Go see "Kick-Ass" already and just have a hell of a lot of fun

Actually, before we get into any of that today, why not start with some truly "Kick-Ass" casting news?

If you were to list my favorite actors, Hal Holbrook would easily find a spot in the top five. He made "Into the Wild," a movie that still just continues to get better and better with age, and he was even better than that as the star of "That Evening Sun," a genuine Southern gothic that should really be coming to DVD very soon, so keep an eye out for it.

Now he's gonna get the chance to be a truly bad MF as a short-term cast member of "Sons of Anarchy," which in its second season last year really became a great TV drama. When season three returns in September, Holbrook will star in the first four episodes as Gemma's (Katey Segal) father. I was gonna watch anyway already, but they've certainly amped up my interest with that news.

And in even crazier news, I really didn't think there was any way you could get me to watch a remake of "Arthur," even though I do find Russell Brand to be very funny, but I think they've now actually pulled that off.

How? By casting Dame Helen Mirren in the role made legendary by Sir John Gielgud, therefore changing it from a butler to a nanny, something which Brand could almost certainly use in his real life too. There is, of course, still a very large chance that this could just suck all kinds of balls, but with Helen Mirren in it I can at least guarantee you I'll be there to watch it crash and burn.

OK, before I got sidetracked by that little bit of business, this was supposed to be a defense of "Kick-Ass," though having seen it twice now, I'm still rather amazed that Matthew Vaughn's thoroughly entertaining movie needs one.

And this really isn't in response to Roger Ebert or anyone else who has questioned the morality of so much violence being perpetrated by a 12-year-old (my best guess, I really have no idea how old kids actually are.) I'm willing to dismiss that as the ramblings of a sometimes cranky old man, especially since I'm pretty rapidly becoming one of those too. All I can really say is IT'S A FRIGGIN' R-RATED MOVIE!!!

Instead, it's more about what "Kick-Ass" really is rather than what it isn't, because judging by the week one box office numbers, I have to assume that the majority of people who happen to stumble by here today haven't seen it yet.

Because what Vaughn has really accomplished is to make one of the very few non-animated movies that manage to bring a genuine comic book vibe to the big screen. Terry Zwigoff managed to do it by capturing perfectly the spirit of Daniel Clowes' "Ghost World," and the just criminally underrated "Shoot 'Em Up" - though more like Looney Tunes than comic books - managed to contain all of the fun of comic books too (and if you haven't seen this little comic gem, rent it immediately!)

And in many ways, Vaughn has accomplished the same rare feat with his movie about the comic book "Kick-Ass." Ebert and others were at least part right - it does indeed start with the violence. Perhaps my moral compass is just completely askew, but when I knowingly go into an R-RATED movie with the name "Kick-Ass," I think I've pretty much ceded any right to be offended. And besides, I wasn't. I was entertained.

I don't want to give too much away, but the two action set-pieces involving Hit-Girl (young Chloe Moretz, who is just a delight) are easily the two best I've seen this year, and are among the best of the last 10 years or so too. The first starts in darkness, then turns into a trick of lighting and is just expertly shot. And the grand finale, well, all I'll tell you is that it does involve a bazooka and another much cooler weapon that I won't reveal to you here. Let's just say I defy you not to laugh out loud once you hear the strains of "Battle Hymn of the Republic" ring out.

But it's not all about the violence. Just about everything in "Kick-Ass" is fun, funky and very often outrageous, as comic book movies should be. Nicolas Cage is funnier than he's been since, well, "Fast Times at Ridgemont High" as Hit-Girl's guardian, Big Daddy, and the near-constant riff on superhero worship manages to sustain itself through the whole thing.

My only qualm with the first movie and fear for the inevitable sequel (but only if the box office numbers somehow pick up, probably) is that that McLovin kid is definitely a one-trick pony. Saying any more than that would only spoil things.

And in week two, there's at least a fighting chance that "Kick-Ass" could somehow win the week, considering the fecal matter - "The Back-Up Plan" and "The Losers" - that's polluting multiplexes this week. If you're having doubts about this and trust me at all (a dangerous proposition, I certainly concede), give "Kick-Ass" a chance in week two. 'Nuff said. Peace out.