Showing posts with label Arcade Fire. Show all posts
Showing posts with label Arcade Fire. Show all posts

Wednesday, October 05, 2011

Three crazy - and potential great - things that caught my eye this morning


Actually, I should probably make that four, since the rather sweet photo above is one of a series at NextMovie to welcome in the new season of "South Park," actually the second half of - amazingly - season 15, which opens tonight.

Never ones to shy away from anything, if I have things right, tonight's episode, titled "Ass-burgers," will indeed poke fun at something no one ever should, Asperger's syndrome, and almost certainly with no mercy. I can't wait.

And, being of course a tribute to the Dude, it's also a segue into the first wild and potentially great thing I noticed this morning, the Coen brothers making the trip into TV. I'd probably just dismiss this as a waste of their time and considerable talents, but the project sounds just about perfect for them and apparently won't really take up too much of their time.

The duo has collaborated with "Cedar Rapids" scribe Phil Johnston to co-create "HarveKarbo," an upcoming hourlong comedy for Fox on which the Coens will serve as executive producers. The show, which will be written by Johnston, will follow the title character, an ill-tempered LA private investigator whose cases frequently involve the depraved doings of the Hollywood elite, and his deadbeat friends in Los Angeles’ El Segundo.

That certainly sounds like it has some Dude-esque potential, and if you've never seen "Cedar Rapids," I count it as one of the better big-screen comedies of this year, a sweet little flick starring Ed Helms and John C. Reilly that had just enough funny and knew exactly when to quit. This is definitely one to keep your eyes on.

And speaking of potentially great TV, but something I still think is much less likely to happen, there's a new development in the "Arrested Development" saga, aka "The Longest Tease."

After Jason Bateman once again relit the movie/return to series fuse on Sunday at the New Yorker Festival's "Arrested Development" full cast reunion, there was word that Netflix and Showtime were both at least slightly interested in bringing the show back for 10 episodes or so to lead in to a movie.

You can still count me as a doubter, but what would make this more likely than a good, old-fashioned bidding war, right? Well, we may just get one, according to the always-reliable Vulture, as Netflix and now streaming rival Hulu are apparently very interested in at least the new episodes.

I promise not to bring up every single tiny development in this already rather ridiculous tale, but this one sounds promising, so stay tuned ...

And thirdly (or fourthly) today, the best album I've heard this year (at least in Adele's considerable wake) has to be "Rome," by DJ Danger Mouse and the Italian composer Daniele Luppi. The album, which just trust me is fantastic, is a tribute to the music of spaghetti westerns, and features vocals from Jack White and Norah Jones. Now comes word that video director Chris Milk, who has done great work with Arcade Fire, among other bands, wants to turn the album into a movie somehow. More on that in a sec, but first enjoy this audio-only clip from "Rome," "Season's Trees" featuring Norah Jones.



I love that song, and the whole album is just the perfect thing for a lazy Sunday morning. As for the movie itself, while apparently at least underpinned and inspired by the album, it will also be based on the science-fiction/horror novel "The Reapers Saw the Angels" by Alden Bell, which I have not read but is apparently about a girl living in a post-apocalyptic world.

I've frankly had enough of those types of flicks, but the involvement of the Danger Mouse stuff in this somehow makes me think this could turn into something fantastic.

And, finally today and as a little treat for anyone who made it this far (and because still being almost a thorough Luddite, I'm still amazed that it's legal to put complete movies on the Internet), enjoy the full movie "Synecdoche, NY," embedded here for the pleasure of anyone who happens to find it. The Charlie Kaufman oddity is really just the perfect thing for a Wednesday, and it looks great imbiggened to full screen, so enjoy. Peace out.

Friday, November 19, 2010

The return of Alan Partridge, to a big screen somewhere near you?

Actually, before I get into any of that, there's great news out there this morning about Daniel Clowes, easily one of my favorite funnybook authors.

Two of Clowes' works have hit the big screen so far already, and I'd say he's now one for two. "Ghost World" is simply sublime, and easily one of my favorite comic book flicks (what in the world happened to Thora Birch, anyway? ... I just might have to IMDB that.) Unfortunately, that was followed by the uneven at best "Art School Confidential," though not having read the original source material for that one, I suspect it may have been weak right from the start.

