With apologies to Smokey, only you can stop the 3-D plague

Actually, if I can start with a movie you all should go see ('cause I do try to keep a positive outlook on things from time to time), if you live in one of our major cities, go see Jacques Audiard's "Un Prophete" while you still have the chance.

One thing people should learn early in life is to believe at least almost everything their parents say, and this is one case that proves that solidly. When my parents compared Audiard's movie to "The Godfather" in terms of both story and quality, I was sure they had to be exaggerating, but thankfully not.

Indeed, the journey that's undergone by the titular character (Tahar Rahim) does in a way mirror the development of Michael Corleone, and it's simply mesmerising to watch (and I promise you won't even notice until the very end that it's nearly three hours long.) The movie is about what he has to do to survive a six-year term in prison, but there's a whole lot going on in that deceptively simple story arc, and the flick is packed with little moments that are magical as stand-alone nuggets but just devastating when you pile them all together (my favorite would have to be when he sticks out his tongue while going through airport security because that's the only way he knows to get searched. Priceless.)

I had never heard of Audiard until last weekend, but now at the top of my Netflix queue to be watched this weekend are his last two movies, "The Beat My Heart Skipped" and "Read My Lips." And I really can't recommend a movie much higher at all than I can "Un Prophete," so please go see it while you still have the chance.

OK, after that today, it's not quite so sunny (until the grand finale, which will thankfully feature the blissfully silly trailer for Jean Pierre Jeunet's "Micmacs," shortened, I believe, from "Micmacs Tire a Larigot.")

Now, I'm usually not one to tell people not to see movies in any form, being a firm believer in the right of people to make up their own damn minds, even if that means you go see Miley Cyrus' new movie this week. When it comes to the 3-D virus, however, a stand has to be taken, and this is indeed the week to do it (though, in case you're wondering, yes, I am well aware that I don't have to power to lead it ... nonetheless ...).

And yes, I do concede that (very rarely) the 3-D gimmick does have merit. I saw "Avatar" two times and loved it more the second one, and I thought the 3-D was used to even better effect in Henry Selick's thoroughly charming "Coraline." But, as far as I know (and I only have doubts about the latter), those were two movies conceived and shot in 3-D, rather than simply "converted" to it afterward (which is when it's outed as the complete gimmick it is.)

I would be willing to just dismiss the 3-D phenomenon as a passing fad and continue to see all my movies in glorious 2-D ("Alice in Wonderland," by the way, was fantastic when viewed the old-fashioned way, and cheaper too!), but it's of course gone well beyond that stage already. When you have studios like Warner Bros. (and possibly others already too) announcing all their "tentpole" movies from now on will be released in 3-D (exaggerate much?), it's time to learn to just say no, because clearly they can't.

So, what prompted this screed? Well, two things. First up comes the rather welcome news that in the wake of the disappointing opening of "How to Train Your Dragon" (is $44 million really disappointing? Apparently so), stock in Dreamworks dropped 8 percent on Monday. Now, I haven't seen the movie (as already established, this arthouse snob spent Saturday afternoon watching "Un Prophete" instead), but every war has to start somewhere, and if this 3-D flick has to be the first fatality, so be it.

The second thing that set me off is that Louis Leterrier's remake of "Clash of the Titans" opens this week, and as tempting as it is pop for those goofy glasses to see the Kraken in 3-D, this man at least is gonna see it in good, old-fashioned 2-D, and I'm enlisting you to do so too (if you see it all.) After all, Regal and AMC, at least, have already raised 3-D ticket prices across the board, with other companies sure to follow suit and, if no one squawks (as I'm trying to do now), more increases sure to come.

And it obviously doesn't stop with "Clash of the Titans." Other upcoming movies for which you can make the rational choice of 2-D over 3-D include Ridley Scott's "Robin Hood," "Shrek Forever After," "Toy Story 3," and since seemingly every other movie is at least now "converted" to 3-D, a whole lot more I'm surely overlooking here.

But you get my point. As soon as they started raising prices arbitrarily, the 3-D bug morphed from a trick into a cancer, and there's no way to stop it than just saying no, starting right now.

Whew. That's a whole lot of bile for a Tuesday morning, and I can't think of anything better to sweeten it up than this fantastic trailer for Jean Pierre Jeunet's "Micmacs." I thought the American release window for Jeunet's latest had already come and gone, but this is one case in which I'd be thrilled to be wrong. It indeed just played the SXSW festival, and gets another U.S. release on May 28, when I'll surely be there to see it. As you'll see from the trailer, "Micmacs" is about a band of misfits who join together to take on an arms manufacturer, and it definitely looks like its filled with plenty of Jeunet spirit. Enjoy, and have a perfectly passable Tuesday. Peace out.

