Three crazy - and potential great - things that caught my eye this morning

Actually, I should probably make that four, since the rather sweet photo above is one of a series at NextMovie to welcome in the new season of "South Park," actually the second half of - amazingly - season 15, which opens tonight.

Never ones to shy away from anything, if I have things right, tonight's episode, titled "Ass-burgers," will indeed poke fun at something no one ever should, Asperger's syndrome, and almost certainly with no mercy. I can't wait.

And, being of course a tribute to the Dude, it's also a segue into the first wild and potentially great thing I noticed this morning, the Coen brothers making the trip into TV. I'd probably just dismiss this as a waste of their time and considerable talents, but the project sounds just about perfect for them and apparently won't really take up too much of their time.

The duo has collaborated with "Cedar Rapids" scribe Phil Johnston to co-create "HarveKarbo," an upcoming hourlong comedy for Fox on which the Coens will serve as executive producers. The show, which will be written by Johnston, will follow the title character, an ill-tempered LA private investigator whose cases frequently involve the depraved doings of the Hollywood elite, and his deadbeat friends in Los Angeles’ El Segundo.

That certainly sounds like it has some Dude-esque potential, and if you've never seen "Cedar Rapids," I count it as one of the better big-screen comedies of this year, a sweet little flick starring Ed Helms and John C. Reilly that had just enough funny and knew exactly when to quit. This is definitely one to keep your eyes on.

And speaking of potentially great TV, but something I still think is much less likely to happen, there's a new development in the "Arrested Development" saga, aka "The Longest Tease."

After Jason Bateman once again relit the movie/return to series fuse on Sunday at the New Yorker Festival's "Arrested Development" full cast reunion, there was word that Netflix and Showtime were both at least slightly interested in bringing the show back for 10 episodes or so to lead in to a movie.

You can still count me as a doubter, but what would make this more likely than a good, old-fashioned bidding war, right? Well, we may just get one, according to the always-reliable Vulture, as Netflix and now streaming rival Hulu are apparently very interested in at least the new episodes.

I promise not to bring up every single tiny development in this already rather ridiculous tale, but this one sounds promising, so stay tuned ...

And thirdly (or fourthly) today, the best album I've heard this year (at least in Adele's considerable wake) has to be "Rome," by DJ Danger Mouse and the Italian composer Daniele Luppi. The album, which just trust me is fantastic, is a tribute to the music of spaghetti westerns, and features vocals from Jack White and Norah Jones. Now comes word that video director Chris Milk, who has done great work with Arcade Fire, among other bands, wants to turn the album into a movie somehow. More on that in a sec, but first enjoy this audio-only clip from "Rome," "Season's Trees" featuring Norah Jones.



I love that song, and the whole album is just the perfect thing for a lazy Sunday morning. As for the movie itself, while apparently at least underpinned and inspired by the album, it will also be based on the science-fiction/horror novel "The Reapers Saw the Angels" by Alden Bell, which I have not read but is apparently about a girl living in a post-apocalyptic world.

I've frankly had enough of those types of flicks, but the involvement of the Danger Mouse stuff in this somehow makes me think this could turn into something fantastic.

And, finally today and as a little treat for anyone who made it this far (and because still being almost a thorough Luddite, I'm still amazed that it's legal to put complete movies on the Internet), enjoy the full movie "Synecdoche, NY," embedded here for the pleasure of anyone who happens to find it. The Charlie Kaufman oddity is really just the perfect thing for a Wednesday, and it looks great imbiggened to full screen, so enjoy. Peace out.

Arrested Development ... the rumor that still won't die gets new life

'It's true. We will do 10 episodes and the movie. Probably shoot them all together next summer for a release in early '13. VERY excited!"

Jason Bateman sets things in motion this weekend with that comment at a full-cast "Arrested Development" reunion arranged by the New Yorker Festival, but why in the world should fans of the show, who have been let down so many times in the past, believe any differently this time?