That, however, is certainly not the case with "Wilson," which is now being eyed as a directing vehicle for Alexander Payne and, on paper at least, is at least as funny as "Ghost World." Perhaps that just because I look at the world just about the same way as the hero of "Wilson," but I loved the book. Here's the Amazon synopsis.

Meet Wilson, an opinionated middle-aged loner who loves his dog and quite possibly no one else. In an ongoing quest to find human connection, he badgers friend and stranger alike into a series of onesided conversations, punctuating his own lofty discussions with a brutally honest, self-negating sense of humor. After his father dies, Wilson, now irrevocably alone, sets out to find his ex-wife with the hope of rekindling their long-dead relationship, and discovers he has a teenage daughter, born after the marriage ended and given up for adoption.Wilson eventually forces all three to reconnect as a family—a doomed mission that will surely, inevitably backfire.

Believe me, it's all as misanthropically hilarious as that sets it up to be, and assuming that Clowes has a hand in the screenplay for this, it should certainly be one to keep your eyes on.

OK, now on to the main event, which was brought to my attention by fellow Alan Partridge devotee bob Connally, who compiles his always insightful movie reviews here. Steve Coogan has reincarnated the character in a so far very funny set of webisodes as the host of the "Mid Morning Matters" radio shows. Foster's Funny, which puts this together, has put some kind of U.S. block on it, but some kind person always seems to Youtube them quickly again anyway.

But the real Steve Coogan/Alan Partridge news is that the character is apparently returning to the big screen (though it will probably be the little screen of DVD by the time it reaches me), and he's bringing the extremely funny Armando Iannucci (writer and director of the scathingly funny "In the Loop") along with him.

Here's what Iannucci himself had to say about the movie they're working on to Digital Spy:

“We don’t want to rush it - it’s got to be right and justify itself as a film,” Iannucci said. “On the other hand, we don’t want to be unfaithful to the character. So we’re not going mad and doing an Alan-goes-to-Hollywood thing. It’s very much Alan in Norwich. Putting Norwich on the map. Well, somebody’s map.”

Putting Norwich on the map indeed, and Iannucci went on to say that this is in the script stage and the storyline is "pretty much coming along." Iannucci has also sold a satirical series to HBO, to star Julia Louis Dreyfuss as "The Veep," that being the American vice president, so it's great to hear this extremely funny many is very busy.

And all I have after that today in this admittedly brief report (hey, I am on vacation, after all) is a bit of kudos and then just one video. First the kudos. The Academy of Motion Picture Arts and Sciences has just released the short list of 15 nominees for Best Documentary Feature, and I was thrilled to see that Rob Lemkin and Thet Sambath's "Enemies of the People" is on it. The movie, which features Sambath tracking down former Khmer Rouge members to try and get to the truth of what really went down in Cambodia's killing fields, is just sensational filmmaking, so here's hoping they make it to the final cut of five and maybe even win the whole thing, because the movie is just that good.

And finally today, what Spike Jonze really needs to be doing is making a big-screen followup to "Where the Wind Things Are," but that doesn't seem to be on the books any time soon. In the meantime, at least he's using his talent for directing music videos, this time for the Arcade Fire song, "Suburbs." As for Arcade Fire, they'll never make another album as good as their first, "Funeral," which Zachary Levi correctly called an "aural aphrodisiac" in perhaps the worst attempt at seduction of Sarah on "Chuck," but this year's "The Suburbs" is still one of 2010's best albums in my book. Enjoy the video, and if you'll excuse me, I'm off to wander around the French Quarter all day and then go see the Cottonmouth Kings at the Spotted Cat. Yeah, I could get used to this. Peace out.










Friday, February 26, 2010

For Friday, a ton of fun movie news

There's indeed a whole lot of fun stuff out there today, but the best and oddest of all just might be that there's a horror remake opening this weekend that I'm gonna take a chance on seeing.

"The Crazies" is at least slightly intriguing because it was shot about 20 minutes from my house, but that's really not enough to snag me. Two good reviews from sources I trust, however - Collider and HitFix - are, so I'll be there Saturday afternoon, 'cause I just love smart horror.

