Well, if you're Aaron Sorkin, if you've done something exactly right the first time (even if it was severely under appreciated), just do it all over again almost exactly the same way.
Does anyone remember "Sports Night"? It was a truly great Sorkin show that ran for a couple of years simultaneously (I think) with the early years of "The West Wing." As you may remember, it was about a sports news show hosted by two dudes and produced by two women, with another producer as a rival for one of the hosts' affections.
Just believe me, it was a whole heck of a lot better than I'm making it sound here. In the original version, the two hosts were Josh Charles and Peter Krause, the producer was Felicity Huffman and the associate producer was the sorely-missed Sabrina Lloyd. I frankly can't remember who played the other part, but you get the idea.
Now, fast forward about 10 years or so, and Sorkin has sold something called "More as This Story Develops" to HBO, and with the exception that it's about a news rather than sports show, it sounds like pretty much exactly the same thing, with pretty much the same cast dynamic taking shape (and although it may sound like I'm complaining, I'm really not ... "Sports Night" was fantastic.)
This time around, if all the pieces fall into shape, Jeff Daniels will play the host, Marisa Tomei the producer (and following the "Sports Night" model, probably unrequited love interest), Alison Pill of "Scott Pilgrim Vs. the World" will play the associate producer and Olivia Munn will play a business news reporter and undoubtedly rival for Daniels' affections. I could be wrong of course, but that certainly does sound familiar, no?
Either way, I'll definitely be tuning in when this hits HBO, perhaps sometime this fall.
And in just a bit of movie news, it seems that Russell Crowe is reuniting with the source of his best movie so far, "L.A. Confidential," for his first directing effort.
Crowe would also star in "77," based on a James Ellroy script that is apparently being rewritten by someone else. Best as I can tell, per Deadline, it's about the unsolved murder of an LAPD officer, and the nationally televised shootout in South Central L.A. between the Symbionese Liberation Army and the LAPD, as seen through the eyes of two police partners, one black and one white.
Sounds like typically juicy Ellroy stuff, so stay tuned. And now, on to the clips ...
OK, today, these are pretty much in descending order of funny until the end, a plug for tonight's premiere of the 15th (really!?!?) season of "South Park." First up, courtesy of The Onion, comes an interview with the screenwriter of "Fast Five," 5-year-old Chris Morgan. Now, I have nothing against the Fast and Furious flicks (that Tokyo one is some pretty seriously satisfying Saturday afternoon viewing for a half hour or so), but this is seriously funny. Enjoy.
Today Now! Interviews The 5-Year-Old Screenwriter Of "Fast Five"
Next up is the first red band trailer for Kristen Wiig's "Bridesmaids," courtesy of Myspace, and having watched it, I'm now certain the ladies are going to bring a whole lot of funny when this drops May 13. You do have to feel more than a little bad for Melissa McCarthy, who is apparently going to be one running fat joke in the flick, but she does at least seem to be in on the joke. Enjoy.
Wednesday, April 27, 2011
If at first you succeed ... plus a big Wednesday clip show
Friday, April 22, 2011
A Friday full of fun stuff - and at least one serious thing
This post does indeed include the final movie shot by photo journalist Tim Hetherington, but it's a Friday morning, so let's start out with some potentially very fun TV news before we get into anything like that.
So far, this "news" only comes from the New York Post's page 6, but here's hoping it's true, because it could be rather great.
Aaron Sorkin is at work on a pilot for HBO titled "More as the Story Develops," which would star Jeff Daniels as the host of a cable news show. If it's anywhere near as good as what Sorkin did for cable sports news with "Sports Night," still his best work, I'm definitely in. And according to the Post at least, he's just about perfectly cast the executive producer role played by Felicity Huffman on that show, this time with Marisa Tomei.
One other thing that is definitely about to happen, though I'm not entirely sure I want to see it again after all this time, is the return of Patsy and Edina to the BBC. Yes, Jennifer Saunders and Joanna Lumley are apparently in the final stages of a deal to make three new episodes of "Absolutely Fabulous."
