Arrested Development ... the rumor that still won't die gets new life

'It's true. We will do 10 episodes and the movie. Probably shoot them all together next summer for a release in early '13. VERY excited!"

Jason Bateman sets things in motion this weekend with that comment at a full-cast "Arrested Development" reunion arranged by the New Yorker Festival, but why in the world should fans of the show, who have been let down so many times in the past, believe any differently this time?

Well, we probably shouldn't. but this is the first time that I've heard talk of both an "Arrested Development" movie and some new episodes, too, so we should perhaps look a little closer. And in doing so, it seems there's some interesting financial backing, according to Deadline, that could really make it happen.

Per the website, which granted isn't always right, 20th Century TV, which co-produced "Arrested Development", has had talk with both Netflix and Showtime about bringing back the show, as Bateman teased, for 10 episodes that would eventually lead into the long-promised movie.

Still a remote possibility, but lord knows Netflix could use the good publicity along with some original programming, so we can at least file this in the keep-hope-a-little-more-alive file and keep our fingers crossed.

Except for that today, there's news about two of my very favorite directors, so let's just get right to it.

Actually, it's probably a bit strong to call Martin McDonagh one of my favorite directors since he's only made one movie I've managed to see (and two in total), but when that movie is "In Bruges," I think it's a fair leap to make.

If you haven't seen that extremely dark and equally funny little gem, I really can't recommend rentals much higher. The tale of two hitman uncomfortably hiding out on vacation stars Colin Farrell and Brendan Gleeson, and "In Bruges" is the first movie I bought on Blu-ray.

And now comes word that CBS Films is in negotiations to co-finance and distribute another McDonagh film that would also star Farrell, "Seven Psychopaths," which sounds like it should be a lot of wicked fun.

Per Comingsoon.net, in the film, Marty (Farrell) a screenwriter struggling for inspiration for his script, 'Seven Psychopaths,' gets unwittingly drawn into the dangerous dog kidnapping schemes of his oddball friends Billy (Sam Rockwell) and Hans (Christopher Walken). And once the beloved Shih Tzu of the psychopathic gangster Charlie goes missing, Marty finds he's going to get all the inspiration he needs, as long as he can live to tell the tale...

I'm laughing at that already. Sounds like it's got more than a little Elmore Leonard thrown in, and with shooting apparently set to start this fall, definitely stay tuned for more on this as soon as I can find it.

There's also news about another of my favorites who's putting together his second film as a director, Charlie Kaufman. The first for which he didn't have Spike Jonze or Michel Gondry as a counterweight, "Synecdoche, NY," was a wonder that spun way out of control by the end, but still managed to be spellbinding.

This time out, he's just added Kevin Kline to a cast that already included Jack Black, Steve Carell and Nicolas Cage for "Frank or Francis," which definitely plays on themes of "Adaptation," for which Kaufman wrote the script.

This time out, per Variety, the "satire of Hollywood set to music" will "chronicle the back-and-forth between a movie director and an online blogger who delights in berating his cinematic talent."

Also per Variety, Black will play Francis, a blogger who reviews movies online. Carell is playing Frank, a filmmaker who is cheating on his wife, while Cage plays The Emcee, an actor famous for "commercial, high-concept films." Kline will play both Richard Waller, the brother of director Jonathan Waller, whose fictional film Hiroshima is the highest-grossing movie of all time, as well as Richard's Head, an animatronic head that helps Jonathan make a product that will have "the broadest possible appeal and zero artistic integrity."

Charlie Kaufman's mind is exactly my kind of twisted, and it seems like this time out he's keeping it slightly more conventional but probably more fun than with "Synecdoche," so I'm in for sure. Shooting for this starts in January.

And I'll leave you today with two tv-related videos, the first being the first five minutes of "American Horror Story," the new FX series from "Glee" creator Ryan Murphy that's set to premiere Wednesday at 10 p.m. The almost certainly campy haunted house tale stars the truly great Connie Britton (aka Tami Taylor), Dylan McDermott and somehow Jessica Lange too. I'm on the fence about whether or not to watch this one, but I'll at least watch the pilot, and perhaps like a few people who happen to stop by here today, will watch the first five minutes as soon as I finish this post. Enjoy.



And finally, here's the best clip from the first episode of "Saturday Night Live" I've bothered to stay up for and watch live in at least 10 years, starring Melissa McCarthy. They came up with several skits in which she shined, but this TCM spoof in which she played vaudeville bombshell Lulu Diamonds was the best. To say any more would just spoil it in case you haven't seen this yet, so I'll just say it's comedy bliss and leave it at that. Peace out.

A new Christopher Guest movie? It's about friggin' time

Can anyone remember the last time Christopher Guest made one of his almost always entertaining mockumentaries? I would have guessed five years ago, and a quick glance at the rather disastrously "redesigned" (yes, I pretty much fear all change) IMDB confirms I was close ("For Your Consideration" in 2006 was his last - and not one of his best.)

Well now, according to Liz Smith at Women of the Web (hey, choose to believe it or not, but she has two of the stories I found interesting this morning, so credit where it's due), he's found a new subject to parody, and it sound just about perfect: the rather seriously idiosyncratic world of retro collectors.

I've never delved into that world, but I'm sure Guest, if this will indeed be his next target, will treat these endearing oddballs with his usual mix of mockery with a hint of respect. And according to Smith, the "Spinal Tap" core of Harry Shearer and Michael McKean are all already on board with the as-yet-untitled project, and they're writing roles with Guest regulars Michael Patrick Higgins, Parker Posey and even Jane Lynch in mind, though I'd be seriously impressed if they manage to snag her around her "Glee" schedule.

This could all be conjecture, of course, but it sounds so good that I'm choosing to believe it until I hear otherwise.

After that today, there's actually a lot of news about probably my three favorite young actresses out there, so after a short diversion about NBC's "Community," I'll get right on to that.

If you watched NBC's Thursday comedy block last night (except, I can only hope, "Outsourced," which my remote stopped on for a second during DVR breaks, and I could feel it cringing in my hand before I quickly moved on), I think you'll agree with me that "Community" has clearly now risen to the top of the pack. "The Office" is still funny, and "30 Rock" rebounded strong last year, but last night's "Community" premiere, from Chevy Chase's "White Man Says" Twitter account to the promise of evil Senor Chang out for revenge, was just nonstop laughs.

