Reel Fanatic, the return: A brief but fun clip show

I can't imagine that, with me having taken two weeks or so off from this, even more than a few people will stop by, but I still like doing it when I get the time, so here goes:

Looking at the fall TV lineup this year, I'm struck by the shear number of scripted fare coming to the airwaves, a welcome respite from the usual onslaught of reality crap in my book. Even if the majority of these shows are terrible, just the fact that more writers get paid for anything these days is enough to make me smile.

And here today, it's going to be at least partly about two of my favorite returning shows, both NBC sitcoms, "Community" and "Parks and Recreation." What could make "Community" more fun? Well, Dan Harmon and his crew have shown that they're rarely short of fun ideas, but a cutthroat Greendale badminton team, as the above picture implies? Yeah, I'd watch that. Click here to visit Collider for their full set of on set photos, and keep an eye out for the return of "Community" on Sept. 22.

The one sitcom I enjoy even more than "Community" is "Parks and Recreation" which in its two-and-a-half or so seasons has managed to develop the best ensemble comedy team on TV and some of the sharpest writing, too. And if, like me, you tune in for this, I have to assume you love Ron Swanson (if not, why in the heck do you watch?)

Well, in season four, also returning to NBC on Sept. 22, we meet Tammy One, poor Ron's first ex-wife, to be played by Patricia Clarkson in what should just be a hoot. In the preview below, cast members describe her as "ice cold" and "dangerous," and since Tammy Two fears her, you know it must be true. And on top of that, we'll also apparently encounter "Tammy Zero," Ron's mom. Just what did this government-hating guy do to deserve all this haranguing? Enjoy this season four preview, and then stick around for some actual movie stuff I also found today.



There are always a lot of good movies to look forward to in the fall, and now that I've moved back to the Eastern Shore of Maryland, I'll probably make the trip to Washington, DC, some weekend soon to catch a few of the more arthousier ones. One flick I'm definitely looking forward to is "Margaret," which will mark the return of Kenneth Lonergan after a long hiatus.

If that name sounds vaguely familiar to you, that would be because, before disappearing for the past 10 years or so, he managed to write and direct easily one of my favorite movies with "You Can Count on Me." If you've never seen this charming little flick starring Laura Linney and Mark Ruffalo as a pair of estranged siblings, track it down asap (and it shouldn't be hard to find.)

Since then, Lonergan managed to shoot "Margaret" about five years ago, but then promptly got in a nasty legal battle with Fox Searchlight about his inability to end the movie. That explains the long time off, but the first trailer for the movie, set to open in at least a few markets on Sept. 30, is below.

As you'll see, it's sort of about a young women, played by Anna Paquin and presumably named Margaret, who is instrumental in causing a horrifically fatal bus accident involving bus driver Ruffalo. There's surely a lot more than that going on, and I can't wait to see this if I ever get the chance. Enjoy.



OK, finally today, I certainly don't need to tell you that Jessica Chastain is having about as good a year in 2011 as an actress could possibly have. So far already, she's played the female lead in Terrence Malick's astounding "Tree of Life" and also Helen Mirren's younger model as a Mossad agent in "The Debt," but my favorite performance of hers this year was easily as Celia Foote, the comedy relief in "The Help" (and guys, even you should see that winner as soon as you can.) Below, just because it's a good interview, enjoy her talk with Drew McWeeny of HitFix, mostly about "The Debt," but some other things, too, and have a perfectly pleasant end to your Labor Day weekend Peace out.

Friday news, with Catwoman, Kenneth Lonergan, Jonah Hill's foul-mouthed "Sitter" and more

That, of course, is Anne Hathaway in costume as Selena Kyle/Catwoman in Christopher Nolan's upcoming "The Dark Knight Rises," riding a motorcycle with an apparently monstrously large front wheel. And I have to say, now that we've seen Bane and Catwoman, nothing about the slow reveal for this flick so far has me thinking it will be anywhere near as good as "The Dark Knight," but I live to be proven wrong (and manage to accomplish it almost every day.)

And moving on, in other movie news, does anyone remember the name Kenneth Lonergan?

If not, I wouldn't be terribly surprised, but before he pretty much disappeared completely from the world of movies, he managed to make easily one of my favorite flicks of the '00s (and really, of all time) in "You Can Count on Me." If you've never seen that little movie starring Laura Linney and Mark Ruffalo as an estranged brother and sister trying to, well, simply deal with life, I'd recommend tracking it down as soon as possible.

