The return of Alan Partridge, to a big screen somewhere near you?

Actually, before I get into any of that, there's great news out there this morning about Daniel Clowes, easily one of my favorite funnybook authors.

Two of Clowes' works have hit the big screen so far already, and I'd say he's now one for two. "Ghost World" is simply sublime, and easily one of my favorite comic book flicks (what in the world happened to Thora Birch, anyway? ... I just might have to IMDB that.) Unfortunately, that was followed by the uneven at best "Art School Confidential," though not having read the original source material for that one, I suspect it may have been weak right from the start.

That, however, is certainly not the case with "Wilson," which is now being eyed as a directing vehicle for Alexander Payne and, on paper at least, is at least as funny as "Ghost World." Perhaps that just because I look at the world just about the same way as the hero of "Wilson," but I loved the book. Here's the Amazon synopsis.

Meet Wilson, an opinionated middle-aged loner who loves his dog and quite possibly no one else. In an ongoing quest to find human connection, he badgers friend and stranger alike into a series of onesided conversations, punctuating his own lofty discussions with a brutally honest, self-negating sense of humor. After his father dies, Wilson, now irrevocably alone, sets out to find his ex-wife with the hope of rekindling their long-dead relationship, and discovers he has a teenage daughter, born after the marriage ended and given up for adoption.Wilson eventually forces all three to reconnect as a family—a doomed mission that will surely, inevitably backfire.

Believe me, it's all as misanthropically hilarious as that sets it up to be, and assuming that Clowes has a hand in the screenplay for this, it should certainly be one to keep your eyes on.

OK, now on to the main event, which was brought to my attention by fellow Alan Partridge devotee bob Connally, who compiles his always insightful movie reviews here. Steve Coogan has reincarnated the character in a so far very funny set of webisodes as the host of the "Mid Morning Matters" radio shows. Foster's Funny, which puts this together, has put some kind of U.S. block on it, but some kind person always seems to Youtube them quickly again anyway.

But the real Steve Coogan/Alan Partridge news is that the character is apparently returning to the big screen (though it will probably be the little screen of DVD by the time it reaches me), and he's bringing the extremely funny Armando Iannucci (writer and director of the scathingly funny "In the Loop") along with him.

Here's what Iannucci himself had to say about the movie they're working on to Digital Spy:

“We don’t want to rush it - it’s got to be right and justify itself as a film,” Iannucci said. “On the other hand, we don’t want to be unfaithful to the character. So we’re not going mad and doing an Alan-goes-to-Hollywood thing. It’s very much Alan in Norwich. Putting Norwich on the map. Well, somebody’s map.”

Putting Norwich on the map indeed, and Iannucci went on to say that this is in the script stage and the storyline is "pretty much coming along." Iannucci has also sold a satirical series to HBO, to star Julia Louis Dreyfuss as "The Veep," that being the American vice president, so it's great to hear this extremely funny many is very busy.

And all I have after that today in this admittedly brief report (hey, I am on vacation, after all) is a bit of kudos and then just one video. First the kudos. The Academy of Motion Picture Arts and Sciences has just released the short list of 15 nominees for Best Documentary Feature, and I was thrilled to see that Rob Lemkin and Thet Sambath's "Enemies of the People" is on it. The movie, which features Sambath tracking down former Khmer Rouge members to try and get to the truth of what really went down in Cambodia's killing fields, is just sensational filmmaking, so here's hoping they make it to the final cut of five and maybe even win the whole thing, because the movie is just that good.

And finally today, what Spike Jonze really needs to be doing is making a big-screen followup to "Where the Wind Things Are," but that doesn't seem to be on the books any time soon. In the meantime, at least he's using his talent for directing music videos, this time for the Arcade Fire song, "Suburbs." As for Arcade Fire, they'll never make another album as good as their first, "Funeral," which Zachary Levi correctly called an "aural aphrodisiac" in perhaps the worst attempt at seduction of Sarah on "Chuck," but this year's "The Suburbs" is still one of 2010's best albums in my book. Enjoy the video, and if you'll excuse me, I'm off to wander around the French Quarter all day and then go see the Cottonmouth Kings at the Spotted Cat. Yeah, I could get used to this. Peace out.

