Meet the Governator, and much more fun stuff

Where better to start than with easily the funniest thing I found in my morning reading? I suppose when you're Arnold Schwarzenegger, your life has pretty much been a comic book from the start, so why not make it official?

It seems the former governor of California has teamed up with Stan Lee to turn his nickname, the Governator, into a new comic book and animated series. Yes, really.

Here's what Lee had to say about it to Entertainment Weekly: "The Governator is going to be a great superhero, but he’ll also be Arnold Schwarzenegger. We’re using all the personal elements of Arnold’s life. We’re using his wife [Maria Shriver]. We’re using his kids. We’re using the fact that he used to be governor. Only after he leaves the governor’s office, Arnold decides to become a crime fighter and builds a secret high-tech crime-fighting center under his house in Brentwood."

I really can't see myself buying this, but just to show that I'll probably never get too old to buy an occasional comic book or two, I did pony up the other day for a copy of Kick-Ass 2 #1, which should be coming in the mail any day now.


Am I the only person who looked at that photo above and first thought, "separated at birth"? In the second funniest thing I found this morning, and in something that shouldn't tax his acting skills much at all, it seems that John Travolta will be playing John Gotti Sr. in a new movie called "Gotti: Three Generations," to be directed by Nick Cassavetes.

The movie will focus on the relationship between John Gotti Sr., the head of the Gambino crime family who died in prison in 2002, and his son John Gotti Jr., who took over the family business for his father, served time in prison, but then successfully escaped conviction in four subsequent racketeering trials. But really, I just wanted to post that picture, so that's all I really have to say on the subject.

Moving on, if FX is ever going to have any successful dramas, it could certainly do worse than signing the first family of "Friday Night Lights," my favorite TV drama of the last 10 years or so (yes, better than "Mad Men").

Connie Britton has apparently already signed on for something from "Glee" creator Ryan Murphy to be called "American Horror Story." I have no idea what it's about, but keep an eye out for it on FX's fall schedule.

And now, it seems that FX is courting Coach Taylor too, for a different series called "Powers." Kyle Chandler hasn't signed on yet, but if he does, it would be for something that sounds potentially pretty great.

Based on the graphic novel by Brian Michael Bendis and Michael Avon Oeming, "Powers" will be a police procedural set in a world where superpowers are relatively common. It centers on two detectives, Christian Walker and Deena Pilgrim, in a homicide department that deals with cases involving "powers." (people with superpowers).

Look for supernatural police forces to appear in some form in at least two other shows coming this fall, because of course no idea these days comes about in a vacuum, but if Chandler signs on for "Powers," you can bet that's the only one I'll be tuning in for when it most likely premieres in early 2012.

OK, to wrap up with the TV segment, at least until we get to the videos, how better to start a Thursday morning than with a photo of Amber Heard in a Playboy bunny suit? I can't think of too many.

She's starring in the fall NBC series "The Playboy Club," which she's described to Comingsoon.net as "a crime drama centered around the Playboy clubs of Chicago in the 1960s." I'm not sure that's enough to get me to tune in for the whole series, but I think I'll at least give the pilot a try this fall. Here's the photo:


OK, now on to the videos, and where better to start than with Jim Henson? This new site is dedicated to his history, and it's well worth a visit. Among the gems you'll find there is this short pilot of sorts he did in 1968 - before either "Sesame Street" or "The Muppet Show"- for a potential TV series based on the Wizard of Id comic strip. Nothing came of it, of course, but the clip is a lot of fun, and you'll certainly recognize the voices. Enjoy.



Can you ever possibly bring together too much funny? I doubt it, but HBO is testing that theory with its upcoming special "Talking Funny," which will rather amazingly make Jerry Seinfeld the least funny guy in the room. Not an insult really, just my personal opinion that Ricky Gervais, Chris Rock and the great Louis C.K. are all funnier than he is. Anyways, the four of them will be getting together for this "casual conversation" that should certainly be a hoot when it airs April 22 at 9 p.m. EST on HBO, and keep an eye out for the second season of C.K.'s rather sublime "Louie" series coming to FX in June. Enjoy the "Talking Funny" trailer.