A slew of great clips, and then a break for me

After today, I'm shutting this site down for a week or so (though you're still welcome to stop by, of course) because I'm going to see my parents, hang out in fantastic Rehoboth Beach, Delaware (yes, Delaware), and see 10 or more movies in four days.

Yes, it's time once again for the Rehoboth Beach Independent Film Festival, easily my favorite time of the year. Highlights I'll hopefully get tickets for this year include Nina Paley's animated wonder "Sita Sings the Blues" and a trio of documentaries, Aviva Kempner's "Yoo-Hoo Mrs. Goldberg," Davis Guggenheim's "It Might Get Loud" and "Youssou Ndour: I Bring What I Love."

I can't wait to get there, but in the meantime, since there's no real news out there today, I'll leave with a series of clips because, since it's Wednesday, how better to waste time while you're at work today?

First up comes the first trailer I know of for "Kick-Ass," which, fortunately has no Nicolas Cage in it whatsoever. You do, however, get to see the kids - Aaron Johnson, Chloe Moretz and Christopher Mintz-Plasse (yes, McLovin) - in costume, and even Michael Cera's BFF, Clark Duke. Here's hoping this Matthew Vaugnn flick is as nearly as funny as it should be when it finally drops in April.

Kick-Ass

Trailer Park | MySpace Video

Next up comes the trailer for a flick I can't say I'm all that excited about, though there's always the chance it could be a lot of fun in the vein of "300." Louis Leterrier is directing this more than a little unnecessary remake of "Clash of the Titans," starring Sam Worthington, Gemma Arterton, Liam Neeson and Ralph Fiennes and set to come out March 26. Enjoy the trailer.



And now for something completely different. Though I would never - even on the rare weekday like today when I don't have to work - bother to tune into "General Hospital" or any other daytime soap, it's still probably a good thing that James Franco has lowered himself to star on that one for a little while. When I worked in the post office at the Catholic University of America (still one of my favorite jobs) we worked from like 6 a.m.-noon and then again from 3-5 p.m. Now, all the guys would go home for those three hours, but the gals would all huddle in the back room and watch three straight hours of their "stories." My point with that aside is that plenty of people still get pleasure from these shows, so if Franco can do anything to keep them alive, so be it. And besides, you can probably tell from the promo clip below that he seems to be having a lot of fun with this. Enjoy.



OK, back to the movies. It's been a long time since I've gotten to enjoy a silly and fun ninja flick, so I have to admit I'm really looking forward to spending a bit of my Thanksgiving weekend watching James McTeigue's "Ninja Assassin." My friend Sharon, who probably goes to two theater movies a year at most, has singled this one out as the single movie she wants to see for the rest of the year, and while that's more than a little odd, I've already promised I'll go see it with her. The main thing that crossed my mind as I watched these six "Ninja Assassin" clips courtesy of Collider.com is that it sure would be nice to have my daily commute be interrupted by dueling ninjas. Enjoy.



And finally, though this has nothing at all to do with movies, this official video for Jay-Z and Alicia Keys' "Empire State of Mind" is a great valentine to New York City and just really fun to watch. I still wish they hadn't spoiled it a bit by performing this for the great Satan - aka the New York Yankees - but it's still just a really fun song and video (and congratulations, by the way, to Mr. Adam Jones of the Baltimore Orioles on winning his first Gold Glove award this year.) Enjoy.



So, there you have it. Have a great week, and I'll see you back here next Tuesday or so. Peace out.

In this box-office battle, I'm with "Wall-E"

It gives me an odd feeling to say I'm probably just too old for the giddy gunplay of a movie like "Wanted" but more than ready to go ga-ga for an animated flick about a robot in love, but that's how the movie weekend is shaping up here.

Now, don't get me wrong: I love stylish violence as much as the next dude. And I don't even usually mind it when reality isn't anywhere to be found.

Easily one of my favorite movies from last summer was "Shoot 'Em Up," which delivered exactly what the title promises. Paul Giamatti was extremely funny and Clive Owen was as cool as Monica Bellucci was hot in this bullet ballet that played out like a cartoon and was apparently seen by only me and about 57 or so other people. If you're among the masses who missed it and aren't offended by a flick so off-kilter that one of the main gags is about a baby being in an almost constant state of peril, rent this one today and just give in to it.

So, why then can't I get too amped for "Wanted"? One reason, and I admit it might just be a silly one. In the trailer, which I'm sure everyone's seen more than once by now, James McAvoy appears to fire a bullet straight at Angelina Jolie's head, but manages to put enough "topspin" on it that it curves around her at the last second. Like I said, I guess I'm just too old, but if I can't buy that bit of baloney I don't think I'll have too much fun chomping down on the whole thing.