Your Saturday dose of very funny ... Alan Partridge is back and here!

Though Steve Coogan did indeed make his return as Alan Partridge on Friday, well, afternoon by the time they got around to it, sponsor Foster's managed to block the content for folks in the U.S. because of "copyright" or some other kind of phony crap.

Thankfully, however, you can't keep a man this funny down, and it's managed to emerge - at least temporarily - in one YouTube clip, which I've shared here (and which looks good at full screen.)

As you'll see, in his latest incarnation, running in webisodes weekly for I'm not sure how long, Alan Partridge is now the host of the radio show "Mid Morning Matters with Alan Partridge" for North Norfolk Digital. And as fellow Alan Partridge devotee Bob Connally, noted, it starts off a little slow (though still very funny with a "favorite condiment" call-in), but really gets going when a young bloke named Jim Jones shows up to promote cycling for youngsters (pop, not broth!).

Though Steve Coogan has been great in many forms, particularly on screen in "Tristram Shandy" and "24-Hour Party People," if you want some rental ideas, he's never been as funny as he is when he slips into Alan Partridge. Welcome back! Enjoy the clip, and if you get a chance, go see Tyler Perry's "For Colored Girls," which I'm gonna do tomorrow if I have time. Peace out.

For Friday, four or five degrees of funny

Even if it still is the most unnecessary prequel/reimagining/or whatever of all time, director Marc Webb is certainly piling up an impressive cast for his take on "Spider-Man."

After making the beyond-perfect choice of Emma Stone to play Gwen Stacy and the perfectly adequate choice of Andrew Garfield from "The Social Network" to play Peter Parker himself, the movie has now somehow added Martin Sheen to play Uncle Ben and Sally Field as Aunt May. Is that enough prestige for you?

Webb has so far, however, made at least one mistake (beyond the studio's choice to fire Sam Raimi in the first place): Rather than the rumored Mia Waskikowska or any other young actress to play Mary Jane Watson, they're apparently just leaving the character out altogether. Bummer.

But enough about a movie that, even with that cast, I'm not sure I'll even be able to bring myself to see when this finally all comes together. As the headline makes clear, this was supposed to be all about the funny this morning, but it lost a little sheen when I found that the promised first episode of "Mid Morning Matters With Alan Partidge" is not yet available, even though it was promised for Nov. 5, and it is indeed already noon UK time on that very day. Keep an eye out for it some time later today here, and I guarantee you'll laugh out loud.

Instead, I have four clips delivering differing degrees of funny, pretty much in descending order, until the final one, which is pretty much just here as word of warning about the impending monstrosity. First up comes the first trailer I know of for the return of the Farrelly Brothers, on Feb. 25 with something called "Hall Pass." I can't remember the last time I bothered to see a Farrelly Brothers movie, but this one looks like it could be funny, and with a cast that includes Owen Wilson, Jason Sudeikis of "30 Rock," Jenna Fischer, Christina Applegate and even veryfunnypeople JB Smoove and Stephen Merchant too, this one should at least be worth checking out. Watch trailer to find out just what a "Hall Pass" is.



Though I've yet to see the need to tune in to George Lopez's 11 p.m. show on TBS, and will have even less incentive to do once he moves to midnight starting Monday, if he's promoting the return of Conan O'Brien, I'm on board. This clip from Wednesday's show, in which CoCo makes an appearance to promote his return to late night Monday night at 11 p.m., is actually really funny once O'Brien lapses into his "native tongue," Spanish. After that comes William Shatner "singing" what is easily my favorite pop song of the moment, Cee Lo Green's "Fuck You," known to you kids who still listen to top 40 radio in its much more family-friendly form, "Forget You." Shatner's skewering of it is indeed pretty funny, but as a further bonus, I've included the original text only video from Cee Lo, so anyone who hasn't heard the original version of this can see just how incredibly entertaining it is in its very raw form. Enjoy.