Like I said, I'm more than a little skeptical that they can still bring the funny, but if Dawn French is back as Saunders' co-writer/conspirator, I'm in for at least three episodes to find out.
OK, now for something serious, but I promise I'll move on quickly after that. As most everyone knows by now, Tim Hetherington, a photo journalist who went on to co-direct the Afghanistan war documentary "Restrepo" with Sebastian Junger, was killed recently while covering the current conflict in Libya.
An incredibly sad thing that, and as my friend and Telegraph photographer Grant Blankenship pointed out, just as we honor the brave men and women who fight to protect this great country, we should likewise honor those brave enough to report on it. 'Nuff said.
And with that, here is "Diary," a short film that is the last one Hetherington made before he died. It's well worth 20 minutes or so of your Friday morning, and here's how Hetherington himself describes it:
'Diary' is a highly personal and experimental film that expresses the subjective experience of my work, and was made as an attempt to locate myself after ten years of reporting. It's a kaleidoscope of images that link our western reality to the seemingly distant worlds we see in the media.
Enjoy, and then stick around for two videos that I promise are more appropriate for a Friday morning.
Diary (2010) from Tim Hetherington on Vimeo.
This next clip, while not as funny as I might have hoped, does come with some news to introduce it.
Ruben Fleischer, director of the simply fantastic "Zombieland," has now wrapped "30 Minutes Or Less" and moved on to prepping his next flick, "The Gangster Squad," and he's about to get a great cast for it.
The flick, based on a series of L.A. Times articles, tells the true story of a secret police task force that went after Meyer Harris "Mickey" Cohen, a high-profile gangster who was a member of the "Jewish Mafia" in the 1940s. And, according to Variety, Sean Penn is in talks to take the lead in this, with Ryan Gosling and Josh Brolin expected to quickly follow suit if he does.
And in the meantime, here's the first red band trailer for Fleischer's next movie, "30 Minutes or Less," set to come out Aug. 12. As you'll see from the trailer, it stars Jesse Eisenberg, veryfunnyman Aziz Ansari and Danny McBride in a story about two guys (Eisenberg and Ansari) who are forced to rob a bank. Like I said, I'm hoping the movie itself will be a damn sight funnier than this trailer which, being of the red band variety, make sure you watch with headphones if you're at work. Enjoy, and then stick around for the trailer for what could be a real charmer/sleeper this summer.
OK, finally today comes the second trailer I've seen for the British flick "Submarine," which looks like it was made just for me. It looks like your typical coming-of-age movie, but from what I'm seen so far I'm still betting on very funny and very charming, much like the criminally overlooked "Rocket Science" from a few years ago (rent that already!). It also doesn't look like the kind of movie that has any prayer of playing in my little corner of the world when it comes stateside on June 3, but now that it somehow sports the words "Ben Stiller presents," who knows. Enjoy, and have a great weekend. Peace out.
Wednesday, April 13, 2011
In honor of the late Sidney Lumet: Free movies!
Before we get into any of that, and afterwards some other video treasures, you really can't do much better for extremely funny news than those wacky Chinese.
It seems that, upset with how the country has been portrayed in recent movies, whoever controls such things in China has come up with a novel solution: Ban time travel in movies and TV. Take a second to let that sink in.
Here's what film critic Raymond Zhou Liming had to say, apparently in support of this madness:
“The rationale [for the time travel ban] is that whatever isn’t possible in the real world belongs to superstition."
Well, with logic that solid, it's really hard to argue. Here's a bit more from Zhou, via the Hollywood Reporter:
“Most time travel content that I’ve seen (in literature and theater, that is) is actually not heavy on science, but an excuse to comment on current affairs."
Fair enough, I guess. If I had the power, though, I'd ban something really harmful, like movies with too many endings. Now that would be movie justice.