And with that movie being a pretty solid arthouse hit, Fox Searchlight signed writer/director Lonergan to make a followup titled "Margaret." Here's what, at least when Lonergan began shooting the movie in 2005, it was to be about, courtesy of AICN:

MARGARET centers on a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life. In her attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world.

Sounds like pretty heady stuff, and looking at the cast list, I'm fairly certain that Anna Paquin, way back then, played the teen at the movie's center. It was also set to (and still does) also star Matt Damon, Ruffalo, Rosemarie DeWitt, Allison Janney, Jean Reno, Krysten Ritter and, from "You Can Count on Me," Matthew Broderick and Kieran Culkin.

But between then and now, a number of odd things happened, most importantly that Lonergan had no idea how to end his own movie. It clocked in at three hours-plus, and he ended up in court with studio folks about his inability (or unwillingness) to shorten it.

Well, I tell you all that to tell you this: Lonergan's "Margaret" is now finally set to come out in at least some corners of the world and in some form on Sept. 30. And even with such a tortured past, I'll be there to see whatever comes out of all this.


And in news of a movie that should turn out to be much more fun, Louis Leterrier is cooking up a first-rate cast for his magical police tale "Now You See Me," which is about, according to Variety, "a crack FBI squad in a game of cat and mouse against a super team of the world's greatest illusionists, who pull off a series of daring bank heists during their performances, showering the profits on their audiences while staying one step ahead of the law."

Sounds like nothing but big fun to me, and now comes word that Ruffalo and Amanda Seyfried are about to join a cast that already features Melanie Laurent of "Inglorious Basterds" and Jesse Eisenberg. Not sure exactly which roles the latter two will play, but I do know that Ruffalo will play the head FBI agent and Seyfried an expert at building the criminal team's magical devices.

I hope I never get too old to enjoy this kind of thing, and in the same vein, thanks to the recommendation of always-welcome reader Jeremy Jirik, I've also just started reading "Midnight Riot" by "Doctor Who" scribe Ben Aaronovitch, and it's exactly what the title promises. Highly recommended summer reading.

And to segue into today's clips, I'm also sure I'll never get too told for seriously raunchy R-rated comedies, when they're done right (which I'm certainly not expecting from "The Change-Up," so I think I'll just say no to that.) Even if David Gordon Green's "The Sitter" indeed just looks like a mix of "Superbad" and "Pineapple Express" with foul-mouthed kids, it still also looks like exactly the kind of comedy I can dig. Here, courtesy of IGN, enjoy this first red-band trailer, with an appropriately foul introduction from Jonah Hill and his young co-stars, and keep an eye out for the movie on Dec. 9.

More The Sitter Videos

And finally today, here's the second trailer I've seen for the single movie I'm most looking forward to for this fall, Tomas Alfredson's "Tinker, Tailor, Soldier, Spy." Just as the director made wintery Sweden, the setting of his simply fabulous vampire tale of sorts, "Let the Right One In" (still streaming on Netflix, if you've somehow never seen it), such a key part of the story there, you can tell from this UK trailer that he'll drop us fully right in the middle of cold-war era Britain for the spy games in Le Carre's novel. The movie's rather amazing cast features Gary Oldman (as the mole hunter George Smiley), Colin Firth, Mark Strong, John Hurt, Toby Jones, Tom Hardy and Benedict Cumberbatch (from the BBC's "Sherlock"), so keep an eye out for this in the USA on Nov. 18, and enjoy this new trailer. And if you'll excuse me now, I'm off to do some swimming and then catch a matinee of "Rise of the Planet of the Apes." Peace out.

Joseph Gordon-Levitt as the Riddler? Bring it on!

Rumors are, after all, exactly that, but when they're this good, you just have to embrace them and hope that somehow makes them true.

Hollywoodlife.com is reporting that, after the two joked about it on the set of "Inception," aka the best candidate to save us from this thoroughly wretched summer (though if you've been here before, you know I did enjoy both "Get Him to the Greek" and "Splice"), director Christopher Nolan now has Joseph Gordon-Levitt on his short list to play the villain in the next Batman movie, the Riddler. Take a second to absorb just how cool that would be if it turns out to be true.

Now, keep in mind that any new Batman movie is two years away and is still being written by David S. Goyer, but if you look at Gordon-Levitt's work so far, you'll hopefully understand just how cool this could be. I'm not as high on "500 Days of Summer" as many people I know, but it's a pleasant enough little movie, and he's much better in either "Brick" or "The Lookout," if you're in the market for a movie rental.