And the best joke of all just might have come in the first 10 seconds, when they show veryfunnyman Donald Glover waking up in his Spider-Man pajamas. Glover was lobbying for the role of Peter Parker in director Marc Webb's coming "reboot," and until now that would have been the only thing that would have possibly gotten me interested in this thoroughly unnecessary project.

The role eventually went to Andrew Garfield, which, once you've already fired Sam Raimi as director, just finished the meh for me. Now, however, he and Webb have interviewed Emma Stone and Mia Wasikowska for roles in the movie and, given that both Gwen Stacy and Mary Jane Watson will appear in the new movie, those two, in that order, would be just about perfect, and perhaps even be enough to make me buy a ticket for this mess.

If you haven't seen Stone's "Easy A," do so this weekend, unless you somehow don't like to laugh. The story is too slight by half, but it's wickedly funny, and Stone truly shines in it.

And while we're on the subject of young actresses I always like to watch, just as Chloe Moretz is getting raves for "Let Me In," which I've now dropped all plans to avoid, she's now lined up what would have to be just about the perfect part.

I don't read comic books much any more, but I have read several issues of Dark Horse's "Emily the Strange," and they pretty much rule. The Goth teen who, with proper reason, loathes just about everything in the world except her talking cats, will make a great part for Moretz, who has now signed on for a live-action movie version based on the comic books.

OK, quick hits today, I know, but there's a lot out there, and not much time for me to get to it at all. Next up is a rumor that I'm sure is true, but I can only hope never comes to fruition.

According to Smith, again, Mel Gibson, who through no possible fault than his own is now pretty much an exile from the big screen, is apparently now lobbying hard to make a comeback on the small one, and in easily one of my favorite shows.

It seems that Gibson has been begging "Mad Men" creator Matthew Weiner for a recurring role on the fifth (and I think probably final) season of the show, which would film in July. Take a second to think about that.

Now, I know the show deals in complicated characters, and thrives on that, but I really hope Weiner doesn't take the bait on this. It would just be the worst kind of stunt, and "Mad Men" certainly doesn't need that. Though apparently less than 2 million people are tuning in for this season, it has been possibly the show's best, and with Cooper's "She was an astronaut," offered easily the best line of this just-starting TV season. Just say no, Mr. Weiner.

OK, after that, I think I have time for a trio of clips, so here goes. First up, from Collider.com, for which I occasionally contribute, comes this collection of five clips from the upcoming David Fincher Facebook flick "The Social Network." Though I didn't really need any convincing to go see this when it finally comes out one week from today, I've gotten word from someone whose opinion I always trust, Jeremy Jirik, that this is indeed first-rate Fincher, so I'm definitely amped now. Enjoy the clips.



After that today, all I have left is a couple of trailers, starting with the first one I know of for "The King's Speech," which was the big winner at this year's Toronto International Film Festival, which will hopefully give it enough mojo to open very wide when it does so later this fall. The movie, directed by Tom Hooper (who made the seriously satisfying futbol flick "The Damned United" - rent that one already), "The King's Speech" tells the story of King George VI. After his brother abdicates, George ‘Bertie’ VI (Colin Firth) reluctantly assumes the throne. Plagued by a dreaded nervous stammer and considered unfit to be King, Bertie engages the help of an unorthodox speech therapist named Lionel Logue (Geoffrey Rush). Helena Bonham Carter (of course) stars in this too, and it should be a treat. Enjoy the trailer.

And finally today, here's the trailer for a comedy that, until this morning, I had never heard of, but Bill Nighy is just one of those people I'll watch in just about anything. As you'll see from this trailer for "Wild Target," in this rather familiar story he plays an assassin who falls for the latest target he's supposed to take out, played by Emily Blunt. Rupert Grint of "Harry Potter" fame also makes an appearance, and I'm hoping against hope this somehow turns out to be a whole lot less conventional than the trailer makes it out to be. Enjoy, and have a great weekend. Peace out.

Down in the "Treme," it's me ...

Yep, that's what happens when I get four days off in a row - my head not only gets filled with crazy ideas, but I also act on them.

Yesterday's was that, having just made it through all of Spike Lee's sensational "If God is Willin' and Da Creek Don't Rise," his second opus about New Orleans and its people, and also having thoroughly enjoyed the first season of David Simon's "Treme," perhaps I should go to the city myself.

And so, if you happen to be there in the third week of November, you just might run into me (staying at something called the "Rathbone Mansion" - I've never stayed in a mansion before, but at $60 a night, I wasn't about to turn that down.)

And in New Orleans news that might just matter to someone besides, well, me, the track listing is out for the collection (you'll see soon why I didn't say "CD") "Treme: Music from the HBO Series, Season 1," and the music itself will be coming very soon too (and will certainly find its way into my digital downloads.)

If you watched the slow-moving but engrossing show (and if you didn't, why the heck not?), you know the music played not just a key role in it, but really set the pace and feel for the whole operation. Musicians from up-and-comer Trombone Shorty (whose "Backatown" I'm listening to right now - excellent) to legends like Allen Toussaint and Irma Thomas all popped up at various spots (and watching Irma Thomas play poker is a surreally entertaining sight.)