Well, we probably shouldn't. but this is the first time that I've heard talk of both an "Arrested Development" movie and some new episodes, too, so we should perhaps look a little closer. And in doing so, it seems there's some interesting financial backing, according to Deadline, that could really make it happen.

Per the website, which granted isn't always right, 20th Century TV, which co-produced "Arrested Development", has had talk with both Netflix and Showtime about bringing back the show, as Bateman teased, for 10 episodes that would eventually lead into the long-promised movie.

Still a remote possibility, but lord knows Netflix could use the good publicity along with some original programming, so we can at least file this in the keep-hope-a-little-more-alive file and keep our fingers crossed.

Except for that today, there's news about two of my very favorite directors, so let's just get right to it.

Actually, it's probably a bit strong to call Martin McDonagh one of my favorite directors since he's only made one movie I've managed to see (and two in total), but when that movie is "In Bruges," I think it's a fair leap to make.

If you haven't seen that extremely dark and equally funny little gem, I really can't recommend rentals much higher. The tale of two hitman uncomfortably hiding out on vacation stars Colin Farrell and Brendan Gleeson, and "In Bruges" is the first movie I bought on Blu-ray.

And now comes word that CBS Films is in negotiations to co-finance and distribute another McDonagh film that would also star Farrell, "Seven Psychopaths," which sounds like it should be a lot of wicked fun.

Per Comingsoon.net, in the film, Marty (Farrell) a screenwriter struggling for inspiration for his script, 'Seven Psychopaths,' gets unwittingly drawn into the dangerous dog kidnapping schemes of his oddball friends Billy (Sam Rockwell) and Hans (Christopher Walken). And once the beloved Shih Tzu of the psychopathic gangster Charlie goes missing, Marty finds he's going to get all the inspiration he needs, as long as he can live to tell the tale...

I'm laughing at that already. Sounds like it's got more than a little Elmore Leonard thrown in, and with shooting apparently set to start this fall, definitely stay tuned for more on this as soon as I can find it.

There's also news about another of my favorites who's putting together his second film as a director, Charlie Kaufman. The first for which he didn't have Spike Jonze or Michel Gondry as a counterweight, "Synecdoche, NY," was a wonder that spun way out of control by the end, but still managed to be spellbinding.

This time out, he's just added Kevin Kline to a cast that already included Jack Black, Steve Carell and Nicolas Cage for "Frank or Francis," which definitely plays on themes of "Adaptation," for which Kaufman wrote the script.

This time out, per Variety, the "satire of Hollywood set to music" will "chronicle the back-and-forth between a movie director and an online blogger who delights in berating his cinematic talent."

Also per Variety, Black will play Francis, a blogger who reviews movies online. Carell is playing Frank, a filmmaker who is cheating on his wife, while Cage plays The Emcee, an actor famous for "commercial, high-concept films." Kline will play both Richard Waller, the brother of director Jonathan Waller, whose fictional film Hiroshima is the highest-grossing movie of all time, as well as Richard's Head, an animatronic head that helps Jonathan make a product that will have "the broadest possible appeal and zero artistic integrity."

Charlie Kaufman's mind is exactly my kind of twisted, and it seems like this time out he's keeping it slightly more conventional but probably more fun than with "Synecdoche," so I'm in for sure. Shooting for this starts in January.

And I'll leave you today with two tv-related videos, the first being the first five minutes of "American Horror Story," the new FX series from "Glee" creator Ryan Murphy that's set to premiere Wednesday at 10 p.m. The almost certainly campy haunted house tale stars the truly great Connie Britton (aka Tami Taylor), Dylan McDermott and somehow Jessica Lange too. I'm on the fence about whether or not to watch this one, but I'll at least watch the pilot, and perhaps like a few people who happen to stop by here today, will watch the first five minutes as soon as I finish this post. Enjoy.



And finally, here's the best clip from the first episode of "Saturday Night Live" I've bothered to stay up for and watch live in at least 10 years, starring Melissa McCarthy. They came up with several skits in which she shined, but this TCM spoof in which she played vaudeville bombshell Lulu Diamonds was the best. To say any more would just spoil it in case you haven't seen this yet, so I'll just say it's comedy bliss and leave it at that. Peace out.