And easily the weirdest thing about this of all? I had forgotten but saw somewhere that Nolan's last big bad, the late Heath Ledger, and Gordon-Levitt co-starred in the much-better-than-it-should-be teen comedy "10 Things I Hate About You." Not sure why, but I just for some reason find that a little eerie ...

OK, enough of that, because it's a day full of actual casting news, good and bad, so let's get to it. And, being me, I'll just start with the bad and get it over with. If you've seen "Tropic Thunder," I have to hope you liked it, because even though some of it was indeed overkill (way too much Jack Black), it was mostly savagely funny (and you'll have to forgive me if it offends you, but that "full retard" bit will always make me laugh out loud.)

Unfortunately, now comes word that easily the least funny part of that movie, Tom Cruise's movie producer Les Grossman, is now somehow getting his own feature-length movie (but, if Marmaduke can get his own movie, I guess I shouldn't be surprised by anything anymore.) You may remember him from "Tropic Thunder" with more fondness than I do, but I just thought it was a tremendous amount of bluster signifying very little funny. This is being produced by Cruise and Ben Stiller, and this statement from Stiller announcing it did little to convince me they'll actually come up with anything funny here:

“Les Grossman’s life story is an inspiring tale of the human class struggle to achieve greatness against all odds. He has assured me he plans to quote ‘F**king kill the sh*t out of this movie and make Citizen f**king Kane look like a piece of crap home movie by the time we are done.’ I am honored to be working with him.”

Whatever comes of all this will apparently be written up by "Scott Pilgrim Vs. the World" co-screenwriter Michael Bacall, but that still doesn't give me too much confidence.

OK, enough negativity, because it really is far outweighed by the good casting news out there today. First up comes word that two of Jack Donaghy's girlfriends will be among the ladies I like watching in movies joining veryfunnyman Paul Rudd in what sounds like a really fun little flick.

Elizabeth Banks, Zooey Deschanel, Emily Mortimer and Rashida Jones will star opposite Paul Rudd in "My Idiot Brother," a comedy being directed Jesse Peretz. With that much funny on the female side, can this possibly go wrong?

The movie, according to the Hollywood Reporter, centers on an idealist (Rudd) dealing with his over¬bearing mother who crashes at the homes of his three ambitious sisters and (this last part actually scares me a bit) "brings truth, happiness and a sunny disposition into their lives while also wreaking havoc." No matter how sappy that sounds, I'm still betting on funny too. Here's a bit more about the characters, per THR:

Banks, Deschanel and Mortimer play the sisters. Banks is a career-driven single about to get her big break in journalism after spending years writing about accessories at a fashion magazine; Deschanel is a bisexual whose flakiness and lies are getting in the way of moving forward with her caring, responsible girlfriend (Jones); and Mortimer plays a Park Slope mom too worried about having the perfect life and children to notice that her marriage is falling apart.

That all sounds good to me, and the few people who may have visited here before probably know that I have an inordinate amount of affection for the Paul Rudd movie "Role Models," which makes this next bit of casting news even better.

It seems that Steve Zahn (currently starring on "Treme"), Peter Dinklage (easily my favorite of the little people) and Ryan Kwanten (Jason on "True Blood") will star in something called "Knights of Badassdom." Yes, really.

The horror/comedy being directed by Joe Lynch is about a group of live-action role players who just happen to conjure up a demon from hell by mistake and have to deal with the consequences. That had me laughing already, and just to make it better, here's what Kwanten had to say about it to Access Hollywood:

"... it's like 'Shaun of the Dead' meets 'Role Models.' It's that real black comedy that I really love."

Nothing like name-checking two movies I love too to get me hooked. OK, from here on out today, it's simply about a trio of videos that happened to catch my eye. "True Blood" does indeed return this Sunday at 9 p.m., and you can count me as thoroughly psyched for it. I've read all of Charlaine Harris' Sookie Stackhouse novels now, and though the show takes all kinds of liberties from her work, they almost always pan out. Here's a clip from season three that features one of its new characters, the werewolf Alcide Herveaux, being played by Joe Manganiello, and Anna Paquin's Sookie. Enjoy.



