"The Office" gets its new boss

First things first, the rather intense photo above is of John Cusack as Edgar Allen Poe in James McTeigue's (let's go with "V for Vendetta" rather than "Ninja Assassin") thriller "The Raven," set to come out March 9. In the flick, Poe joins forces with a young Baltimore detective (Luke Evans) to hunt down a mad serial killer who’s using Poe’s own works as the basis for a string of brutal murders. Should be pretty darn fun, and it seems like forever since I've seen Cusack in anything.

It would certainly be better if that were actually filmed in the great city of Baltimore rather than in Serbia, but oh well. Moving on, there certainly are more important and sometimes indeed more disappointing things in life than TV, but there really wasn't anything more disappointing in last season's finales than the dud that was delivered by "The Office."

With each potentially very funny guest star getting at most two minutes to work with almost universally blah material, it was much more like a pilot looking for its funny rather than a well-established show making an essential transition. Now, however, it seems they've at least picked the guest who made the most of his time, James Spader's Robert California, to be the new boss.

The thrall he has over Jim, Dwight and others should make for a big dose of fun on a show that's sorely in need of it, but Spader's character apparently has bigger plans than taking over Dunder Mifflin's Scranton branch. According to Entertainment Weekly, he'll soon move on up to replace Kathy Bates as CEO of parent company Sabre, leaving another void to fill.

And, according to EW, the favorite to replace him then would be my favorite candidate going into the finale, "Doctor Who" vet Catherine Tate (who also appeared in the charming little British romantic comedy "Starter for 10" - rent that one if you can find it.) Combined, these two developments should bring some new life back into a show which, in my opinion, has fallen to the bottom of NBC's Thursday night comedy lineup, with them being, in my order, "Parks and Recreation," "Community," "30 Rock" and then "The Office."

For a taste of what Spader could bring to "The Office," here, courtesy of Hulu, is the first half of last season's finale with, unfortunately, way too many commercials. Enjoy, and then stick around for word about a fun new project for "Office" funnyman Ed Helms.



"The Office" star Ed Helms has the distinction of starring in one of my favorite comedies of the year in "Cedar Rapids," but also easily the worst I've seen, "The Hangover Part II." and now comes word of a new pitch that could be a lot of fun.

The project pitched by writer-director Rob Pearlstein will be titled "True North," and it's set to star Helms as a high-powered, workaholic talk show host and father who slips into a two-year coma after suffering through a horrific plane crash. Upon emerging from the coma, the once-debonair man finds that he has undergone reconstructive facial surgery and looks nothing like his former self. He then must track down his family and reconnect with his former life.

Sounds like pretty deep stuff for a comedy, so stay tuned for more on this whenever I can find it.

And to close, bringing things back to TV, "True Blood" returns to HBO this Sunday, and for the premiere episode it will be bringing along a fairly groovy new tune by Neko Case and Nick Cave. Actually, it's just a cover of the Zombies' "She's Not There," but it still sounds great. Enjoy this audio-only clip, and if you like to laugh, go see Jake Kasdan's "Bad Teacher," which for raunchy fun is a whole lot better than most critics make it out to be. Peace out.

Take the first short trip to Gervais' "Cemetery Junction"

Actually, let's start with what, at first glance, seems to be the oddest news of the day: Steven Spielberg is eying Spock himself, Zachary Quinto, to play George Gershwin in a new grand biopic.

I say on the surface, however, because it actually makes a lot of sense. Spielberg revels in movies like this, especially when it's about a rather famous Jewish American. Anyone who had to suffer through high school marching band (I played the clarinet myself) has had the pleasure of trying to play Rhapsody in Blue at least once, and it was of course used to perfection in my favorite Woody Allen movie, "Manhattan."

And, judge for yourself with the pic of Gershwin here, but I think the resemblance is there, and though I gave up on "Heroes" a very long time ago (is it really still on the air?), Quinto can really act. Anyways, something to keep your eyes on.

But here today it's really all about the first trailer (that I've seen, at least) for "Cemetery Junction." And what is that? Well, it's the first collaboration of Ricky Gervais and Stephen Merchant since "Extras," reason enough to cheer, and it's a movie that will hopefully open wide enough for me to see it when it drops ... well who knows? It's listed as April 7 for the UK and next fall for much of the rest of the world, but I can't find a release date anywhere for the U.S. Nards!

