the often sublime "Gilmore Girls."
After airing only three episodes (over just two weeks) of the only seven episodes ordered, Fox has indeed already pulled the plug on Amy Sherman-Palladino's new show, "The Return of Jezebel James." To give credit where it's squarely due, this news was broken by TV-obsessed Michael Ausiello here.
There were a number of factors going against this show from the outset, but though it pains me to say it, the biggest problem was easily Parker Posey. It wasn't that she's not Lauren Graham - because there can of course only be one of those rather perfect human specimens - but a whole other problem.
Posey could keep up with ASP's rapid-fire dialogue, which hasn't seemed to slow down much at all, but in order to do so she had to adapt the mannerisms of a meth addict, which along with being thoroughly annoying just didn't gel too well with her New York book publisher persona. Lauren Ambrose fared better by playing it a little more cool, but still ended up often looking nothing but awkward.
The second big killer was that laugh track, which is easily the worst I've heard in many years (though I don't watch many sitcoms.) Why do networks still use this? It never sounds real, and when it's turned up very loud in all the wrong places - as on "Jezebel James" - it just points out how unfunny the show really is.
If I can digress a bit, it was great to see Sarah Chalke on "How I Met Your Mother" - another show that should just dump its laugh track - last night. Britney was, as I guess should have been expected, just pretty darn awful, but Chalke was just as charming as she's always been on "Scrubs." Could she be the secret "Mother" in this puzzle? Probably not, but that would indeed be pretty friggin cool if so.
But, getting back to "Jezebel James," the real shame here is that buried beneath all its obvious faults was the foundation for a pretty good show. The relationship between these two sisters with almost entirely different views of the world could well have developed into something very interesting, but for once at least I can't blame Fox: The gap between potential and payoff was just too wide with this one. R.I.P. Jezebel James.
The "Cadillac" of movie casts?
I've recently added Blackfilm.com to my morning reading list (in place of the froggy site Cinempire.com, which has just fallen off precipitously of late), and it's definitely a welcome addition.
As might be expected, they tend to track the minute details of movies that others pay little attention to, as they're doing with the rather fun-sounding "Cadillac Records," which is quickly attracting quite an A-list cast.
The newest addition is Gabrielle Union, who I'll admit to being smitten with ever since "Bring It On." She'll play Geneva Wade, the girlfriend and later wife of Muddy Waters, being played by the great Jeffrey Wright.
Written and directed by first-time feature (but long-time TV) director Darnell Martin, the story is about Leonard Chess, the legendary founder of the South Side Chicago blues label Chess Records, who will be played by Adrian Brody. Also confirmed for the biopic are Cedric the Entertainer as Willie Dixon, Beyonce Knowles (heard of her?) as Etta James, Eamonn Walker as Howlin' Wolf, Columbus Short as Little Walter and, easily one of my favorite actors working today, Mos Def as Chuck Berry.
Mos Def as Chuck Berry? It just doesn't get much cooler than that, so definitely keep your eyes on this one. Peace out.
Even if he has been rejected by Ellen Page, Sam Raimi still seems to be having a boatload of fun since unshackling himself from the "Spider-Man" ship.
After directing the Universal thriller "Drag Me to Hell," which he's co-writing with brother Sam (and which Page pulled out of, to be replaced by Alison Lohman), he'll next take the producing reins of (and maybe direct, who knows) a crazy creation called "Monster Zoo," an upcoming graphic novel by Douglas TenNapel.
Now, one of the many problems with having to work for a living is that I don't get to sit around and read comic books all day, so I must confess I wasn't familiar with that name before reading the report this morning. I've included, however, courtesy of Amazon.com, the cover of "Monster Zoo."
So, what is "Monster Zoo" about? Well, thankfully, the title pretty much says it all: It's the story of a young boy who discovers his local zoo contains critters much more frightening than the ordinary collection. The tale is apparently set in motion when an ancient idol is unearthed and transported to the zoo, where its spirit awakens and starts to mutate the caged animals (of course.)
This just all sounds like tons of fun to me, and here's what the creator himself, Mr. TenNapel, had to say about it in getting geeked up on his own blog:
Raimi’s movie A Simple Plan is among my favorite all-time films. It’s nice to be in business with people who love telling stories…about creatures, comics and underdogs. Amen, brother.
Amy Sherman-Palladino is - finally - back!
