Mid-year report card: My favorite 10 movies - so far - of 2011

After a slower-than-usual start to this movie year, things have definitely picked up this summer for one heavy on good comedies, just the way I like it.

So, without any hesitation, let's just get right to it: Here, in reverse order, are my 10 favorite movies - so far - of 2011.

10. "Cedar Rapids"
Miguel Arteta's insurance salesmen comedy is lighter than air and manages to wrap up just before its laughs run out, and the very best of them all come from John C. Reilly, who just takes over the screen with an irresistible ball of bluster.


9. "Soul Surfer"
Yes, a Christian movie, but even without those overtones, the story of Bethany Hamilton, the professional surfer who lost her arm in a shark attack, would still be an inspiring tale. Here it's very well told, and AnnaSophia Robb just shines as Bethany.

8. "Water for Elephants"
The definition of by-the-book filmmaking, but since the source is a book I love, the movie just worked for me. And besides, I think the only time I actually heard people cheer in a movie theater this year was when Rosie the elephant finally ... I won't spoil it for you, but just trust me that this grand romance set at the circus is a fun ride.

7. "Super 8"
The science fiction in J.J. Abrams' movie is much weaker than its overall view of life through the eyes of a group of 13-year-olds who love making movies, which is infectiously entertaining. And keep an eye on Elle Fanning, who steals the movie with a performance way wiser then her years should allow.

6. "Rio"
Though I enjoyed "Cars 2" a heck of a lot more than the original flick from Pixar, it definitely won't be the best animated movie of 2011. That title, so far, goes to this flick from the "Ice Age" crew, which brings the streets of Rio de Janeiro to vibrant animated life (especially in bright 2D) and just delivers a thoroughly fun story.

5. "Hanna"
Joe Wright's Euro-thriller came out so early in the year that it's easily forgotten, which is a real shame, because its nearly as smart as it is exciting, and Saoirse Ronan is just icy perfection as the titular assassin raised to carry out her father's revenge plot.

4. "Bridesmaids"
In summer, the ultimate season for the raunchy R-rated comedies, none has delivered more laughs than this romp led by Kristen Wiig and Melissa McCarthy, and for that they've been rewarded with huge box office numbers (more than $146 million domestic so far, hopefully more than enough to greenlight more genuinely funny movies led by women.)

3. "Tree of Life"
No movie this year has been more ambitious or packed with more maddening contradictions than Terence Malick's "Tree of Life," which manages to paint an often painfully intimate portrait of family life in Texas of the 1950s while at the same time asking questions about the very nature of human existence. Malick's most personal film, and in my opinion, his best, too.


2. "Midnight in Paris"
Woody Allen's best movie since "Hannah and Her Sisters" is also his most popular one since then, too, even making an almost month-long run in Macon that unfortunately ends Thursday. As much a valentine to the City of Lights as it is just the funniest movie I've seen this year, and in this solid year for comedies, that's a real accomplishment.

1. "Win Win"
Thomas McCarthy's movie can sort of be described as "The Blind Side" set in the none-too-glamorous world of high school wrestling, but what it really is the story of a not terribly heroic man trying to do the best he can in trying circumstances. And Paul Giamatti's performance as that man gives the movie much of its soul, and makes it an all-around winner in my book.

Honorable mention: "The Way Back", "Of Gods and Men", "Jane Eyre", "Thor", "X-Men: First Class", "Bad Teacher", "Cars 2"

And there you have it. Please feel free to add any you think I may have snubbed, and have a perfectly passable Tuesday. Peace out.

Has "The Hobbit" found its new director? Perhaps so

I'm not afraid to admit when something is just too maddening to wrap my often way-too-occupied mind around, and the sad saga of Guillermo Del Toro and "The Hobbit" is a perfect example of that.

How a director that talented could give what seems like 10 years of his life to something and then just have to abandon it all still confounds me, but even if the MGM mess will continue to be beyond my pay grade (nothing), it seems "The Hobbit" is closing in on a replacement for Del Toro, and it's a natural choice.

David Yates has directed the last four (if you count the two-part "Harry Potter and the Deathly Hallows" as two movies, which I suppose you have to) Harry Potter movies, and before that made the sublimely entertaining little flick "Girl in the Cafe" (rent that one immediately if you haven't seen it.) And now Production Weekly is reporting that an offer has been made to Yates to direct "The Hobbit" next.

"Deathly Hallows," the first installment of which is set to drop in November, finished shooting just this week, so the timing would certainly be ideal. And apparently in the actually only two years he spent on this, Del Toro wasn't just sitting idle; there are apparently sets and designs that have Del Toro's vision of Middle Earth pretty much ready to go whenever Yates, or whoever ends up taking this on, is ready to go.

Now an offer is only exactly that, and who knows if he'll actually accept it, but that would certainly be good news, because "Harry Potter and the Order of the Phoenix" was solid, and "Harry Potter and the Half-Blood Prince," both directed by Yates, was the best in the movie franchise so far.