Anyways, though it's a return to the working world, it's hardly a "The Office" knockoff. Instead, though Gervais plays a role, the focus is on three young chaps who sell insurance in Reading in the early '70s. The accents are indeed a bit hard to understand when you're listening to them five minutes after waking up, but other than that, the trailer looks good to me. Enjoy, and stick around afterward for some big news about the U.S. "The Office" and a couple of more clips.



Next up comes a pretty big spoiler about the U.S. "The Office," so if you don't want to know, just skip down to the next clip. Anyone who'd been watching knows that Dunder Mifflin has been bought out, and now it seems that the buyer has been revealed.

According to movieviral.com (and, as you'll see, they have memo to prove it), Kathy Bates will very soon join the cast for at least a little while as Michael's new boss when Dunder Mifflin is bought by some entity called Sabre Corp. (and we all know he does so well with female bosses, so this should be a hoot.) Bates plays Sabre Corp. CEO Jo Bennett. The new company is apparently a printer selling company (synergy, anyone?).

Lest you doubt this, there's already a Web site for Sabre Corp. you can find here. And, because what would "The Office" be without a memo, here's the one announcing Sabre Corp.'s new acquisition:

FROM: Dunder Mifflin Management

TO: All Dunder Mifflin Employees

SUBJECT: Dunder Mifflin Joins Sabre

Dear Colleagues,

By now you have probably heard stories regarding the ownership of Dunder Mifflin. Allow us to take this opportunity to shed some light on our company's future. We are very pleased to announce that Dunder Mifflin will be joining the Sabre Corporate family. This marks a high point in our company's history. Rest assured that Sabre will do all they can to make this transition as smooth as possible.

At this time, it is important that we keep our focus on our every day activities and continue to deliver the kinds of results that have made Dunder Mifflin what it is today. It is an exciting time, and these are exciting possibilities. We are confident that you, our employees, are the best team to face the challenges and seize the opportunities that lay ahead.

This promises to be a very exciting journey for all of us.

Regards,
Dunder Mifflin Management

Like I said, Michael (Steve Carell) with Kathy Bates as his boss? Sounds like great TV to me. Stay tuned.

Except for that, all I have left today is a couple more clips. First up comes what purports to be a new trailer for Martin Scorsese's "Shutter Island," which will finally hit theaters Feb. 19. There doesn't seem to be a whole lot new here, but I'm thoroughly psyched for this flick, so enjoy the trailer.

And finally, courtesy of Collider.com come three clips from "Thankyoumoreplease," the writing and directing debut from "How I Met Your Mother" (which I believe has just been renewed for a sixth season) star Josh Radnor. The movie stars Radnor, Malin Akerman and Tony Hale of "Arrested Development," and although the clips below don't really look all that promising for this flick about six New Yorkers dealing with, well, life, this movie did just win the Dramatic Audience Award at Sundance, so what in the world do I know? Enjoy the clips, and have a perfectly passable Monday. Peace out.

When Tyler Perry met ... Ernest?

OK, first and for the record, for anyone who's never been here before, I am a big Tyler Perry fan and supporter, so please don't read too much into that headline.

Although Madea is pretty far from my favorite of his creations, I'm still convinced that "Madea Goes to Jail" will be a winner, both for its solid cast and because, well, Mr. Perry hasn't completely failed me yet, so he's earned more than a bit of my trust.

But what continues to vex me more than a bit is that, even on a weekend with only two major releases coming out, the only one that gets screened for critics is a teen cheerleader/sex comedy titled "Fired Up!" (and starring Claire's boyfriend from "Heroes" and a star of my beloved "Rocket Science," Nicholas D'Agosto.) Surely, though he clearly doesn't need them, it should finally be time for Perry's flicks to get some scrutiny from critics (though maybe not for anything as silly as Madea.)

The title of this post actually comes from what two co-workers - neither of whom have ever seen a Tyler Perry movie - said to me this week about "Madea Goes to Jail," comparing it, of course, to the work of the late Jim Varney. If you'll indulge me for a sec, that just set my easily occupied mind journeying for a few minutes, so bear with me.

First off, beyond any racial underpinning, I'd have to say 1) the comparison is sometimes pretty accurate and 2) I actually liked Jim Varney quite a bit, if not always Ernest (just for proof that he was actually a pretty damn fine comedic actor, I've included a clip from "Ernest Goes to Jail" below.)

