Showing posts with label "Moneyball". Show all posts
Showing posts with label "Moneyball". Show all posts

Thursday, October 06, 2011

Thursday fun, of Clint Eastwood, baseball and Marilyn Monroe, too

Actually, before we get into any of that, Fox really knows what it's doing with "The New Girl," the only new sitcom I've committed to watching every episode of (though I caught No. 2 of "Suburgatory," and that was pretty wickedly funny, too.)

I'm not talking about replacing "the black guy" after only one episode with another one, but instead realizing that the reason people tune in is to see smart, funny women clearly having a lot of fun.

It starts with Zooey Deschanel, of course, and she's been a trooper so far, and now they're wisely adding "Party Down" star Lizzy Caplan for a three-episode arc, hopefully beginning very soon.

She will, of course, play the love interest of one of Jess' seriously douchetastic roommates, but having her back on TV at all is indeed reason to, if you'll excuse me for saying it, "Party Down" (especially since that show is truly dead and gone ... forever.)

But the best news I came across this morning was that with the, well at least relative, success of "Moneyball," there's going to be at least one more potentially great baseball movie coming, which will hopefully continue that welcome trend.

Clint Eastwood said his turn in front of the camera in "Gran Torino" would be his last acting gig, but it seems he's taken to that retirement vow about as well as Brett Favre did the first few times. As for "Gran Torino," I really didn't get it the first time I saw it, but despite it's almost thorough lack of subtlety (even by Eastwood's standards), it's a pretty darn fine little flick.

And now, perhaps as a favor to his longtime assistant director, Robert Lorenz, Eastwood is set to star in Lorenz's full directing debut, "Trouble With the Curve." The baseball flick will be about a baseball scout (Eastwood) who is losing his vision with his age. He and his daughter take a final road trip to Atlanta to check out a prospective talent.

That, frankly, sounds like a heck of a lot more fun than Eastwood's upcoming directing effort, "J. Edgar" on Nov. 9, and the world is certainly a better place with more baseball movies in it, so stay tuned for more on this whenever I can find it.

And finally today, in an admittedly short report, where better to leave things than with Michelle Williams as Marilyn Monroe in the upcoming movie "My Week With Marilyn"? Even in this trailer, you can tell that, along with nailing Marilyn's look just about perfectly, this will, not surprisingly, be another nuanced performance from Williams. The movie, set in England during the filming of "The Prince and the Showgirl," tells the story from the perspective of her lovestruck young assistant as Marilyn worked with Sir Laurence Olivier (Kenneth Branagh) in the movie and also happened to be on honeymoon with her husband, Arthur Miller (Dougray Scott), at the time. Juicy stuff, so if you're lucky enough to live in a "limited" market, keep an eye out for this one on Nov. 4. Peace out.

Friday, September 30, 2011

Baseball still on the brain, with Bennett Miller's next and more

It may be a slight exaggeration to say, as my friend Bob Connally did very well, that Wednesday night was "The Greatest Night of Sport You Will Ever See" except that for fans of certain baseball teams, it really was.

Even if you had no dogs in that fight, the final American League playoffs spot being decided in two dramatic games finishing three minutes apart showed just why baseball is not just America's pastime, but also its greatest sport, even if football is king for the moment.

And really, there's no better way to follow up that glorious night (especially for fans of one seriously cursed team from Charm City) than by going to see "Moneyball" if you missed it in week one, since it's the best baseball I've seen in many years, and one that thanks to Brad Pitt, Jonah Hill and just some whip-smart writing will appeal just as much to people who somehow don't understand the allure of baseball as it will to diehard fans.

There's a solid chance that, though personally I'll be giving my money to "50/50" with Joseph Gordon-Levitt and Seth Rogen, "Moneyball" could finish in the top slot in week two given the baseball buzz, and that would certainly be well-deserved.

And I tell you all that to tell you this: "Moneyball" director Bennett Miller has just signed Steve Carell to star in his next movie, which will tell one of the truly odd stories to come out of my old and now new again corner of the world, that of John du Pont.

That name may not mean anything to lots of people, but certainly the Du Pont chemical company does. John, the heir to its sizable fortune, was a rather serious amateur wrestling fan, to the extent that he built a training facility called Foxcatcher on his Pennsylvania estate that attracted many of the country's top wrestlers. Until, that is, Du Pont, a paranoid schizophrenic, shot and killed Olympic gold medal-winning wrestler David Schultz (Du Pont died last year in a Pennsylvania prison at age 72.)