Besides, and not unexpectedly, the deck is just stacked in favor of "Wall-E" this weekend. Pixar's new creation will open in 3,992 theaters, to only 3,175 for "Wanted." This doesn't factor in that "Wall-E" will prolly be shown at least 15 times a day in each of those theaters, to no more than maybe half that total for "Wanted." People who get paid to do box-office projections don't expect "Wall-E" to reach the $70 million openings enjoyed by both "Finding Nemo" and "The Incredibles," but I'm betting the little guy will be closer to or better than $80 million.

But can "Wall-E" really be as good as the rather unbelievable and universal love from critics would have us believe? I want to be at least a little bit skeptical, but given how hard I fell for "Ratatouille" I'm fairly certain I won't be disappointed. In the Macon Telegraph, we most often run Roger Moore of the Orlando Sun-Sentinel for two reasons: 1. He turns in his reviews earlier than anyone else and 2. I get to pick the reviews and I think he's just about the closest thing to the people's critic working now. Here's a sample of what he had to say about "Wall-E":

The late, great Stanley Kubrick ("2001:A Space Odyssey") used to say that if you can turn off the sound and still follow the story, you've made a film, but if you black out the picture and can still follow the story with only the sound, you haven't. "WALL-E," a savvy sci-fi Pixar comedy, has almost no dialogue. But with images and sound effects alone, it touches, it teaches and it tickles. It's the best Pixar film since "Finding Nemo."

I'm trying hard to keep my already sky-high hopes in check, but I assure you my mind will be on "Wall-E" all day while I'm supposed to be working. And if I'm somehow just dead wrong about "Wanted," please feel free to let me know.

Hollywood's next war will be ... in Greece?

And since escapist wonders like "300" make more money than any of the flicks about the actual war going around us now, I suppose it makes perfect sense.

First, Relativity Media bought a script for something called "War of Gods," to be directed by visionary Tarsem Singh (and before you even accuse me of throwing around the visionary label too easily, at least go see Tarsem's "The Fall," easily one of my favorite movies of this year so far and just a real feat of storytelling.)

Now, only one day later, Warner Bros. has signed "The Incredible Hulk" director Louis Leterrier to direct a Lawrence Kasdan-scripted remake of "Clash of the Titans." I'm as sick as anyone of the need to remake just about everything in sight, so call me none too excited about this one.

So now, of course, the race is on to see who's able to pump out their epic first. In "War of Gods," the warrior prince Theseus leads his men into battle against evil that will see the gods fighting with soldiers against demons and titans (man will it be cool to see what Tarsem can do with all that!) And in "Clash of the Titans," as many will remember, Perseus, the son of Zeus, must overcome a series of obstacles to save his beloved Princess Andromeda.

So, it looks like we really might not have to wait for five years for Tarsem to make another movie, and I can only say huzzah to that.

No Emmy love for "Battlestar Galactica"? Color me not surprised

I'm finished railing against the maddening taste of Emmy voters, so I'll simply share the list of 10 semi-finalists in the comedy and drama categories.

COMEDY
Curb Your Enthusiasm
Entourage
Family Guy
Flight of the Conchords
The Office
Pushing Daisies
30 Rock
Two and a Half Men
Ugly Betty
Weeds

Only two brief thoughts about that: How in the world can you include the scattershot-at-best "Family Guy" (which I do still watch) but not the still-brilliant "South Park"? And second, a hearty huzzah for the inclusion of "Pushing Daisies." Don't be too surprised if this imaginative show somehow pulls an upset and wins the whole shebang.

DRAMA
Boston Legal
Damages
Dexter
Friday Night Lights
Grey’s Anatomy
House
Lost
Mad Men
The Tudors
The Wire

Go, go, go "Friday Night Lights" and "Mad Men"! The inclusion of "The Wire" on this list is bittersweet at best, since it comes only after that show has ended its five-season run (and with a series finale that just wrapped up way too neatly by "Wire" standards!) Since that's the pattern, I guess we can expect to see "Battlestar Galactica" make the semi-finalist cut next year only after it has ended its run on Sci-Fi.

And in one great programming note, CBS has announced we should tune in at 8:30 p.m. Sept. 22 to see if Stella says yes to Ted's marriage proposal on "How I Met Your Mother." No matter what she says, here's hoping we get to see a LOT more of Sarah Chalke on season four this fall!


A full gallery of "Dark Knight" shots

OK, I know this is more than a little long today, but could I really stop before guiding folks to the full press kit of photos for "The Dark Knight"? Go ahead and spend at least a little of your workday time perusing the full gallery supplied by Comingsoon.net here.

And, finally, a clip from "X-Files"

From what I've seen so far, Billy Connolly seems to have at least as big a role in Chris Carter's upcoming "X-Files: I Want To Believe" as either Mulder or Scully, but I'm still nothing but excited to see what he's come up with when this finally drops a week after "The Dark Knight." Enjoy this new clip and go see "Wall-E" this weekend. Peace out.