A Wednesday clip show with Cronenberg and Footloose, plus Tyson and Spike Lee to HBO

Let's start with HBO, since they're clearly intending to keep scheduling programming made specifically for me in an attempt to just wring as much money out of me as possible.

"True Blood" returns Sunday, and then the rather miraculous eighth season of "Curb Your Enthusiasm" will return Larry David to New York, where he of course belongs. And after that, HBO has just set in motion a boxing project that should be nothing but great.

"Da Brick" will be a drama loosely based on Mike Tyson's early years in the boxing ring, with Tyson involved to offer his perspective on it. Much better, Spike Lee will direct at least the pilot episode, and John Ridley is on board as the showrunner.

Toiling largely in the shadows in the last five years or so, Spike has nonetheless managed to make two of his best movies (no small accomplishment) with his two New Orleans documentaries, "When the Levee Broke: A Requiem in Four Acts" and "If God is Willing and da Creek Don't Rise," and his movie of the Broadway musical "Passing Strange" is easily one of my favorite movies of 2009 (please rent that one now if you've never seen it.) And there are few genres of entertainment I love more than boxing, so this should nicely fill the void left by the sorely-missed-by-at-least-me "Lights Out."

OK, working briskly so I can have time to go swimming before going to work, let's move on to the clips, starting gloriously with the first trailer I know of for David Cronenberg's "A Dangerous Method," one of the movies I'm definitely most looking forward to for the rest of this year. As you'll see from the trailer below, it stars Viggo Mortensen as Sigmund Freud, Michael Fassbender as Carl Jung and Keira Knightley as the patient on which they try the titular cure (which, as you'll see, somehow involves spanking ... juicy.) Enjoy the trailer, and keep an eye out for this one hopefully opening wide enough to even reach my little corner of the world in November.



Up next comes the first trailer I've seen for Craig Brewer's take on "Footloose," which, not terribly surprisingly, appears to be the exact same movie as the original, except with some rather flashy hip-hop dancing to excite the young folk. I'm clearly not one of those, so I probably shouldn't complain, but how in the world did Brewer go from making one of my all-time favorite movies in "Hustle & Flow" to this? Sheesh. Oh well. At least Miles Teller of "Rabbit Hole," an actor definitely worth keeping an eye on, is getting work in this, but he'll never be able to fill the shoes of the late, great Chris Penn. "Enjoy" the trailer, keep an eye out for the movie if this is your kind of thing on Oct 14, and then stick around for a glimpse of new "Futurama" (huzzah!).

Tags: Movie Trailers, Movies Blog

How in the world "Futurama" has managed to survive and thrive for so long is something I'll never understand, but I certainly do appreciate it. Believe it or not, the show is back for its second season of new episodes on Comedy Central starting Thursday night. That's also the same night that FX's "Louie" returns and its new series "Wilfred" premieres, so my DVR will finally be getting a bit of a workout. Enjoy this brief clip from Thursday's "Futurama" premiere, and have a perfectly endurable Wednesday. Peace out.

In Macon, great movies upcoming all around

January is always a notoriously bad month for movies - at least if you stick with what's new in theaters.

Luckily, here in Macon, there's a lot more on the menu if you look a little closer. Here are several examples in the coming weeks that are all well worth checking out.

First up, Mercer University will be hosting a truly special event with its inaugural Freedom Lecture on Monday night, and will be screening two movies related to it. Sister Helen Préjean, who has devoted much of her life to ministering to death row inmates and become a leading advocate for the abolition of the punishment, will be speaking at 7 p.m. at Mercer's Willingham Auditorium.

Préjean will be signing copies of her book, "Dead Man Walking," following the lecture, and the movie it inspired will be screened earlier in the day, at 2 p.m. at the Cox Capitol Theatre downtown. Additionally, the documentary "At the Death House Door," which focuses on the career of a chaplain for the Texas prison system and his change of heart about the death penalty, will be screened at 1:30 p.m. Sunday in the Social Hall of St. Joseph Catholic Church.

An all-around unique series of events, and best of all, they're all free.

And, this being a great college town, it's not just Mercer that gets in on the movie action. Mercer, Wesleyan College and Macon State College are teaming up once again for the 2011 CollegeTown Film Series beginning Thursday, Jan. 20, with all movies being screened at the Douglass Theatre downtown, a great venue for movies if you've never checked it out.

Previous CollegeTown Film Series themes have included "City Life," "Films of the Fabulous Fifties," "Social Justice in the 20th Century," "The New Millennium: The Past as Prologue" and "Civilization and Its Discontents," and this year the focus is on "End Times," with three movies related to that rather ominous proposition being presented.

First up, Jan. 20, will be "Last Night," a 1998 movie by director Don McKellar which brings together a diverse group of people - played by Sandra Oh, Sarah Polley and director David Cronenberg, among others - with the world expected to end in six hours at the turn of the century. I haven't seen this one, but it sounds fascinating, so I suspect that's about to change.

The final two movies in the series, however, are among my favorites, and in their own way take interesting looks at the series' theme. Jim Jarmusch's "Ghost Dog," which stars Forest Whitaker as a hitman who models his life on that of the Samurai and turns against the mafia thugs who are usually his employer, will be screened Jan. 27. And finally, Alfonso Cuaron's "Children of Men," a riveting dystopian film starring Clive Owen which tied with "Pan's Labyrinth" for my favorite movies of 2007, will be screened Feb. 3.

Immediately following each movie, a professor from one of the presenting colleges will lead a discussion: Tom Ellington of Wesleyan College following "Last Night," Craig Coleman of Mercer University after "Ghost Dog" and Patrick Brennan of Macon State College after "Children of Men." All movies start at 7 p.m. at the Douglass, with admission being free for faculty and staff of the presenting schools, and $5 for others, which includes a snack pass. Bully. Definitely turn out for at least one of these if you can.

And not to be left out of all the movie fun, the Macon Film Guild is supplementing it's once-monthly offering of fantastic films from the edge of the map with a new quarterly documentary series, with "The Tillman Story" next up at 7:30 p.m. Tuesday night, also at the Douglass.