Just as with "Moneyball" and baseball, this is clearly an intriguing tale even if you don't care at all about wrestling (as a never terribly good former high school wrestler, I do, and coincidentally, Thomas McCarthy's wrestling movie "Win Win" still stands as my favorite movie of 2011 so far - rent it now.)

I have to assume that Carell would be playing Du Pont, but there's no confirmation on that just yet ... stay tuned.

There's also news out there about two of my other favorite filmmakers, Ryan Fleck and Anna Boden, who also coincidentally enough happened to make another of my favorite baseball movies, 2008's "Sugar." After that they made "It's Kind of a Funny Story," which while more than a bit uneven, was exactly the kind of human story that I look for in small-scale movies, and either one is well worth a rental.

For their next movie, the duo will direct (and I assume, as with their past movies, write, too, but not certain of that yet) something described as a "character drama" and titled "Hate Mail." It will be about the interweaving stories of several New Yorkers who receive said types of deliveries, and while that doesn't sound like the most intriguing of premises, they haven't let me down yet, so I'm in.

And finally today, before I close with one video clip, think of all your dream candidates to play James Bond. Daniel Craig is indeed pretty good, and he should be great as Mikael Blomkvist in Fincher's take on "The Girl With the Dragon Tattoo," but just think how amazing it would be if the role were to go to Stringer Bell.

That's apparently an old rumor, but being a now fairly old dude, I heard it for the first time this week as Idris Elba was making the promotional circuit for season two of "Luther," which premiered on BBC America (and my DVR) this week. Far from simply the first "Black Bond," which Elba rightly dismissed the significance of in interviews, what he would instead be, as fans of "The Wire" know, is someone who would give the character even more of an edge than Craig did, and a welcome boost of new energy.

In the meantime, police procedurals don't get much better than "Luther," in which Elba plays the titular lead detective. Season one is available now streaming from Netflix, and it's well worth tracking down.

And I'll leave you today, before I go swimming, help my dad spread some gravel for a greenhouse and then go see "50/50," with this clip for Roman Polanski's "Carnage," definitely one of the movies I'm most looking forward to for this fall/winter. Having seen the play it's based on by Yasmina Reza, I can tell you that it's one seriously wicked war of words, and with the movie starring Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly, it should be just as great. Enjoy this clip of Reilly describing his past experience in a "gang," and have a perfectly pleasant weekend. Peace out.

Sunday, September 25, 2011

Sunday thoughts, of "Moneyball," Katherine Heigl (yes, really) and more



Considering the first poster for Bruce Robinson's "The Rum Diary" was just a picture of Johnny Depp in a fedora (probably enough to market a movie), the one above is certainly an improvement, and hopefully visual proof that Robinson's big comeback will play everywhere once it finally opens on Oct. 12.

Why should you care? Well, Robinson, before pretty much disappearing from the face of the Earth, managed to direct at least one perfectly entertaining movie with "Withnail and I," an oddity well worth tracking down if you've never seen it. After about 10 years off from directing any kind of feature films whatsoever, I'm thinking he'll have a winner on his hands with this one, starring Depp as a rather debauched American journalist in Puerto Rico and based on the novel by Hunter S. Thompson.

Can't wait to see how all that turns out, but in the meantime I can tell you, as many critics already have, that this weekend's "Moneyball" is a pretty great little flick and one of a definitely dying breed: The grand baseball movie. It combines enough of a rah-rah story with what's essentially an action movie in which the words are the weapons (thanks to Aaron Sorkin) and a buddy movie in which Brad Pitt and Jonah Hill are just extremely funny.

So, why isn't that enough to knock "The Lion King" from the top of the box office? It still might, but the tracking I saw has "Moneyball" coming in a fairly close second. Please, people, just trust me: Even if you're not a baseball geek like me, this movie is just thoroughly entertaining.

And word has come down this weekend that Pitt is now being courted for something else that could be a lot of fun. Doug Liman, who way back in the day directed "Swingers" and much more recently "Fair Game," is set to helm a flick based on the Japanese novel "All You Need is Kill," with Pitt in his sights to play the lead. So, what's it about? Per Comingsoon.net:

There's one thing worse than dying. It's coming back to do it again and again. ... When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armor and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the B*tch of War. Is the B*tch the key to Keiji's escape, or to his final death?

Sounds like pretty trippy stuff, and Pitt hasn't made a bad movie (at least that I'v bothered to see) in quite a while now, so stay tuned.

OK, on to a short clip show, starting with "60 Minutes," which I only bother to watch when I know in advance they have something I'll be interested in, and tonight that should certainly be the case. As you'll see from the clip below, tonight's show will feature "South Park" creators Trey Park and Matt Stone, giving a glimpse of how they put together (and voice just about all the characters for) what is still one of the most scathingly funny shows on TV, now rather amazingly about to enter the second half of its 15th season in early October. Enjoy this preview clip.