A Wednesday clip show, with the Swell Season, J. Edgar and more

Actually, before we get into any of that, there's a bit of news out there this morning, starting off with an "Arrested Development" reunion of sorts ... but no, of course not the one fans have been waiting for.

I'd certainly advise not, if you ever were, holding your breath for any kind of "Arrested Development" movie any time, well, ever, but the entire cast is apparently coming together at the New Yorker Festival for "A Bluth Family Reunion."

If you're lucky enough to be in in NYC, definitely try and snag a ticket for this Oct. 2 event (they go on sale at noon today at the New Yorker's website) that will indeed feature Will Arnett, Jason Bateman, Michael Cera, David Cross, Portia de Rossi, Tony Hale, Alia Shawkat, Jeffrey Tambor, Jessica Walter and series creator Mitchell Hurwitz. Color me jealous.

And along with an "Arrested Development" movie, another thing that I'd like to see that now probably won't happen, or at least not in any form worth watching, is a "Bad Santa 2." I'd think more antics involving Billy Bob Thornton's truly foul Father Christmas, the even funnier Tony Cox and hopefully Lorelai Gilmore too would be an easy sell, but writers Glenn Ficarra and John Requa have apparently spurned an offer to do that for something else that could be a lot of fun.

Jumping on an idea from Steve Carell, they've apparently, according to Moviehole, already written the script for "one of these three friends from college, but now they’re in their 40s, movies. They’re going on a European backpacking trip that they never did. And it’s filled with all this middle-aged fun.”

Actually, sounds like exactly the dreadful kind of dreck that would star John Travolta and Tim Allen, but these are some seriously funny writers, so I'll keep an open mind. Stay tuned ...

And in the last bit of news, you can always sell me on Jeremy Renner in a good heist movie, so here's hoping this will be another one. In "King of Heists" (the movie's got to be better than that title, at least), based on the nonfiction book by J. North Conway, he's set to star as the mastermind of "the greatest bank robbery in American history," which took place on October 27, 1878, when thieves broke into the Manhattan Savings Institution and stole nearly $3 million in cash and securities — around $50 million in today’s terms.

OK, now on to the clips, and there's certainly no better place to start than with the first and only trailer I know of for what should be a truly sweet little music documentary about the Swell Season, aka the duo of Glen Hansard and Marketa Irglova. If those names sound at least vaguely familiar to you, they should, since they were the stars of John Carney's thoroughly charming little romance "Once," which you should rent immediately as soon as you can find it. The doco charts their own path from true-life romance to the Oscars and more, and it should be well worth watching if you're lucky enough to catch this when it comes out in October. Enjoy the trailer.



Next up indeed comes the first full trailer I know of for "J.Edgar," director Clint Eastwood's upcoming biopic on the first FBI director with the rather colorful personal life. I've made my distaste for many of Eastwood's directing efforts clear in this space before, so I can't help but thinking in watching this that it's going to be plenty broad, but not much more than skin deep. And besides, with that aging makeup, Leo DiCaprio just looks creepy. It does, however, have a script from "Milk" scribe Dustin Lance Black, so I'd love to be proved wrong when this comes out Nov. 9. Enjoy the trailer.



Coincidentally enough, I have "Rumble in the Bronx" sitting on my DVR, probably for watching tonight. That's the last Jackie Chan movie I can remember just loving unconditionally, and really the last one in which he hasn't seemed to play some silly form of spy/babysitter/supercop hybrid. The trailer below, on the other hand, for a movie titled "1911" which he apparently co-directed, promises something more serious and hopefully still fun, too. A historical epic about the founding of the Republic of China, it's set to open in at least some American cities on Oct. 12, so keep an eye out for it, and enjoy the trailer.



OK, shifting a bit to TV, the MTV Movies site has a short interview with "Games of Thrones" producers D.B. Weiss and David Benoiff from the Emmys red carpet, and while it doesn't reveal much about season two, I'm certainly jonesing for it, so I'll take what I can get. Since season one was so entirely, but still very entertainingly, by the first book by George R.R. Martin, I've avoided reading any more of the books so I can be surprised from here on out. When will we get a season two on HBO? All I know is next spring, but hopefully by March or so. Bring it on already!