The movie examines the life and death of Pat Tillman, the American hero who turned his back on a pro football career to join the military after the terrorist attacks of 9/11. His death in the line of duty, how it was exploited by the military and his family's search for the truth about it all are explored by director Amir Bar Lev. Admission is $5.

So, we may have had least a smattering of snow this week in Macon, but great movies are still blooming all around - if you know where to look.

Kevin McDonald and the future of movies ... YouTube?

I tried for about a week to make a one-man movement against movies bypassing theaters, and then I found that IFC was putting its always interesting movies on pay-per-view cable at the same time they were opening at a theater, well, nowhere in the world near me.

I've seen several movies this way, and the next one will probably be James Gunn's "Super," unless the presence of Rainn Wilson and Ellen Page will be enough to get this to play everywhere (seriously doubt it.) The flick, set to open April 1, stars Wilson as a man who, after his wife (Liv Tyler) gets hooked on drugs and runs off with the pusherman, dons a cape and turns into an avenging superhero of sorts, with Page as his sidekick. I'm laughing at that already, so definitely keep an eye out for it.

And before that, Kevin McDonald, director of "State of Play" and "The Last King of Scotland," is pioneering another way for movies to get exposure without dealing with movie theaters: YouTube. His new movie, titled "Life In a Day," has some rather lofty aspirations: Drawing from 4,500 hours of footage sent in from 192 countries, it indeed tries to capture a day in the life of this world we all live in.

Sounds like a fascinating idea, and when the movie premieres at 6 p.m. mountain time Jan. 27 at the Sundance Film Festival, it will be simultaneously streaming on the movie's YouTube channel, which you can find here. If you miss that, it will stream again the next day at 7 p.m. in whatever time zone you're in, with subtitles of your choice.

I don't think I'll ever get used to watching movies on a computer, but with YouTube streaming to Blu-Ray players now, the future is certainly here, so I guess we should all just deal with it ... and in this case, embrace it too.

After that today, there's a bit of great movie news and then a Muppets video (because I just can't get enough of them) that surely hasn't been approved by Disney or anyone from the Henson clan.

In movie news, it seems that Robert Pattinson (hate if you have to) has stepped into the lead role of David Cronenberg's "Cosmopolis," which was once to be played by Colin Farrell.

Now, I really have nothing against Mr. Pattinson, and if he helps this flick, based on the novel by Don Delillo, get made, bully, because it sounds just tailormade for Cronenberg.

The book, which I haven't (yet) read, deals with 24 hours in the life of a newly married billionaire (Pattinson) as he cheats on his wife, is pursued by a stalker, gets attacked by a protester and gradually loses his entire fortune over the course of a single day. Adding some serious chops to the cast, Marion Cotillard will play Pattinson’s wife and Paul Giamatti will play one of the two men stalking the billionaire.

All sounds great to me, and we'll be getting another Cronenberg movie some time this year, though as yet I have no idea exactly when. He's wrapped production on "A Dangerous Method," which stars Viggo Mortensen as Sigmund Freud and Michael Fassbender as Carl Jung as they collaborate to come up with the cure for a woman (Keira Knightley) suffering from some kind of psychological issues. That's definitely near the top of my must-see list for 2011, so if you hear anything about when it will be hitting theaters, please let me know.

And with that, it's time to wrap things up so I can go to work, but not before a true bit of inspired madness starring the Muppets performing Kanye West's "Monster." Yes, really. And as you can imagine, this clip has all kinds of language that should never come from the mouths of Muppets, so please don't say I didn't warn you and, of course, watch it with headphones on if you're at work! It's all extremely silly, but also inspired, especially when Miss Piggy hits the screen as Nicki Minaj. Enjoy the clip, and have a perfectly pleasant Thursday. Peace out.

10 truly odd Christmas movies that capture the spirit

I have nothing at all against the traditional holiday favorites when it comes to movies and specials. I tune in every year for "A Charlie Brown Christmas," and always watch one of the 1,000,000 or so times that TBS airs "A Christmas Story."

But as with most categories of movies, I like my Christmas flicks with at least a few drops of odd, so here are my 10 favorite Christmas-related movies that you might not always think of this time of year.

"A Midnight Clear:" Before the two sides inevitably get back to, well, war, this Peter Berg movie has plenty of Christmas spirit as an American intelligence squad comes across a German platoon wishing to surrender in 1944 France, and everyone enjoys a good holiday feast before they get back to battling.

"Bad Santa": Not only easily the funniest Christmas movie (but certainly not one for the kids), I'd also argue that Billy Bob Thornton's mall Santa has his very drunk, extremely foul-mouthed heart still mostly in the right place. After all, all he wants to do is get his new friend a pink elephant (of course) for Christmas.

"Eastern Promises": OK, this gangster movie might only take place between Christmas and New Year's Eve and have little else to do with the holidays, but David Cronenberg's flick is still here because I wouldn't mess with Viggo Mortensen's Nikolai and tell him otherwise, would you?

"Die Hard": What could exemplify the Christmas spirit more than Bruce Willis' dream of spending the holiday with his estranged wife - even if he has to blow up half of Los Angeles to make it happen?

"In Bruges": Talk about a bummer: Not only does Colin Farrell's hit man end up accidentally killing a child, he then has to spend Christmas in the most boring place on Earth, Bruges (having been there, I can tell you it's far from that, but that's just one of the things that make this wickedly funny movie one of my all-time favorites).

"The Nightmare Before Christmas": Though its full title bears the name of Tim Burton and its in fact based on a poem Burton wrote, this tale of what happens when Jack Skellington opens the portal between Halloween Town and Christmas Town is pure Henry Selick, and that's what makes the stop-motion animated tale a timeless treat.

"Trading Places": Though I like presents as much as anyone, what's Christmas if we can't occasionally poke fun at all our excess, as this '80s flick starring Eddie Murphy and Dan Akroyd (easily one the best movies either of them ever made) does so well.

"The Muppet Christmas Carol": Of course Michael Caine (as Ebenezer Scrooge) just wants poor Bob Cratchit (Kermit the Frog, naturally) to work on Christmas - does that man ever stop working? Just in time for Christmas next year - or maybe a little earlier - we'll get a great gift, a new Muppets movie. Bully.