As someone who plays with fonts for a living, I just don't think I'll ever get tired of watching that very clever video, and the song of course is pure gold. OK, remember that, at the outset today, I did warn you that the final clip is more a warning than anything else, because it certainly doesn't deliver any funny. It does, I suppose, finally answer the burning question of whether or not Martin Lawrence has even a drop of shame left with a thundering no. Without any further ado, and yes, really, here is indeed the trailer for something called "Big Mommas: Like Father, Like Son." If you really want to know when this is coming out, you'll have to look it up yourself, because I really just can't bring myself to tell you. "Enjoy" the clip and have a fantastic weekend. Peace out.

Iannucci to fire his satirical gun for HBO

If you've never seen Armando Iannucci's "In the Loop," there are very few rentals I can recommend higher, for two reasons: First, it's just first-rate political satire of the kind we very rarely see nowadays, and second, Peter Capaldi's extremely foul-mouthed turn as Malcolm Tucker is something you'll never forget once you've seen it.

Though I doubt the great Mr. Capaldi will be along for his latest venture, any word of Iannucci coming to American TV for more sharp political satire is certainly welcome in this corner of the world.

It seems that HBO, determined to order at least a pilot from every great director working today, has ordered one for an Iannucci series called "Veep," with Julia Louis Dreyfus in talks to star as the titular vice president of the United States.

Iannucci will write this with "In the Loop" co-writer Simon Blackwell and at least direct the pilot, so this should just be fantastic when it all comes together. And just in case you really have no idea just how funny Malcolm Tucker and "In the Loop" are, here's a choice sample of some of his best stuff. Enjoy the clip, keep an eye out for the show, and stick around afterward for a bonus visit from Alan Partridge.



What could be funnier than that? Trust me, when you watch the whole movie, not much, but Alan Partridge is one thing that just works for me even better. As you'll see from this silent clip below, with surely some help from longtime co-conspirator Iannucci, Steve Coogan's signature buffoon is coming out in a series of webisodes as the host of the radio show "Mid Morning Matters With Alan Partridge" starting Nov. 5 on the Foster's beer Web site (I'm not sure exactly what the URL will be yet, but I'll certainly let you know.) Even without any dialogue, you can see as much from Coogan's antics as from the reactions of everyone around him just how funny this can be. Enjoy, and have a great weekend. Peace out.

Is there no end to the foreign-remake madness?

A guy said to me today: 'I want to get your autograph before one of us dies.' I smiled and said :'You first I hope.'

That's really apropos of nothing, but that missive from the great (and no longer so omnipresent) Michael Caine was easily the funniest thing I read this morning, so I had to pass it on.

And before I spill any bile over the plans of a director whose work I normally really dig, let's continue the good vibes with some news that, while ancient by Internet news standards, still just makes me smile: Emma Stone will indeed be in "500 Days of Summer" director Marc Webb's reboot of the "Spider-Man" franchise as Gwen Stacy.

Nothing but great news there. If you haven't seen "Easy A," do yourself a favor and do so while it's still in theaters, because while it's lighter than air and too silly by at least half, it's also often wickedly funny, and I guarantee you won't be able to take your eyes off of Emma Stone in this clearly star-making turn.

Now, with "The Social Network" star Andrew Garfield signed as Peter Parker and Stone in the mix, all that's left is to sign Mia Wasikowska as Mary Jane Watson, and this still almost completely unnecessary endeavour will at least be cast perfectly.

And speaking of unnecessary, that brings us to today's main event, and though I love the two movies that most-often-screenwriter Billy Ray has managed to direct, "Shattered Glass" and "Breach," today's news about him is bleak indeed.

I can't even bring myself to ask any more if Hollywood ever learns anything, because the answer is just so resoundingly no. You would think that after the rather epic failure of "Let Me In" ($5 million or so in week one - and reviewed by me yesterday, if you're interested in scrolling down), Matt Reeves' completely pale imitation of "Let the Right One In," there would be at least a brief pause in the stampede to remake foreign-language films only a year or so after they leave theaters.

