Reel Fanatic, the return: A brief but fun clip show

I can't imagine that, with me having taken two weeks or so off from this, even more than a few people will stop by, but I still like doing it when I get the time, so here goes:

Looking at the fall TV lineup this year, I'm struck by the shear number of scripted fare coming to the airwaves, a welcome respite from the usual onslaught of reality crap in my book. Even if the majority of these shows are terrible, just the fact that more writers get paid for anything these days is enough to make me smile.

And here today, it's going to be at least partly about two of my favorite returning shows, both NBC sitcoms, "Community" and "Parks and Recreation." What could make "Community" more fun? Well, Dan Harmon and his crew have shown that they're rarely short of fun ideas, but a cutthroat Greendale badminton team, as the above picture implies? Yeah, I'd watch that. Click here to visit Collider for their full set of on set photos, and keep an eye out for the return of "Community" on Sept. 22.

The one sitcom I enjoy even more than "Community" is "Parks and Recreation" which in its two-and-a-half or so seasons has managed to develop the best ensemble comedy team on TV and some of the sharpest writing, too. And if, like me, you tune in for this, I have to assume you love Ron Swanson (if not, why in the heck do you watch?)

Well, in season four, also returning to NBC on Sept. 22, we meet Tammy One, poor Ron's first ex-wife, to be played by Patricia Clarkson in what should just be a hoot. In the preview below, cast members describe her as "ice cold" and "dangerous," and since Tammy Two fears her, you know it must be true. And on top of that, we'll also apparently encounter "Tammy Zero," Ron's mom. Just what did this government-hating guy do to deserve all this haranguing? Enjoy this season four preview, and then stick around for some actual movie stuff I also found today.



There are always a lot of good movies to look forward to in the fall, and now that I've moved back to the Eastern Shore of Maryland, I'll probably make the trip to Washington, DC, some weekend soon to catch a few of the more arthousier ones. One flick I'm definitely looking forward to is "Margaret," which will mark the return of Kenneth Lonergan after a long hiatus.

If that name sounds vaguely familiar to you, that would be because, before disappearing for the past 10 years or so, he managed to write and direct easily one of my favorite movies with "You Can Count on Me." If you've never seen this charming little flick starring Laura Linney and Mark Ruffalo as a pair of estranged siblings, track it down asap (and it shouldn't be hard to find.)

Since then, Lonergan managed to shoot "Margaret" about five years ago, but then promptly got in a nasty legal battle with Fox Searchlight about his inability to end the movie. That explains the long time off, but the first trailer for the movie, set to open in at least a few markets on Sept. 30, is below.

As you'll see, it's sort of about a young women, played by Anna Paquin and presumably named Margaret, who is instrumental in causing a horrifically fatal bus accident involving bus driver Ruffalo. There's surely a lot more than that going on, and I can't wait to see this if I ever get the chance. Enjoy.



OK, finally today, I certainly don't need to tell you that Jessica Chastain is having about as good a year in 2011 as an actress could possibly have. So far already, she's played the female lead in Terrence Malick's astounding "Tree of Life" and also Helen Mirren's younger model as a Mossad agent in "The Debt," but my favorite performance of hers this year was easily as Celia Foote, the comedy relief in "The Help" (and guys, even you should see that winner as soon as you can.) Below, just because it's a good interview, enjoy her talk with Drew McWeeny of HitFix, mostly about "The Debt," but some other things, too, and have a perfectly pleasant end to your Labor Day weekend Peace out.

An extended look at season two of "The Walking Dead"

I'll get to that in just a few minutes in this very short post, but first comes word that French director Laurent Cantet, who made the extremely engaging "The Class," is now filming his English-language debut, and it's based on a novel that I adore.

Shooting on "Foxfire," based on the novel by Joyce Carol Oates, is taking place in Canada. The novel is about "a group of humiliated 1950s high school girls in upstate New York who form a secret society to wage a campaign of retaliation and justice in a male-dominated culture," as the Hollywood Reporter described.

Pretty heady stuff there, but having read the book, I can confirm it's pretty fun, too, and as he did with "The Class," Cantet will be using a cast full of young, unknown performers. Definitely stay tuned for more on this as it develops.