Next up, a slew of clips from what should be the silliest movie of this fall season, but hopefully one that will be as fun as any movie apparently based on the Rock 'Em Sock 'Em Robots game should be, "Real Steel." That alone should tell everyone all they need to know about this, which stars Hugh Jackman and somehow the great Anthony Mackie, too. Enjoy these clips courtesy of Collider, and keep an eye out for the movie, which will definitely dethrone "The Lion King" on Oct. 7, if nothing else has accomplished that feat in the meantime.






What's the worst thing you could say about the trailer for a Katherine Heigl movie? Not that it looks awful, because that would at least be something we could mock without mercy. Instead, it just looks incredibly generic, essentially a rehash storyline-wise of any number of movies I didn't bother to see. In "One for the Money" (get it?), she plays Stephanie Plum, the heroine of Janet Evanovich's 16-book mystery series, who this time out becomes a bounty hunter and, naturally, ends up in pursuit of a former flame who dumped her in high school. If you really want to know more than that, here's the trailer (remember, I'm just the messenger), and you can keep an eye out for the movie itself if you want to in the movie wasteland known as late January.



OK, finally today, and to quickly wash away the memory of that, there's been a ton of "Star Wars"-related stuff released to pimp the blu-ray release of the entire series, which I wouldn't spring for even if I could afford it, but I can assure you that none of it has been as funny as this, with the qualifier that to enjoy it you have to be a fan of Kenny Powers. Pretty much putting his "Eastbound and Down" character into the persona of Darth Vader, Danny McBride gives extremely foul (I did warn you!) voice to the dark lord's inner thoughts. Enjoy, keep an eye out for the new (and most likely final) season of "Eastbound and Down" early next year, and if you haven't, please go see "Moneyball" this weekend. Peace out.

Thursday, June 16, 2011

A Thursday clip show, closing with the funniest thing you'll see today

Starting with some movie news, having been thoroughly burned by Matt Reeves' soulless, shot-by-empty-shot remake of one of my favorite movies, "Let the Right One In," I should just run screaming from this, but there's news today that still gives me hope that another unnecessary remake of a modern European classic might actually be pretty good.

Guillaume Canet's "Tell No One," based on the American novel by Harlan Coben, actually came out in the same year as Tomas Alfredson's "Let the Right One In," and as a duo, they were my two favorites movies of 2008.

So there's nothing more representative of Hollywood's bankruptcy of ideas than the fact that they're both so quickly targeted for remakes, but in spite of that, I still have hope for the upcoming American take on "Tell No One" for exactly one reason: Ben Affleck.

He's now at work on "Argo," the odd thriller he's directing based on the true story of how the CIA and the Canadian government teamed up to rescue six U.S. diplomats who had been taken hostage by Iranians in 1979, developing a ruse that involved convincing the Iranians that the diplomats were a Hollywood film crew scouting locations for a movie called “Argo.”

That should be nothing but wicked fun, but today comes word that after that, he'll direct the American remake of "Tell No One," and though like I said I should know by now not to get suckered in so easily, the hard-boiled mind-bender would indeed seem to be perfectly catered to his directing style, if this remake needs to be made at all.

OK, enough of that. I promised clips, and the movie-related ones today are actually pretty sensational in my estimation, followed by three doses of pretty solid funny.

First up today is the first trailer I know of for the upcoming baseball flick "Moneyball," which, even with the thoroughly annoying "Entertainment Tonight" voiceover interruptions, looks like nothing but great. I love a good baseball movie, and this one starring Brad Pitt as Oakland A's bean counter Billy Beane, Jonah Hill as his assistant and, though he makes virtually no appearance in the trailer, Philip Seymour Hoffman as A's coach Art Howe, should be a real winner. Enjoy the trailer, and if you like baseball movies as much as me, keep an eye out for this in September.



Next up, if you take one piece of movie advice from me ever, it's go see "Tree of Life" if you have the chance. By far Terrence Malick's most personal movie, and in my opinion, his best, too. But don't take my word for it. In what I have to assume is a leaked DVD extra, Christopher Nolan and David Fincher eloquently make the case for why this is such a uniquely entertaining movie, emphasizing its naturalism as one of its chief strengths. Enjoy, go see the movie if you can, and stick around for three doses of good comedy, with the very best for last.