They each engage in the broadest kind of comedy, but as anyone who's dared (and I only say dared because I know so many people haven't yet) to see a Tyler Perry movie knows, with his flicks you usually get a lot more. Though not yet a first-rate director, he is an outstanding writer and creates well-rounded characters who have a real human appeal, especially his women. For the best examples you can watch on DVD, check out what he did for Kathy Bates in "The Family that Preys" or Stringer Bell (Idris Elba) in "Daddy's Little Girls." Or his best ensemble comedy/drama, "Madea's Family Reunion."

I tried more than once to watch his TV show "House of Payne," but just couldn't make it through an entire episode, mostly because in tone they're a lot more Ernest than anything he's done for the big screen, without all the other good qualities.

So, what will you get if you take a chance on "Madea Goes to Jail"? Well, Madea, of course, but also Derek Luke as an assistant district attorney, Keshia Knight Pulliam (yes, Rudy Huxtable) as a prostitute who catches his eye, and the return of the very funny David and Tamela Mann as Madea's supportive relations. Also in supporting roles are Oscar nominee Viola Davis (for Supporting Actress in "Doubt"), and one of my favorite young actresses, Keke Palmer of "Akeelah and the Bee." It's also a return to Atlanta, where Tyler Perry's films are always at their best.

If you weren't going to see this at the beginning of this post, I'm fairly certain I didn't do anything to change your mind, but if you do go see it Saturday afternoon at the Amstar/Grand cinemas in Macon, you'll find me there laughing. Very hard and right out loud.

And, as promised, here's that clip of what happens when Ernest meets a leaky pen. Priceless. And, because nothing says Friday better than Quentin Tarantino and Nazis, I've also included the first three posters I could find for his World War II flick coming in August, "Inglourious Basterds," and then a trailer that adds more footage than was available in the teaser from a few weeks ago. Even if this somehow turns to be awful, it should still at least be a fascinating mess. Peace out.

Vive la femme: My women of the year

It really sucks to be so sick you almost can't think straight, but it only happens to me once every three years or so, so I guess I really shouldn't complain.

And while I've managed to get it together enough to go to work, I haven't been able to muster the will for much else after that but sleeping and watching some mindless (but not stupid, big difference) TV, which has lately meant a big dose of "Seinfeld" (not that there's ever anything wrong with that!)

But now, with an hour and a half to kill before the so-called national title game, I really need some brain exercise, so without further ado - in simply alphabetical order - here are my favorite 10 (actually 12, with the combined entries) female movie performances of 2008. Please feel free to add your own, and enjoy:

Hiam Abbass
I've raved in full in this space about Richard Jenkins' performance in this film by "The Wire" veteran Thomas McCarthy, but it wouldn't have been complete without Hiam Abbass as Mouna Khalil to help draw him out. In a way, everyone in this flick is a "Visitor," as Abbass' Mouna, a Syrian immigrant searching for her son, certainly is in New York City. Her balance of anger, reserve and eventual gratefulness for the help of Jenkins' Walter hits just the right note, and they make a perfect combo.

Kathy Bates and Alfre Woodard
You can say a lot of bad things about Tyler Perry (if you want to, which I don't), but you have to admit that - like Woody Allen sometimes does - he really has a knack for writing smart, funny parts for women. And, surprisingly, he found his best yet for his first white star, Kathy Bates. The "Dallas"-style story of family intrigue in "The Family that Preys" falls short of good, but the tale of Bates' and Woodard's friendship - and the road trip it takes them on - is so entertaining you won't even mind the sap. And Kathy Bates, in particular, is just a hoot.

Penelope Cruz and Rebecca Hall
2008 was a surprisingly strong year for comedies, so I guess it shouldn't be too much of a shock that the aforementioned Mr. Allen finally managed to return to top comedic form with the lighter-than-air treat "Vicky Cristina Barcelona." Penelope Cruz got the best of it here, taking a manic turn in Spanish as the chronically crazed wife of Javier Bardem's Juan Antonio. Rebecca Hall, however, held up her end of the love quadrangle as the movie's real leading lady, and besides, I've always just really liked her ever since "Starter for 10."

Viola Davis
They really need to make another acting category besides supporting for the actor who makes the biggest impression in a movie in the shortest space of time. Call it the "impact" award if it must have a name. Last year I would have given it to Hal Holbrook for "Into the Wild," and this year it would certainly go to Viola Davis for her 10-minute-or-so turn in "Doubt." I can't really tell you anything about it because it makes both the movie and its plot, but I can guarantee you won't forget it for quite a while.

