Wednesday news, of Spike Lee, Errol Morris and a small clip show

Actually, let's start with the photo above, which I'm sure everyone can tell is a photo of Woody Allen and Penelope Cruz on the set of his new film, "The Bop Decameron," in Rome. Why? Because I always like seeing Penelope Cruz, and with Woody's "Midnight in Paris" being my second-favorite movie so far of 2011 (behind only Thomas McCarthy's "Win Win"), you can certainly say I'm psyched to see what he cooks up on the next stop of his late-in-life European tour.

And after that, though the news about Spike Lee returning in a big way may be a bit old now, so am I, and besides, to me it's easily the biggest story of the week, and there's something new to report about his "Oldboy" remake.

Before he makes that, in better news, Mr. Lee is apparently already at work on a low-budget flick that will have him playing Mookie once again. Think for a minute about just how good that could be. The movie, called "Red Hook Summer," is about "an adult from Atlanta who comes and spends the summer in the Red Hook section of Brooklyn, NY."

That doesn't say a whole lot about where this might go, but as Lee fans will certainly know, the last time he made a big splash in Brooklyn in a very hot summer was with a little movie called "Do the Right Thing," so certainly stay tuned for more on this as soon as I can find out.

And Mr. Lee, apparently eager to get busy after his too-long hiatus from making big-budget feature films, has also signed on to direct Mandate Pictures' "Oldboy" remake, and there's good news today about how that might just come together.

Twitchfilm was the first to correctly report that Mr. Lee was going to direct this (the best way it could happen, since there's clearly no way to stop it), and the site is now reporting that Josh Brolin is being pursued for the main role. Without spoiling too much for anyone who somehow hasn't seen the original (do so, please!), he would play the American version of Oh-Dae Su, who is locked in a hotel room for 15 years before he finally gets to seek revenge on his unknown captors.

Perfect casting there, I'd say, so here's hoping it actually happens.

And there's other news out there this morning about another of my favorite directors who likes to move between the worlds of documentary and feature films, Errol Morris. In theaters in at least some corners of the world, he'll soon have a new documentary, "Tabloid," with the rather juicy subject matter of a model who allegedly kidnapped a Mormon to sex him up. I'm sure it's all more complicated than that, and it's just a great match for Morris.

For his next project, however, he'll be venturing into the world of feature films with a movie about cryogenics based on a the book "We Froze the First Man" by Robert F. Nelson and a "This American Life" segment titled "You're Cold as Ice." For me, Morris has always been at his best when he delves into the truly odd, as with "Mr. Death" and "Fast, Cheap and Out of Control," so this should be a real treat.

And now comes word that Paul Rudd has signed on to play the lead in this as-yet-untitled flick. It's unclear yet if he'll play the first man to be cryogenically preserved or Nelson, who helped invent the technology in the 1960s. Either way, this should be nothing but fun, so stay tuned.

OK, now on to the videos, and where better to start than with something new from Studio Ghibli, especially since, in Japan at least, it's coming out very soon. "From Up on Poppy Hill," directed by Goro Miyazaki from a screenplay by his father, one Hayao Miyazaki, it tells the story of a group of Yokahama teens who try to save their school's clubhouse from being torn down in preparation for the 1964 Tokyo Olympics. The real treat from Studio Ghibli will be "Porco Rosso 2," which the elder Miyazaki is at work on now, but in the meantime enjoy this teaser for his son's flick, which looks like a real winner too.



As far as the clips go, it's almost all about cartoons here today, but that's the way I like it, and I'm the author here, so deal with it. Next up comes the most thorough trailer I've seen yet for "The Adventures of Tintin: The Secret of the Unicorn." I still say that Tintin just looks way too modern in this, but it should still be a pretty good Christmas gift from Steven Spielberg to finish up this year. Enjoy.