Thankfully, they also all make appearances in the music collection for season 1, which will be available for digital download Sept. 28 - with a CD to come at some undisclosed future date. Man, I gotta say, for someone who still doesn't and probably never will own a cell phone, the modes of delivery for entertainment continue to surprise and often confound me (stick around for more on that after the track listing.) Here are the 19 songs you'll find when this comes out:

TREME: MUSIC FROM THE HBO ORIGINAL SERIES, SEASON 1

1. "Treme Song (Main Title Version") - John Boutté
2. "Feel Like Funkin' It Up (Live Street Mix)" - Rebirth Brass Band
3. "I Hope You're Comin' Back to New Orleans" - The New Orleans Jazz Vipers
4. "Skokiaan" - Kermit Ruffins & The Barbecue Swingers
5. "Ooh Poo Pah Doo" - Trombone Shorty & James Andrews
6. "Drinka Little Poison (4 U Die)" - Soul Rebels Brass Band & John Mooney
7. "We Made It Through That Water" - Free Agents Brass Band
8. "Shame Shame Shame" - Steve Zahn & Friends
9. "My Indian Red" - Dr. John
10. "At the Foot of Canal Street" - John Boutté, Paul Sanchez, Glen David Andrews & New Birth Brass Band
11. "Buona Sera" - Louis Prima
12. "New Orleans Blues" - Tom McDermott & Lucia Micarelli
13. "I Don't Stand a Ghost of a Chance with You" - Michiel Huisman, Lucia Micarelli & Wendell Pierce
14. "Indian Red (Wild Man Memorial)" - Mardi Gras Indians
15. "Indian Red" - Donald Harrison
16. "Time Is On My Side" - Irma Thomas & Allen Toussaint
17. "This City" - Steve Earle
18. "Just a Closer Walk With Thee" - Treme Brass Band
19. "My Darlin' New Orleans" - Leigh "Li'l Queenie" Harris

All I have after that today is a cache of clips, but the first one comes with a bit of news. Though "Freakanomics," the documentary based on the best-selling book by Steven Levitt and Stephen Dubner, isn't coming to at least a few theaters until Oct. 1, it's apparently available for at least rental now on Video On Demand, iTunes, Amazon On Demand, PlayStation Network and Xbox Marketplace. I say apparently because, although it was listed for a $3.99 rental at iTunes, it only said "this item is being modified" and wouldn't work when I tried it, and there's no way in the world I'm going to pay a whopping $9.99 for it at Amazon On Demand. As for the movie itself, with six portions directed by Alex Gibney ("Enron: The Smartest Guys in the Room," "Casino Jack and the United States of Money"), Rachel Grady and Heidi Ewing ("Jesus Camp"), Morgan Spurlock ("Super Size Me"), Eugene Jarecki ("Why We Fight") and Seth Gordon ("The King of Kong"), I'm certainly going to watch it as soon as I figure out exactly how to find it, perhaps as soon as tonight. Here's the latest TV spot. Enjoy.



OK, if I really ever did have a wall of resistance to Matt Reeves' upcoming "Let Me In," I have to admit now that it's just about completely washed away. It certainly should still be there, since it's a thoroughly unnecessary English-language remake of "Let the Right One In," my single favorite movie of 2008 and easily the best horror movie I've seen in many years, but with each clip they release, it's getting lower and lower. The cast - Chloe Moretz, Kodi Smit-Mcphee and the simply fantastic Richard Jenkins - is perfect, and if you've seen "Cloverfield," you know Reeves is a solid director. And from this first actual footage from the movie, you can see that they at least got right that Jenkins' character, though charged with finding fresh blood for the "young" vampire Eli (renamed Abby in the remake and played by Moretz), he's pretty spectacularly bad at it. Keep an eye out for the movie, also due out in actual theaters Oct. 1, if, like me, you've decided to give in and see it, and enjoy the clip.



In case anyone's wondering, I am very well aware that I'm too old to be watching a bunch of high school-age kids (or probably slightly older) lip-synch their way through incredibly cheesy musical numbers each week on Fox, but I'm also aware that "Glee" is a wickedly funny and very addictive show, so I guess you can call me a "Gleek." The show itself thankfully comes back soon (Sept. 21), and Fox has released this promo clip in which the kids put their spin on Jay-Z's "Empire State of Mind," and though that will and should make all hip-hop fans cringe, I like it. Enjoy.



And finally today, in something just perfect for a Friday morning, "Zach Galifianakis' brother" interviews a game Sean Penn in the latest Between the Ferns segment. It's not all funny, but when it is, it really works, especially the thought of Galifianakis, Penn and Jack Nicholson hitting the town to eat at Long John Silver's. Enjoy the clip and have a great weekend, which for me will include at least two movies, "The American" and "Machete." Peace out.

Between Two Ferns with Zach Galifianakis: Sean Penn from Between Two Ferns

Scott Pilgrim Vs. the effect of video games on movies

Complaining about the influence of video games on movies makes me feel more than a little like the old guy yelling, "Hey you kids, get off my lawn." And besides, this summer at least, I'm not all that sure it's a bad thing.

Now, to be clear, I'm certainly not talking about movies based directly on video games - I can't think of the last one of those that was any good. In fact, movies "based" on another medium, particularly '80s TV shows, generally raise a red flag for me (with this summer's "The A-Team" being a welcome exception ... what a big blast of fun.)

Instead, I mean movies that take on the feel of playing - or even better, somehow being in - a video game, with this summer's best example so far being Christopher Nolan's "Inception." Until being knocked from the No. 1 perch last week by the seriously funny and well worth seeing "The Other Guys," Nolan's flick rode a long winning streak to already more than $227 million at the domestic box office in spite - or perhaps because, your choice - of a plot that, like the best of video games. presents a puzzle with level after level of challenges for viewers.

And if all Nolan's tricks don't quite add up in your mind, you're far from alone. It took me two viewings to accept that even if everything he's cooked up doesn't add up perfectly (and I'm fairly certain it was never designed to), it's still pretty much a masterwork both visually and in terms of storytelling.

In an interview with the L.A. Times, Henry Jenkins, a professor of communications, journalism and cinematic arts at the University of Southern California, explained the game influence of "Inception" perfectly: " 'Inception' is first and foremost a movie about worlds and levels, which is very much the way video games are structured. Games create a sense that we're a part of the action. Stories aren't just told to us. We experience them."

Just how much more of an appetite is there for this interactive kind of filmmaking? That gets a major test this weekend with the release of "Scott Pilgrim Vs. the World," which packs the double geek bona fide of not only looking just like a really good video game but also being based on a fairly obscure series of graphic novels (and yes, though I'm well aware I should really be too old for "comic books," I have read the first two installments of this, and it has a visual and verbal wit that should be just right in Edgar Wright's flick.)