And "The Hobbit" has always been my favorite of Tolkein's tales, mostly because it is so naturally a story for children, and one that I adored when I was one. Heck, I even liked that Jules Bass/Arthur Rankin Jr. animated musical, as admittedly silly as it was, and learned to play the piano to its songs.

But what will happen to Guillermo Del Toro? He seems to have at least 10 options on his plate, but the picture is about to get a lot clearer, especially if you're going to Comic Con next week, where he will announce what he'll direct next. I have no idea what that might be, but will certainly be tuning in to find out. If I had my druthers, it would be an original tale set in Spain to complete the "Devil's Backbone"-"Pan's Labyrinth"-whatever might come next trilogy, because those are still easily his best movies.

OK, enough of that. All I have after that is a trio of videos and, be warned, yes there is some "Saved By the Bell" at the end. Yes, really, but first up is the first trailer for Sofia Coppola's "Somewhere," which could either be something really intriguing in the vein of "Lost in Translation" or just a sappy mess. I really had little time at all for "Marie Antoinette," which was just a ton of style signifying much less than nothing, but "Lost in Translation" and the even-better "Virgin Suicides" are winners in my book, so I'll certainly be there to see this as soon after it opens on Dec. 22 as I can. As you'll see from the trailer, "Somewhere" stars Stephen Dorff as a star leading a fairly empty existence until he's reunited with his young daughter, played by Elle Fanning. Like I said, plenty of room for schmaltz here, but I'm still holding out hope for something more. Enjoy.



Next up, and keeping it a family affair, here's the trailer for the second season of HBO's "Bored to Death," which stars Coppola's cousin (I think) Jason Schwartzman as a would-be private eye in NYC. If you missed the first season last fall, you missed out on some serious funny, especially in Ted Danson, who plays an out-of-control magazine editor. The show, which also stars Zach Galifianiakis and was created by Jonathan Ames, is set to return in September, so definitely give it a chance. Enjoy.



OK, how better can you wrap things up than with some "Saved By the Bell"? I'm not ashamed to admit that I love the extremely silly NBC Saturday morning show (which may still be on the air with some kind of "Saved By the Bell: Next Generation" or something, for all I know.) There's really nothing funny about the BP oil spill, but whoever put together this mashup of the show and "There Will Be Blood" clearly knows this simple fact: You really can learn just anything you need to know about life from "Saved By the Bell." Enjoy, and have a perfectly passable Tuesday. I'm off now to watch some World Cup. Peace - and futbol - out.

DVD review: My Neighbor Totoro is still charming after all these years

In a movie world in which it seems like everything we see will be in 3-D (and I'm not exaggerating one bit there), there are really very few better reminders of how beautiful old-fashioned storytelling can be than in the still extremely charming films of Hayao Miyazaki.

Out now on DVD from Disney and Studio Ghibli are special editions of "Kiki's Delivery Service," "Castle in the Sky" and "My Neighbor Totoro." "Totoro," more than any Miyazaki movie, just perfectly captures his ability to view the world through the eyes of mischievous children, and in Totoro himself gave the studio its signature mascot.

Unlike most of Miyazaki's movies, "Totoro" has a definite time and place, rural Japan in the 1950s, and he and his animators turn the landscape of rice patty fields and wooded areas into an enchanting place to visit.

As the movie opens, Satsuki and her 4-year-old sister Mei, voiced with wide-eyed enthusiasm by Dakota and Elle Fanning in the Western version (yes, really), arrive with their father at their new home in the countryside, and of course immediately find it to be full of wonders, including the susuwatsari, soot sprites that disappear once the girls become comfortable in their new surroundings.

And this odd living arrangement (mom, it turns out, is recovering in a hospital from a long-term illness) just about perfectly captures how Miyazaki views the role of adults and children in the world. Dad, voiced by Tim Daly, is benevolent but aloof, happy to keep his nose buried in books while his daughters explore the world around them. It can be troubling if you think about it too much, and even more so in "Ponyo," but don't ... just let the charms of "Totoro" unfold around you as they do for young Mei.

After spying a pint-size, semi-translucent version of Totoro (there are, since Miyazaki is ever the prankster, three of them), Mei follows it through a thicket of trees and down a hole where she finally encounters the giant version of Totoro, who most closely resembles a big cat, but really just looks so odd that he can be just about anything you want him to be. There's a genuine goofy charm to their first encounter, as Mei lays on the stomach of a sleeping Totoro and tries to figure out just what in the world she's encountered.

I don't want to give away too much for anyone who's never seen this or just wants to rediscover the movie again, but from there it turns into one of Miyazaki's trippiest rides, and it's a thoroughly fun one to take. On the way we get a signature moment of Miyazaki wit when Totoro first reveals himself to Satsuki as she and Mei are waiting in the rain for their father at a bus stop, and promptly jumps up to drench her with water. Things get crazier and crazier, though at a natural pace, until a giant cat bus (you really have to see it to believe it) arrives to reunite the girls with their mother.