OK, now on the videos, first two from Sidney Lumet, then two more that I guarantee it's well worth sticking around for. When Sidney Lumet died recently, we lost one of our truly great directors, and if they were all online in their entirety (and I could find them), I could easily post 10-20 of his movies. Heck, I even really, really like "The Wiz."
For the sake of efficiency, however, let's just stick to two, one of his first and his very last. First up comes "12 Angry Men," a movie we all surely had to watch in grade school, and still one of the finest legal dramas ever made. The flick starred Henry Fonda, Lee J. Cobb, E. G. Marshall, Martin Balsam, Jack Warden, John Fiedler, Jack Klugman, Edward Binns, Joseph Sweeney, Ed Begley, George Voskovec and Robert Webber, and here (if I'm not mistaken - I didn't have time to watch the whole thing) is the movie in its entirety. Enjoy.
Next up comes Lumet's last movie, "Before the Devil Knows You're Dead," a little crime drama that proves he was on top of his game until the very end. The 2007 movie starred Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney and even Amy Ryan. It's a pretty superb flick all around, but if you're going to watch any of this at work, please be warned: Marisa Tomei, as she has fairly often recently, gets naked early and often in "Before the Devil Knows You're Dead," so don't say I didn't warn you. Enjoy the movie.
After that today, I just have two more clips that caught my eye this morning, starting (where else) with Larry David and "Curb Your Enthusiasm." As you'll see from this behind-the-scenes teaser for season eight, Ricky Gervais, Michael J. Fox and even Bill Buckner are all set to appear, and the Fox stuff looks particularly funny in the true Larry way. We have to wait, unfortunately, until July 10 to see the show move to New York, but enjoy this clip now.
And to wrap things up today, courtesy of Screen Rant and to get you in the mood for summer, here is the ultimate summer movie trailer. An example of film editing at its finest, it manages to pull together clips from "Thor," "Cowboys and Aliens," "X-Men: First Class," "The Hangover Part II," "Cars 2" and others for one simply awesome trailer. In fact, it's nearly guaranteed that these three minutes or so are probably better than many of the movies they feature. Enjoy, and have a perfectly endurable Wednesday. Peace out.
Wednesday, September 01, 2010
"Kick-Ass 2": Not sure I believe it, but why not?
Where better to start today than with a rumor about easily one of my favorite movies of 2010 so far, especially when it's such a juicy one.
While I can't aesthetically call "Kick-Ass" a "great" movie, which certainly means something different to every person who chooses to bestow it on a flick, I can say that it's by a pretty wide margin the funnest movie I've seen this year, and that goes a long way in my little corner of the world.
Now, I understand that the often very bloody antics of a 13-year-old superhero of sorts named Hit-Girl (the simply excellent Chloe Moretz) isn't for everyone, but I still couldn't understand how so many people skipped this during it's spring theatrical run (it only made $48 million in its domestic box office run, and about the same amount overseas.)
DVD sales and rentals, however, have been considerably better, which leads us to the claim that got me so geeked up this morning: Mark Millar, writer of the Kick-Ass funny book, has said on the UK's Radio 5 that a "Kick-Ass 2" has been greenlit and will go ahead based on his follow-up comic (courtesy of AICN for the head's up.)
Now, from all I've read, Millar says a lot of things, but here's hoping this bit at least turns out to be true, because "Kick-Ass 2"? To that, I can only say bring it on!
And after that bit of possible fantasy, here's some much more serious news about two very interesting flicks, one about to start and one that's already finished.
Anyone who's been here before knows that there are very few genres of movies that I like more than the American political movie, the kind that gets at the meat of campaigning in what we still like to think of as a civil society.
George Clooney, who stars in "The American," which hits theaters today (and I'll be seeing tomorrow), will next move back into the director's chair for "Farragut North," an adaptation of Beau Willimon's play, and he's apparently lining up a fantastic cast.