Like "Inception," the tale of Scott Pilgrim is indeed also a quest with many levels, in this case battles with "seven evil exes" to win the heart of Ramona Flowers. Even with a love story of sorts at its core, I'll be curious to see how "Scott Pilgrim Vs. the World" fares in a busy week that also contains all the action you can stand (and probably much more) with "The Expendables" and Julia Roberts starring in a more conventional romantic saga directed by "Glee" creator Ryan Murphy, "Eat, Pray, Love."

As for the overall trend of interactive movies, brace yourself for more, because it's not going away any time soon (there's even, of course, a sequel of sorts to "Tron," "Tron: Legacy," coming in time for Christmas.) And as for me, well, as long as the ride continues to be thrilling, I'll just be enjoying it while it lasts.

OK, maybe I will go see "The Other Guys"

Before I get into any of that, think: What's the best possible news you could hear about the return of "Glee" to make it even better than the wickedly funny/cheesy/outright entertaining show already is?

Well, how about Sue Sylvester's mom? In what, even if you don't watch the show you'll have to concede is rather genius casting, Carol Burnett will play the nazi-hunting mother of Jane Lynch's cheerleading coach/bully extraordinaire on a November episode of the Fox show. The only possibly bad news there? In the place where I first saw this, in Michael Ausiello's Entertainment Weekly column, it was pretty clear this will be for only one episode. Oh well.

And the baseball season may well have ended for the Orioles in, well, the second week of April or so, but my favorite team of lovable losers is now 2-0 under new manager Buck Showalter and are now guaranteed to win their fifth series of the year (out of 35, yes, but always look on the bright side of life.) As I heard some dude on ESPN radio say, and though of course I couldn't see him, it seemed to be with a straight face, "here come the Orioles," so watch out.

In their honor, here's a picture I found this morning of Philip Seymour Hoffman as A's manager Art Howe in the upcoming flick "Moneyball" that just made me smile. The flick itself is directed by Bennett Miller from the Michael Lewis book about general manager Billy Beane, who kept the team's payroll low and its winning percentage high (as opposed to the Orioles, who, oh well ...) One Brad Pitt is set to play Beane, who often clashed with Howe on the direction the team was taking. Anyways, this flick is one I'm definitely looking forward to. Here's the pic, which gets bigger if you click on it:


OK, finally on to the main event, I suppose. Although I managed to give up smoking long ago (and was never terribly good at it anyway), I still have plenty of bad habits, and the worst of them all just might be Will Ferrell movies. I haven't quite seen them all (I managed to just say no to whatever that basketball flick was called), but it's definitely well more than half, and I really can't explain why.

There all universally pretty stupid, but sometimes very funny too. An example: That "Stepbrothers" flick with John C. Reilly was a hoot. Yes, really. So, while I was at first at least trying to resist seeing his new flick directed by Adam McKay, "The Other Guys," it looks like it has enough going for it to make me spring for a matinee or so (though not this week, because I have to work six days and on my day off, I'm gonna see "The Kids Are All Right" instead, since that has one week at best to survive around here.)

The upside: Steve Coogan is not only in it, but is apparently the big bad, and I'll watch him in just about anything. Markie Mark and Samuel L. Jackson should also be very funny.

The downside: If it's bad, it will just be a 90-minute SNL sketch, and I already made that mistake once this year already with the not-even-for-90-seconds-funny "MacGruber" (yes, I see far too many movies.)

Anyways, if you happen to see this this weekend, please feel free to let me know if it was any good, and in the meantime, enjoy this mysteriously bleeped, four-minute clip of footage screened at Comic-Con, and have a perfectly pleasant Thursday. Peace out.

Represent! Watch U.S.A. v. England, of course, but first, some news

If you were to ask me who the funniest two people in the world are, I'd respond, in this order, Ricky Gervais and Larry David, so if you bring them together, even for just one episode, you're gonna get my attention.

I'm not sure when we'll be able to see the eighth season of "Curb Your Enthusiasm," David's much more bitter and, yes, funnier, HBO follow-up to "Seinfeld," but when we do, it's been announced that Gervais will indeed be appearing as himself on the eighth episode.

Is it possible to have too much funny? I think not, and luckily, HBO definitely doesn't think you can have too much Ricky Gervais. Just last night I finally sat down and watched a few episodes of "The Ricky Gervais Show," which is essentially just animated visuals to go along with podcasts he makes with comedic partner Stephen Merchant and foil Karl Pilkington, and for which HBO has already ordered a second season.

The show itself is hampered by both that extremely limited format and by the fact that Gervais, in baiting Pilkington, often comes off as a bully. It still works, though, because these are three extremely funny guys, and because Pilkington in particular is at least as much a savant as he is an idiot. The best bits so far have been a "Monkey News" segment in which they debate whether or not a monkey can host a talk show, and another one in which Pilkington shares his birthing theory that when you die, you should immediately turn in to a baby again.

The bottom line: if you like cerebral funny, these guys deliver it, and I'm a fan. And in even better news, Gervais is now launching a new series for the BBC titled "Life's Too Short," which will "document" the life of showbiz little guy Warwick Davis, who has already made an appearance with Daniel Radcliffe on the Gervais/Merchant series "Extras." When and if this crosses the pond, it's extremely likely it will be to HBO too, and I can only say bring it on, because I'll admit I really like good jokes about little folk.

In other news, I really don't think there's any way Disney can get me too excited about another damned prequel, this one for "The Wizard of Oz," but they're certainly trying. Vulture reports today that the studio has offered Sam Raimi the reins for this project, in which Robert Downey Jr. would apparently play the wizard himself if this ever gets made.

I'd still lean toward just saying no to this, but if you've seen "Drag Me to Hell," you know Raimi still has some fun left in him (and if you haven't, and can handle a wickedly funny and equally gross horror flick, rent it immediately.) I suppose the man's gotta work, especially since they swiped the "Spider-Man" franchise from him, but if he jumps at this, he'll be far from alone in returning to the land of Oz.

Because absolutely nothing in Hollywood happens in a vacuum, there are at least three other "Oz"-related projects coming together, the furthest along being an upcoming 3D animated film "Dorothy of Oz." Nothing about that would make me say anything but meh except for the fact they've now cast "Glee" star Lea Michelle as the lead, and being an admitted and devoted Gleek, I figured I'd at least be the messenger on that too.