"Go!": Another one that's not for the kids, but Christmas is definitely a time to party, as Sarah Polley, Katie Holmes and others do as they rave their way through a chaotic Christmas Eve.

"Life of Brian": Sacrilegious? Most certainly, but the Monty Python take on the life of Jesus Christ is of course extremely funny too. And believe it or not, I really did first see this at an Episcopal youth group gathering when I was a teenager.

Merry Christmas to everyone!

A "new" Christopher Nolan flick before "Inception"? Bring it on!

There are many, many reasons to subscribe to Roger Ebert's seemingly more than monthly newsletter, but the two best are that it, after all, only costs $4.99 a year, and, even better, it's always chock full of goodies like the trailer teased above and found at the end of this post. To subscribe, click here.

But before I get to that, however, it's a fairly full day of good news, starting out with, if it comes together, what would have to make just about the funnest movie trilogy ever, although I'll concede far from the best (an argument for that one would have to be made for "Toy Story," because the third chapter is indeed just that good.)

There are few subgenres of movie I love more than the baseball flick, so it makes me nothing but giddy to hear writer/director David S. Ward talk about the possibility of another "Major League." He's told Moviehole.net that he's already written a "Major League 3" script and will be talking to the Morgan Creek movie company next week about how to proceed. Here's what he had to say about the story:

"It's 20 years later, and Wild Thing comes out of retirement to work with this 19-year-old player. We've actually got three new characters in the new film. And if the new film is popular, they could carry the franchise on."

Just thinking about that made me smile, and Ward added that he's already spoken to the "Wild Thing" himself, Charlie Sheen, about this. When and if he's on board, I can't imagine it would be to hard to get Tom Berenger, Corbin Bernsen and perhaps even Wesley "Willie Mays Hayes" Snipes too. Make this happen!

And in two other tidbits about directors I really like, Ruben Fleischer, who begins shooting his "Zombieland" follow-up, "30 Minutes or Less," next month, has now already set up the movie he plans to direct after that, and it comes from a great comedy source in scribe Mike White.

He's signed on with Columbia Pictures to direct "Babe in the Woods," which, from a script by White, will be an action-comedy centering on a female freshman from the Midwest who arrives at Yale and becomes a target of the New Jersey mob.

That sounds like it could be funny enough, but what he's doing before that should be better. "30 Minutes or Less" stars veryfunnyguys Aziz Ansari and Danny McBride, and will have to be a dark comedy, since it's about two fledgling criminals who kidnap a pizza delivery driver and strap a bomb to his chest to force him to rob a bank within 30 minutes.

Another director who I'm glad works very quickly of late is David Cronenberg, who is now shooting "The Dangerous Method" but has also already signed for the project that would follow that.

Pajiba is reporting he'll direct an adaptation of the Jonathan Lethem novel "As She Climbed Across the Table," and from the description I've seen of the story, it sounds twisted enough to be right up Cronenberg's alley. It centers on Professor Phillip Engstrand, who is in love with particle physicist Alice Coombs. Unfortunately for Phillip, Alice is in love with “The Lack” – a selective black hole (I hate it when that happens) – leaving Phillip to basically compete with nothingness for her affection.

As for what he's filming now, "A Dangerous Method" (formerly known as "The Talking Cure," which would have been better), it's about a feud that developed between Sigmund Freud (Viggo Mortensen) and Carl Jung (Michael Fassbender) over the treatment of a patient (Keira Knightley, though as far as I know it's not for anorexia - sorry, I couldn't resist.) That sounds like nothing but fascinating to me.

OK, as we get to the videos, it is indeed all about Christopher Nolan from here on out, starting with the best featurette I've seen yet for "Inception," which is finally set to come out July 16. Be warned, as it sort of introduces the characters, it contains more spoilers than what's come out before, so click it with that warning. Enjoy.



And finally, getting back to the lead, IFC On Demand, which I and probably you can get through your digital cable or whatever you subscribe to for TV, will be screening "Following," Christopher Nolan's first feature film, starting July 7. So, what's it about? Here goes, per the Ebert Club newsletter:

"Out of boredom and frustration, an unemployed writer (Jeremy Theobald) picks strangers at random from the crowded streets of London and then follows them to see where they go, and how they spend their days. Reasoning that he's gathering material for the fictional characters in his writing, he begins following the same people more than once, curious to learn more about them; a rule he'd promised himself not to break. That was his first mistake. But then he teams up with a burglar Cobb (Alex Hawk) and breaks into the apartment of a mysterious blonde (Lucy Russell), with whom he is fascinated. And slowly begins to find out that things may not be as they seem."

Sounds like a mindbender tailormade to Nolan to me, so I'll definitely be tuning in. Enjoy the trailer below, and if you'll excuse me now, the second half of U.S.A. v. Algeria really demands my undivided attention now. Peace out.

At the Movies may be dead, but Roger Ebert's plotting TV comeback

Actually, before I get into any of that, there's at least one bit of actual movie news out there that just made me smile.

If there's one sequel I could get completely behind, it would certainly be an "Eastern Promises 2," especially since all the key components will be there for the second go-round.

Indeed, Deadline Hollywood is reporting it will be a reunion of star Viggo Mortensen, director David Cronenberg and scribe Steven Knight, who wrote the script for the engaging original. The only things missing so far are Naomi Watts and any mention of just what direction this new gangster tale from London's extremely seedy underbelly will take.

And in the meantime, Cronenberg and Mortensen are about to team up once again for "The Talking Cure," which will examine the intense relationship between Sigmund Freud (Mortensen) and Carl Jung (Michael Fassbender), and how their treatment effected one particular patient played by Keira Knightley (and no, as far as I know, it's not a treatment for anorexia.)

The world is certainly a better place with David Cronenberg working steadily in it, so having this set to begin filming in May and hopefully an Eastern Promises sequel to begin shortly after is nothing but good news.

But beyond that, the very best news out there today is that Roger Ebert has announced on his always entertaining blog that he plans a return to reviewing movies on TV. When it was announced this week that "At the Movies" would be dying after this season, I kind of just shrugged, because admittedly I've tuned in only intermittently at best ever since Gene Siskel died (I just can't stand that damn Richard Roeper!) But a new show starring Ebert again is one I'll actively seek out every week once this comes together, no matter where it gets buried in the syndication schedule (my money's on fairly early Sunday morning or late Saturday night.)