OK, I know this weekend is all about "Harry Potter and the Deathly Hallows: Part 2," and I'll certainly go see that, probably on Friday, but there's also a "Winnie the Pooh" movie opening this weekend, and even though I don't have any little kids to drag with me, I think I'll sneak in to see that, too. After all, with two or three new songs from Zooey Deschanel and a good, old-fashioned story about Pooh and all his friends, what's not to like? Enjoy this trailer, and don't be afraid to unleash your inner little kid this weekend.



And where better to end up on a Wednesday morning than with a free movie, especially when it's "Repo Man," not to be confused with that "Repo Men" flick from a couple of years ago. That's right, this is the one with Harry Dean Stanton, Emilio Esteves and all kinds of punky fun, so enjoy it, and have a perfectly endurable Wednesday. Peace out.

When will we get a new Tarantino movie?, plus a short clip show

Actually, I've read what I'm about 99 percent certain is the rough script for Quentin Tarantino's next movie, "Django Unchained," and if he manages to make the movie that he's spelled out on paper, it will be a real doozie, and possibly his best yet (I'm still taking it all in, but I'll put up a script review soon.)

But when will we get to see it? Well, the Weinstein Company has now set up this wild ride as a great Christmas present set for release Dec. 25, 2012.

And what's it about? Having read it, I can tell you it's a fairly epic Southern/Western about a German bounty hunter and a freed slave who join forces to take out slave owners and other generally despicable individuals, and eventually work to rescue the freed slave's (Django) wife.

And the cast, as so far assembled, is just perfect. Christoph Waltz, naturally, will play the bounty hunter, Dr. Schultz, and in even better casting, Leonardo DiCaprio will most likely play the big bad, Calvin Candie, the owner of a mandingo fighting operation (yes, really).

Left among the major parts to cast are Django and his wife, Broomhilda (again, yes, really), and though many names have been thrown about for the former, including one Will Smith, having read this I can see Idris Elba as the natural choice for Django, who in Tarantino parlance, truly is one bad motherf$#%er.

The one thing I know for sure about all this is that, on paper, this is a revenge flick that's even crazier than "Inglourious Basterds," my favorite movie of 2010, so all I can say is hurry up and bring it on!

In the only other major movie news out there this morning, it seems that the Academy of Motion Picture Arts and Sciences is hedging its best when it comes to this big question: What if we don't have 10 movies that can be logically be considered worthy Best Picture contenders?

To prepare for that inevitable eventuality and, in their explicit reasoning, to add some more suspense to the contest, the academy has now announced that, rather than a set field of 10 nominees, there will now be anywhere from five to 10, with the actual number not known until the field of nominees is announced.

Not a shocking development, and I suppose it could add some interest to the nominations announcement, but I'll just leave you with this thought before we move on to a couple of videos: With the field of 10 for this year's awards, I correctly predicted all nominees. Not bragging, just saying.

OK, now on the clips, starting in a great spot with the first trailer I've seen for a new Errol Morris documentary set to come out July 15. That alone would be reason to cheer, but with this movie, "Tabloid," it seems he's found a perfectly bizarre story that just naturally fits his style of filmmaking. Best as I can tell, it's about a model who "kidnaps" a Mormon missionary to sex him up and deliver him from the fold. And no, I'm not kidding. You'll have to see the movie itself to learn more, as I certainly will at the first opportunity, but for now just enjoy this fun trailer, and then stick around for a parting shot from Reel Fanatic fave Anna Faris.



Now that Kristen Wiig has gotten the opportunity to craft a smash comedy (and easily one of this year's best movies) with "Bridesmaids," I'd say Anna Faris is now the comedienne most deserving of the same break. Unfortunately, "What's Your Number?", the first trailer for which I've come across is below, doesn't seem to be it. Although veryfunnyman Chris Pratt of "Parks and Recreation" (aka Mr. Faris) is in this too, the flick, set to come out Sept. 30, just looks like the most generic variation of "romantic comedy." Oh well. "Enjoy" the trailer, and have a perfectly passable Wednesday. Peace out.