In the same press release, however, came this rather ominous note: "15-time Grammy winner Bryan Adams is currently moving forward on the first songs and lyrics for the film." Sheesh. OK, enough of that. On to the videos ...

Sticking with HBO first, this is the third, and best, trailer I know of the Martin Scorsese-produced series "Boardwalk Empire," which will chronicle the rise of Atlantic City's gambling empire and is set to debut in September. As you'll see from the trailer, the best one yet, it stars Steve Buscemi. Enjoy, and if you're a Sookie Stackhouse fan like me, of course tune in at 9 Sunday night for the season three premiere of "True Blood."

Preview Trailer #3

"Futurama" is rather inexplicably but thankfully set to rise again very soon with new episodes on Comedy Central, with the first two coming back-to-back June 24 (and yes, with all the original voice cast members.) Here, courtesy of the network, is first 90 seconds or so of the first new episode in which, predictably, we already find Fry in a tight spot. Enjoy.



And finally, the big day is finally here. The U.S.A. takes on England today in South Africa, and if you're somehow in Macon and interested, the rather unfortunately named Bottom's Up (not a titty bar, despite that name) will be open downtown and I and some fellow soccer geeks will be there to watch as the game begins at 2:30 EST. In the meantime, soccer fan Rivers Cuomo and his Weezer bandmates have recorded "Represent," an unofficial theme song for the squad, and it indeed kicks ass. Enjoy along with this video tribute to the team, and definitely tune in for what will hopefully make the U.S.A. undefeated (2-0) all time in World Cup matches against England. Peace and futbol to all!

Remember Cameron Crowe? He's officially back

Actually, easily the best news out there this morning is that "In the Loop" director Armando Iannucci is coming back with a new film, and it couldn't be much more different at all from that extremely hard-hitting and satisfying satire.

His next flick, "Out the Window," is an adaptation of Claire Tomalin's biography "The Invisible Woman," which recounts Charles Dickens' affair with actress Nelly Ternan.

Like I said, couldn't be much further removed from "In the Loop," but that flick is so amazingly good that I'll follow Iannucci just about anywhere. And if you haven't seen "In the Loop," rent it immediately, and be prepared to marvel at the sheer wonder that is Peter Capaldi as Malcolm Tucker.

But before I got briefly sidetracked by that, this was supposed to be all about Cameron Crowe, who has indeed now officially signed on to direct his first flick since 2005's "Elizabethtown," which really needs to be erased from my memory right away. Man, was it awful.

His luck will hopefully be a lot better with "We Bought a Zoo," which certainly at least gives him an intriguing story to work with. The memoir by Benjamin Mee is about how he and his family used their life savings to buy a dilapidated zoo in the English countryside, complete with 200 exotic animals.

Sounds great to me. Crowe is currently reworking the script, and it's already received a release date of Dec. 23, 2011, but of course all that could change.

Like I said, "Elizabethtown" is an almost complete abomination, but Crowe has delivered plenty of winners in his career, and I'm sure he has another one in him. If I had to list my 10 favorite movies of the last 10 (or maybe 11) years or so, "Almost Famous" would make the list every time, and "Say Anything" and "Fast Times at Ridgemont High" are just cinematic comfort food that I keep going back to again and again. Here's hoping this trip to the "Zoo" will help him regain some mojo.

And in other news about one of my favorite directors who's sorely in need of a winner, it seems that Terry Gilliam may have finally found someone foolhardy enough to step into the role once inhabited by Johnny Depp in his "The Man Who Killed Don Quixote."

Gilliam's first attempt to make this movie several years ago was an utter failure, even though it was turned into a bewilderingly entertaining one in the documentary "Lost in La Mancha." The odds that he'll be able to do any better this time have to be at least slightly improved by the news (from Gilliam himself, at least) that Ewan McGregor is now on board, and hopefully bringing some better luck with him.

Assuming the script hasn't changed too much, McGregor will play an advertising executive who travel back to 17th century Spain, where he meets Don Quixote and becomes involved in adventures with him. It has already been announced that Robert Duvall will play Quixote (take a few seconds to digest that), stepping in for the great Froggy actor Jean Rochefort (if I can digress for one second, for a fantastic film starring Rochefort, rent Patrice Leconte's "Man on the Train."

I hoodwinked mi hermano into going with me to watch Gilliam's last flick, "The Imaginarium of Dr. Parnassus," in NYC, and while it wasn't awful, it did pretty much go completely off the rails after Heath Ledger died, but that unfortunately didn't stop Gilliam from letting it just go out of any control or reason to exist for the last 45 minutes or so. "The Man Who Killed Don Quixote," however, has clearly been a passion project for him for a long time now, so here's hoping it turns into something worth watching.

And all I have except for that today is the first full trailer I know of for something I'm clearly too old to be watching, but when you make Emma Stone the star of your movie, there's almost an ironclad guarantee I'm gonna watch it. She's just easily one of the best comediennes working in movies today, and even if "Easy A," a teeny update of "The Scarlet Letter" due out in September, is extremely silly, as you'll see below, it also at least has Patricia Clarkson saying "because I slept with a whole bunch of people ... mostly boys," so it's at least got to be mildly entertaining. Enjoy, be sure to watch the Joss Whedon-directed episode of "Glee" with Neil Patrick Harris tonight, and have a perfectly acceptable Tuesday. Peace out.

What's more fun, Jane Lynch voguing or hot chicks doing "On the Waterfont"? You decide

In the only thing even approaching news you'll find here this morning, it seems that HBO has already renewed David Simon's "Treme" for a second season after only one episode, and bully to that.

The premiere drew 1.4 million viewers in its combined airings, pretty far from sensational, but still better than the 890,000 or so viewers that the five season premieres of "The Wire" averaged (what in the world does everyone else watch on TV?)

Even so, this isn't much of a surprise. HBO has shown tremendous loyalty to Simon through the years, and if you watched the premiere of "Treme," he does indeed have something magical working here. I will say, though, that the premiere certainly moved at a leisurely pace as it introduced the large roster of characters. It was, however, great to see Kermit Ruffins on TV, and my favorite character so far has to be Kim Dickens' restaurateur, but Melissa Leo and John Goodman (man, does he just keep getting bigger and bigger?) will certainly have a lot to work with too.