Get More: Movie Trailers, Movies Blog

And finally today, though I haven't watched "Today" in any form except on "The Soup" for about 25 years or so, I'm a sucker for any interview with the truly inspiring Roger Ebert, so enjoy this interview he did with Matt Lauer to promote his new memoir, "Life Itself." There's not much I can say about this that Roger himself doesn't say much better, so I'll just leave it at that. Enjoy the clip, and have a perfectly passable Wednesday. Peace out.

Visit msnbc.com for breaking news, world news, and news about the economy

P.S.: If you really made it this far, you certainly deserve a reward, so here goes: NPR is streaming the new Wilco album "The Whole Love" here, and it's well worth a listen.

DVD review: "Community" season one

While watching the sometimes uneven but often very hilarious first season of NBC's Community on DVD, I had to wonder: Why don't more TV shows aiming for the funny take on college?

Teen shows often avoid it like the plague. Judd Apatow and his crew found gold - if for only one season - with Undeclared, the natural successor to Freaks and Geeks. But not until Joel McHale and his Spanish study group at Greendale Community College entered NBC's Thursday night lineup last fall has a show so successfully tapped into the contradiction that our four years or so of "higher learning" are often the silliest and most hedonistic time of people's lives.

Watching the first six or so episodes of Community, last fall and again back-to-back on DVD, I really wasn't sure NBC had a winner on its hands. One of the show's biggest assets on paper was also - at least to me - its biggest early problem: A little Joel McHale goes a long way.

His character, a former lawyer booted from his profession because he had a fraudulent college degree, has all the often-misplaced ego that he should have, but McHale just doesn't have the comic chops to make his Jeff Winger much more at all than a one-dimensional wise ass. The character would be much funnier if, like Jason Bateman's Michael Bluth on Arrested Development, he were more comically unaware of the fact that he's the king of crazy in a group that has tons of it.

It's when Community really became more of an ensemble production and tapped into all of its comedic assets - and the genuine geek bona fides of at least two of its stars - that the show really got into its groove. By the time Abed's (Danny Pudi) Dark Knight rescues McHale and a rather disastrously high Chevy Chase (dressed, naturally, as the Beastmaster) from a collapsing fort of tables and chairs at Annie's (Alison Brie) Halloween/Day of the Dead party in episode six ("Introduction to Statistics"), you knew this was like nothing else on TV right now in all the best ways.

From this turning point, Pudi's Abed and Donald Glover's Troy get a lot more screen time, and are naturally just very funny together. They also give the show its genuine geek appeal, making its frequent pop-culture spoofs hit their target much more often than they miss. It all comes together perfectly in season one when the two of them are serenading their rogue lab mouse, naturally named Fievel, to the strains of "Somewhere, Out There," as Senor Chang (the riotously funny Ken Jeong) is trying to salsa dance his way back into his ex-wife's heart to the Celtic sounds of Greene Day. This close to episode 10, "Environmental Science," is pretty much comic perfection.

And the women of Community more than hold their own in all this madness. Brie's Annie plays up her young eagerness, and finds a natural counterpart in Gillian Jacobs' prematurely jaded Britta, while Yvette Nicole Brown's Shirley turns what could have been a stock character - the overly religious black woman - into one who gives as good as she gets when the barbs really start to fly.

As the show progressed, creator Dan Harmon kept injecting it with more and more genuine political incorrectness, giving it an edge sorely missing from so much of what passes now for situational comedy. That reaches its height in the "Basic Genealogy" episode, in which Abed's darkly veiled Muslim sister gets called, in short order, a black ghost and then Phantom Menace (it's OK to admit, that's very funny), and later, in a game of Pictionary, Pierce (Chase) draws about the most offensive thing you can think of for the word "windmill." It's all so incredibly wrong that it works just right.