Free Rip Torn

You know, that title really is apropos of absolutely nothing, but this morning I'm listening to the surprisingly good Lil Flip album "I Need Mine" (yes, really), and its perfectly pleasant morning listening except for the fact that every couple of minutes or so it's interrupted by the phrase "Free Z-Ro."

Now, I have to assume that's some kind of rapper who was in jail at the time, and I've decided to take up the cause and champion someone far too talented (but obviously just perfectly crazy enough) to be locked up: Rip Torn. I'm fairly certain I don't have any power in this area, but I just saw this morning that he pleaded not guilty to armed robbery (who among us hasn't wanted to rob a bank at some point in your life?), and could only think how great it would be to have him somehow come back to life on "30 Rock."

And yes, it's gonna be one of those kind of days around here. Sandwiched among the absurdities will be exactly one piece of serious news, about what sounds like an absolutely fabulous Errol Morris film, and it will all be wrapped up with the 160 best Arnold Schwarzenegger quotes (again, yes really.)

Where in the world would you start things off, however, than with this: The Coen brothers need a one-armed woman to complete filming on their version of "True Grit" (and being a huge fan both of theirs and of author Charles Portis, you can count me as thoroughly psyched for this one.)

If that proves anything, I guess, it's at least that the Coens have no time for CGI (thank God.) Here, courtesy of AICN, is the casting call they put out:

Paramount Pictures is seeking a WOMAN MISSING HER LEFT ARM to be a photo double in the film, TRUE GRIT, a new film by Joel & Ethan Coen.

Character description: Photo double for adult Mattie Ross: This woman must be MISSING HER LEFT ARM. Optimally, she would be around 5'8", 138 lbs, slender to medium build. However, we are open to various looks.

To submit: Please do so asap! Send photos, measurements & contact information to texascasting2010@gmail.com. Photos should be non-glamorous, simple snapshots (incl face and body. It's best to wear a tank top & shorts). Measurements should include height, weight, bust, waist & hips. Include age, phone numbers & place of residence. Approrpriate candidates may also call our office at 512-637-6775.

So, if you happen to be a one-armed woman who's reading this, this is truly your lucky day. Since I'm not one of those, the best thing I can take from that is the phrase "we are open to various looks" ... as long as, of course, you happen to be a one-armed woman. Priceless.

Before going from that to two things that are almost as crazy, why not class things up at least a bit with some Errol Morris news? Though the man has made many great documentaries, my favorites of his are "Mr. Death" (watch that immediately if you haven't seen it) and "Fog of War," movies which offer well-rounded, almost sympathetic portraits of seriously evil or f-ed up people. And it certainly sounds like that's exactly what he has for his new movie.

It seems he's just finished work on something to be called either "Tabloid" or "A Very Special Love Story." No matter what it ends up being titled, it should be just fascinating. The subject is Joyce McKinney, a former Miss Wyoming who, in the late 70s, abducted a Mormon missionary in England, chained him to a bed and forced him to have sex with her. From there, of course, it just gets weirder. After jumping bail, she was convicted in absentia (sp?) to one year in prison because, at the time, there were no laws on the books about raping men. She was later accused of stalking the same dude, and in 2008, took her dog to Korea to be cloned.

Not much to build a sympathetic character out of, I suppose, but I'm betting Morris will at least come very close to doing it. Definitely keep your eyes out for this one, which is rumored to be in the running for this year's Cannes Film Festival.

OK, there will be nothing else remotely serious today from here on out, I promise. Anyone who's been here before (and there may be a few of you) knows that I'm a solid backer of Anna Faris, both for her obvious feminine virtues but even moreso because she's just about the best comedienne out there today. For proof that she can be insanely funny in just about anything, look no further than Jody Hill's "Observe and Report," in which her memorable turn as a seriously bitchy counter girl was just about the only redeeming quality.