But the main event here today is a rather epic, four minute-plus trailer for season two of AMC's "The Walking Dead," which debuts on Oct. 16. Having watched it, I can confirm that the folks who are left on the show still know how to nail the hell out of suspense, but I do fear that with Frank Darabont gone it will miss out a lot on the human factor, a big part of what made season one so compelling. Here's hoping I'm wrong. Enjoy the trailer, have a great weekend, and please, go see "The Help," because it's pretty great. Peace out.

Jonathan Demme and Stephen King teaming up for cool time trip

It seems like forever since I've seen a movie directed by Jonathan Demme, and even longer since I've seen anything that sprang from the over-active mind of Stephen King. I did, however, enjoy Demme's last movie, "Rachel Getting Married," quite a bit, and I have "Something Wild" just sitting in my Netflix streaming queue. And now also comes word that the director, who doesn't work nearly often enough, is teaming up with King for what should be a pretty epicly fun time trip.

Demme is attached to write and direct a feature film based on King's upcoming novel, "11/22/63," which as you can perhaps guess from the title is a science fiction work that centers on the assassination of JFK. Here's the official plot description from King's website:

Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students — a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk. Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane — and insanely possible — mission to try to prevent the Kennedy assassination. So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life — a life that transgresses all the normal rules of time.

Sounds like a movie trip well worth taking, so stay tuned for more on this as soon as I see it. And after that today, before a couple of videos, it's all about TV comedy, starting with a show that I was slow to pick up on, but have now become quite addicted to this summer: Psych.

Silly? Sure, but how could a show about psychic detectives be anything else? Luckily, thanks to stars James Roday and Dule Hill, it's also always fast and funny, and it wears its geek flag proudly, especially with the sublime "Twin Peaks" tribute episode "Dual Spires" (get it?), the last one I've managed to catch so far. And now comes word from USA that season six will premiere on Oct. 12 at 10 p.m. Bring it on already!

And in other potentially very funny TV news, Larry David's constant enabler and agent on "Curb Your Enthusiasm," the great Jeff Garlin, has just signed a deal with ABC Studios to write, executive produce and star in a half-hour comedy. No word yet on just what it might be about, but with Kid in the Hall Bruce McCullough on board to co-write this, I'm still betting on something very funny.

Now on to a couple of videos to wrap up an admittedly short report so that I can get some housework done before going to see "The Help," starting with the second trailer I've seen for "50/50," one of the movies I'm definitely most looking forward to for this fall. As you'll see from the trailer, Reel Fanatic fave Joseph Gordon Levitt stars in the comedy of sorts based on Will Reiser's battle with cancer, and he's joined by Seth Rogen and Anna Kendrick, who I'll watch in just about anything outside of the "Twilight" oeuvre. Enjoy the trailer, and keep an eye out for the movie on Sept. 30.

And finally today, I just bought the album "Watch the Throne" by Jay-Z and Kanye West, and though it's gonna take a little while to absorb all that ego, it sounds pretty epicly good so far. Below is the video for the first single, "Otis," which was apparently directed by Spike Jonze, though you really can't detect many signs of that. What is has, however, is a great sample of Otis' "Try a Little Tenderness" and, for some reason, Aziz Ansari failing pretty miserably at dancing. Enjoy, and have a perfectly pleasant weekend. Peace out.

For normally quiet August, a surprisingly strong week for movies

Two movies that I (and perhaps you) want to see in one week in August? That only seems to happen once about every five years, so we should definitely beat the heat and take advantage of it. Plus, here in Macon, the Film Guild offers a bonus pick on Sunday that takes a different look at the settling of the American West.

First up, getting an early start on the week by opening Wednesday is "The Help," based on the very popular novel by Kathryn Stockett. Having read the book, I mostly enjoyed it, but with its very broad characters drawn in stark black and white (and I'm not talking about race here) with few touches of grey, and equally broad humor, I think it will work even better as a feel-good movie.

For anyone who hasn't read the novel, it's about a listless University of Mississippi graduate, Eugenia "Skeeter" Phelan (played in the movie by Emma Stone), who convinces the black maids of '60s Jackson, Miss., to tell their stories. She's surrounded by a pretty first-rate cast, with Viola Davis and Octavia Spencer leading the maids, and Bryce Dallas Howard, Jessica Chastain and Allison Janney all playing supporting roles.

