Showing posts with label Diane Keaton. Show all posts
Showing posts with label Diane Keaton. Show all posts

Tuesday, May 10, 2011

Funny Girl(s): Truly funny female movie characters

Actually, putting this together was harder than I anticipated, and certainly not because I don't find women funny or because there aren't a lot of very funny women in Hollywood.

That's not the problem. Instead, it's that when you browse any list of the truly great comedic roles, the sad fact is that most of them are played by men (the reverse, at least right now, is true on TV, but that's a different subject for a different day). It's just a fact, and one that we (or at least I) can't change, so instead of lingering on it, in honor of the funny women of "Bridesmaids," here are six very funny female roles from my movie shelf that I go back to often:

Tracy Flick, "Election"
Not exactly the cute Reese Witherspoon we know now, but her role in this high school battle of wits with the outmatched but game Matthew Broderick is her funniest one, and every time Tracy scrunches up her face in righteous anger, I still laugh out loud.

Marge Gunderson, "Fargo"
Not surprising, I suppose, that Joel Coen would write (along with his brother, of course) the best female character he's ever come up with for his wife, Frances McDormand. Marge, the very pregnant and just as clever police chief played by McDormand, gives the movie much of its sense of place, its strongest suit, and is just extremely funny along the way.

Annie Hall, "Annie Hall"
You can argue that even when he played opposite women his own age, Woody Allen didn't necessarily think much of them, because he made Annie Hall as hippie and dippy as possible, but thanks to Diane Keaton, hilarious, too.

Patricia Franchini, "Breathless"
Her French was truly atrocious (which provided much of the humor), but Jean Seberg goes toe to toe with Jean Paul Belmondo in Jean-Luc Godard's lighter-than-air gangster flick of sorts, and their flirting is just pure comedic bliss.

Poppy, "Happy-Go-Lucky"
The real charm of Sally Hawkins in this infectious Mike Leigh movie is that her Poppy is so thoroughly upbeat throughout that you want to either cheer for or choke her, depending on your outlook. In the end, it's a role so great it can melt even the most cynical of hearts, even mine.

Enid, "Ghost World"
Whatever happened to Thora Birch? Before she seemingly disappeared completely, she played Enid in this movie based on the comic book by Daniel Clowes, a character who savagely skewers everything that's wrong in her world even as she searches for her own place in it.

And there you have it. A brief list, I know, but please feel free to add any I may have snubbed (there are many, many I'm sure) and go see "Bridesmaids" this weekend if you like to laugh with truly funny women.

Wednesday, April 14, 2010

What's more fun, Jane Lynch voguing or hot chicks doing "On the Waterfont"? You decide

In the only thing even approaching news you'll find here this morning, it seems that HBO has already renewed David Simon's "Treme" for a second season after only one episode, and bully to that.

The premiere drew 1.4 million viewers in its combined airings, pretty far from sensational, but still better than the 890,000 or so viewers that the five season premieres of "The Wire" averaged (what in the world does everyone else watch on TV?)

Even so, this isn't much of a surprise. HBO has shown tremendous loyalty to Simon through the years, and if you watched the premiere of "Treme," he does indeed have something magical working here. I will say, though, that the premiere certainly moved at a leisurely pace as it introduced the large roster of characters. It was, however, great to see Kermit Ruffins on TV, and my favorite character so far has to be Kim Dickens' restaurateur, but Melissa Leo and John Goodman (man, does he just keep getting bigger and bigger?) will certainly have a lot to work with too.

And in a smidgen more of HBO news before we get to a trio of videos that are guaranteed to brighten up even the dreariest of Wednesdays, it seems that Diane Keaton has just signed on to play a character based on Nikki Finke for a new half-hour comedy titled "Tilda." And if you don't know who Nikki Finke is, congratulations, because that's probably a sign that you - unlike me - have better things to do with your lives than read her drivel on Deadline Hollyood Daily. She's a movie writer of sorts, but mostly just the most annoying kind of gadfly, and certainly a fun role for Keaton to play with.

OK, after that today it's all about funny videos. If you didn't watch the return of "Glee" last night, well, everyone makes mistakes, but it's not about judgment around here. If you did, you'll probably agree it was pretty great, but the musical numbers were the most underwhelming part. That shouldn't be a problem next seek with the "The Power of Madonna" episode. If you stuck around until the end last night, you got Sue Sylvester (Jane Lynch) doing Madonna's "Vogue," and when it comes to comedy, it just doesn't get much funnier than this. Enjoy.



Thanks to a heads up from Nell Minow, I now subscribe to Roger Ebert's slightly more than monthly newsletter, and I can recommend it to anyone who loves movies. He mostly posts videos that people send him, but they're also almost always very entertaining, as is the case here. Subscriptions cost just $4.99 a year, and without further ado, here indeed are hot chicks doing "On the Waterfront." Enjoy.



And finally today, the sound on this isn't great, but this handheld spy clip from the opening night of Conan O'Brien's "Prohibited From Being Funny" tour shows just how much of a misnomer that is. The opening video introduction is at least watchable, and is vintage CoCo, but unfortunately, once he takes the stage the audio just becomes atrocious. Still worth watching, however, especially now that we now O'Brien will be returning to late night this fall every Monday-Thursday on TBS. Enjoy the clip, and have a perfectly bearable Wednesday. Peace out.