Well, she's about to put the "watch her in just about anything" idea to a real test by starring in a remake of "Private Benjamin." In the realm of unnecessary remakes, this is far from the worst offender (my vote there goes to "Let Me In," the upcoming English language remake of "Let the Right One In), and though it surely won't win her an Oscar like it did Goldie Hawn, I'm still betting it could be a hoot. And besides, since I've seen "House Bunny" (and actually enjoyed it more than a bit), the odds are pretty good I'll see this too.

And finally today (or at least before Ahnuld), in the category of a man's gotta eat, it seems that Malcolm D. Lee has signed on to direct "Fantasy Basketball Camp," to star one Lebron James. Take a second to digest just how bad that could be, and then please let me come to the defense of the other Mr. Lee (who, if I'm not mistaken, is indeed some kind of cousin to Spike.)

How many directors can you name who have made three movies that you either love or really like? Well with "Undercover Brother," "Roll Bounce" and "Soul Men," Malcolm D. Lee has in my book, so I'm more than a little willing to give him the benefit of the doubt (and yes, maybe even go see his Lebron James movie too.) If you haven't seen the Bow Wow roller skating flick (once again, yes really) "Roll Bounce" or "Soul Men," which paired the late, great Bernie Mac and Samuel L. Jackson, I highly recommend them both.

OK, how better than to wrap up all that absurdity than with the 160 best Arnold Schwarzenegger quotes? I can't imagine anyone will sit through the entire 10 minutes of this, but as far as time-wasters go, this one is pretty epicly good. My favorite part would have be the "bullshit" compendium, but there's obviously a lot of Ahnuld to choose from. Enjoy this clip courtesy of Pajiba.com, have a perfectly pain-free Wednesday, and, now and forever, free Rip Torn. Peace out.



P.S.: In honor of opening day coming Monday (finally!) enjoy this clip of Steve Wynn singing his simply fabulous tribute to Fernando Valenzuela. Play ball!

My (and only my) best movies of the decade: The 2003 edition

Compared with the year that preceded it (and please feel free to look back at the first three installments of this series), 2003 was indeed a down year for movies, but that certainly didn't mean it still didn't have some real winners.

It was, in fact, a particularly strong year for documentaries. Two made the final cut you'll find below, and two just missed out: Jeffrey Blitz's "Spellbound" and Keith Fulton and Louis Pepe's "Lost in La Mancha." Blitz, who also made one of my favorite movies of 2007 with the autobiographical and thoroughly charming "Rocket Science," is getting back in the documentary game next year with a movie about the lottery business, so keep your eyes out for it.

And, before we get to the main course, the other honorable mention movies for 2003 are: "Confessions of a Dangerous Mind," "Chicago," "Swimming Pool," "Lost in Translation," "Pieces of April" and "The Station Agent."

OK, here goes, and as usual, please feel free to add any you think I might have wrongfully overlooked.

"Man on the Train"
I'll never understand why the French actor/singer Johnny Hallyday never became a big international star, because he's certainly got the charisma for it (although I suppose he's probably a bit too old now.) The best movie I've seen him in was this Patrice Leconte gem in which he plays a gangster who crosses paths with a retired school teacher played by the great Jean Rochefort, and then their lives start to merge. See it if you never have, and I guarantee you'll like it.

"Capturing the Friedmans"
A truly disturbing documentary, but filmmaker Andrew Jarecki was as fair as he could possibly be (many would say too fair) with the titular father and then son, who are accused and then convicted of truly heinous sexual acts involving children. As Jarecki delves into the case, interviewing the accusers as well as the family members themselves at length, the one fact that becomes clear is that "facts" and "truth" can indeed be elusive things.

"Dirty Pretty Things"
Chiwetel Ejiofor and Audrey Tautou make an extremely unlikely but engaging pairing in this taut thriller from director Stephen Frears and screenwriter Steven Knight. It deals deftly with the complexities of immigration as it paints a perfectly seedy portrait of London's underbelly, and it and the comedy "The Snapper" (which certainly would have made this list somewhere if it hadn't come out way back in 1993) are my favorite Frears flicks.