Community hit its real season one peak, however, with the "Modern Warfare" episode, which manages to sharply skewer just about every sci-fi/action movie cliche you can think of in the space of 22 minutes or so. From the early moment when Pudi utters the line, "Come with me if you don't want paint on your clothes," you know (or at least I did) this will be the funniest prime time moment of the 2009-10 TV season. If you've never seen this show, which has risen to the top of NBC's Thursday lineup in my book, this one episode would make the perfect introduction.

Chief among the extras in this set are the commentaries featuring cast members for every single episode, only a few of which I've had the time to get through so far. Another feature that works very well is the outtakes featured on each disc. Rather than the usual clips of characters breaking out in giggles in the middle of their lines, they spotlight the natural give and take of some truly funny people and what most makes Community a real winner: What NBC has on its hands, for as long as it wants to keep it on the air, is a genuine comedy troupe on top of its game.

And does the mojo continue into season two? So far, solidly yes. The show bagged the quickest and perhaps biggest laugh of the new season by having Glover wake up in his Spider-Man pajamas to open the season, and last week's zombie episode "Epidemiology" was as fall-down funny as the pilot for Frank Darabont's The Walking Dead was utterly terrifying (and watching them back to back, as I did on the DVR, is a real trip.) The bottom line: Community is much more fun than I ever remember college being, and well worth tuning in for every Thursday night or on DVD.

I truly love Anna Faris, but ...

Before we get into this week's movies, two of which I think I'll actually see. there's a couple of other cool little nuggets out there today to deal with.

First, it seems that Mike Judge might actually get to make a movie that plays in theaters somewhere besides New York, L.A. and Austin before hitting DVD.

As far as I can tell, "Extract" is about two dudes who toil in a flower extract factory, to be played by Ben Affleck and Jason Bateman (huzzah!). I'm not even sure what "flower extract" means, but with Mila Kunis and Clifton Collins Jr. (who, frankly, should be an Oscar winner already for his work in "Capote") also in the cast - and Judge writing and directing - I'm definitely in.

And I've never really understood why Judge hasn't been given much of a chance to show he has artistic life after Beavis and Butthead. "Idiocracy," while certainly not a groundbreaking work of any kind, was a solidly funny comedy that almost no one got to see in a movie theater, and if you haven't seen "Office Space" more than once by now I'm just really not sure what to tell you.

The second thing that grabbed my attention was a Michael Ausiello piece for Entertainment Weekly with this rather enticing headline: Exclusive: Bell, Thomas Orbit 'Veronica Mars' Movie.

Despite that bit of exaggeration, the actual news isn't all that major, but when it comes to a "Veronica Mars" movie I'll take whatever I can get. What actually happened was that Kristen Bell stopped by the office of "Veronica Mars" creator Rob Thomas, which just happens to be on the same studio lot where Bell is working on the next season of "Heroes" (which I think is gonna be just great after a rather off-putting Vol. 2.) The talk naturally turned to "Veronica Mars," and Thomas tells Ausiello, "Kristen and I ran into each other, and we did discuss a Veronica movie," and that he's also had "a few conversations" with "Mars" executive producer Joel Silver.

I'd say that's pretty far from them "circling" a "Veronica Mars" movie, but we can always keep hope alive!

And now, finally, on to this week's movies, in the order that I want to see them:

1. "The Rocker"
From the reviews I've read so far, just about every scene in this one is stolen almost directly from either "School of Rock" or "This is Spinal Tap," but if you're gonna pilfer your inspiration you might as well start with two flicks I just adore. Besides, Rainn Wilson is simply a very funny guy, and if it means seeing him expose his rather flabby physique way too much to get him a starring role on the big screen, I'm in.

2. "The House Bunny"
As the title of this post makes clear, I think Anna Faris is also just a natural comedienne (and a first-rate cutie, of course, which never hurts.) I've been pleasantly surprised by the positive reviews so far for this one, with a glowing one from Variety and an even split (13 tomatoes, 13 splats) at Rotten Tomatoes. One critic I always trust, however, Nell Minow, has this to say: "The screenplay inflicts a little more injury on Faris than it intends to by committing the very sins it half-heartedly attempts to parody." I'm still in and hoping against hope that she's wrong on this one.