Ebert said he's deep into negotiations for a show that would be called "Roger Ebert Presents at the Movies," the thumbs would (of course) return, and that he's held video tests with several potential hosts and knows who will fill the role (I'd certainly be more than willing to audition!) Unfortunately, given what cancer has done to his voice, I can't imagine Ebert will be a regular co-host himself, but he promised to have an active role, with "great movies segments or wrapups from Cannes or Toronto."

And, in the spirit for which I've always loved his writing, Ebert embraced the new endeavor with his usual enthusiasm:

We'll also go New Cinema. Not just the One Weekend Wonders, although you gotta have 'em, but indie films, foreign films, documentaries, restored classics, the new Herzog, the new Bahrani, the new Almodovar. What's new on Instant Streaming. What great movies should everyone see? Hey, Paramount just announced $1 million for ten $100,000 movies. Those kinds of films. What kind of a real movie lover cares who has the "exclusive" first trailer in the newest extrusion of the "Transformer" franchise? It's time to smarten up.

Stay tuned for details about just what shape this will take. I can still remember the moment I fell in love with Siskel and Ebert. It was when they - Ebert especially - so eagerly embraced "Hoop Dreams" at a time when I was just first starting to figure out for myself that it takes all kinds of movies to make the world a fun place. Amazingly, thanks to the power of YouTube, we can watch that again today. I'll leave you with a portion of that, and I'm off to go see "Hot Tub Time Machine" instead of "How to Train Your Dragon" because I'm so angry about them raising 3-D prices that I've decided to give those crooks as little of my money as I can manage to. Peace out.

David Cronenberg and Sigmund Freud? Bring it on!

Avatar 3D. Most amazing visuals I've ever seen. Story-wise, meh. But credit for all the Iraq war parallels. Notice that?

It's really apropos of nothing, but I just thought that Twitter burst from the alwaysveryfunny Elizabeth Banks summed up James Cameron's movie rather perfectly, so I had to share it.

As far as actual news today, there's word of a new David Cronenberg movie coming together, and on a subject that seems perfectly tailored to his view of the world and with a cast that's pretty solid too.

With full credit to The Playlist, which as far as I can tell broke this news first, it seems that the Australian distribution company Hopscotch Films has announced that two "Inglourious Basterds" (my favorite movie of 2009), Christoph Waltz and Michael Fassbender, plus Keira Knightley have all signed on to star in "The Talking Cure," which Cronenberg is directing based on the 2002 play by Christopher Hampton.

In it, Knightley would play Sabina Spielrein, a "beautiful young woman, driven mad by her past." For help, she turns to Carl Jung (Fassbender) and Sigmund Freud (Waltz).

Christoph Waltz as Sigmund Freud? Sounds like perfection to me, especially since Cronenberg's best movies deal as much with psychological as physical violence, especially my favorite of his flicks, "Spider."

But will any of this ever come together? Well, with that cast you would certainly think so, but Cronenberg is also attached to possibly direct a movie based on the Robert Ludlum thriller "The Matarese Circle," with Tom Cruise and Denzel Washington set to star.

As promising as that might sound, here's hoping "The Talking Cure" jumps it in his directing queue, and that he gets to work on it fairly fast, because it's just been way too long since the world has seen a David Cronenberg movie.

Just how did Kevin Smith manage to "Cop Out" on "A Couple of Dicks"?

No matter how he tries to defend it, "Cop Out," the new name for Kevin Smith's buddy cop movie starring Tracy Morgan and Bruce Willis and set to drop in February, is just nothing but boring in my book. And judging from the trailer you'll find at the end of this post, the movie itself probably won't be much better either.

But, any time Smith is given a forum to spout off, he always says at least a few things that make me smile, as he did when discussing the new title with Entertainment Weekly's Hollywood Insider blog. It's worth reading the whole thing, but here are a few highlights if you don't have the time, starting with exactly why he had to drop the "A Couple of Dicks" name in the first place:

(Be warned: The language in this, as usual with Mr. Smith, is more than a little salty.)

Kevin Smith: Look, losing A Couple of Dicks was almost akin to losing my own dick. It was a perfect buddy-cop movie comedy title. Everyone knew it. You couldn’t say that title to somebody without a f—ing smile crossing their face. But what I had gone through with Zack and Miri Make a Porno — “porno” had become very problematic, it became tough for us to advertise [the film], blah blah blah. Warner Bros. decided, “Hey man, we’ll call the networks and see if we’re going to get any problems [with A Couple of Dicks as a title], months before the movie’s ever going to come out.” The top 3 networks — CBS, ABC, NBC — said we can’t run one of your spots before 9 o’clock. ... So my feeling was like, it’s an R-rated movie, so who the f— are we talking to anyway before 9 o’clock? Warner Bros’s feeling was like, “Hey man, the sports audience, dickhead. We have to advertise to the sports audience on Saturday and Sunday and all those sporting events usually take place before 9 p.m. in the evening.” At which point, I was like, “Oh wow, you guys are way smarter than me.”

You still certainly can't convince me that "Cop Out" is any way a funny fallback, but he went on to explain how the title could have, amazingly, possibly been even worse:

Smith: So for months now, they’ve always had A Couple of Cops as kind of this fallback thing — a placeholder, essentially. And then all of a sudden, one of the producers of the movie was like, “Hey they’re locking the title, because the trailer is going to be put on Sherlock Holmes.” And I was like, “This is an abundance of wonderful and horrible information.” I want to be on Sherlock Holmes because everyone on the planet will probably go see it on Christmas, but I don’t want it to be A Couple of Cops. That just seems like we didn’t even try! We went from a really clever title to the least clever title of all time. I was like, “God that title is going to feel like such a f—ing cop out.” And [the producer] goes, “We should just call the movie that.”

OK, I know that's a lot of Kevin Smith for people who, like mi hermano, just find the man to be a tremendous tool, but any fans of juvenile comedy will at least smile at this final bit which includes the perfect, fan-suggested tagline, which means it will never appear on a movie poster.