And in a smidgen more of HBO news before we get to a trio of videos that are guaranteed to brighten up even the dreariest of Wednesdays, it seems that Diane Keaton has just signed on to play a character based on Nikki Finke for a new half-hour comedy titled "Tilda." And if you don't know who Nikki Finke is, congratulations, because that's probably a sign that you - unlike me - have better things to do with your lives than read her drivel on Deadline Hollyood Daily. She's a movie writer of sorts, but mostly just the most annoying kind of gadfly, and certainly a fun role for Keaton to play with.

OK, after that today it's all about funny videos. If you didn't watch the return of "Glee" last night, well, everyone makes mistakes, but it's not about judgment around here. If you did, you'll probably agree it was pretty great, but the musical numbers were the most underwhelming part. That shouldn't be a problem next seek with the "The Power of Madonna" episode. If you stuck around until the end last night, you got Sue Sylvester (Jane Lynch) doing Madonna's "Vogue," and when it comes to comedy, it just doesn't get much funnier than this. Enjoy.



Thanks to a heads up from Nell Minow, I now subscribe to Roger Ebert's slightly more than monthly newsletter, and I can recommend it to anyone who loves movies. He mostly posts videos that people send him, but they're also almost always very entertaining, as is the case here. Subscriptions cost just $4.99 a year, and without further ado, here indeed are hot chicks doing "On the Waterfront." Enjoy.



And finally today, the sound on this isn't great, but this handheld spy clip from the opening night of Conan O'Brien's "Prohibited From Being Funny" tour shows just how much of a misnomer that is. The opening video introduction is at least watchable, and is vintage CoCo, but unfortunately, once he takes the stage the audio just becomes atrocious. Still worth watching, however, especially now that we now O'Brien will be returning to late night this fall every Monday-Thursday on TBS. Enjoy the clip, and have a perfectly bearable Wednesday. Peace out.

Coco's long, strange trip heads to TBS, and I'm with him

The first thing I thought when I heard yesterday that Conan O'Brien had spurned the advances of Fox for more money and, let's face it, surely more job security at TBS, was man would be it great to see another "Late Shift," this time about the rather tawdry adventures of CoCo and the soon-to-be-vanquished Jay Leno (hey, one can dream, right, even though he's clearly more indestructible - but much less funny - than a cockroach.)

If you've never seen that HBO movie, it detailed the war between Leno and David Letterman, and just how Dave ended up walking over to CBS, with comic precision. I'm sure you can still rent it, and it's well worth it.

And even though any new version of the story would surely make for a kinda rough portrait of both its main players, I think the TBS deal is nothing but a winner for O'Brien, and here's why.

Had he somehow managed to swing a deal for an 11:30 show on Fox, he would have been under the same constant pressure that thankfully killed Leno's 10 p.m. adventure, complaints from the affiliates. They were apparently, and rather amazingly, balking at pulling their "Simpsons" reruns or "Cops" or whatever the hell else they have on at 11:30 now, and frankly, who needs that?

At TBS, for which the motto "Very Funny" has so far only expressed itself in almost constant reruns of "The Office" (which is, granted, indeed just that), he's clearly gonna be the lord of the manor.

Here are the details, as I know them. The TBS deal only started coming together last week, after George Lopez called O'Brien (easily the best thing he's done for comedy in many, many years) and asked him to consider coming to TBS. Under the deal, starting in November, Lopez's show (which, in all honesty, I've never watched in its entirety, but I've seen enough to deem it not terribly funny at all) will move to midnight, easing the way for CoCo at 11 p.m.

The as-yet-untitled show will only air Monday-Thursday (because, after all, who wants to work on Friday if you clearly don't have to?) O'Brien will apparently earn about $10 million a year, roughly what he had been making at NBC, and much more importantly, own the show, a la Dave Letterman. There's not much I can say to sum up just how good news this really is, so I'll let Conan himself do it just about perfectly.

“In three months I’ve gone from network television to Twitter to performing live in theaters, and now I’m headed to basic cable. My plan is working perfectly.”

And you have this promise from me: Though I'm pretty strictly an in bed by 11 kinda guy, I'll gladly stretch that for a half hour at least to make room for your return. Welcome back, Conan.

OK, this is technically supposed to be about movie news, so here are four nuggets I found fascinating this morning, before we wrap things up with a couple short videos that are pretty much guaranteed to make you smile.

Did you see "Date Night"? I did, and while it could certainly have been zanier for my taste, it was still pretty darn funny, even in the none-too-brave-or-new-world that is the new New York, and that was almost entirely thanks to the chemistry of NBC's comedy titans, Tina Fey and Steve Carell, though James Franco and J.B. Smoove were very funny in it too.

So, even though their movie somehow lost out to that "Clash of the Titans" remake (which I still haven't seen, and probably won't), it shouldn't come as much of a surprise at all that they're already making plans to team up on the big screen again. According to the L.A. Times, Fey and Carell will appear together in something called "Mail-Order Groom," which was apparently at least partly penned by Fey's hubby, Jeff Richmond.

In the comic premise, Fey would play a lonely woman who orders the titular "Mail-Order Groom," only to get, in the form of Carell, not exactly what she bargained for. I'm laughing at that already, and I can't really see any way in which this won't come together extremely quickly. Stay tuned.

And, keeping things in comedy for another second or two, Vulture has apparently gotten its hands on the script for "A Very Harold and Kumar Christmas," and shared what it will be about. Personally, I thought Kal Penn and John Cho started to lose their comedy buzz more than a little bit by the end of "Harold and Kumar Escape from Guantanamo Bay," but I'll never get too old for good stoner comedies, so here's hoping they deliver with chapter three this Christmas.

Here's what it will be about, according to Vulture: Jon Hurwitz and Hayden Schlossberg’s script tracks down Harold and Kumar 10 years after the events of the second film. Now in their 30s, Harold is married and living the idyllic family life while Kumar lives in their old apartment and has just had his license suspended for smoking weed. More importantly, Harold is drug-free, but all that’s about to change when Kumar drops by and burns down a special Christmas Tree — soon enough, the two are on the road to find a replacement.