A hearty huzzah to always-welcome reader Jeremy, who clued me in to the fact that Amy Sherman-Palladino's new series, "The Return of Jezebel James," will finally hit the airwaves this Friday night at 8 on Fox (with two back-to-back episodes, no less.)
Now, it's been a while since I've talked about it, but I've made no secret of my love for ASP'S "Gilmore Girls." For six years or so (not counting the last, rather disastrous season), it was just about the funniest and smartest thing on TV, and packed with beautiful women to boot, so why not tune in week after week?
Thankfully, though a half-hour comedy (probably saddled with a laugh track, sheesh), "Jezebel James" seems to mine many of the same issues, and it's headed by two veritable babes as well, if I may be so blunt.
Parker Posey and Lauren Ambrose lead the cast as two estranged sisters. In the pilot episode (of which I've included a short YouTube preview below), Posey asks Ambrose's character to move in with her and, rather more importantly, I'd think, carry and have a child for her. "Gilmore Girls" fans should note that Scott Cohen, a k a Lorelai Gilmore's paramour Max Medina, will also be a "Jezebel" regular.
In a preview at the great Gilmore Girls News site, doubts were raised about whether or not Posey can keep up with ASP's signature quick and (hopefully still) witty dialogue, but I'm hoping they're wrong. Definitely tune in to find out (or if, like me, you have to work on Friday nights or - even better - actually go out on the town, set your TIVO/DVR.)
Mitchell Hurwitz's coming back too!
I suppose this means that any movement toward an "Arrested Development" movie is, for now at least, on hold, but let's just focus on the positive for the moment.
The good news is that the "AD" creator is coming back to Fox with an animated adaptation of the short-lived Aussie comedy series "Sit Down, Shut Up." Though I've never heard of it, it apparently revolves around the lives of seven staff members of a dysfunctional high school in a small northeastern fishing town (sounds like perfect Hurwitz territory already.)
I'm a little skeptical about the animated thing, but it's certainly what Fox thrives on, so here's hoping that Hurwitz can come up with a winner if and when this finally comes to fruition (and that, of course, all hope is not lost for an "Arrested Development" movie somewhere down the line!)
Fun with posters ... and a trailer
OK, I'm bringing it back to movies now. Though these two posters are, I suppose, both somewhat related to kung fu, they really couldn't be much more different. My impressions: The one for the Jackie Chan/Jet Li flick "Forbidden Kingdom" looks a little bit queer (not that there's anything wrong with that, of course), and the tagline for Jody Hill's "Foot Fist Way" is enough to reinforce my belief that the flick, coming in June, will be a real sleeper hit this summer. Enjoy!
And, lastly, here's the final trailer for Pixar's next summer offering, "Wall-E," also scheduled to hit in June. Unlike what we've seen thus far, this clip offers a look at the second half of the flick, after our hero has left his cleanup job on Earth. I'm still more than a little skeptical that a flick with little to no discernible dialogue will be much of a hit with the tykes, but it looks simply beautiful, so here's hoping I'm wrong. Peace out.
I know I promised reviews of two movies that left me more than a little cold, but I'd much rather talk about something much more exciting: the upcoming final season of "The Wire." So, I'll get the movies over with very quickly.
"We Own the Night" was one of the most disappointing movies I've seen in many years. James Gray, who showed such promise with "Little Odessa," has clearly run out of new ideas, instead choosing to pile up all the cop cliches he could find for this extremely tired tale about NYPD cops and familial ties. Despite strong performances from Mark Wahlberg, Joaquin Phoenix and Robert Duvall, there's no reason at all that I can recommend anyone see this failure.
"Elizabeth: The Golden Age" was more of a mixed bag. When Cate Blanchett's queen and Clive Owen's Sir Walter Raleigh share the screen for some silly flirting it is a true guilty pleasure, but when it tries to tell anything approaching a broader story it really falls apart fast. Worth a rental at best, in my opinion.
OK, now on to the good stuff. The New Yorker, in this morning's issue, has a very long (12 pages!) story about David Simon and "The Wire." I have to admit that, crunched for time, I had to stop anything but skimming at about page 7, but will go back this afternoon for the rest. Here are some highlights I garnered about the fifth and final season, coming to HBO in January:
This newest season, as has already been widely reported, will focus on the declining role of newspapers in our society. What I didn't know is that The Sun, along with letting its office be used in a few scenes, has also let its name be used in the new season.