Smith: We were making up sequel titles in our heads, dude. Like, you know, Two Bigger Dicks. Or Dicks 2: It Just Got Harder. Somebody online said you could take Cop Out and vary it with like, “Rock out with your Cop Out!” Hopefully that will be a tagline on a poster or a trailer. And if it is, we owe that random dude on Twitter like at least a few free passes.

But what about the trailer, which appeared this week? Well, like I said above, it really doesn't look too promising at all, even with an appearance from the alwaysveryfunny Susie Essman of "Curb Your Enthusiasm." I love Morgan on "30 Rock," but it's clear he's only as strong as the material he's working with, and "Cop Out" just looks way too weak. It certainly appears like Mr. Smith's stint as a hired hand for Warner Bros. will result in exactly the kind of "comedy" that appears and disappears very quickly each February. Anyways, "enjoy" the trailer, and have a perfectly pleasant Christmas eve. Peace out.

A glorious glimpse of "Where the Wild Things Are" on a newsy day

This being Comic-Con season and all, there's a lot of great news out there for a Saturday morning, so I'll just jump right into it - finishing up with the truly fantastic new footage of "Where the Wild Things Are."

First up comes news about the second season of Joss Whedon's "Dollhouse" on Fox, which I'm rather amazed - but happy - is happening at all. The show took a good six or seven episodes to get started, but once it did, it was solid and increasingly crazy (especially the finale) sci-fi.

Well, "Buffy the Vampire Slayer" and "Firefly" fans should definitely take note, because Whedon announced at Comic-Con that (Salisbury, Md., native, huzzah!) Alexis Denisof, aka Wesley Wyndham-Pryce, will have a recurring role on season two of the show, and River Tam herself, Summer Glau, will probably factor into it somehow too now that "Terminator: The Sarah Connor Chronicles" has gotten the axe.

And, since I suppose he couldn't resist, Whedon slipped in a thoroughly deserved dig at "Heroes" season two: "As long as we don't send anyone to feudal Japan, I think we'll be okay."

And I've also included a teaser poster for "The Cabin in the Woods," the horror movie that Whedon is cooking up with Drew Goddard. Funny as they are, the posters aren't all that promising, but with Richard Jenkins and Bradley Whitford headlining this, and even "Dollhouse" and "Angel" star Amy Acker in tow, I'm betting its gonna be a lot of fun when it finally comes out in February.

Next up, in movie news so good I probably should have led with it, David Cronenberg is about to - finally - get back to making movies again. He had been rumored to be making something from the Robert Ludlum spy vs. spy tale "The Matarese Circle" with no less than both Denzel Washington and Tom Cruise, but it sounds like the frankly more promising project below might happen first.

The new word is that Cronenberg is teaming up with a Portuguese producer to bring novelist Don DeLillo's "Cosmopolis" to the big screen. I've not read that one, though I did read "Underworld," but the plot certainly sounds nuts enough for Cronenberg: The story of a 28-year-old multimillionaire on a 24-hour odyssey across Manhattan to get a haircut.

I kind of miss the days when Cronenberg's movies had a more creepy side to them ("Spider" is still my favorite), but it's just nice to hear the man is working on the big screen again at all.

On another subject completely, it seems that Todd Phillips' follow-up to the wildly popular and mostly deserving "The Hangover" just got a lot more classy, even if does fall squarely in to the road-trip rut he's crafted for himself.

It seems that Robert Downey Jr. has signed on to play the lead in Phillips' next flick, "Due Date," along with "Hangover" star Zach Galifianakis. Downey will play an expectant father who finds himself on a road trip with a mismatched partner (Galifianakis, natch) as he races to get home before the birth of his first child.

Though Downey is now crafting a solid career as an action star with "Iron Man" and now "Sherlock Holmes," I always like him best when he's funny, as he rather deliriously was in "Tropic Thunder," so to this I can only say bring it on.

And, finally before we get to the "Where the Wild Things Are" goodness, if I were really able to go to Comic-Con rather than just be there in my mind, the one other panel (along with "Where the Wild Things Are") that I'd be sure not to miss would be the Miyazaki/Disney panel, at which John Lasseter made a promise that damn well better be true about Hayao Miyazaki's new flick, "Ponyo."

Disney deserves credit for getting behind the Western release of Hayao Miyazaki's movies, but they've never really given them a full-throttle Disney push, until now. Here's hoping that Lasseter meant it when he said of "Ponyo," "We are going to give this a nice big release. Disney believes that strongly in the film."

And I can promise you I will be one irate moviegoer if that doesn't turn out to be true come Aug. 14.

OK, finally comes the "Where the Wild Things Are" featurette screened at Comic-Con that just made me smile broadly through its entire three-and-a-half minutes or so. Along with interviews with Spike Jonze and Maurice Sendak, it also contains some new footage, and yes, I do plan to howl like a wild thing in the theater once I finally get to see this for real. Enjoy, and have a great rest of the weekend. Peace out.

R.I.P. Andy Hallett, a bit of news, and the DVD pick of the week

Now this is just amazingly sad. When I saw this name, I have to confess it didn't mean anything to me at first, but if you watched "Angel" during it's five-season run, you're certainly familiar with Andy Hallett.

Hallett played Krevlornswath of the Deathwok Clan, a k a Lorne, "The Host" who specialized in reading people's auras as he induced them to sing karaoke (yes, I know that sounds incredibly silly, but awfully entertaining too.) Hallett, who had apparently been battling heart disease pretty much since the show ended in 2004, died Monday night of heart failure at only age 33. Just amazingly sad.

In much better news, any doubts that Sacha Baron Cohen was going to push the envelope as far as possible in "Bruno" have been removed as the MPAA has given the flick an NC-17 rating in its first pass.

I have little doubt that Cohen and crew will be able to tame it down enough to get this one into theaters even in my rather safe little corner of the world, but - not having seen it, of course - it does make you wonder how much of that rating comes from the fact that it deals with a touchy issue, homophobia, rather than from any truly offensive content (though I'm willing to bet there's plenty of that too.) How much violence is allowed into movies rated PG-13 and below while the smallest whiff of sex - gay, straight or otherwise - just sets censors crazy is grist for a whole post in itself, but not one I have the time or energy to get into this morning.