3. "The Longshots"
It's certainly nice to see Ice Cube doing something besides abusing himself, his movie family and all his audience members in those pathetic "Are We There Yet" movies, but I'm afraid I'm just too old for this feel-good flick about a girl who just wants to play Pop Warner football with the boys. That said, Keke Palmer was simply fantastic in "Akeelah and the Bee," so I hope this makes tons of cash and continues her road to stardom.

4. "Death Race"
As cool as Jason Statham was in this year's most surprisingly entertaining flick, "The Bank Job," I just don't think there's any way I can go for a beyond thoroughly unnecessary remake of Paul Bartel's already very silly (bur also really fun) "Death Race 2000." As my rather observant and witty co-worker Erin Ivanov noted, once a movie has had the "Mystery Science Theater 3000" treatment, there's just no way it should ever be remade. And I sure hope Joan Allen and Ian McShane were well, well paid for lowering themselves to this!

And there you have it. Because of an odd confluence of overtime I actually have four days off in a row (I'm not complaining, believe me!), so I'm also headed to Atlanta on Sunday to finally see the Georgia Aquarium and possibly even another movie. Woody Allen's "Vicky Christina Barcelona," which should be playing everywhere already (as its TV commercial already promises) is probably my first choice, but we'll see. Have a perfectly pleasant weekend!

An "Arrested Development" movie? Keep hope alive

At this point this isn't even close to a rumor, but with something this juicy I just can't help but run with it.

The surprisingly satisfying MTV movies blog had a scintillating tidbit this week about the possible resurrection of "Arrested Development," this time on the big screen. It still seems highly unlikely, but here's what Michael Bluth had to say about the matter:

“The ‘Arrested Development’ movie is not dead, au contraire,” Jason Bateman said. “[Over the weekend I had] a little phone call, just catching up, a little reaching out and touching.”

And on the other end of that phone was apparently "Arrested Development" creator Mitchell Hurwitz, who, like a lot of entertainment writers lately, has a lot of free time on his hands. “This writers strike, it’s a devil’s playground,” said Bateman. "The guy doesn't have anything to do.”

Who else is keen to see this happen? Well, I'd imagine every cast member would be, but George Michael Bluth is already on record and eager. “Yeah, if that would ever happen that would be great,” Michael Cera told MTV. “I’ve heard about that since the show was canceled, basically. I don’t want to get my hopes up — but it would be great, I would love to do that.”

Flash back with me to the final episode of "Arrested Development" (if it's not too painful) and you'll remember that it ended with Maeby Fünke (the remarkably funny Alia Shawkat) trying to sell the Bluth's story to Ron Howard (the show's narrator) to produce as a feature film. As long he doesn't jump into the director's chair, I'm definitely on board with that.

In spite of all of Bateman's optimism, I'd imagine Hurwitz still has to feel more than a little burned by the whole "Arrested Development" experience, and may therefore be reticent to relaunch the whole thing. You may remember that, when Showtime was putting together an offer to keep the show alive, it was Hurwitz who walked away and put a halt to the possible rebirth.

So, all we can really do now is hope. Definitely stay tuned to this story!

Kingdom come: An almost-perfect political thriller

When I first heard about "The Kingdom" what seems like two or three years ago, I really had no desire to see it. It just looked like a thoroughly routine thriller which would dumb down the politics and amp up the carnage.

Well, I was kind of right, but in the hands of Peter Berg this still turned out to be a tremendously entertaining movie.

The setup: Early on, Saudi terrorists (we think) detonate two bombs at a housing establishment for American oil workers in Saudi Arabia, killing more than 100 people. After overcoming some resistance, the FBI is able to send in an elite team led by agent Ronald Fleury (Jamie Foxx) to find the culprit.

The opening sequence with the bombing is as hard as to watch as it is expertly constructed. The tension rises steadily between the first and second bombs, and Kyle Chandler of Berg's TV creation "Friday Night Lights" plays a key role you won't hear anymore about from me.