For some reason not until an hour or so after I've gone to bed (it is after all, a school night), AMC will be premiering the first episode of a promising new series called "Rubicon" this Sunday at 11 p.m. (thank God for the DVR.) I'm a sucker for almost anything with a grand conspiracy, and when you make it political, I'm even more in. "Rubicon," which will be a 12-part series and eventually settle in behind the new season of "Mad Men" starting on Aug. 1, is about a fourth branch of American government that really runs everything around us, as far as I can tell from this trailer (just to clarify, "Mad Men" actually returns on July 25, and not a minute too soon, but "Rubicon" won't get it's proper launch until the following week.) Enjoy.



And finally, and in so many ways saving the very best for last, I found this little comedy nugget in the latest Roger Ebert newsletter, which you can subscribe to here. It costs like $5 for a year, but it's thoroughly worth it, especially when he puts in things as good as "David Mamet's Lost Masterpieces of Pornography." With a title like that, I'm not sure it needs any more embellishment from me, but know it's hosted "Masterpiece Theater"-style by Ricky Jay and somehow stars Kristen Bell and Ed O'Neill. Yes, really, and on the funny or die scale, this is definitely funny. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Why isn't Ellen Page a big star already?

I've often wondered (yes, really, I find it much more fun than thinking about my actual job) why more people don't give Ellen Page starring roles.

Sure, Drew Barrymore gave her the lead in "Whip It," but, especially given the subject matter, that was much more tame and less funny than it could have been. And she has a pretty big role in Christopher Nolan's new flick, "Inception" (which I'll be geeking out for at the midnight show), but that one will of course be all about Leo.

But I just assumed (and hoped) that after "Juno," young Ellen Page would become a big star in something besides TV commercials, because she certainly deserves it. Well, now comes word from Cannes that she has indeed signed on for a new leading role, though not in anything that should bring her anywhere near the multiplexes in my little corner of the world.

Endgame has signed her to star in a dramatic feature based on Cynthia Wade's short documentary "Freeheld," which certainly has a timely topic for our times. Page will play a New Jersey car mechanic whose police detective girlfriend is diagnosed with terminal cancer. The documentary was and feature will be about their battle to secure her partner's pension benefits, which, rather amazingly, is apparently still an issue.

Not exactly the most uplifting of subjects, but hopefully in the hands of screenwriter Ron Nyswaner, who won an Oscar for "Philadelphia," some properly powerful stuff.

Except for that, I really don't have much today before "True Blood" except that the CW has somehow renewed a show that I thought only me and about six other people watched (though that may indeed be a high enough number for renewal there.) I'm not sure if it will be in the fall with a full 22-0r-so season or in Winter again for 13 more episodes.

Either way, I really like the show about a 16-year-old (Britt Robertson) who, after growing up in a series of foster homes, reunites with and is taken in by the parents who abandoned her (Shiri Appleby and Kristoffer Polaha) shortly after she was conceived during a one-night stand in high school. Surprisingly, it's often as serious as the subject matter would call for, but also very funny and overall an odd fit in the CW lineup. I'll certainly be tuning in for as many episodes as they bother to make from here on out.

OK, enough of anything serious, because "True Blood" returns to HBO for season three beginning June 13, and as you can see from the first full trailer below, the series will continue to take all kinds of liberties from the Sookie Stackhouse novels by Charlaine Harris. In season three, among the colorful characters coming are Alcide (Joe Manganiello), a werewolf charged with protecting Sookie (Anna Paquin) as she searches for the missing Bill (Stephen Moyer); the mysterious (as opposed to mundane, I suppose) vampire Franklin Mott (James Frain), who latches on to Tara (Rutina Wesley); and Denis O'Hare as Russell Edgington, the vampire king of Mississippi.

All those characters make at least brief appearances in the novels, all of which, yes, I've read, but much of the fun (almost none of it, thankfully, high-minded) of the show comes in seeing in how their roles are greatly expanded. I'm thoroughly enjoying "Treme," but "True Blood" and that David Simon New Orleans show back to back? The South is indeed rising again. Enjoy the full "True Blood" trailer, and have a perfectly passable Wednesday. Peace out.

Take a bite: Three glimpses of "True Blood" season two

I love it when a rumor turns into truth, but even more when that truth turns out to be even better than believed, as is the rather amazing case with "Futurama."

Collider reported earlier this week that Comedy Central was in negotiation for 13 new episodes of the fantasticly entertaining animated show, but it turns out that was half the deal. The network has apparently ordered 26 new episodes, so far, to run over two seasons.