Bottom line: "Bruno" should be a heck of a lot of fun in theaters, and way better on DVD.

There's a lot of good stuff out there this morning - the day after "Friday Night Lights" got renewed for two more seasons, huzzah! - so if you'll bear with me, I'm just gonna plow right through it.

David Cronenberg, who has until now balked at sequels of any kind, is seriously considering making an exception to that rule to continue the "Eastern Promises" saga, which I have to say would only be a good thing.

As you may remember from the end of the movie (AND IF YOU HAVEN'T SEEN IT, FOR GOD'S SAKE, PLEASE JUST SKIP THIS PARAGRAPH), the big twist is that Viggo Mortensen's Russian gangster is actually a British intelligence agent. In the right hands, a k a those of Cronenberg, screenwriter Steven Knight and Mortensen, all of whom are in talks to return, this could not only make another great flick but perhaps even a series, if they're so inclined. Here's what Cronenberg had to say about the project to the surprisingly informative MTV Movies Blog:

“We are going to have a meeting very soon between me, Steve Knight and Paul Webster to discuss what the script would be. I have some very strong ideas about what I would like to see, but I would like to hear what they have to say as well. And then after that, if all goes well, Steve goes away and writes a great script. If we all like it, we make it.”

Here's hoping, and in other casting news for flicks I'd certainly like to see, "Watchmen" director Zack Snyder has lost one waif and quickly picked up another to play the lead in his next flick, "Sucker Punch."

Amanda Seyfried was forced to drop out because HBO wouldn't let her out of her "Big Love" contract, so Aussie Emily Browning has stepped into the lead role. Though she starred this year in "The Uninvited" (which, rather amazingly, was still playing in one multiplex in my hood as recently as last week), you'll probably best remember her as Violet in "Lemony Snicket's A Series of Unfortunate Events."

Seems like a lateral move to me, but Browning should be a lot of fun in the lead role of a young woman forced into an insane asylum by her stepfather, who then uses the power of her imagination and the help of her fellow inmates (most likely Evan Rachel Wood, Vanessa Hudgens, Abbie Cornish and Emma Stone) to escape.

No matter how this all works out, however, the best thing is that Snyder is finally cooking up something from his own mind instead of making another comic book flick.

And speaking of HBO, I'm rather psyched for the second season of "True Blood," which may even be enough to induce me to pay for the channel when the vampire series returns for season 2 on June 14.

I spent a good portion of my recent trip through the Southeast reading the source material for the second installment, Charlaine Harris' "Living Dead in Dallas," and can happily report that it has plenty of crazy stuff in store for the series (not exactly high art, I know, but it was just the perfect book to read while getting too much sun lazing on the beach in Gulf Shores, Ala.) Not to spoil too much, but the novel starts with the death of Lafayette (which ended season one of the show) and somehow ends up at an orgy.

The photo below, featuring Macon native Carrie Preston (left) as the Merlotte's waitress Arlene, and plenty more are on display at HitFix, and you can view them all here.


DVD pick of the week:

The big name this week is certainly Oscar winner "Slumdog Millionaire," and that one indeed did nothing but make me smile from start to finish each of the two times I've seen it already. But my pick this week is one of the only other movies I bothered to see twice in theaters in 2008 (along with "The Dark Knight"), the French thriller "Tell No One."

Not surprisingly at all given just how maddeningly entertaining it is, this mindbender based on a Harlan Coben novel is already being remade for American audiences, but please believe me that you should see it in its original French form from director Guillaume Canet. What he's cooked up here combines the best elements of the French psychological thriller genre with a genuine potboiler mystery tale, and put it all together with tons of style. I also promise that the "reveal," easily my favorite movie scene from last year, will stick with you for a long time. Rent it already.

And on that note I'll close with this rather awesome poster for Sam Raimi's "Drag Me to Hell," set to hit theaters May 29. We've all had days like this, if not quite as bad as poor Alison Lohman's, so enjoy and have a perfectly passable Tuesday. Peace out.

Some dirty old rat has stolen my hat

A lot of people who care about this kind of stuff may already know just about everything I'm about to cram into this post, but you'll have to forgive me, since I just spent the past three days or so in Ohio so I could stand in a near-hurricane and sing benignly racist (is there really such a thing?) songs like "Somebody Stole My Sombrero" as the U.S.A. and mighty Michael Bradley beat the Mexicans in a World Cup qualifier 2-0.

And later today I'm gonna take a chance on the Clive Owen/Naomi Watts thriller "The International" even though I'm more than a little worried that everything we need to know was revealed in the trailer.

But first, here's a quick wrap up of what's happened in the past few days when it comes to directors I like.

Christopher Nolan's next, sans Batman

As much as I enjoyed "The Dark Knight" (and that was indeed quite a bit), I'm rather happy to hear that Mr. Nolan will be getting back to something that twists the mind more than a bit before he takes on the Batman saga again.

Next up will be something called "Inception," for which he also wrote the screenplay. It's described so far only vaguely as "a contemporary sci-fi actioner set within the architecture of the mind." I could probably spend most of my workday wondering about just what that might mean if I didn't already have the whole week off.

But what does that mean for Batman? Since this is all taking place at Warner Bros., which financed "Batman Begins" and "The Dark Knight," one can only assume that would be up next, but The Hollywood Reporter had another fairly intriguing possibility. They have him "attached" to a big-screen reboot of the '60s British TV show "The Prisoner," presumably following the six-episode remake the show is already getting this summer from AMC, to star Jim "Jesus" Caviezel and Sir Ian McKellen.

David Cronenberg hits the big time

This was, naturally, pitched as a story about Tom Cruise, but any word of David Cronenberg getting back to directing and with the budget this project should attract is much more exciting to me.

Following on the rather serious success of Robert Ludlum's Bourne saga on the big screen, MGM has picked up the spy scribe's "The Matarese Circle" for Cronenberg to direct and Tom Cruise and Denzel Washington to star in. Mr. Washington will play American intelligence operative Brandon Scofield, and Cruise will play his arch rival, Russian spy Vasili Taleniekov. The two are forced to team up to take on "a wide-ranging political conspiracy orchestrated by a mysterious organization called the Matarese."