It's in the FBI response team, however, that Berg and screenwriter Matthew Michael Carnahan really shine. On paper, the four agents are standard Hollywood composites, the badass maverick (Foxx), the wizened veteran (Chris Cooper), the agent with a personal stake in the investigation (Jennifer Garner) and the young, wise-cracking addition (Jason Bateman.) It's how Carnahan and Berg build on these familiar characters, however, that gives "The Kingdom" most of its strength.

And special mention here should go to Ashraf Barhoum, the Saudi police officer who at first blocks them at every turn but (of course) eventually rallies to their side. His banter with his American cohorts, particularly on the prevalence of cursing in American daily discourse, is natural and entertaining, and since it's that season, I think you'll be hearing Mr. Barhoum's name again on Oscar night.

But, of course, this is eventually an action movie, and that's where it starts to fall apart a little bit. With Foxx taking the lead in his least annoying role since "Ray," they steadily, and more than a bit too easily, gather clues and make their case. It does move along at a quick clip toward the shootout(s) you know have to be coming.

And when it finally unleashes the chaos, with one of the agents kidnapped (you won't hear which one from me) and his friends in pursuit, it's a blur of action that doesn't let up for a good 20 minutes. Though Berg never quite resorts to the constant-camera-movement antics of Paul Greengrass, it is an intense finale that delivers what the premise promises.

And a word, if I could, about the politics. A.O. Scott, in an otherwise glowing review of this flick, called it "Syriana for dummies." I'm not really sure where to start with that one. First of all, I may indeed be dumb, because I flat out hated "Syriana." Way too many stories with just about no character development, and several messages just crammed down your throat until you choke.

Now, I'll concede that Mr. Berg does dumb it down a bit, but what was Mr. Scott expecting from a thriller like this? I actually found the opening credits, with a three-minute-or-so summary of American-Saudi relations to this point, to be an effective enough way to draw people into the action.

And Berg's point, when he finally gets around to making it at the very end, is much the same as Steven Spielberg's with "Munich": In our current global battle against terrorism and other evils, we're often in a zero-sum game. For my money, though, he makes that point with a much more entertaining flick than Spielberg's, and I can't ask for much more than that.

P.S.: I've seen the season two premiere of "Friday Night Lights," and can report that though the season predictably starts on a down note, it's still expertly written and very entertaining. The strains of coach Taylor (Chandler) being away at SMU over the summer grow worse as his wife (the great Connie Britton) gives birth to a baby girl, and Tyra and Landry's relationship starts to develop in a most interesting way. You know you should be watching this one, people, so please don't make me beg.

Where are they now: The cast of "Arrested Development"

The inspiration for this post comes from Jason Bateman, who is on quite a roll of late.

Friday, of course, he'll star in "The Kingdom," which I'm looking forward to if only because it's directed by Peter Berg, in whom I have full faith. It looks like a pretty standard political thriller, but I'm still holding out hope that it will turn out to be more than that.

And this morning comes word, in French from the great froggy film site Cinempire.com, so bear with me, that he's joined the cast of Kevin MacDonald's next flick, "State of Play." Based on the British miniseries of the same name, it also stars Edward Norton and a certain actor you may have heard of named Brad Pitt.

Norton will play a police deputy who's charged with investigating the death of a politician's mistress, Pitt is the politician's old campaign manager who's called upon to hush everything up, and Bateman is a journalist who's trying to do the opposite (if you've seen the BBC miniseries and I have any of this wrong, please let me know.)

That all sounds great to me, and of course Bateman can be seen before that in a Bluth father-and-son reunion in "Juno," a flick I've mentioned here, well, at least 500 times or so. Michael Cera is on as good a role of late as his TV dad, so here's hoping that continues (and, just in case you've somehow missed it, please check out ClarkandMichael.com and be ready to laugh - a lot.)