"Futurama" creators Matt Groening and David X. Cohen are already working on stories for the next season, set to premiere in mid-2010 with all the original voice cast returning.

Now I like "Family Guy" enough and I love "Scrubs," but seeing as there haven't been any new episodes of "Futurama" since 2003, I'd have to say this is the most remarkable story yet of a tv show getting resuscitated, and in honor of Bender, I'll just say "bite my shiny metal ass" and bring it on!

And this summer, two of my current favorites are returning, and I have to say, the more I hear about "Mad Men" show runner Matthew Weiner, the more I admire just how much he's an ornery sort. AMC apparently wanted to add two minutes of commercial time to the brilliant show about ad men, but Weiner balked and the network understandably gave in rather quickly, so the show will run until 11:02 or so when it returns at 10 p.m. Sunday, Aug. 16. And to answer the first question that popped into my mind, AMC assures viewers that DVRs will indeed record all 62 minutes.

But here today it's supposed to be all about Charlayne Harris' Sookie Stackhouse novels and how they've morphed into "True Blood," which returns this Sunday and is the only show in several years good enough to get me to re-up on HBO for three months (but I'll surely be back again when "The Wire" creator David Simon's New Orleans show "Treme" hits next year.)

I like stories about vampires ("Let the Right One In" has lingered as my favorite movie of all of 2008) and especially funny ones, so I'm ashamed of how long it took me to come on board with Harris' trashy-in-all-the-best-ways novels. They're certainly far from high art, but for airplane reads there are few series I can recommend higher. I've read two-and-a-half of them so far, and I have to say Harris' mix of horror, humor, romance and Southern flavor, while perhaps not unique, is extremely addictive.

So, what's gonna happen in season two? I have no way of knowing everything, of course, but from what I know happens in the second Sookie Stackhouse novel, "Living Dead in Dallas," and with the help of these three clips courtesy of HitFix, I can give you at least a taste.

Though you certainly won't hear who it is from me, season two opens with the murder of one of the show's most colorful minor characters. Along with looking into that, in an unrelated case, Sookie (Anna Paquin, whose certainly all growed up) is called to Dallas to investigate an anti-vampire church/cult that has kidnapped the brother of Dallas' vampire sheriff (yes, really.)

One big and mostly good way the show differs from the novels is that it builds up minor characters that Harris largely ignored and gives them new life, the best example being Tara Thornton, played for great comic effect by Rutina Wesley. In this first clip, we find Tara still staying at the home of her rescuer Maryann ("Battlestar Galactica" 's Michelle Forbes), who I can tell you plays a big part in the early parts of "Living Dead in Dallas," and here meets Tara's mother (Adina Porter.)



Another character who gets a lot more play in "True Blood" than in print is Sookie's brother Jason (Ryan Kwanten.) He pretty much disappears after the first novel, "Dead Until Dark," but on TV, "True Blood" mastermind Alan Ball has him become involved with the anti-vampire sect, as you can see from the clip below.



And, of course, Sookie is called in to investigate the Dallas case, or more accurately ordered to by the local vampire sheriff, Eric, played by Alexander Skarsgard. In this final clip, Eric explains his order to Sookie's vampire paramour Bill (Stephen Moyer), who understandably isn't terribly pleased about it.



Anyways, that's probably way too much to write about one TV show, but it's summer and, well, there's not much else on at all. And for anyone who cares about this kind of thing, apparently Anna Paquin and Stephen Moyer are now a couple in real life, too. Peace out.

David Simon's "Treme" will be a "Wire" family reunion

Even with the simply sublime "Mad Men" back on the air and clearly still in top form and a slew of pretty great shows ("Pushing Daisies" would have to be the one I'm most jazzed about) finally set to return for hopefully full seasons, the end of HBO's "The Wire" has just left a huge void.

Luckily for us viewers, "Wire" mastermind David Simon is a man who likes to work and HBO is smart enough to hold on to its best talents. "Six Feet Under" creator Alan Ball will be back Sept. 7 with what should be a satisfying vampire series in "True Blood" with Anna Paquin, and in even better news, Simon is getting back into the game too in a big way - and with a lot of familiar faces.

For what is so far only a pilot (though it surely won't end up that way), Simon has moved his sights from Charm City to another American city in distress, New Orleans, where there's at least as much crime and corruption to work with as there was (and still is) in Baltimore.