Part of my newspaper job (the one that actually pays me a bit of scratch) is to look for movie reviews of the week's opening releases, if there will be any. Well, this week, I just assumed several folks would step forward to review "Green Lantern" in time for inclusion in our entertainment publication, but only Rene Rodriguez took the plunge, and slightly too late, promptly giving the movie one star. With "Super 8" still to catch up with and perhaps Woody Allen's "Midnight in Paris" to see again (yes, it's just that good), I think I'll just say no, but just in case you're feeling tempted, here are the Onion folks to get you amped for the sure-to-be-phenomenon that is "Greg Lantern." Enjoy.



I read this book while in a Minneapolis bookstore last week, and even though I have no rugrats of my own to deal with, it was an amusing enough little ditty. I had no idea, however, that Adam Mansbach's "Go the F#$% to Sleep" was about to debut atop the NY Times bestseller list. Reading it is indeed a bit of fun, but believe me, hearing Samuel L. Jackson read it is at least 15 times better. Enjoy this audio-only clip, and then stick around for what is by a very wide margin the funniest thing I've seen today.



By himself, Karl Pilkington, the tormented genius of Ricky Gervais' podcasts and now his Science show "An Idiot Abroad," is pretty friggin funny already. But what happens when you combine him with Warwick Davis, the "Harry Potter" star who's also featured in his own upcoming Gervais series, "Life's Too Short"? Not surprisingly, comic gold. On the podcasts, Pilkington has made it clear that he fears just about everything even slightly out of the ordinary, especially little people, so when Davis sits on his lap in this clip, it's a riot. If you like this, be advised, it's only part one of four, and the rest can be found at YouTube by searching for "When Karl Meets Warwick." Enjoy, and have a perfectly pleasant Thursday. Peace out.

Monday, June 22, 2009

So, which classic tale will Tim Burton f*** up next?

Actually, easily the best (or, really, worst) story out there today is that Steven Soderbergh's "Moneyball," based on the book by Oakland A's smartguy Billy Beane and set to begin filming today, has suddenly been shut down by Columbia Pictures.

Details are sketchy so far, but it seems that someone at the studio read the latest script draft, which had been rewritten by Soderbergh himself from a first attempt by Steven Zaillan, and was much less than pleased. Now, I have no way of confirming this, of course, but after Brad Pitt walked away from "State of Play" fairly far into production, I have to wonder if Pitt, who was set to play Beane, also threatened to walk away from the project.

Either way, the bad news is all for us, because unless another studio steps up to revive this, we lose out on a possibly great baseball movie, a quickly dying breed of flick. (And, just as a reminder, the mighty Baltimore Orioles have just completed a 7-2 swing through the lowly National League East, so watch out!)

And easily the funniest would have to be that director Marcus Nispel (apparently the director of some form of "Friday the 13th," but I really can't give you first-hand confirmation of that) has found his steroid monster to play the new "Conan."

Am I the only person who remembers that old, extremely silly F/X show starring Timothy Stack, "Son of the Beach"? Now, if you don't, all you really need to know is that it was produced by Howard Stern, so you know the humor was straight from the gutter, but I also have to admit that as a spoof of "Baywatch" it just made me laugh.

Anyways, it seems that bodybuilder Roland Kickinger, who played lifeguard Chip Rommel (yes, the character's German, and that's exactly the kind of humor the showed reveled in) on the show has signed on to play the rather iconic role of "Conan." I can't see any possible way I'll see this, but I just thought someone out there might find this as oddly funny as I do.

But the most disturbing thing here today comes courtesy of USA Today, I believe, and it's the first character glimpses of what Tim Burton is cooking up for his take on "Alice in Wonderland."

Why disturbing? Well, to me, Burton is just the most maddening of directors. When he wraps his mind around a concept he clearly gets into, he can come up with some truly magical movies, such as "Ed Wood" or my personal favorite, "Big Fish."

Just as often, however, he feels the need to pop out remakes that either add nothing to the originals or, much worse, crap all over them. As an example of the former, his "Planet of the Apes" managed to be both thoroughly unnecessary and completely boring. His "Charlie and the Chocolate Factory" was much more ominous, with Johnny Depp turning Willie Wonka into some kind of Michael Jackson-style freak and making the movie simply unwatchable once the factory doors opened.

Well, now we have these three pieces of character art that show his vision of "Alice in Wonderland" will be very colorful, and hopefully somehow better than these last two. Below are Johnny Depp as the Mad Hatter, Helena Bonham Carter (of course) as the Red Queen and Anne Hathaway as the White Queen. Enjoy, and have a perfectly bearable Monday. Peace out.





Friday, February 06, 2009

What would David Fincher have done with "Spider-Man"?