And finally today, color me jealous of all you folk who get BBC America, which my cable provider charges too much for me pony up for. Coming to the network starting April 23 will be the new season of "Doctor Who," and based both on the very entertaining Christmas special and this latest trailer, it looks like a wildly fun ride. Enjoy the trailer, and have a perfectly pleasant Thursday. Play ball!

My (and only my) best movies of the decade: The 2007 edition

Before I get into any of that, it seems there may actually be a good baseball movie in the works, an increasing rarity that's certainly reason to rejoice.

Michael Lewis' "Moneyball: The Art of Winning an Unfair Game" has already had more than a bit of a tortured past. Steven Soderbergh had been attached to direct the story of how Billy Beane turned the Oakland As into a contender on a tight budget, with Brad Pitt set to play Beane, but the plug was pulled on that by Columbia just five days before production was set to begin.

Now, however, director Bennett Miller, who has already appeared on this 10-day extravaganza of my opinions with "Capote," easily one of the best movies of 2005, has been hired to revive the project, with a new script from Steven Zaillian and Aaron Sorkin. Pitt will still play Mr. Beane, and I love baseball movies so much that this bit of news already has me rather giddy.

But getting back to 2007, the vagaries of time and space have joined forces to engineer an upset of sorts. I've been extolling the virtues of "Ratatouille" for many years now - as if it actually needs my help - but it's been knocked from the top spot by a more serious contender. Read more below to find out what it is.

All in all, 2007 was a really good year for movies - so good in fact that I've cheated a bit this time and let the list go to eleven (as everything really should) to accommodate a movie that was actually made in 1977. And here, just in case it jogs anyone's memory and give you some rental suggestions, is the rather long list of honorable mention movies: "The Lives of Others", "Tyler Perry's Daddy's Little Girls", "Breach", "Starter for 10", "300", "The Namesake", "The Host", "The Wind that Shakes the Barley", "The Lookout", "The TV Set", "Grindhouse", "Waitress", "Eastern Promises", "Michael Clayton", "The Assassination of Jesse James by the Coward Robert Ford", "The Kingdom", "King of Kong", "Talk to Me", "Control", "Away from Her", "Gone Baby Gone", "Knocked Up", "Harry Potter and the Order of the Phoenix", "Shoot 'Em Up", "Across the Universe", "American Gangster", "Joe Strummer: The Future is Unwritten", "Margot at the Wedding", "The Diving Bell and the Butterfly", "Juno", "Atonement","Sweeney Todd", "Charlie Wilson's War", "There Will Be Blood", "Walk Hard" and "The Orphanage."

Wow. I wouldn't blame anyone for giving up now, but we're just getting started. Here, without any further delaying (in dishonor of Dick Cheney, I've decided to never use the word "dither" again) from me, here are my top 11 favorite movies of 2007, and as usual, please feel free to add any you think I may have snubbed.

"Zodiac"
Most of the complaints I've heard about David Fincher's best movie are what I think actually make it work so well. He does indeed take his time telling the story of the Zodiac killer, and more specifically about two men, a cartoonist and a reporter, who became obsessed with the still unsolved case. Obsession is in fact what this tale is really about, and it's sold perfectly by the performances of Jake Gyllenhaal and Robert Downey Jr.

"Killer of Sheep"
This nearly flawless little movie by Charles Burnett is the entry from 1977 that got its first real theatrical release in 2007. Made as Burnett's thesis film while he was a student at UCLA, it tells the story of a slaughterhouse worker and his family, and how they struggle to get by in Watts living ever so slightly above the poverty line. It's a vivid portrait of American life, and well worth renting on DVD if you've never seen it (I had to check the Netflix to make sure it had ever gotten a DVD release, which it has.)