According to Vulture, "the story is set in Des Moines, Iowa, just weeks before the state's Democratic caucuses officially commence; it follows the exploits of a twenty-something presidential campaign spinmeister/wunderkind named Stephen Myers, and the dirty pool he plays to get his candidate the nomination against a rival senator."
As for the cast, Clooney has apparently reached out to Chris Pine, a.k.a. the new Captain Kirk, to re-create the lead role he played in a L.A. stage production of the play last fall. Already set are Philip Seymour Hoffman as Myers' boss on the campaign trail and, even better, Paul Giamatti as the campaign manager of a rival candidate. Offers are apparently also out to Evan Rachel Wood to play a teen campaign staffer and Marisa Tomei to play a probing journalist.
Shooting is set to begin in February, so I'd guess you can put this on the list of movies I'll be amped to see about this time or a little later next year.
And as for movies coming out a lot sooner in at least some corner of the world, can anyone remember the last time John Sayles directed a movie? It was "Honeydripper" in 2007, and though I almost completely hated that flick, the man has made many, many more that I love, so any news of a new Sayles flick is welcome around here (if I had to pick two of his movies I like the best, they would be "Passion Fish" and "Lone Star".)
The director heads to the Toronto International Film Festival this year with a new movie, "Amigo," a fictionalized account of the Philippines-American War at the turn of the 20th century, based on his unpublished, 1,000 page novel on the same subject, "Some Time in the Sun."
The film stars Joel Torre, Garret Dillahunt, Sayles regular Chris Cooper, DJ Qualls, Rio Locsin, Ronnie Lazaro and Bembol Roco, and according to The Playlist, here's what it's about:
The film revolves around the occupation by a squad of U.S. soldiers of a small, rural village. Headed by a respected elder, whom the Yankees refer to as “Amigo,” the villagers are forced to deal with this foreign presence as rules are set, curfews introduced and small attempts at democracy initiated. But the most significant tension in the film lies in the village’s relationship with a rebel group leading the resistance to the occupation. Amigo’s brother is the rebel leader, and his son runs off to join them, so he constantly finds himself torn between balancing what is right for the village and what this means to his family.
Juicy stuff that, and when he's on his game, Sayles is just an epicly good storyteller, so keep an eye out for this one hopefully soon. In the meantime, here's the trailer. Enjoy.
OK, after that today, all I have is a couple of clips, courtesy of MTV, from flicks I'm really looking forward to this fall. Admittedly, they're not the most exciting stuff, but I still think the movies they're culled from will be well worth watching.
First up comes "It's Kind of a Funny Story," from directors Anna Boden and Ryan Fleck, which comes out Oct. 5 (I believe) and which you can list as the single movie I'm most looking forward to for this fall. It stars Keir Gilchrist as a teen who checks himself into a mental hospital only to find himself housed in the adult ward, where he meets Zach Galifianakis and, I'd have to presume, a host of other colorful characters. Enjoy this short clip from the flick.
And finally today, though I haven't read the book by Kazuo Ishiguro, I'm really looking forward to Mark Romanek's "Never Let Me Go," coming to at least some American cities Sept. 15, because it just looks thoroughly creepy in all the best ways. The flick, starring Carey Mulligan, Keira Knightley and Andrew Garfield is, as best as I can tell, about students at an English boarding school who are part of some kind of truly odd social experiment. If I knew more than that I'm still not sure I would reveal it, because I think people, including me, should always be surprised by movies. Anyways, enjoy this short clip featuring Reel Fanatic fave Mulligan and Knightley, and have a perfectly passable Wednesday. Peace out.
Thursday, January 08, 2009
Vive la femme: My women of the year
It really sucks to be so sick you almost can't think straight, but it only happens to me once every three years or so, so I guess I really shouldn't complain.
And while I've managed to get it together enough to go to work, I haven't been able to muster the will for much else after that but sleeping and watching some mindless (but not stupid, big difference) TV, which has lately meant a big dose of "Seinfeld" (not that there's ever anything wrong with that!)