And, as a tribute to the much-missed (by me, at least) "Arrested Development," here's a look at what's happened to the rest of the cast since Fox killed this utterly entertaining show:

Jason Bateman: Along with the aforementioned projects, Michael Bluth will also appear soon in "Mr. Magorium's Wonder Emporium." All I know about this is that it's about a magical toy store and it stars Natalie Portman, which is enough to get me at least a bit intrigued. Next summer he'll star in "Hancock" with very pretty people Charlize Theron and Will Smith.

Portia de Rossi: I'm sad to report that Lindsay Bluth Funke has nothing listed on her IMDB resume since "Arrested Development" except an appearance or two on her girlfriend's talk show. Surely there must be work out there for this rather funny lady.

Will Arnett: I would say that Gob Bluth's post-"AD" movie record has been nothing short of atrocious, but since I haven't bothered to see most of his flicks I can't say that with authority. Up next on his very busy resume (he has at least eight projects listed as announced or active on the IMDB) will be an appearance in "Semi-Pro," the next sports-oriented Will Ferrell flick about a struggling basketball team from Flint, Michigan. This looks like it could be very funny, but after that I'm sorry to have to say he'll be providing voice for the thoroughly unnecessary remake of "Horton Hears a Who." Oh well. I guess a man's gotta eat.

Michael Cera: After "Juno," in which he plays the rather fortunate young man who manages to impregnate young Ellen Page, he's set to star in a movie based on the very funny novel "Youth in Revolt" by C.D. Payne. I just finished reading this, and I can report that if you can handle yet another novel about a 14-year-old and his constant quest to have sex, this one is just a hoot from start to finish and should make a good flick in the right hands.

Alia Shawkat: George Michael Bluth's cousin Maeby, conveniently enough, also stars in a flick being released this week, something called "Prom Wars." As the title implies, this is a flick that's targeted at an audience just slightly younger than me, but I'll probably see it anyway at some point. The plot (courtesy of IMDB): The graduating class at Miss Aversham and Miss Cronstall's School for Girls find that they have all blossomed simultaneously. Capitalizing on their improbable hotness, they issue a challenge to the boys of rival private schools, Selby House and Lancaster College: The winner in a series of athletic and academic competitions will be awarded exclusive rights to the girls as prom dates. Oddly enough, this appears to be headed straight for DVD, since I can't even find it listed at Yahoo's movies site.

Tony Hale: Buster Bluth is next listed as having a bit part in "Rockett," some kind of romantic comedy set to star Jimmy Fallon (meh) in November. After that he's down for two movies I know absolutely nothing about, some kind of thriller called "In My Sleep" and "The Tale of Desperaux," a rather star-studded animated flick about a mouse, a rat and a servant girl. Who knew rats would become the new penguins?

David Cross: Tobias Funke was, for my money, the funniest cast member of "AD," with Michael Cera a close second. He's starring very soon, if you're lucky enough to be going to the New York Film Festival, as Allen Ginsberg in Todd Haynes' trippy Dylan biopic "I'm Not There," but after that things dont look too promising. After an appearance with Jason Lee in "Alvin and the Chipmunks" (no, I'm not kidding) he only has animated voice credits listed, although at least one of those will be in the upcoming "Futurama" (huzzah!) movie or episode (not sure which) "The Beast With a Billion Backs."

Jeffrey Tambor: George Bluth has already flamed out in one post-"AD" sitcom, "20 Good Years" (which didn't even last one bad one). He's currently listed for another pilot, "The Captain," but I couldn't manage to find out if this has even been picked up for this fall. After that, I have the pleasure to report he's set to reprise his role as Tom Manning in Guillermo del Toro's "Hellboy 2: The Golden Army" and the displeasure to report he'll then star in yet another "spoof" movie, the thoroughly unnecessary "Superhero!"

Jessica Walter: Since "AD," Lucille Bluth has only made three one-shot appearances on TV shows I've never seen, "Rules of Engagement," "Saving Grace" and "The Land Before Time." Surely there must be more work out there for this very funny lady.

And there you have it. I hope that was enjoyable to at least one person, and that you all have an entirely suck-free Tuesday.