I think Miyazaki's best movies, "Totoro," "Kiki's Delivery Service" and "Ponyo" (though I have a real soft spot for "Porco Rosso" too), are the ones he has clearly made for kids. He's just a big kid himself, and he delights in creating worlds that let children explore everything around them and discover all the dangers and delights.

And, whether you've never seen "My Neighbor Totoro" or simply want to reunite with a movie I'm sure many of you loved when it first came out in 1993 (in the U.S.A., five years after its Japanese release), this "special edition" is one that truly earns that designation.

The real treasure here are the original Japanese storyboards, which let you watch the movie as a work in progress, with Miyazaki's raw drawings accompanied by the Western voice track. For animation lovers, this really is an indispensable treasure.

And in the World of Ghibli, there are a series of featurettes, the best of which feature Miyazaki himself talking about what he has created with "Totoro." It's here that you see both Miyazaki's clear love of Japan and his impish spirit emerge. And hearing producer Toshio Suzuki explain how Totoro himself is and isn't like "ET" is just a delight. One word of caution - unless you're simply in need of a sleeping aid, avoid at all costs the "The Locations of Totoro" featurette, which is simply a half hour of some Japanese actress walking through the Japanese countryside and saying things like "this farmhouse easily could have fit in 'Totoro'." Yes, really, and it's just as boring as it sounds here. Other than that, however, the extras here are well worth an hour or so to delve into the weird and often wonderful world of Studio Ghibli.

Whether you're discovering it for the first time or, like me, revisiting an old favorite, "My Neighbor Totoro" has a timeless charm that will never grow old, and is well worth watching again on this special edition release.

Remember Sofia Coppola? She's back ...

It's really funny that this turned up this morning, since one of the many things that has passed through my too-active imagination recently while it was trying to avoid any actual work was what in the world ever happened to Sofia Coppola?

It's been three years since "Marie Antoinette," and I have to say that, for me at least, that one just left a bad taste in my mouth. I dragged my brother to see it in Amsterdam while we were taking a side trip from the 2006 World Cup in Germany, and perhaps if we had sampled a bit of the local product beforehand I would have enjoyed it more. As it was, the flick had style to spare, but it was certainly signifying nothing, and I just couldn't get into it one bit.

All that, said, however, I still have a lot of time for Sofia Coppola, because I count her first two flick among my favorites, and of how many directors can you really say you like two-thirds of their movies? "The Virgin Suicides" and "Lost in Translation" were both much more intimate affairs than "Marie Antoinette," and each represented just a moment in time as much as they did a dream. And it sounds like what she's up to now (yes, I will get to it very soon) could be a return to form.

Much as "Lost in Translation" centered on the Park Hyatt hotel in Tokyo, Coppola's next flick, "Somewhere," will take place at the iconic Chateau Marmont in Hollywood. Stephen Dorff will play "a bad-boy actor stumbling through a life of excess," and Elle Fanning (who I have to assume is some kind of relation to Dakota) will play his daughter who visits to interrupt his reverie.

The flick, which was also written by Coppola, is set to start shooting in June in L.A. and Italy, so to that I can only say welcome back.

Why I love Blackfilm.com

Well, there are many reasons, actually, but a big one is that they simply cover movies that get ignored by most of the world earlier and much more extensively.

Case in point: I had never heard of a flick called "Next Day Air," a comedy set to be released very wide May 8. Directed by rap video helmer Benny Boom, it's an ensemble comedy that's clearly in the vein of "Lock, Stock and Two Smoking Barrels" and starring Donald Faison of "Scrubs" and Mos Def, easily one of my favorite actors.

Why in the world wouldn't I be interested in that? Anyways, enjoy the trailer, and certainly go see this one when it comes out soon.



"It's just a dragon-looking wild thing"

Can you imagine how happy Warner Brothers must have been when they found out their "Where the Wild Things Are" flick was gonna get a free endorsement of sorts from no less than Barack Obama? The Spike Jonze flick is finally set to come out in October, but in the meantime, enjoy this seriously fun reading of my favorite children's book by Mr. Obama at the White House Easter Egg Roll, and I defy you to not just smile broadly.



"Bruno" somehow gets an R rating

Even after pointing out that it still has "pervasive, strong and crude sexual content, graphic nudity and language" (one can certainly hope so!), the MPAA has still rescinded the NC-17 rating given to Sacha Baron Cohen's next flick, centering on the Austrian fashion reporter Bruno, and awarded it an R rating. This is one I'm certainly looking forward to seeing in July, but for now just enjoy this new promotional pic and have a perfectly pleasant weekend. If you'll excuse me, I'm off to the Atlanta Film Festival 365, and rather excited about it. Peace out.