But now, with an hour and a half to kill before the so-called national title game, I really need some brain exercise, so without further ado - in simply alphabetical order - here are my favorite 10 (actually 12, with the combined entries) female movie performances of 2008. Please feel free to add your own, and enjoy:
Hiam Abbass
I've raved in full in this space about Richard Jenkins' performance in this film by "The Wire" veteran Thomas McCarthy, but it wouldn't have been complete without Hiam Abbass as Mouna Khalil to help draw him out. In a way, everyone in this flick is a "Visitor," as Abbass' Mouna, a Syrian immigrant searching for her son, certainly is in New York City. Her balance of anger, reserve and eventual gratefulness for the help of Jenkins' Walter hits just the right note, and they make a perfect combo.
Kathy Bates and Alfre Woodard
You can say a lot of bad things about Tyler Perry (if you want to, which I don't), but you have to admit that - like Woody Allen sometimes does - he really has a knack for writing smart, funny parts for women. And, surprisingly, he found his best yet for his first white star, Kathy Bates. The "Dallas"-style story of family intrigue in "The Family that Preys" falls short of good, but the tale of Bates' and Woodard's friendship - and the road trip it takes them on - is so entertaining you won't even mind the sap. And Kathy Bates, in particular, is just a hoot.
Penelope Cruz and Rebecca Hall
2008 was a surprisingly strong year for comedies, so I guess it shouldn't be too much of a shock that the aforementioned Mr. Allen finally managed to return to top comedic form with the lighter-than-air treat "Vicky Cristina Barcelona." Penelope Cruz got the best of it here, taking a manic turn in Spanish as the chronically crazed wife of Javier Bardem's Juan Antonio. Rebecca Hall, however, held up her end of the love quadrangle as the movie's real leading lady, and besides, I've always just really liked her ever since "Starter for 10."
Viola Davis
They really need to make another acting category besides supporting for the actor who makes the biggest impression in a movie in the shortest space of time. Call it the "impact" award if it must have a name. Last year I would have given it to Hal Holbrook for "Into the Wild," and this year it would certainly go to Viola Davis for her 10-minute-or-so turn in "Doubt." I can't really tell you anything about it because it makes both the movie and its plot, but I can guarantee you won't forget it for quite a while.
Sally Hawkins
I really hope Mike Leigh's "Happy Go Lucky" gets enough awards acclaim to play a little wider, because it's one of the oddest but also most endearing movies I've seen in quite a while (it didn't make my top 10 for the year, but would have been at No. 14 or so.) At its center, Sally Hawkins just plays a character so perpetually cheerful that you (or at least, me) want to throttle her, until you slowly get attached to her and realize just how good Hawkins is in this. It really is a litmus test for cynicism, and though I usually reject that kind of thing, this one just works perfectly.
Beyonce Knowles
I'm sure I don't have nearly enough influence to do Darnell Martin's woefully underappreciated "Cadillac Records" any good, but if any movie deserves a strong second life on DVD this is it. It's a consistently fun if offbeat musical biopic, and Beyonce is shockingly good as Etta James, just a combustible mix of pride, anger, vulnerability and yes, sexiness. And, yes, she really can belt out a mean rendition of "At Last" and, even better, "I'd Rather Go Blind."
Tea Leoni
Speaking of underappreciated, did anyone go see "Ghost Town" in the theater? There were probably at least four or five who did, and I'm sure that like me they found a treat for fans of Ricky Gervais and comedies that are aimed at adults (without forgetting to be at least a little silly.) I liked Tea Leoni in this one, however, at least as much as I did Mr. Gervais, and she manages to get the best of him in several scenes of this witty charmer.
Samantha Morton
I can't nearly go as far as New York Times film critic Manohla Dargis, who if I'm not mistaken gave four of her five best actress votes to the women of Charlie Kaufman's "Synecdoche, NY," but I can take a second to praise Samantha Morton's work in it. Her bubbly Hazel is just the perfect inspiration for Philip Seymour Hoffman's Caden Cotard, and though Kaufman lost me by the end of this wierd but sometimes wonderful creation, they both soldiered through to the finish.