"Rocket Science"
Speaking of obsession, anyone who's been here before (and there are apparently a few of you) knows I talk about this autobiographical romantic comedy of sorts from director Jeffrey Blitz quite a bit. It's actually a truly terrible title, but this often painfully charming portrait of a teen stutterer who somehow ends up joining the debate team and having his heart ripped out by his debating partner captures the hell that often is high school. It's made a star of Anna Kendrick, who's already garnered some best supporting actress awards for this year's "Up in the Air," and really should have with Reece Thompson, who plays our hero here.

"Once"
I really don't think you can re-create the magic that flowed through this Irish romance from director John Carney, but stars Marketa Irglova and Glen Hansard have tried anyway, musically at least, reuniting this year to record a CD as the Swell Season. It's a beautiful record, but be warned: It's all about heartbreak, which has never sounded lovelier. Carney's movie is a musical love story that tells its tale with hardly any budget at all but plenty of humor and heart. I love this movie more than any words from me can really express.

"No Country for Old Men"
Even the Best Picture Oscar for this bleak Western of sorts wasn't enough to get the Coens' latest, "A Serious Man," distribution wide enough to reach my little corner of the world, so I have yet to see it even as it garners plenty of end-of-year kudos. Though "No Country for Old Men" isn't my favorite Coens' work (a tie between "The Big Lebowski" and "O Brother Where Art Thou"), they definitely put their unique stamp on Cormac McCarthy's tale of drugs, money and death in West Texas. Calling it a meditation on violence would be accurate but really understates just how entertaining and darkly witty it is, and in a cast full of macho bravado, Scot Kelly Macdonald certainly deserves more credit than she got for her work as Carla Jean.

"Superbad"
Juvenile as it may be, I'll make no apologies for including this Greg Mottola movie, because it was the most fun I had watching a movie in 2007, and really, what more can you ask for? The dual stories of two teenagers (Michael Cera and Jonah Hill) who just want to get laid and two truly amateur cops (Seth Rogen and Bill Hader) who often act more foolishly than the kids unfold at a brisk "After Hours" pace, and it's just funny from start to finish (and, puerile as it was, I don't think I laughed harder at anything all year than Hill's diatribe about his "ghostbusters lunch box dick treasure chest.")

"I'm Not There"
Todd Haynes' extremely nonlinear bio pic of sorts about Bob Dylan uses six (I think, it has been a while since I've seen this one) different actors, ranging from a young black child (Marcus Carl Franklin) to Cate Blanchett, to play Dylan, but never quite gets to a full portrait of the enigmatic poet. Fittingly, he instead made the movie a kaleidoscopic series of vignettes that add up to a hazy dream that's a joy to behold until it falls off the rails at the end when Richard Gere tries to play Billy the Kid. The best and most tender scenes are shared by the late Heath Ledger and Charlotte Gainsbourg.

"The Savages"
A quick check of the IMDB revealed that director Tamara Jenkins doesn't have any projects listed after this flick, which is a shame, because "The Savages" is a real winner. Laura Linney, a definite Reel Fanatic favorite, and Philip Seymour Hoffman star as the titular "Savages," two brilliant but self-absorbed siblings who finally have to face up to familial responsibility to care for their ailing father, who neither of them have spoken to for 20 years or so. Both are at their best here, and it just perfectly captures this awkward situation which all of us will eventually have to deal with.

"Persepolis"
I recommended this one for a Macon Film Guild screening, and though they took me up on it, I don't think it was a very big hit, unfortunately. Directors Vincent Paronnaud and Marjane Satrapi bring Satrapi's graphic novel about her life growing up in Iran and Europe to colorful life on the big screen despite animating it most often only in stark black and white. It's a poignant coming of age story packed with plenty of humor as precocious Marji grows into a woman who struggles to feel at home in either the strict world of Tehran or morally looser Vienna, and is just thoroughly entertaining.

"Ratatouille"
Up until about six months ago or so, Brad Bird's best animated movie (by just a nose over "The Iron Giant") reigned as my favorite movie of 2007, and it still holds a lofty position in my heart. In glorious 2-D, which is the only way I ever want to watch animated movies, Paris looks as gorgeous as it would had this been made by Hayao Miyazaki as we meet Remy, the rat who just wants to be a chef. It can be more than a little unsettling as he and his fellow rats take over the kitchen at Gusteau's, but this movie is packed with something sorely missing from almost every animated movie I see nowadays (and I see quite a few): wonder. And besides, it contains easily my favorite scene of 2007 as critic Anton Ego's steely culinary heart is finally melted by Remy's simple dish of ratatouille. Priceless.