"Bend It Like Beckham"
I suppose this is the "yes, really" entry on this list, but there really wasn't a more infectiously fun movie in 2003 than this one from director Gurinder Chadha. Besides, I just like movies about soccer ("The Damned United" will almost certainly make this year's list), and when you throw in a still fairly well-fed Keira Knightley and the real star, Parminder Nagra (who went on to have long run on "ER"), this makes for one I go back to once a year or so and still really enjoy.

"American Splendor"
By a fairly wide margin, this is my favorite movie of 2003, and still the only movie I've seen from directors Shari Springer Berman and Robert Pulcini (I really can't see myself watching "The Nanny Diaries" any time soon.) Harvey Pekar is probably the most unlikely pop culture figure ever, and Paul Giamatti just captures all his quirks perfectly. Fiction and reality blend seamlessly as we find out how Harvey's life as a VA file clerk was transformed by a meeting with R. Crumb that led him to create the titular cult comic book series and then by his endearing relationship with a Delaware comic book store owner, played by Hope Davis. And Judah Friedlander is just a hoot as his oddball buddy Toby.

"Fog of War"
In its own way, this Errol Morris documentary was even more creepy than "Capturing the Friedmans," mostly due to the candidness and stunning lack of remorse of its subject, former Secretary of Defense Robert S. McNamara. A similar approach was taken with one of my favorite films of this year, James Toback's "Tyson" (which is out on DVD now.) You'll feel extremely frustrated as you see McNamara's evident genius laid out but then see how it still left him with either a blindness or simply a lack of conscience as to what was really going on in Vietnam.

"School of Rock"
Another "yes, really" entry I suppose, but this flick from Richard Linklater and screenwriter (and very unlikely reality TV star) Mike White was the funniest movie of 2003 in my book, and really, what more can you ask for? Jack Black was far from the grating presence he often is now, and is instead just impish enough as the teacher who teaches his young band of followers to rock out. Just a great "comfort" movie.

"Shattered Glass"
It's really a shame that Billy Ray doesn't direct movies more often, because though he's certainly better known as a screenwriter, the two flicks he's helmed - this one and "Breach" - are real winners. What they share is a claustrophobic feel that perfectly fits this story about disgraced "New Republic" "journalist" Stephen Glass. And though it's a thoroughly depressing case for anyone in my profession, Peter Sarsgaard is particularly good as "New Republic" editor Charles Lane, as is Hayden Christensen (again, yes, really) as the titular shyster.

"The Triplets of Belleville"
Can an animated movie with no discernible dialogue (and not named "Wall-E") really be considered one of the best movies of the last 10 years? I'd certainly say yes in this case, because writer/director Sylvain Chomet's story about a Tour de France champion (named, of course, Champion) who is kidnapped by the French mafia and the grandmother who comes to his rescue is as equally abstract as the animation itself, which renders its characters as oddly shaped and sometimes indeed grotesque. It's a whole lot more charming than I'm making it sound here, believe me.

"Big Fish"
Though he's made some other great ones - and some real duds too - this has stood up through the years as my favorite Tim Burton movie. It's based on the equally good novel by Daniel Wallace, a Southerner with a genuine gift for storytelling, and it's mostly about exactly that - a son who has to sort through the various stories (and perhaps lies) his dying father has told throughout his life. In Burton's hands, and with a dynamite cast that included Ewan McGregor, Billy Crudup, Albert Finney, Jessice Lange, Helena Bonham Carter (of course) and even a young Marion Cotillard, this is a fantastic tribute to the power of the imagination.

And there you have it. Please feel free to add any you may wish to, and to check back Tuesday for a look at 2004. Peace out.

Steven Soderbergh's porn movie? Well, not quite ...

Am I really the only person who saw the news footage of folks "tea-bagging" yesterday and just thought how much funnier - and about as equally effective - it would have been using the John Waters definition? Just saying.