Marisa Tomei
If it weren't for Viola Davis, I'd definitely vote for Marisa Tomei's turn in "The Wrestler" for best supporting actress, and for Mickey Rourke as leading man, because Darren Aronofsky's flick is simply the best character study of the year. Not, mind you, the most inspirational of characters, but two of the most memorable, and it won't surprise me at all if she takes home her second Oscar this year (shocking, perhaps, but well deserved this time.)
Catinca Untaru
And, for the finale, youth is served. Tarsem Singh's "The Fall" works best as a story being devoured by a wide-eyed child, and young Catinca Untaru is just thoroughly charming as Alexandria. I learned from reading an article by Roger Ebert that she spoke little to no English when this began filming (two years ago!), and had to be coached line-by-line throughout, just making her performance all the more remarkable.
And there you have it. Please feel free to mention any one I have clearly snubbed (and believe me, I know there are many!) Peace out.
Sunday, January 04, 2009
A New York five minutes or so: The three winners
This is, of course, supposed to be all about movies, but if you'll indulge me for a second I just have to say goodbye to one of my favorite New York night clubs, which I thought would never die.
When my brother and I were planning our musical nights out, I picked the "End of the Weak" hip-hop showcase at the Pyramid club (a very fun way to kill a few hours if you like rap music, which I do), and he picked the "Three Floors of Ska" night at the Knitting Factory. I love ska too, so I was certainly down with that.
Throughout the night, the bands (the best of which was easily New Jersey's Hub City Stompers) kept lamenting the fact that this would be the last "Three Floors of Ska" event at the Knitting Factory. We just assumed the event was simply moving to another venue, but the truth was much worse: The Knitting Factory is closing its Tribeca spot and moving to a much smaller space in Brooklyn.
Now, this obviously means nothing to you if you've never been there, but as much as I love New York (and I really, really do), the gentrification of neighborhoods can just be sickening. I wish the Knitting Factory the best of luck in its new home, and sincerely hope the club keeps bringing its eclectic mix of music to Brooklyn until it inevitably wears out its welcome there too.
OK, enough bile for now. It is indeed all about movies from here on out, and specifically the best three (out of a fairly amazing seven) I saw while I was there. So here goes:
Milk:
Although I won't unveil my top 10 for the year until tomorrow morning (so please check back!), I can safely say now that this gem from Gus Van Sant is my favorite movie of 2008. It's so clearly a labor of love for Van Sant, and even though this looks nothing like his recent output ("Elephant" being my favorite of those uniformly dark flicks), you can tell it's the movie he was meant to make (though there will hopefully be many more.) 
It's anchored, of course, by Sean Penn's performance as the slain San Francisco pol Harvey Milk (I assume I'm not really giving away too much there), and even if you don't normally like Sean Penn, don't let that scare you. He plays Milk as a driven pol, but also an impish character with a wicked sense of humor, and his scenes with James Franco and Emile Hirsch give the movie such a feeling of joy that it makes the end we know is coming all that much more stunning.
The biggest accomplishment of "Milk" is that it leaves unstated but perfectly implied the greater tragedy of Milk's life: That even as he won his biggest victory for gay rights in California, AIDS was only a few years away to bring it crashing down. And if you simply can't bring yourself to watch two men kissing, I would indeed stay away from this one (and, frankly, please keep it to yourself.)
"The Wrestler"
Given both the subject matter and the fact that "Milk" is simply a sensational film guarantees that Penn will win the Oscar for Best Actor this year, but if I had a vote it would go without question to Mickey Rourke.
For me, it's a simple test: When you see someone in a role, do they play it so well that they disappear into it, to the point that you couldn't possibly see any other actor or actress playing that part? Rourke certainly does that here in Darren Aronofsky's flick, in his perfect portrayal of a "professional" (in as much as that's his only paying job, at least) wrestler who is consumed by vanity even as his career is clearly coming to an end.
