A behind-the-scenes look at AMC's take on "The Prisoner"

It would be good enough that AMC is simply ponying up for a third (and presumably fourth and fifth) season of "Mad Men" for this summer, but I'm also becoming more and more confident that what's coming with it - a six-episode remake of "The Prisoner" - will also far from completely suck.

On its surface, the idea hardly seems like a good one. The original series, starring and co-created by the recently late Patrick McGoohan as Number Six, was, well, extremely British (so is "Absolutely Fabulous" in a more than slightly different way, but that one's coming to U.S. TV next fall too, unfortunately.)

For anyone who's never seen it, McGoohan played a former secret agent working for the British during the Cold War who resigns on the first episode and is then kidnapped and held hostage in an isolated spot known only as the Village. In the original series, he's grilled by a series of interrogators known collectively as Number Two, even though they were played by a different person for each episode.

And therein comes the first big change for AMC's model: Number Two will be played for all six episodes by Sir Ian McKellen (coincidentally enough, I was just watching Sir Ian's explanation of his acting technique last night on "Extras": "How did I know where to stand? They told me." Exceptionally funny.) Number Six will be played by none other than Jesus himself, a k a Jim Caveizel.

Despite these modifications, I'm still fairly confident this will be good after watching this video from AMC, which shows that Namibia serves as the setting for The Village and then the crew moved onto Cape Town (rough life!) for the rest of the shoot. As long as this doesn't turn into an exercise in torture (why is seeing someone getting tortured considered entertaining? I'll never understand it, but I digress ...), this should make for a fantastic summertime diversion. Enjoy the video, and to watch all 17 episodes of the original series, courtesy of AMC, click here (though every time I have tried so far it has crashed my Firefox.)



David Simon's "Treme" rapidly taking shape

I probably should have led with this news about "Treme," the new HBO pilot from "The Wire" creator David Simon, especially since it is now set to star one of my favorite actors.

The series about musicians in New Orleans had already attracted two members of "The Law" from "The Wire" (more on that in a second), and now Steve Zahn and Kim Dickens have also signed on. Zahn (who will always be known to me as Glenn Michaels) will play Davis Rogan, a street dancer, local radio DJ, band member and New Orleans native with "anger issues" ( I can see that in my mind already). Dickens (Matt Saracen's mom on the current [and still sensational] season of "Friday Night Lights" but also Jeanie Stubbs on "Deadwood") will play a chef who has opened her own restaurant.

Joining this duo will be easily two of my favorite "Wire" vets, "Bunk" Moreland and Lester Freamon. Wendell Pierce, a New Orleans native, will play a jazz musician who's fallen on hard times after Katrina and who still has a soft spot for his ex-wife, played by "CSI Miami" star Khandi Alexander. Even better, Clarke Peters will be playing a Mardi Gras Indian chief who's trying to bring the members of his tribe back to the city.

So far this is only being put together as a pilot, but I can't imagine HBO wouldn't take anything short of at least a full season from Simon, especially with this cast behind it. I cancelled my HBO after the end of the first season of "True Blood," but I'll definitely re-up if and when this ever really comes together. Peace out.

David Simon's "Treme" will be a "Wire" family reunion

Even with the simply sublime "Mad Men" back on the air and clearly still in top form and a slew of pretty great shows ("Pushing Daisies" would have to be the one I'm most jazzed about) finally set to return for hopefully full seasons, the end of HBO's "The Wire" has just left a huge void.

Luckily for us viewers, "Wire" mastermind David Simon is a man who likes to work and HBO is smart enough to hold on to its best talents. "Six Feet Under" creator Alan Ball will be back Sept. 7 with what should be a satisfying vampire series in "True Blood" with Anna Paquin, and in even better news, Simon is getting back into the game too in a big way - and with a lot of familiar faces.

For what is so far only a pilot (though it surely won't end up that way), Simon has moved his sights from Charm City to another American city in distress, New Orleans, where there's at least as much crime and corruption to work with as there was (and still is) in Baltimore.

"Treme," which takes its name from a historic African-American neighborhood in the Crescent City, will take a look at the lives of musicians and others struggling to get by in what Hurricane Katrina left them to deal with. "Wire" creative folks Eric Overmyer and Nina Noble are on board as executive producers and, in even better news (I know I'm burying the lead here), "Wire" cops Bunk and Lester and "The Corner" resident Fran Boyd are all set to star! (And though I try to use them sparingly, that's certainly worthy of an exclamation point.)

Wendell Pierce will play Antoine Batiste, an accomplished jazz trombonist who is now scratching for gigs, trying to support a live-in girlfriend and a new baby. Khandi Alexander, who after playing Fran on "The Corner" went on to star on "CSI: Miami" for seven years (though I can't say I've ever tuned in for an episode), will play Ladonna Batiste, the mother of Antoine's other two children, who is single-handedly keeping her bar afloat.

Clarke Peters, a k a superdetective Lester Freamon, will play Albert Lambreaux, a big chief of the White Feather Nation trying to bring the (Mardi Gras Indian, I assume) tribe's members home.

As you can probably tell from those few details alone, Simon's ready for this and should deliver something great. As he did with Baltimore on "The Wire," Simon told the New Orleans Times-Picayune that "Treme" would reach beyond the music scene to explore political corruption, the public housing controversy, the crippled criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm.

"It's basically a post-Katrina history of the city. It will be rooted in events that everybody knows," Simon told the paper. "What it's not going to be is a happy stroll through David Simon's record collection. It should not be a tourism slide show. If we do it right, it (will be) about why New Orleans matters."

All I can say is a resounding bring it on, ASAP!

AMC moving from '60s to '70s

Among the many charms of AMC's "Mad Men" (and man was that second episode of season two great) is the attention to detail it pays in reconstructing the world of early '60s New York City and its ad men.

Now, in its search for more original programming, the cable channel is looking to the '70s to turn Francis Ford Coppola's "The Conversation" into a serial series.

Writers Christopher McQuarrie ("The Usual Suspects" and upcoming "Valkyrie") and Erik Jendresen ("Band of Brothers") have been hired to develop the project, which like the flick will be set in the early '70s. No word yet on who will attempt to fill the shoes of Gene Hackman as electronic surveillance expert Harry Caul, but given the dangers to privacy we deal with now the show could turn out be both timely and very entertaining.

Just as HBO passed on "Mad Men" (and then fired all the folks who made that rather astoundingly bad decision), ABC passed on this idea from the same team a few years ago. Even more interestingly, before that - way back in 1995 - producer Tony Krantz also tried to pitch it to NBC with Kyle MacLachlan in the lead. Talk about persistence!

Great TV news all around, but now I have to go to my actual paying job. Peace out.