OK, in news that might just impact somebody besides me, easily the best of all is that Angelina Jolie has bailed on a "Wanted 2" (did the world really need that?) and instead signed on for something much, much better - an Alfonso Cuaron sci-fi movie (huzzah!)

"Gravity" will be about a woman (Jolie, natch) who is the sole survivor of a space mission, desperately trying to get home to Earth and her daughter. Sounds a bit like Duncan Jones' "Moon" (for which Sam Rockwell certainly should have gotten an Oscar nomination), but anyone who's seen Cuaron's "Children of Men" knows he can work wonders with good sci-fi, so definitely keep your eyes on this on.

Before that, however, I seem to remember reading something about Cuaron making an odd road movie of sorts starring Daniel Auteil and Charlotte Gainsbourg (a definite crush around here.) Indeed, IMDB lists him also working on that flick, "A Boy and His Shoe," but with only a vague 2012 release date so far.

Will there really be a funny Farrelly brothers movie?

I certainly have my doubts about that, but there's no question that they've somehow assembled a first-rate cast for "Hall Pass," which is shooting this week in Atlanta, if I'm not mistaken.

Starting with a base of Owen Wilson and someone named Jason Sudeikis, they've this week or so added HBO vets Stephen Merchant and J.B. Smoove, and even more recently Alyssa Milano and Christina Applegate. The latter two certainly need no introduction, but comedy fans will know Merchant as Ricky Gervais' comedic partner in crime, and Smoove played Larry David's brother-in-law, Leon Black, on "Curb Your Enthusiasm."

But what in the world is this all about? Well, Wilson and Sudeikis play two lucky dudes whose wives (Milano and Applegate, perhaps) give them passes to engage in extramarital shenanigans. Merchant and Smoove will play two of their buddies.

Not the most promising of premises, but with that cast I'm relatively optimistic about a winner here.

Farina joins Mann pilot at HBO

Although I'm most excited about the return of "The Wire" creator David Simon (with the N'Awlins series "Treme," coming in April, when I'll return to HBO too), what Michael Mann and David Milch ("Deadwood") have cooking up for the station sounds like an awful lot of fun too.

Dennis Farina has now signed on to star in "Luck," which Mann is directing at least the pilot of from a script by Milch. The show centers on a man who, after just getting released from prison, teams with his longtime chauffeur and muscle (Farina) to craft a complex plan with a crooked jockey (John Ortiz) to fix races at a racetrack.

I love the ponies, and Mann has a real talent for developing a seamy sense of place, so I'll definitely be tuning in for whatever comes of all of this.

Demme to head back to Haiti

Though Jonathan Demme makes usually-great movies of all kinds, I think his documentaries are the best of all. And since the single best of those is "The Agronomist," about slain Haitian activist Jean Dominique, it only makes sense that he would turn his thoughts and camera to the country at this troubled time.

Actually, his route back to the country this time intersects with one of his other documentary passions, music. Demme had been planning a documentary about Arcade Fire (new album coming very soon, huzzah!), whose founding member Regine Chassagne is Haitian. He and the band were set to head to Haiti to shoot something music-driven the very morning the quake struck, which of course changed his plans entirely. Here's what Demme had to say about his new course of action.

"My personal feeling was, those who go down two months or three months from now, with a specific mission in mind, will be valuable in their own way, as the people that are going now. So I'm gonna go. I'm gonna go within the next six months, but I haven't been yet."

He's certainly right, there. Though the people of Haiti needs just about everything, what they'll need months from now is continued attention from the rest of the world, so here's hoping Demme follows through on this and even makes a movie about it too.

And a bit closer to home, Demme is apparently now working on the documentary "Right to Return: New Home Movies from the Lower Ninth Ward," about the most devastated neighborhood in New Orleans after Katrina.

Broken Lizard signs Universal deal

Though the juvenile antics of the Broken Lizard comedy troupe certainly aren't for everyone (Nell Minow knocked me, perhaps correctly, for including "Super Troopers" in my list of the 100 best movies of the '00s), they just make me laugh almost every time they put something out.