Sally Hawkins
I really hope Mike Leigh's "Happy Go Lucky" gets enough awards acclaim to play a little wider, because it's one of the oddest but also most endearing movies I've seen in quite a while (it didn't make my top 10 for the year, but would have been at No. 14 or so.) At its center, Sally Hawkins just plays a character so perpetually cheerful that you (or at least, me) want to throttle her, until you slowly get attached to her and realize just how good Hawkins is in this. It really is a litmus test for cynicism, and though I usually reject that kind of thing, this one just works perfectly.

Beyonce Knowles
I'm sure I don't have nearly enough influence to do Darnell Martin's woefully underappreciated "Cadillac Records" any good, but if any movie deserves a strong second life on DVD this is it. It's a consistently fun if offbeat musical biopic, and Beyonce is shockingly good as Etta James, just a combustible mix of pride, anger, vulnerability and yes, sexiness. And, yes, she really can belt out a mean rendition of "At Last" and, even better, "I'd Rather Go Blind."

Tea Leoni
Speaking of underappreciated, did anyone go see "Ghost Town" in the theater? There were probably at least four or five who did, and I'm sure that like me they found a treat for fans of Ricky Gervais and comedies that are aimed at adults (without forgetting to be at least a little silly.) I liked Tea Leoni in this one, however, at least as much as I did Mr. Gervais, and she manages to get the best of him in several scenes of this witty charmer.

Samantha Morton
I can't nearly go as far as New York Times film critic Manohla Dargis, who if I'm not mistaken gave four of her five best actress votes to the women of Charlie Kaufman's "Synecdoche, NY," but I can take a second to praise Samantha Morton's work in it. Her bubbly Hazel is just the perfect inspiration for Philip Seymour Hoffman's Caden Cotard, and though Kaufman lost me by the end of this wierd but sometimes wonderful creation, they both soldiered through to the finish.

Marisa Tomei
If it weren't for Viola Davis, I'd definitely vote for Marisa Tomei's turn in "The Wrestler" for best supporting actress, and for Mickey Rourke as leading man, because Darren Aronofsky's flick is simply the best character study of the year. Not, mind you, the most inspirational of characters, but two of the most memorable, and it won't surprise me at all if she takes home her second Oscar this year (shocking, perhaps, but well deserved this time.)

Catinca Untaru
And, for the finale, youth is served. Tarsem Singh's "The Fall" works best as a story being devoured by a wide-eyed child, and young Catinca Untaru is just thoroughly charming as Alexandria. I learned from reading an article by Roger Ebert that she spoke little to no English when this began filming (two years ago!), and had to be coached line-by-line throughout, just making her performance all the more remarkable.

And there you have it. Please feel free to mention any one I have clearly snubbed (and believe me, I know there are many!) Peace out.

Does the world need men in drag and fat suits? Maybe not, but Tyler Perry is damn funny

I realize I'm far from alone here (though perhaps in the minority in the rapidly aging white dude community), but I've been with Tyler Perry since the beginning, and I still get pretty excited when I hear one of his now semi-annual movies is coming.

Granted, the man has been slipping a bit of late. "Meet the Browns" and "The Family the Preys" were both average movies at best that contained great performances by its female leads, Angela Bassett in "Browns" and Alfre Woodard and Kathy Bates in "Preys." In fact, I'd list Bates' turn as the matriarch of a very wealthy Atlanta family as easily one of my favorite female performances of 2008.

And along with making movies with a definite human feel, Perry is also always good at just that: Writing well-round and very funny roles for women. Which is why it's always made me scratch my head when he turns into Madea.

Now, Madea can be very funny in small doses, but as a rule his movies are much better when he lets the women play the "id" rather than setting loose too much of his alter ego. Which is why I wasn't terribly thrilled to hear that she/he is getting her/his own movie, "Madea Goes to Jail," coming Feb. 20 from Lionsgate, Perry's movie home from the beginning.

From this trailer, however, it appears I once again must have been wrong, because it looks like a strong ensemble piece, led by the always-welcome Derek Luke and Keshia Knight Pulliam - a k a Rudy Huxtable (yes, that is little Rudy, all grown up and hoed out with that rather ridiculous wig.) And apart from that, I know that all trailers always cherry-pick the best laughs, but it also looks like not only Perry's Madea but also Perry stage regulars David and Tamela Mann will bring the real funny. Enjoy the trailer, and have a perfectly passable Wednesday. Peace out.