And in that spirit, in movie news that's not nearly as salacious as some might be thinking, the first trailer for Steven Soderbergh's movie starring porn star Sasha Grey as a rather high-priced call girl - "The Girlfriend Experience" - has hit, and it looks like it has been made with the clinical detachment that has marked even his best flicks. (And if you want to see some of her work, well, this is the Internet, so I suppose that wouldn't be too hard to accomplish. Since this is a family-friendly site, I've simply included her picture.)

For me, his style works when he's using it in the pursuit of cool, since "Out of Sight" and "The Limey" are just two nearly perfect little flicks. But it can also go way wrong when it has no leash. Witness "Che." Or, for your sake, take my advice and don't.

When I was in New York with my family at the end of last year, I somehow got it into my head that watching all five hours or so of "Che" parts one and two in one day would be entertaining, and somehow also duped my brother into going with me.

Man, was that painful to watch. It's a movie that's much easier to admire, for me, than it ever was to enjoy. For EXTREMELY long chunks, especially during the second part that takes place in Bolivia, it's essentially a training film in guerilla warfare, filmed in thorough detail with tons of precision but scant passion, even with the great Benicio del Toro in the titular role.

Oh well, I digress quite a bit. Here's the trailer for his new flick, which is set to have what I assume will be a rather limited release May 22:



Errol Morris goes narrative

And in surprising news about a director who never lacks passion for his subjects, documentary maker Errol Morris is jumping into narrative features with a tale about cryogenics, which would seem to be right up his alley.

He's perhaps best known for the Robert McNamara documentary "Fog of War," but my favorite Morris flicks are just studies in extreme oddity like the creepy "Mr. Death" and, even better, "Fast, Cheap and Out of Control." And what he comes up with for this dark comedy being written by Zach Helm should fit in with those characters just fine.

Inspired by both Robert F. Nelson's memoir "We Froze the First Man" and a story that aired on NPR's "This American Life" this week titled "You're as Cold as Ice," the true story centers on Nelson, a TV repairman who in the 1960s joined a group of enthusiasts who believed they could cheat death with a new technology: cryonics. But freezing dead people so scientists could reanimate them in the future turned out to be harder than Nelson thought.

If this all works out, it might just add up to the oddest thing from Errol Morris yet: A movie that might even reach theaters in my little corner of the world!

A glimpse of "The Hurt Locker"

Remember Kathryn Bigelow? She made a quick splash with the Keanu Reeves flick "Point Break" in 1991 and then, of course, tried to end the world with "End of Days," but instead just about ended her movie-directing career (to be fair, she did direct three episodes of easily one of my favorite TV shows, "Homicide," and even one of the short-lived and much-underappreciated "Out of Sight" TV version of sorts "Karen Sisco" with the always-welcome Carla Gugino.)

And now she's back with an Iraq war movie (another one?) that promises perhaps the same level of action of her early flicks on a much less grand scale.

Although I enjoyed "In the Valley of Elah" quite a bit and wanted to like Kimberly Pierce's "Stop-Loss" a lot more than I actually did, I don't think there's been an Iraq war movie yet that's managed to catch on with the moviegoing public. Bigelow's flick, however, just might be the first to break that mold, since "The Hurt Locker" seems to simply focus on the lives of the members of an elite Army bomb squad operating in Iraq and let you bring your own politics into the action.

Here's the trailer for the flick starring Jeremy Renner and Anthony Mackie, which is set to open in at least a few corners of the world at the end of June.



And in a quick thought about TV, I have to say I thoroughly enjoyed the premiere episode of "Parks and Recreation," even if it does crib most of its style directly from "The Office." It just seems to be infused, at least so far, with the right mix of genuine spirit and just thoroughly mocking it, and I certainly liked Amy Poehler's character a whole lot more than any she's played since that crazy RA in "Undeclared."

Here's hoping the show just gets funnier, because I thought that, even with the double "Office" episodes last week, it was the best thing in NBC's Thursday night lineup. And here's about two-and-a-half minutes or so of what you'll see on tonight's episode, "Canvassing," and as a bonus, more footage of "The Office" crew playing soccer. Priceless. Peace out.