Excellent. Throw in Neil Patrick Harris and all kinds of fun drugs, and I'll certainly be there.

After that today, things get a little more serious in the form of news about what Froggy directors Marjane Satrapi and Vincent Paronnaud are cooking up as their followup to "Persepolis" (before it just gets crazy with word of what exactly happened to Craig Brewer, remember him?)

If you haven't seen the animated movie "Persepolis," there really are very, very few rentals I can recommend higher. Based on the Satrapi graphic novel of the same name, it's all about her life growing up in Iran and Europe, and it's just an amazing bit of filmmaking. For the duo's next project, they'll again turn to a Satrapi illustrated novel (which I'll certainly now have to read) called "Chicken with Plums."

All I know about it so far is that the movie will again be about Iran somehow, but this time they will be working in live-action rather than animation, and actor Mathieu Amalric will be one of the stars. In any format, Satrapi and Paronnaud just make movies (or rather, so far, a movie) I love watching, so definitely keep your eyes on this one.

OK, just to end on a crazy note, before a couple of short videos, does anyone remember Craig Brewer? He managed to direct what has become without exaggeration one of my all-time favorite movies with the rap-and-roll fable "Hustle & Flow" and then the simply bizarre "Black Snake Moan" before just about completely disappearing.

Well, know he's back, but not in any kind of form I could have predicted. It seems that whichever big studio had the bright idea to remake "Footloose" has now hired Brewer to direct it, from a script he wrote himself. The project was originally in the much more predictable hands of "High School Musical" director Kenny Ortega (who actually directed quite a few episodes of "Gilmore Girls" too, oddly enough) with Chace Crawford of "Gossip Girl" to star in the Kevin Bacon role (thus sealing his fate in the six degrees game), but now both of them are gone. Brewer, I suppose, makes this a little more interesting, but mostly it's just a depressing tale of just what a guy's gotta do to eat these days.

But enough of that depressing stuff. "Glee" returns tonight, and that's more than enough reason to go out with two things that just made me smile. First up comes a band I had admittedly never heard of called Anamanaguchi (and forgive me, guys, if I'm somehow misspelling that) performing what will apparently be the theme song for the upcoming "Scott Pilgrim Vs. the World" video game. The movie it's attached to is already surely getting more buzz than it needs, and I'll be doing my very insignificant part to contribute to that, but as for this, it's just two minutes or so of punk-pop bliss, which is just about what I at least needed to start off a Tuesday morning. Enjoy.



And finally today, this 15-second only but still extremely foul (remember, I did warn you) commercial clip for "Kick-Ass" just about perfectly encapsulates what will hopefully be its primal appeal. It's sublimely not safe for work, so if you watch it without headphones, you have only yourself to blame. Enjoy, and have a perfectly bearable Tuesday. Peace out.

Tyler Perry and Buster Bluth in Macon? Yes, really

Before I get into any of that, today, Natalie Portman, Jane Austen and zombies? Yeah, I'll be there.

When you set out to write a book called "Pride and Prejudice and Zombies," you're really setting yourself up for a fall, because, well, who can deliver on a premise that good? Well, having read the book, I can tell you that Seth Grahame-Smith - with, of course, a big assist from Jane Austen - certainly did, because the book is a hoot.

And now it seems that Natalie Portman has signed to both produce and star as our zombie-fighting heroine Elizabeth Bennet in a movie version. That makes me giddy just writing it. Now, if they just could make zombies the new vampires, the world would certainly be a much better place.

And only something that good could knock this (admittedly somewhat old, but if you live here, still intriguing) news from the lead: Tyler Perry is coming to Macon (if anything deserves an exclamation point, that's it, but I just really don't like them.)

Yes, Madea herself will be taking to the stage at the Macon Centreplex on Feb. 9 as Perry unveils a new stage play, "Madea's Big Happy Family." As is the course with his ventures, I'm sure that if the audience eats this up it will become one of his movies someday soon.

Unfortunately, the tickets are rather insanely expensive, starting at $47.50 and ranging up to $77.50 - a little too rich for my blood, especially with the tickets on sale right before Christmas. I encourage anyone who can afford to, however, to check out this opportunity. Tickets (if there are indeed any left) are available at www.maconcentreplex or by calling (478) 751-9232.

In another Macon event that's much more within my budget and just as dear to my heart, the name just sums it up perfectly: "The Best of Buster Bluth with Tony Hale."

"Arrested Development" fans (and if you're not one, why not?) will certainly know what that means. It seems that Tony's parents live in Macon, and he's agreed to host this event at the Cox Capitol Theatre to benefit the Macon Film & Video Festival. At 8 p.m. Friday, Dec. 18, he'll be screening his three favorite "Arrested Development" episodes, and then take questions from the audience (and one of them, perhaps from me, will surely be about the alluring possibility of an "AD" movie.)

And best of all, it's only $10, which doesn't count the couple of beers I'll consume during all this goodness.

And in a final bit of Macon news, the Macon Film Guild is showing a movie this Sunday that I've been waiting for most of the year to see, "Cold Souls" (which of course means I'll have to work that day, and not be able to go ... shark farts.) Paul Giamatti stars as an actor who, tired of his daily existence, jumps at the opportunity to have his soul removed. It's when he later decides he wants it back that the apparently very clever fun from writer/director Sophie Barthes really gets going.

For those who will actually be able to go, and I encourage anyone who loves good movies to do so, the showings are at 2, 5 and 7:30 p.m. Sunday at the Douglass Theatre in downtown Macon.

Finally, since I know a great number of the few people who bother to read this don't live anywhere near Macon, I'll leave you today with a couple of video clips that caught my eye this morning.

The first, also related directly to "Arrested Development," is, as best as I can tell, the opening for a pilot called "The Increasingly Poor Decisions of Todd Margaret" that's being pitched for the UK's Channel 4. The premise it sets up - David Cross navigating the high-speed world of modern London - is great, and as you can see from the clip, it's also got Will Arnett at his blustery best. Enjoy, and if you're watching this at work, for God's sake do it with headphones on, because the language is more than a bit salty.