Actually, I don't wonder too much about that, since Sam Raimi did a damn fine job with the first two "Spider-Man" flicks (and with "Spider-Man 2" made what remains my favorite superhero movie of all time.) If the question were simply "What would David Fincher have done with "Spider-Man 3"?, then I would have been on board, because that flick was simply a big flaming turd.

I'm trying desperately to have a bit of fun with this today, but coming the day after what's left of the "newspaper" I work for laid off 58 people - with more to come in the next two weeks - it just isn't too easy, so bear with me.

OK, enough about that bitterness. The Fincher goofiness comes courtesy of the UK's Guardian, which transcribed the director's fairly surly responses to questions from the audience after a screening of "The Curious Case of Benjamin Button" (those audience members, at least, who were still awake after watching that snoozer.)

“I was asked if I might be interested in the first ‘Spider-Man,’ and I went in and told them what I might be interested in doing, and they hated it,” he said. “The thing I liked about Spider-Man was I liked the idea of a teenager,” continued Fincher, “the notion of this moment in time when you’re so vulnerable yet completely invulnerable.”

OK, I'm down with that, and given Fincher's work (before "Benjamin Button," at least), it certainly would have been a darker affair. I would have to assume he blew the job interview, if he hadn't already, if he then told the movie suits this:

“I wasn’t interested in the genesis, I just couldn’t shoot somebody being bitten by a radioactive spider – just couldn’t sleep knowing I’d done that,” stated the director.

Oh really? You wouldn't have been able to sleep after making a movie that's beloved by millions of people. Get over yourself, sir, and please get back to making movies much better than "The Curious Case of Benjamin Button." (Which, if it ever gets off the ground, would be Mr. Fincher's take on "Heavy Metal" with "Teenage Mutant Ninja Turtles" creator Kevin Eastman. Nothing but cool there.)

What's next for Terry Gilliam?

Actually, I'm more curious about when we all might be able to see "The Imaginarium of Dr. Parnassus," which has rather miraculously made it to "post-production." At the IMDB it has a June release date for the UK, but not yet any for the U.S.A. I can only hope that Johnny Depp, Jude Law and Colin Ferrell stepping into the finish the work of the late Heath Ledger will be enough to get this crazy tale also starring Tom Waits and Christopher Plummer playing everywhere (even near me!) fairly soon.

As for what Mr. Gilliam's doing next, you have to be able to read French to figure out anything about that, something that I don't do all that well anymore, but here goes.

According to two great French sites, Cinempire.com and Toutlecine.com, Gilliam's next project, set to begin filming in May, will be something called "Zero Theorem" starring Billy Bob Thornton.

After that is where it gets more than a bit murky. The not-terribly-revealing French summary reads like this: un génie de l’informatique reclus et tourmenté qui, en travaillant sur un mystérieux projet, tente de répondre une fois pour toutes aux questions relatives à l’absurdité et au sens de la vie.

OK, here goes: The best I can make from that is it will be about a "reclusive and tormented" guy (Karl Childers, we can only assume) who works on a mysterious project to answer for once all the questions about the "absurdity of life." Not that that helps much, but it certainly sounds absurd enough for Mr. Gilliam.

Actually, the best thing in the Toutlecine report, and the reason I still love Terry Gilliam, is that he's actually still trying to make "The Man Who Killed Don Quixote" - and still trying to chase down Johnny Depp to do it. If he actually pulls this off - even after having his initial failure captured in the entertaining documentary "Lost in La Mancha" - it will have to be just the portrait or persistence (or, I suppose, obstinacy - it's all in how you look at it.)

Soderbergh to play "Moneyball"

Even though I found Steven Soderbergh's "Che" one of the most painful exercises in cinematic hubris I've ever sat through (and I did make it through all nearly five hours, with an intermission), I can still manage to get excited that he's now setting his sights on a baseball flick.

With Brad Pitt in tow to play Oakland A's general manager Billy Beane, Soderbergh is about to sign on to direct "Moneyball," based on the book "Moneyball: The Art of Winning an Unfair game" by Michael Lewis. Steven Zaillain is attached to write the script.

For anyone who may not know, Beane became famous for developing a program of computer analysis that allowed the A's to compete with the big bad Yankees and Red Sox without having their big bad payrolls. Even if this turns out to be a big baseball geek fest, that would be just fine with me.

As for Soderbergh, he'll be up next with "The Informant," described as a black comedy starring Matt Damon as Mark Whitacre, a government whistle-blower who tried to take down Archer Midlands for price fixing.

And on that note, I have to get ready to go to my job while I still have one. Peace out.