"Treme," which takes its name from a historic African-American neighborhood in the Crescent City, will take a look at the lives of musicians and others struggling to get by in what Hurricane Katrina left them to deal with. "Wire" creative folks Eric Overmyer and Nina Noble are on board as executive producers and, in even better news (I know I'm burying the lead here), "Wire" cops Bunk and Lester and "The Corner" resident Fran Boyd are all set to star! (And though I try to use them sparingly, that's certainly worthy of an exclamation point.)

Wendell Pierce will play Antoine Batiste, an accomplished jazz trombonist who is now scratching for gigs, trying to support a live-in girlfriend and a new baby. Khandi Alexander, who after playing Fran on "The Corner" went on to star on "CSI: Miami" for seven years (though I can't say I've ever tuned in for an episode), will play Ladonna Batiste, the mother of Antoine's other two children, who is single-handedly keeping her bar afloat.

Clarke Peters, a k a superdetective Lester Freamon, will play Albert Lambreaux, a big chief of the White Feather Nation trying to bring the (Mardi Gras Indian, I assume) tribe's members home.

As you can probably tell from those few details alone, Simon's ready for this and should deliver something great. As he did with Baltimore on "The Wire," Simon told the New Orleans Times-Picayune that "Treme" would reach beyond the music scene to explore political corruption, the public housing controversy, the crippled criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm.

"It's basically a post-Katrina history of the city. It will be rooted in events that everybody knows," Simon told the paper. "What it's not going to be is a happy stroll through David Simon's record collection. It should not be a tourism slide show. If we do it right, it (will be) about why New Orleans matters."

All I can say is a resounding bring it on, ASAP!

AMC moving from '60s to '70s

Among the many charms of AMC's "Mad Men" (and man was that second episode of season two great) is the attention to detail it pays in reconstructing the world of early '60s New York City and its ad men.

Now, in its search for more original programming, the cable channel is looking to the '70s to turn Francis Ford Coppola's "The Conversation" into a serial series.

Writers Christopher McQuarrie ("The Usual Suspects" and upcoming "Valkyrie") and Erik Jendresen ("Band of Brothers") have been hired to develop the project, which like the flick will be set in the early '70s. No word yet on who will attempt to fill the shoes of Gene Hackman as electronic surveillance expert Harry Caul, but given the dangers to privacy we deal with now the show could turn out be both timely and very entertaining.

Just as HBO passed on "Mad Men" (and then fired all the folks who made that rather astoundingly bad decision), ABC passed on this idea from the same team a few years ago. Even more interestingly, before that - way back in 1995 - producer Tony Krantz also tried to pitch it to NBC with Kyle MacLachlan in the lead. Talk about persistence!

Great TV news all around, but now I have to go to my actual paying job. Peace out.

Alexander Payne and the fine art of the ... dick joke?

I was wondering just a few days ago what in the world had happened to Alexander Payne, and now I have the rather odd but potentially very funny answer.

It would seem the man who was last in the limelight as the director of a Best Picture nominee (the pleasing if only-so-slightly overrated "Sideways") way back in 2004 has now signed on with HBO for something called "Hung," and it's exactly what you might be imagining. Here is, verbatim, the description of it in this morning's Variety:

"Hung" revolves around a well-endowed man who is plodding along in middle age as a struggling father and high school coach. The character was once a high school sports legend, and his luck returns when he figures out a way to use his best asset.

OK, fair enough. I laughed at the premise alone, which is usually a good sign, but how in the world does such a talented director end up having to do this? I mean I haven't loved all the man's films ("About Schmidt" was one I'm fully ready to concede I just didn't get at all), but "Election" is easily one of my favorite comedies and "Citizen Ruth" - despite its enormously broad strokes - is extremely funny too.

Oh well. I suppose a man's gotta eat. One thing I know for sure is this won't be enough to get me to re-up on the HBO I only ordered to watch the final season of "The Wire." Alan Ball's vampire series starring Anna Paquin and now apparently Stephen Root (huzzah!), "True Blood," might be enough to tempt me, though I should probably just save my money instead.

But, since it is Friday, here's one last very funny word on "Hung," from series creator Colleen Burson, and then a very evil looking shot of what Entertainment Weekly swears is Josh Brolin in character as George W. Bush for Oliver Stone's upcoming "W," which has just been slated for an Oct. 17 release. The picture just kinds gives me the creeps, but frankly so does W. at this point, so I suppose it works for me.

"Think of him like Spider-Man. He's an average guy who gets in touch with his innate superpowers."