And what could be better than that? Six minutes of "Chuck," of course. The first half finale of "Glee" was indeed, as my friend and boss of sorts Stephanie Hartley says, "gleetastic," but now that most shows have gone dark for December, there's nothing I'm looking forward to more on TV than the return of our favorite bumbling now-apparently-super spy.

NBC has upped the season three order from 13 to 19 episodes, and the show is set to return with a two-hour episode Sunday, Jan. 10, before settling into its regular Monday night slot with another hour the next night. Great news all of that, and just to what your appetite a little further, here's a six-minute preview of season three from NBC, which shows some of Chuck's new skills and that, thankfully, all our Buy More buds (including Tony Hale) will be making a return too. Enjoy the clip, and have a perfectly enjoyable Thursday. Peace out.

Say it ain't so, Hulu

Before I get into any of that, there's some much better news out there for people who like their TV to make them laugh, which I certainly do.

First up is that NBC has given full-season orders to two shows I tune in for every week, "Community" and "Parks and Recreation." The former is already very funny and seems to get a little better with each episode, and the latter has a sweetness that masks just how sly it can often be.

And, in even better news, it seems that both Jane Lynch and Kristen Bell will be returning for the second season of Starz's "Party Down," set to begin in April, if only for limited runs. Lynch was, as usual, extremely funny as a regular on season one before she got a better gig on "Glee," which, yes, I watch. And Bell showed up at the end, most likely as a favor to "Veronica Mars" and "Party Down" creator Rob Thomas, as a rival caterer with a mean streak but a wounded heart. Lynch will return for the second season finale, while Bell will apparently show up for a few episodes mid-season to stir up some trouble.

If you've never seen this often wickedly funny show about a group of wannabe actors who work at a catering company, you can catch up on all of season one with that watch instantly thing at Netflix. I'd highly recommend it.

And now on to the bad news. Since I don't own a cell phone and never will, and the only computer I own sits permanently on the desk in my front room, I'd say Hulu.com is just about the best technological innovation of the last five years or so, and easily one of the most addictive.

For anyone who's never used it, the site essentially compiles TV episodes and some movies (including, somehow, Whit Stillman's "Metropolitan," which I've watched at the site), which you can watch in their entirety with limited commercial interruption. It's a great way to catch a recent episode you might have missed (if you somehow don't have any kind of DVR device), but even better, it's a great place to rediscover shows long gone. For example, you can watch the entire first season of "Arrested Development" there now for free, and since it rotates, I'd imagine seasons two and three will appear soon, as they have in the past.

The key word there, however, and what may change very soon, is "free." Though is hasn't yet said what form any coming fees might come in, News Corp., which owns the site with NBC Universal, the Walt Disney Co. and Providence Equity Partners, announced Thursday that a subscription fee of some sort could come as early as next year as the site struggles to remain viable.

Oh well. I guess something this cool couldn't last forever, but I don't think I'll be paying for the service, since I already have the Netflix and more than enough digital cable.

OK, enough of the bad news. All I've got otherwise today is two clips that will hopefully pick up everyone's spirits at least a bit. First up comes the first eight minutes or so of ABC's upcoming remake of "V." The network apparently plans to release four episodes of it in November to see how it does, and then bring it back as a midseason replacement. That just sounds goofy as hell, but I'll tune in for at least the first four to see what they have going on, because my TV is sorely in need of some good sci-fi right now. Enjoy.



And finally today comes the second (I think) trailer for "Men Who Stare at Goats," which will hopefully play everywhere when it drops Nov. 6. It just makes me smile every time I see George Clooney stare down a poor goat, and it looks like this one is just gonna be insanely funny. Enjoy, and have a great rest of the weekend. If you'll excuse me, I'm off to get a gyro at the Central Georgia Greek Festival and then go see Chris Rock's "Good Hair." Peace out.

If you have Netflix, Party Down!

You know, I really don't take proper care of my Netflix queue.

I visited it the other day to add the first season of "Burn Notice" and found it to be empty except for three movies and TV stuff in the "saved" category that have yet to come out: "Homicide: The Movie," "Margaret's Museum" and "Party Down: Season One."

Now, it looks like the first two will never come out, so I just kinda keep them there to keep hope alive. It was with the third, however, that I found a pleasant surprise.

I know you can watch movies instantly at Netflix, but have only done that so far with "Superbad" (still, except for maybe "O Brother Where Art Thou," the best way to kill a couple of hours on a Saturday afternoon, and "To Kill a Mockingbird," just because.) When I visited the queue the other day to replenish it (any suggestions are welcome), I found you can also watch the entire first season of the extremely funny show "Party Down," even though the show doesn't come out on DVD for who knows how long (and, I checked, you can't do that at either the Starz site or Hulu.) Amazingly, however, you can apparently watch the great Angola Prison documentary "The Farm" at Hulu if you so choose.

But back to the matter at hand. I know I'll always sound like a rube until I die, and believe me, by now I'm just fine with that, but the Internets just continue to amaze me, and this is no exception.

"Party Down," given its pedigree ("Veronica Mars" creator Rob Thomas and veryfunnyguy Paul Rudd are among its creators) and cast (Adam Scott, Ken Marino, Lizzy Caplan, Ryan Hansen, the great Martin Starr and Jane Lynch, who I think has departed for "Glee," are all very funny in it), this show should be extremely funny, and it doesn't disappoint. But the show about a catering company full of former or extremely underemployed actors features a dark, very bitter kind of funny, so be warned.

The funniest thing to me in the first eight episodes (which is how far I've made it, out of 10) was Marino's character, the caterer who just wants to open a Soup R Crackers franchise, discussing with rapper Dro Grizzle (guest star Kevin Hart, remember him from "Undeclared"?) whether or not black people eat soup. You'll have to believe me that it's a whole lot funnier on screen than on paper, and the first season is riddled with very funny celebrity cameos, including in one of the episodes I haven't seen yet, a visit from "Veronica Mars" herself, Kristen Bell.

And OK, that's a long enough plug for a lazy Sunday morning. Peace out.