
On paper, John Cameron Mitchell's "Rabbit Hole" would seem to be the most dour of viewing experiences: A movie about a couple dealing with the death of their young son, and how to continue in its wake. What it has in common with Mitchell's debut movie, "Hedwig and the Angry Inch," however, is that in spite of it subject matter its a little joy to watch and is spiked throughout with humorous touches that make it all the sweeter to take in.
And it certainly doesn't hurt that the couple at the center of this is played by Nicole Kidman and Aaron Eckhart. Kidman, in particular, is at her very best here, and received a Best Actress Oscar nomination, though of course lost out (rightly) to Natalie Portman for "Black Swan" in a very talented field.
From the very beginning of "Rabbit Hole," it's impossible to keep your eyes off of Kidman's Becca. Even when she's clearly just going through the motions of her daily life (standing in front of the dryer, for example, the whole time that clothes are drying), you can see in her face everything that she craves and fears all at once, mostly re-engagement with the world around her. That starts with her husband, Howie (Eckhart), from whom she's been distant ever since their young son Danny was killed in a car crash several months earlier. Though the role as written is pretty much to react to Kidman's emotional ride, Eckhart nonetheless delivers a nuanced performance.
And as Becca's world slowly starts to re-expand, a wicked humor creeps into the script by David Lindsay-Abaire, based on his stage play. It comes first with her family, including misfit sister Izzy (who for unspecified reasons has just managed to somehow get fired from Applebee's), played by Tammy Blanchard, and her over-empathetic mother, played with natural ease by Dianne Wiest, mostly in the form of what you can and can't talk about in such situations.
The humor gets more wicked as Howie and Becca attend a support group for parents who have suffered the same tragedy with a child, an activity Becca just can't stand. It's an uncomfortable delight to watch the contempt unfurl on her face before she explodes on some poor sap who had the gumption to say "God needed another angel." It's here also that we meet Gaby (Sandra Oh), whose natural face for empathy belies the role she will play of temptress.
Mitchell and Abaire slowly add to their tale a mystery that keeps the story moving, cleverly introduced and framed by the drawing of what we eventually find out is a comic book. As Becca first stalks and then confronts a young man in the neighborhood (I won't spoil it by telling you who he is), their secret encounters are increasingly poignant without ever being too mawkish.
And Mitchell, who shows a deft directing hand throughout, is at his best in the final third. Without ever hitting us over the head with it, as Becca starts to slowly re-engage with the world, he equally slowly lightens the color palette, giving the movie a "Virgin Suicides"-kind of dream-like feel by the time she reaches the long night that will bring her back.
Be warned: This is a world of extremely raw emotions, and none of them are held back here. But what makes Mitchell's movie so entertaining is that it's ultimately about life rather than death, and just how to go about living it. In the end, that - and a sublime performance from Nicole Kidman - are what make "Rabbit Hole" well worth checking out on DVD.
Saturday, April 23, 2011
DVD pick of the week: "Rabbit Hole"
Tuesday, January 11, 2011
In Macon, great movies upcoming all around
January is always a notoriously bad month for movies - at least if you stick with what's new in theaters.
Luckily, here in Macon, there's a lot more on the menu if you look a little closer. Here are several examples in the coming weeks that are all well worth checking out.
First up, Mercer University will be hosting a truly special event with its inaugural Freedom Lecture on Monday night, and will be screening two movies related to it. Sister Helen Préjean, who has devoted much of her life to ministering to death row inmates and become a leading advocate for the abolition of the punishment, will be speaking at 7 p.m. at Mercer's Willingham Auditorium.
Préjean will be signing copies of her book, "Dead Man Walking," following the lecture, and the movie it inspired will be screened earlier in the day, at 2 p.m. at the Cox Capitol Theatre downtown. Additionally, the documentary "At the Death House Door," which focuses on the career of a chaplain for the Texas prison system and his change of heart about the death penalty, will be screened at 1:30 p.m. Sunday in the Social Hall of St. Joseph Catholic Church.
An all-around unique series of events, and best of all, they're all free.
And, this being a great college town, it's not just Mercer that gets in on the movie action. Mercer, Wesleyan College and Macon State College are teaming up once again for the 2011 CollegeTown Film Series beginning Thursday, Jan. 20, with all movies being screened at the Douglass Theatre downtown, a great venue for movies if you've never checked it out.
Previous CollegeTown Film Series themes have included "City Life," "Films of the Fabulous Fifties," "Social Justice in the 20th Century," "The New Millennium: The Past as Prologue" and "Civilization and Its Discontents," and this year the focus is on "End Times," with three movies related to that rather ominous proposition being presented.
First up, Jan. 20, will be "Last Night," a 1998 movie by director Don McKellar which brings together a diverse group of people - played by Sandra Oh, Sarah Polley and director David Cronenberg, among others - with the world expected to end in six hours at the turn of the century. I haven't seen this one, but it sounds fascinating, so I suspect that's about to change.
The final two movies in the series, however, are among my favorites, and in their own way take interesting looks at the series' theme. Jim Jarmusch's "Ghost Dog," which stars Forest Whitaker as a hitman who models his life on that of the Samurai and turns against the mafia thugs who are usually his employer, will be screened Jan. 27. And finally, Alfonso Cuaron's "Children of Men," a riveting dystopian film starring Clive Owen which tied with "Pan's Labyrinth" for my favorite movies of 2007, will be screened Feb. 3.
Immediately following each movie, a professor from one of the presenting colleges will lead a discussion: Tom Ellington of Wesleyan College following "Last Night," Craig Coleman of Mercer University after "Ghost Dog" and Patrick Brennan of Macon State College after "Children of Men." All movies start at 7 p.m. at the Douglass, with admission being free for faculty and staff of the presenting schools, and $5 for others, which includes a snack pass. Bully. Definitely turn out for at least one of these if you can.
And not to be left out of all the movie fun, the Macon Film Guild is supplementing it's once-monthly offering of fantastic films from the edge of the map with a new quarterly documentary series, with "The Tillman Story" next up at 7:30 p.m. Tuesday night, also at the Douglass.
The movie examines the life and death of Pat Tillman, the American hero who turned his back on a pro football career to join the military after the terrorist attacks of 9/11. His death in the line of duty, how it was exploited by the military and his family's search for the truth about it all are explored by director Amir Bar Lev. Admission is $5.
So, we may have had least a smattering of snow this week in Macon, but great movies are still blooming all around - if you know where to look.