The great Clark Johnson, pictured here and who played Meldrick on "Homicide," will be both a director of several episodes in the new season and also star as Gus Haynes, "a city editor who tries to hold the line against dwindling coverage, buyouts, and pseudo-news." Here's one excerpt that shows Simon, as he has with other aspects of Charm City in past seasons, really understand just what's going wrong with newspapers in America:
He complains about a photographer who invariably gooses the poignancy of fire scenes by positioning a charred doll somewhere amid the debris. (“I can see that cheatin’ motherfucker now, with his fucking harem of dolls, pouring lighter fluid on each one,” Haynes fumes.) And he patiently explains to a junior reporter one of those house rules which arbiters of newspaper style cling to with fierce persnicketiness: a building can be “evacuated,” he instructs, but you cannot evacuate people. “To evacuate a person is to give that person an enema,” one of the old-timers chimes in. “At the Baltimore Sun, God still resides in the details.”
Just as past seasons of "The Wire" have been populated with real drug-dealers that Simon and co-creator Ed Burns (a former Charm City cop) knew from past encounters, the new season will be packed with former reporters that Simon knew from his days as a crime reporter for The Sun.
Here's how he summed up his view of newspapers for "The New Yorker": “It’s like, find the eight-hundred-dollar toilet seat, find the contractor who’s double-billing. That’s their bread and butter. Systemic societal failure that has multiple problems — newspapers are not designed to understand it.” Sad but, I fear, true.
To read all of Margaret Talbot's fantastic reporting, click here, but remember that it will probably take a small chunk of time to read it all.
If you get far enough, you'll find Simon has also talked about what he'll be doing next, also for HBO, and it should be great. He's currently filming, or at least getting ready to film, a miniseries about the Iraq war called "Generation Kill," but after that he wants to head to the Big Easy.
Simon, who with "The Wire" has shown an acute eye for detail, has already been down there doing research for a series he hopes to produce about musicians rebuilding ther lives in post-Katrina New Orleans.
"This show will be a way of making a visual argument that cities matter," Simon told The New Yorker. " 'The Wire' has never done that. I certainly never said or wanted to say that Baltimore is not (worth) saving, or that it can't be saved. But I think some people watching the show think, Why don't they just move away?"
It's sad that the argument needs to be made that American cities are indeed great and worth protecting, but I fear he's right. And I certainly look forward to him making the case.
No respect for this "Jezebel"
When I first heralded the imminent return of "Gilmore Girls" creator Amy Sherman-Palladino to TV with "Jezebel James," several people wiser than me warned that Fox would treat this new show - as it has with many others - very poorly. Alas, they were right.
It seems that Fox has already cut the order for ASP's new show, set for a midseason replacement to debut sometime in January, from 13 episodes to seven. I'm fairly confident that, rather than this being a sign that the show isn't any good, it's instead yet further proof that Fox does indeed just suck.
For anyone who doesn't know, "Jezebel James," if it ever indeed makes it your TV, will star Parker Posey (huzzah!) and "Six Feet Under" vet Lauren Ambrose (both pictured here) as, respectively, a woman who wants to get pregnant but can't and the estranged sister who agrees to have a child for her.
I really hope this eventually gets more respect, but in news I managed to miss about a week ago, Amy Sherman-Palladino should have more luck with a big-screen project she's just signed on to write and direct. With Sarah Jessica Parker in the lead, she's adapting the chicky book ""The Late Bloomer's Revolution" by Amy Cohen, an autobiographical tale about about how Cohen, after the death of her mother, developed a bond with her father as they both tried to get on with their lives in the dating world. More than a bit too girly for me, but hopefully also extremely funny.
Fun with pictures and trailers
OK, this has already gone on a bit longer than I had planned, but I have to share two things that should make everyone smile. Every picture I see from Michel Gondry's "Be Kind Rewind" just makes me want to see the flick right now, and this latest shot, which I have to assume is a sendup of "Driving Miss Daisy," is no different.
And finally, here's a rather poor-quality but still enjoyable trailer for "Charlie Wilson's War," the Mike Nichols film coming in December. Before seeing this trailer, I hadn't been too excited for this one, even though it was scripted by Aaron Sorkin, but now you can put it right up there with "American Gangster" and "Juno" among the movies I'm most jazzed about for the rest of this year. Enjoy!
Paul Thomas Anderson is a truly maddening filmmaker to me.