There's apparently already a potential sequel penned by Ludlum back in 1977, "The Matarese Countdown," so hopefully this will keep Cronenberg back in the game for quite a while.

Woody Allen assembles his next team

I'm certain I've never worked as hard as Woody Allen still does at age 73, and I'm even more sure I'll still keep watching every flick of his I get a chance to until the man finally decides to slow down.

The real question in my mind is whether his next flick, "Whatever Works" starring fellow cranky old man Larry David, will open wide enough to reach my little corner of the world when it opens June 9 in the U.S.A. Before that even comes out, though, Mr. Allen will be back at work, this time in London with Josh Brolin and Anthony Hopkins in tow.

Those two certainly will be only the beginning of what should be a solid ensemble cast, and since there's sadly little else I like to do with my mornings, I'll be happy to share anything else I find out.

And I'll close today with a plug for the new HBO comedy "Eastbound & Down," since it comes from my current favorite comedy team, writer/director Jody Hill and star Danny McBride. Though I canceled my HBO a while ago, I'm hoping this will be available for free at HBO.com shortly it debuts Sunday night at 10:30 p.m.

So, what is it? Well, along with being the title of Jerry Reed's theme song for "Smokey and the Bandit," it's now also a rather rude-looking comedy about a washed-up former major league pitcher (McBride) who returns to his hometown and lands a gig teaching phys ed at the local middle school.

McBride, who stole every second he got as Red in "Pineapple Express" and also starred for Mr. Hill in the very funny "Foot Fist Way," is just a naturally gifted comedian, so catch this one if you can. In the meantime, just in case you actually have 12 minutes to kill at work today, here's HBO's making of special for the show. Enjoy, and have a perfectly pleasant weekend. Peace out.

Wherefore art thou, David Cronenberg?

When his movies are so uniformly entertaining, I guess you really can't begrudge David Cronenberg the right to make flicks at his own pace, but I can certainly selfishly say the world would be a much better place if he indeed chose to work more often than every two or three years or so.

Since the 2007 thriller "Eastern Promises," which was made by a seriously chilling performance from Viggo Mortensen, I think he's been toying with making an opera of "The Fly." I can't even picture what that might look like!

Thankfully for the rest of us who don't live in Canada and get to see this madness, he's also now ready to get back into movies in a rather big way. Word comes today that he's managed to recruit no less than Denzel Washington (heard of him?) to star in a political thriller from "Bourne" author Robert Ludlum.

Set against the backdrop of the Cold war, "The Matarese Circle" revolves around two men — one American, one Soviet — who must cooperate in order to foil a sinister plot to topple the world’s governments. Michael Brandt and Derek Haas, who crafted the mostly satisfying "3:10 to Yuma" remake, are writing the adaptation.

Oscar alert for Forest Whitaker

I guess maybe this is Forest Whitaker's way to make up for missing out on the role of Notorious B.I.G. (which in all seriousness, of course, I doubt he was ever up for). Getting back on track in his quest to play every heavyset, famous black man on the big screen, he's next set his eyes on directing and starring in "What a Wonderful World."

All kidding aside, this should be a lot of fun, and perhaps more importantly it's actually being filmed in New Orleans for the French company - Legende - behind "La Vie en Rose."

The flick will kick off during Louis Armstrong’s impoverished early years in New Orleans and primarily chronicle his career as a trumpet virtuoso and improvisational singer. Since Mr. Whitaker's last directing effort was with Katie Cruise in "First Daughter," which I admittedly haven't seen, I'll still confidently bet this will have to be much, much better.

Julie Taymor creating a "Tempest"

I really should have given Julie Taymor's "Across the Universe" a chance when it finally came here for one week last year, but I just couldn't bring myself to do it. Thankfully, the Macon Film Guild is gonna screen it sometime in the next couple of months, so I'll certainly make up for that oversight when it comes again.

And Ms. Taymor is now back at it to create another oddity, this time with Dame Helen Mirren in tow. She's assembling a rather stellar cast for "The Tempest," and has already flipped the gender roles to make Prospero a Prospera for Mirren to play.

All I can really remember about "The Tempest" is that the sorcerer Prospero (Prospera), the former Duke of Milan, has been stranded on an island with a lot of his books and his 3-year-old daughter Miranda. From there I'm sure it will get very dreamy in Taymor's hands with help from a cast that will include Jeremy Irons, Djimon Hounsou, Russell Brand, Alfred Molina, Ben Wishaw, Felicity Jones and Geoffrey Rush.


Watch Kevin Smith make a porno

From what little I've seen of Kevin Smith's next flick, opening hopefully everywhere on Halloween, I think it's gonna be a real winner. To build the hype for the movie starring Seth Rogen and the fabulously funny Elizabeth Banks, Smith and Co. have starting posting brief "webisodes" at his Quickstop Entertainment site.

The first one, which is up now, features Messrs. Smith and Rogen in a fairly funny discussion about how Rogen should bring more "Affleck-tion" to the set. You can watch it here, and I think it's well worth wasting three minutes or so of your work day. Peace out.

The art of the heist

Before I delve into what I hope will be a fun list, there are two or three actual nuggets of news out there that deserve mention.

Most importantly by far, winning the Oscar for Best Picture and casting both George Clooney and Brad Pitt in your next movie is apparently enough to garner a wide release for the Coens' next movie, "Burn After Reading," now set for release Sept. 12. And secondly, in a clear case of trading down, Ellen Page (who backed out) has been replaced in Sam Raimi's horror flick "Drag Me to Hell" by Alison Lohman.

And finally, before I go any further, a hearty huzzah to Sarah Polley, whose "Away from Her" beat out David Cronenberg's "Eastern Promises" to take most of the major awards (including best picture, best director and best screenplay) and seven in all at Canada's Genie awards Monday night. (Why in the world Jason Reitman's "Juno" wasn't considered "Canadian" enough is just mystifying to me, though.)