Their latest flick, "Slammin' Salmon," didn't manage to play anywhere near me, so I'll have to just watch it on DVD, but now comes word that the guys have signed on for two movies that will hopefully play a lot wider with the help of Universal.

The studio has picked up "Rogue Scholars," a college comedy revolving around five unruly professors played by the members of the troupe, plus an additional as-yet-untitled Broken Lizard flick to follow. Like I said, I'm a devoted fan of "Super Troopers" - for which they are still promising a sequel someday - so I'll follow these guys just about anywhere.

A new flick for Ed Helms

Though he's surrounded by plenty of very funny people. Ed Helms has slowly and steadily developed into the best character on "The Office" with the Nard Dog, so any word of him appearing on the big screen is welcome in this little corner of the world.

He'll next be seen hopefully everywhere as an insurance salesman in Miguel Arteta's "Cedar Rapids," due out this year. And now comes word that he's signed on to star in something called "Central Intelligence" for director Dean Parisot (who, yes, really did direct "Galaxy Quest" back in the day.)

The flick is about an accountant (Helms) who reconnects with an old friend via Facebook and finds himself sucked into a world of espionage (I always knew that Facebook was nothing but evil, but yes, I'm on it.)

That sounds like nothing but funny to me, so definitely stay tuned to this one.

And finally, what in the world is "Harold and the Purple Crayon"?

Though I had never heard of it until about a year or so ago, it's apparently a fairly classic children's tale by Crockett Johnson, and has already been made into a movie and short TV series.

The first I had heard of it, however, was in a New York Times magazine profile of Spike Jonze in which he revealed he was at work on another movie version of this when he thankfully got sidetracked by "Where the Wild Things Are" (I still say the single biggest Oscar snub this year is that even in the field of 10, that didn't get a Best Picture nomination. Criminal.)

Now comes word that the book is coming to movie life again, this time with the help of "Where the Wild Things Are" author and national treasure Maurice Sendak as a producer.

The story apparently follow our hero Harold as he uses his magic purple crayon to retreat into his own fantasy world, but soon realizes that he’s been selfish with his crayon and so uses it to help his parents and others, and even go on a mission to Mars.

This will be a CG-animated affair, with no director attached yet, but why not Mr. Jonze himself? Sounds like it would be world of fun for him, and I know for sure he'd love to work with Maurice Sendak again.

OK, this has certainly gone on long enough today, so I'll just wrap it up with a couple of clips. The first is for a flick called "The Good Heart," set to come out in at least some urban portions of the world on April 30. It caught my eye because it stars Reel Fanatic favorites Brian Cox and Paul Dano. The flick tells the story of Lucas (Dano), who attempts suicide and meets bar-owner Jacques (Cox) while in the hospital. The two quickly form a friendship and Lucas starts to work in Jacques' bar. Enjoy the trailer.

The Good Heart trailer from zik zak on Vimeo.


Actually, make that only one clip, because although there's a new international trailer out there for the "Karate Kid" remake starring Jackie Chan and Will Smith's offspring, I've decided to just ignore that monstrosity from here on out. Peace out.

Friday, June 26, 2009

Quite possibly the greatest time-waster of all time

As anyone who's been here before well knows, I've always had a love for movie trailers.

That has waned just a bit as more straightforward commercials have invaded the premovie space (oddly enough, seemingly most often for beer and cars - not exactly a great combo), but, well done, they're still just the perfect way to get geeks like me jazzed up for movies months before they even come out.

And now, IFC.com has gone to the trouble of assembling what it considers the 50 greatest trailers of all time, complete with YouTube clips of each one. As with any list, you can quibble with their choices, but it does contain some real gems.

For example, it has both Spike Lee pushing "She's Gotta Have It" in character as Mars Blackmon and a teaser trailer for Sam Raimi's first "Spider-Man" flick that was dropped because of when it came out and its rather sensational use of the Twin Towers. From this year alone, both "Watchmen" and easily my single favorite trailer of the year, that plug for Spike Jonze's "Where the Wild Things Are" that features the Arcade Fire song "Wake Up," both made the cut.

Anyways, I can't think of a better way to kill up to an hour or so when you should be working on a Friday, so click here, enjoy and have a great weekend. Peace out.