But that's only one level on which Aronofsky's movie excels. As a glimpse into the sordid world of semi-pro wrestling, not a place you want to be for too long, it's achingly funny, especially when a staple gun gets involved (I won't spoil it for you any more than that.) The humor, strongest between Rourke and Marisa Tomei as a stripper who befriends him (as a paying client, of course), was the real surprise here. I won't spoil too much, but the line about how his daughter's personal life might influence her choice in clothes is priceless. And, just to put it on the completely piggish level of pro wrestling, this second consecutive flick in which Marisa Tomei spends much of the proceedings topless is much better than the last one, "Before the Devil Knows You're Dead."
One last word of praise for Aronofsky to wrap it up (hopefully as well as he did.) It seems like very few directors have any idea how to end a movie any more. Unable or unwilling to simply choose one ending, they throw four or five at us, and can spend up to 20 minutes doing it. The final shot of "The Wrestler" is a simple but iconic one, and just wraps up the movie's spirit perfectly. I was pleasantly surprised to see the trailer for this great flick Friday afternoon in Macon, so hopefully it's finally going to play everywhere - as it certainly should - very soon.
"Happy Go Lucky"
It came as no surprise at all that Mike Leigh's flick was the oddest one I saw this week, but also one of the best. A word of warning before you enter: Even if you think you have a sunny disposition, prepare to be thoroughly annoyed by Poppy, the central character brought to all-too-cheerful life by Sally Hawkins, who I couldn't remember ever having seen on the big screen before.
She will, at at least one point, make you want to reach out and choke her, but that's clearly Leigh's point here. To give you a sample of what I mean, she's the kind of person who has to answer every thing she hears around her. For example (as my dad explained it to my mom, who didn't come with us to this one), if you say "the door is open," she'll have to say "come in" even if no one is there or repeat several times what you just said. All, of course, with an ever-present smile.
It's when Poppy begins to see the effect she has on the people around her that Leigh's movie really gets interesting. And again, if I had an Academy vote, I might give the Supporting Actor nod to the late Heath Ledger for his unforgettable turn as The Joker, but Eddie Marsan's performance as Poppy's driving instructor here would probably edge him out. He perfectly plays a character just consumed with inner and outer rage, and when the two of them come together in that tight space it's very funny until it's not, at which point it takes a truly terrifying turn.
Leigh's movie isn't perfect (there's a completely nonsensical scene between Poppy and a homeless man that just goes on way too long), but it is - as his movies almost always are - like nothing else you can see on the big screen. He specializes in truths that can make you laugh until they turn into a dagger, and the scene in "Happy Go Lucky" when Poppy and her friends go to visit her supposedly happily married sister is just perfectly uncomfortable. See this one if you can.
And there you have it. Just for the record, along with those three great flicks, I also saw three good ones - "Synecdoche, NY," "Waltz with Bashir" and "Gran Torino" - but I'll have to beg out of reviewing them at least for now because I am very sick (just a sore throat and runny nose, actually, but still none too pleasant.)
Starting Monday I will roll out my best of 2008 set, which will be incomplete since I have yet to see "Frost/Nixon" or "Frozen River," but it seems the time is as right as it's ever gonna be (and just as a teaser, it will contain at least two comedies, one French flick and one Swedish one.) Monday will feature the top 10 (or more if I can't make up my mind) movies of 2008, Tuesday will feature the best female performances of the year and Wednesday the men will get their turn. On Thursday, if you care to come back, I plan to tear into Steven Soderbergh's thoroughly tedious "Che" (whenever I think of the word "overkill," which this clearly is by at least half, I always think of that "Buffy the Vampire Slayer" joke, "no, it's just enough kill." Not the case here, but still one of my very favorite Buffy lines.) If you have any suggestions for other best of categories I should dig into, please feel free to let me know, and I'll certainly consider them, since that's what I love to do. Peace out.