But here today, in honor of "The Bank Job," it's all about the art of the heist (well, actually, because I set the rules, you'll find it more broadly encompasses scams along with actual heists.) Coming from Aussie director Roger Donaldson (who last made "The World's Fastest Indian" and, believe it or not, "Cocktail" way back when) and starring Jason Statham, this just looks like my kind of thoroughly fun flick.

So, here are 10 (or maybe 12) heist or scam flicks that I can (and sometimes do) watch again and again:

Dead Presidents: This one came to mind not only because it's a pretty great true-crime flick, but also because one of the masterminds of the original bank job was arrested a few years ago on the Eastern Shore of Maryland while I had been working there. He had been working for a number of years as the food services coordinator at the University of Maryland Eastern Shore, oddly enough. Man, do I miss the Hughes brothers.

Out of Sight: One of the coolest movies around, not only for the presence of Jennifer Lopez flirting with George Clooney, but even more for some of the best comedic work you'll ever see from Don Cheadle and Steve Zahn. On a related note but different note, "Out of Sight" scribe Scott Frank made his directorial debut last year with "The Lookout", an enjoyable heist movie of sorts most notable for the performances of Joseph Gordon-Levitt, Jeff Daniels and Isla Fisher (playing a character named, appropriately enough, Luvlee.)

The Usual Suspects: I just about hated this movie the first time I saw it because I was just sure there was no way that Verbal Kint's story added up. I've since realized that a big part of the fun is that that doesn't really matter, and have been able to just sit back and enjoy a great ensemble crime flick.

Fargo: OK, not a heist movie per se, but as far as inept scams go, there are very few in the world more entertaining than Jerry Lundegaard's (William H. Macy) plan to have his own wife kidnapped to collect the ransom from his wealthy father-in-law. Besides, it's a Coens kind of day here, so just deal with it.

Bandits: I sure do miss the days when Billy Bob Thornton (who will make two appearance on this list) realized that he didn't have to be mean and surly to be funny. He's perfect here riffing off Cate Blanchett and Bruce Willis in this rather underrated little flick.

Ronin: Notable as probably John Frankenheimer's last good flick (before he died in 2002), this espionage/gun play thriller starring Robert De Niro, Natasha McElhone and Jean Reno delivers the same kind of old-fashioned fun I'm hoping to discover in "The Bank Job." And to digress just a bit, why in the world isn't Jean Reno a bigger star?

Bad Santa: OK, so Billy Bob Thornton can be both mean and funny from time to time, especially in this Christmas flick from Terry Zwigoff. And, as long as you appreciate the fine art of extreme vulgarity (which I certainly do, especially from the very foul mouth of Tony Cox), this is indeed a sweeter holiday movie than a lot of people make it out to be. Mind you, I'm not saying it's for the whole family ...

The General: As far as biopics about badasses go, there are very few better than John Boorman's portrait of the Irish robber Martin Cahill, played with relish by Brendan Gleason. Cahill, along with being a talented criminal and target of the IRA, was just a rather twisted dude, making for a fascinating flick.

Trainspotting: Just about the best book-to-movie transition you can find (although I'd put the Roddy Doyle flicks "The Snapper" and "The Commitments" way up there too), this is just one that I've probably seen 10 times now, and it never gets old. Kelly MacDonald, who should have at least been nominated for an Oscar for her work in "No Country for Old Men," makes an appearance as young Diane, and, just for the record, this movie didn't for even a second make me want to try heroin.

Croupier: This list has gotten longer than I had intended, but it has to include the first movie I can remember seeing Clive Owen in. This flick about a plan to rob a casino (it's a lot more complicated than that) is also the last time I can remember seeing the great Alex Kingston, who played Dr. Elizabeth Corday for so many years on "E.R." What in the world ever happened to her? And, finally ...

Office Space: What list of scam/heist movie would be complete without possibly the most therapeutic flick of all time? I'm still not exactly sure what "no-talent ass clown" means, but if that description of Michael Bolton doesn't make you laugh just move on.

And there you have it. I hope someone enjoys reading this as much as I did writing it, and please feel free to add any heist movies you love that I may have overlooked. Peace out.

Friday fun with trailers

I would start by revealing that there's gonna be a movie about "Sex and the City," but that kind of just makes me say meh. I did watch some of the show, and maybe it's just a chick thing that I simply didn't get, but those four women weren't ever nearly as funny or shocking as they thought they were.

Now, if the HBO news were that David Chase was immediately gonna turn his limbo ending of "The Sopranos" into a movie, than you'd really set me off. As it is, what I'm really excited about is that the first three seasons of "Deadwood" are coming to the Telegraph's "treadmill cinema" populated by myself and Rodney Manley (who in my absence pitched in with a review of that "Fantastic Four" flick.)

In the meantime, it's Friday and I'm running late, so I'm gonna take the very lazy route and simply embed two sensational-looking trailers I found on YouTube today.

The first is for Ang Lee's "Lust, Caution," which I predict will be easily one of the coolest movies to come out this year. As best as I can tell, it's a spy movie set in occupied Shanghai, and young Wei Tang is simply one of the most beauiful Asian women to hit the big screen in a long time. Look for it in the U.S. beginning Sept. 28. Enjoy!



The next, and to me even more exciting, is an extended one for David Cronenberg's "Eastern Promises." He, Naomi Watts and Viggo Mortensen are joining forces for a tale that seems to be about the Russian mafia and some kind of white slavery ring in London, or other really seedy business. The ladies will want to note that, in the trailer alone, Viggo shows off his bare, tattooed chest three times or so, and everyone else will be happy to know that Vincent Cassel and Armin Mueller-Stahl both have pretty big roles in this one too (and the script comes from "Dirty Pretty Things" scribe Steven Knight.) Look for it in the U.S. beginning Sept. 14.



Kill Bill: The Whole Bloody Affair

If this is old news to everyone in the world but me, please forgive me, but it certainly sounds cool (if entirely inevitable.)

It seems that, on November 6, we'll finally get to see Quentin Tarantino's "Kill Bill" as one movie on DVD. A 247-minute movie, of course, but one movie nonetheless.

I can think of very few ways I'd rather spend a Saturday afternoon than by giving four more hours of my life to watching Uma Thurman kick ass for QT, so to this I can only say bring it on.