He's managed to make two of my favorite flicks in "Boogie Nights" and "Hard Eight," but also two other that just drive me crazy. I still have no idea what he was going for with "Magnolia," even though I forced myself to watch it a second time to see if there was somehow something I missed (there wasn't.) And "Punch Drunk Love," despite the best efforts of Adam Sandler and Emily Watson, was only intermittenly charming at best.
But what all his movies have, whether you like them or not, is passion. He clearly throws himself into his projects completely, which means it can often take a short lifetime for him to make a movie (it's been five years since his last, "Punch Drunk Love.") Now, however, he finally seems to have found a subject epic enough to fit his talents and an actor who similarly gives everything he has to each performance.
Due early in 2008, "There Will Be Blood" is based on the Upton Sinclair novel "Oil," which I will be reading before this comes out. Set in the booming West coast oil fields at the turn of the 20th century, it will star Daniel Day Lewis as rugged prospector Daniel Plainview, who becomes an independent oilman after hitting it rich with the strike of a lifetime. I hope this plays wide enough for me to see it, or is playing in some kind of limited run when I hit NYC for my family's annual trip at year's end, because this just looks like the perfect melding of subject, director/writer and actor. Here's the poster and a glimpse of what's to come with the trailer (I concede that this may be months old to some of you, but it's new to me, so here goes):
More "Jackass"? Yes, please
Surely there have been greater crimes of omission than teasing us with Don DeVito getting his tooth pulled by a truck in the trailer for "Jackass Number Two" and then not including it anywhere in the movie or DVD, but that was one that really grated my cheese. Now, however, it seems that lovers of that and all other kinds of jackassery will soon get more.
According to the great /film blog, Johnny Knoxville and the boys are filming new scenes to add to the 40 minutes or so of leftover footage from "Number Two" to make a "Jackass 2.5" in time for a straight-to-DVD Christmas release. And yes, they promise the infamous tooth pull will indeed be included.
Wiest joins the 'Jezebel'
I can't think of a midseason replacement show I've tuned in to since, well, "Buffy the Vampire Slayer," but "The Return of Jezebel James" is one I'll definitely give more than one chance.
After all, it's the new series from "Gilmore Girls" creators Amy Sherman-Palladino and hubby Daniel Palladino. This time they've cooked up a half-hour sitcom for Fox about two estranged sisters (Parker Posey and Lauren Ambrose), one of whom (I'm not sure which) just happens to be carrying the other's baby. Now comes word that the always very likable Dianne Wiest will be joining the cast in a recurring role as their mother. Extremely girly, yes, but it will hopefully also be thoroughly entertaining.
A golden opportunity from the Film Guild
The Macon Film Guild has been bringing arthouse flicks to the big screen here in Macon for years now, but they've really hit a high point with their next two screenings.
It starts this weekend with "The Lives of Others," which won the Oscar for Best Foreign Language Film. I was all set to rent this on DVD to see how it could have possibly beat out my favorite movie of 2006, "Pan's Labyrinth," when I got the guild postcard and decided to hold out.
The movie, as far as I can tell, is about a Stasi agent (the late Ulrich Muhe) who is charged with spying on the private lives of German citizens until he finds out some unseemly truths about the people he's spying for and has second thoughts. I'm surely not doing it justice, so come out and see for yourself at the Douglass Theatre. Screenings will be at 2 and 4:30 p.m. Saturday and 7:30 p.m. Sunday. Hopefully I'll see you there at the first show.
Coming next month will be "The Wind that Shakes the Barley," Ken Loach's IRA movie starring Cillian Murphy (not Ciaran Hinds, as I posted earler before being corrected by always-welcome reader Carrie Lofty.) It won the Palme D'Or at Cannes, and like all of Loach's movies, will certainly be a very entertaining piece of agitprop. Mark your calendar for screenings on the second Sunday of October. Peace out.
When I was very young, my father brought home a little movie called "Spinal Tap," and I have never been the same since. Along with being a movie junkie and a devoted fan of the hapless Baltimore Orioles, I have recently returned to the town I grew up in, Salisbury, MD., to work for The Daily Times newspaper.
The CW show starred Lauren Graham and Alexis Bledel as a single mother and her teenage daughter, and on paper that should have been enough to keep me away. And for the first couple of seasons, it was, but I eventually caught on an up, and I'm certainly glad I did.