On a surely much cruder but hopefully also funnier note comes "30 Minutes or Less," director Ruben Fleischer's followup to his rather sublimely entertaining "Zombieland," this time with an even sillier premise: A slacker pizza delivery driver is kidnapped by some ne'er-do-wells who strap a bomb to his chest and force him to rob a bank. And yes, that's a comedy.

"Zombieland" star Jesse Eisenberg returns as the main slacker, and he's surrounded by solidly funny people, including Aziz Ansari of "Parks and Recreation" and Danny McBride, so I'm betting on this being a winner.

As far as the third new wide-release movie of the week goes, I've managed to somehow miss out on all the "Final Destination" carnage thus far, so I'm fairly certain I'll be able to just say no to the fifth installment (yes, really) without really missing anything.

And finally, rounding out a full movie week, the Macon Film Guild is presenting director Kelly Reichardt's Western, "Meek's Cutoff," Sunday at 2, 4:30 and 7:30 p.m. at the Douglass Theatre. I haven't seen this one yet, but I have seen Reichardt's "Wendy And Lucy," and enjoyed it quite a bit.

From that experience, I can tell you that Reichardt's movies do move more than a bit slowly, but "Wendy and Lucy," which like "Meek's Cutoff" stars Michelle Williams, was thoroughly engrossing, as I suspect this tale of a band of settlers traveling through the Oregon desert in 1845 will be, too.

Roman Polanski and the art of the extremely uncomfortable

OK, I'm more than a little slow. I knew Roman Polanski's next movie was titled "Carnage," and I've seen the Tony award-winning play by Yazmina Reza "Gods of Carnage" while on vacation with my family in Minneapolis, but not until now did I manage to put the two together.

In my defense, why in the world do they have to keep shortening movie titles to as few characters as possible? Martin Scorsese, of all people, found the title of one of my favorite books, "The Invention of Hugo Cabret," so odious that he had to cut it all the way down to simply "Hugo" for his Thanksgiving offering. But was "Gods of Carnage" really so long that people couldn't digest it on a poster? Sheesh.

But I already digress. Polanski's "Carnage" has been chosen to open the New York Film Festival on Sept. 30, and for many reasons, the play is just a perfect fit for his style of filmmaking.

First, a bit about what the movie and play are about, and who's starring in the flick. Reza's play (and hopefully Polanski's movie) takes place entirely in one New York City apartment, where two groups of parents are gathered after one child has acted out violently to the other one. I'm just guessing from the photo above here, but I have to think John C. Reilly and Jodie Foster play the parents of the wronged child, and Kate Winslet and Christoph Waltz the other couple. Take a second to digest all that star power in one small room.

The setting is key, because in that tight space, the often scathing words aren't just weapons, they're WMD's, and the "Carnage" is immediate and brutal. And, thankfully, Reza's whip-smart play is also devastatingly funny, as when the character to be played by Reilly (again, I assume) explains how he used to be in a "gang" when he was a kid. It's not a comedy of manners, but of pretty much the complete lack thereof, my favorite kind.

In relation to the best of Polanski's movies, it fits in perfectly. The most direct correlation is to "Death and the Maiden," in which Sigourney Weaver traps and torments Ben Kingsley in Polanksi's take on the Ariel Dorfman play. In that and his most recent flick, the political thriller "Ghost Writer" (well worth an immediate rental if you haven't seen it), among others, the tension is not just kept high, but ramped up to the point of suffocation throughout, giving his best movies a very claustrophobic feel.

And that, in short, is why Roman Polanski's "Carnage" is definitely a movie to keep an eye out for when it opens hopefully wide enough to reach even my little corner of the world on Nov. 18. And I'll leave you today with, courtesy of collider, eight or so short clips from another movie I'm certainly looking forward to, "The Help," the movie based on Kathyrn Stockett's insanely popular novel and starring Emma Stone and Viola Davis, set to come out as some relief from the usual August slog on the 10th. Enjoy, and have a great Sunday. Peace out.