Apparently not, because today comes word that Ray has now signed on to direct a remake of the Argentinian crime thriller "The Secret in Their Eyes," which won this year's Oscar for Best Foreign Language Film. Take a second to think about just how bad an idea this is.

If you've seen the original, you know that it's not a flawless film, but director Juan Jose Campanella's tale of a retired investigator (the simply sensational Ricardo Darin) who reopens an old rape and murder case as he simultaneously relights an old flame with a former co-worker (Soledad Villamil) goes in all kinds of unexpected directions as it delivers a solidly mindbending film noir of sorts.

And anyone who's seen this (as I have now three times - it's that good) also knows that's its steeped in the twisted politics of Campanella's Argentina, and that presents the biggest (though far from the only) problem with Ray's plans here. Inevitably, I suppose, he will update the story and move it to the United States, almost certainly losing a lot in translation.

The only things I can say in Ray's defense are that he doesn't get offered directing opportunities very often (the aforementioned films are the only ones he's directed so far, I believe, a real shame), and that he's far from alone in spreading this Euro-remake cancer.

The most prominent case, of course, is "The Social Network" director David Fincher's remake of "The Girl With the Dragon Tattoo," currently shooting, I believe, in Sweden. I have full faith in Fincher, but the original "The Girl With the Dragon Tattoo" is just about perfect as both a literary adaptation and just as a brutally efficient and entertaining thriller, so the stakes here are very high.

And, unfortunately, now that one of my favorite movies of 2008 has been shat upon by Matt Reeves, the other one is now getting the same treatment. "The Assassination of Jesse James By the Coward Robert Ford" writer/director Andrew Dominik is now apparently writing a version of the first-rate French thriller "Tell No One," perhaps with an eye on directing it himself too.

I would continue on with this rant, but I'm still rational enough to know no one who can do anything about it is listening, so let's just move on to a couple of bits of good news instead.

Apparently, like much of the world, ready to move on quickly from what Matt Reeves has done to his nearly flawless horror movie, "Let the Right One In" director Tomas Alfredson has lined up a new project to direct once he wraps up his take on the John Le Carre classic "Tinker, Tailor, Soldier, Spy."

After that espionage thriller, filming now with an all-star cast that includes Colin Firth, Gary Oldman, Tom Hardy, Jared Harris, Mark Strong and the great Ciaran Hinds, he's signed on to direct "Larklight," a bit of steampunk from author Philip Reeve.

The story is set in a Victorian-era alternate universe in which mankind has been exploring the solar system since the time of Isaac Newton and revolves around a brother and sister who team with a band of renegade space pirates to save the world from destruction at the hands of a madman.Steve Knight (“Eastern Promises”) is rewriting the script for this, which sounds like nothing but fun to me.

Alfredson is certainly a director to keep your eyes on, so stay tuned for more on this as soon as I can find it.

And finally today, before a video or two, comes simply fantastic news that really may only be of interest to me and Bob Connally, but it's still just incredibly cool.

In a news bit about Steve Coogan's possible upcoming return to British TV as Alan Partridge for a six-part series, great news in itself, the real lead was buried. Coogan is now apparently already shooting a 12-part Alan Partridge Internet series, which will begin appearing online Nov. 5 (I have no idea where yet, but as soon as I know that, you will too.)

If you've somehow never seen Coogan as the TV host Partridge, it's almost always exceptionally funny. He's played the character for a long time now, through multiple radio and TV series, and here's a video sample of just how funny he can be. Enjoy.



And finally, since this has clearly gone on more than long enough, I'll leave you today with what I believe is the first full trailer for John Landis' upcoming graverobbing comedy "Burke and Hare," starring Andy Serkis and Simon Pegg. I believe Landis has wrapped shooting on this, but I have no idea when it will be getting a U.S. release, or how wide that will be. Enjoy the trailer, and definitely keep an eye out for this one. Peace out.