"Into the Wild"
My appreciation for this Sean Penn (if you wanna hate, please, keep it to yourself) movie only grew after I went back and read Jon Krakauer's book about doomed American dreamer Christopher McCandless. Comparing the two just reinforces how well Penn condensed the sprawling tale of how McCandless abandoned his promising future after graduating from Emory University to embrace a more than slightly less than traditional lifestyle. If you don't know how this story ends, you won't hear it from me, but Penn treats both McCandless and his suffering parents with respect, keeping this apolitical and just turning it into a great American road movie. In a flick packed with great performances, Emile Hirsch as McCandless and Hal Holbrook and Catherine Keener in supporting roles as people he meets in his travels all deserved to be not just Oscar nominees, but winners. And, in case you couldn't tell, this one has lingered in my mind as my favorite movie of 2007.

So, there you have it. As I said, please feel free to add any of your favorites. I'll leave you with a real oddity. I saw the original "Death at a Funeral," and found it to be an amusing enough diversion. When I heard there was going to be an American remake, I just shrugged it off as something to ignore, but it actually looks mildly intriguing. Somehow directed by Neil Labute, it now features a mostly black cast led by Chris Rock and Martin Lawrence, and the trailer is below. Enjoy, and have a perfectly passable Tuesday. Peace out.

A painful, insightful and ultimately entertaining look at "Good Hair"

C'mon, you know we've all done it. You walk by a woman - most likely a black woman - with an elaborate hairdo and say (hopefully not out loud!) "how in the world did she do that?"

Well, Chris Rock provides a few answers and a lot of laughs in the documentary "Good Hair" as he asks varieties on that question in hair salons around the country, at the world's biggest black hair show in Atlanta and even in India - and I can tell you from this gringo's perspective that after watching his movie it's hard to say which locale is the most exotic.

I was a little hesitant to see this this movie, not because of the subject matter - which has always kind of fascinated me - but because I don't always find Chris Rock to be all that funny. I just didn't think I could bear two hours of him ridiculing and berating these women who often - we find out - spend thousands of dollars on their hair, but he tries a new tack here, empathy.

He says at the outset that the idea for the movie came at least in part from his very young daughter asking, "Daddy, why don't I have good hair?" The movie is indeed often at its best as he talks with black women in hair salons and black men in barbershops because - perhaps with his daughter in mind - Rock manages to make this much more of a free-flowing conversation than a series of uncomfortable interrogations.

Sprinkled in with these visits are interviews with assorted celebrities who have achieved their fame at least partly by having "Good Hair," both women and men. Ice-T is very funny as he talks about wearing curlers to school, and the stunning Nia Long is the most candid as she talks about the lengths she goes to to both acquire and protect her 'do. I guarantee you'll just squirm in your seat, however, after you hear all about the painful weave process and then see a game Raven Symone showing off her tremendous head of fake hair. (As an aside, as a young kid growing up near Baltimore, I always thought self-promoting Charm City business man Mr. Ray invented the hair weave.)

Rock and director Jeff Stilson wisely frame their movie with the outlandish Battle Royale that closes out the Bronner Brothers International Hair Show each year in Atlanta. A lot of my favorite documentaries feature some kind of competition to build in suspense, and you'll definitely pick a favorite and probably hoot out loud while watching the four star stylists who compete here (mine was Freddie J, whose elaborate production was probably doomed from the start but still the most fun to watch.)

"Good Hair" takes a brief but very wrong turn as Rock gets into the touchy subject of why so few black people - and so many Asians - have made so much money off of this billion-dollar industry. It's a worthy question to ask, but Rock adds absolutely nothing to the flick when he sinks down to the "gotcha" style of documentary making and ambushes an Asian hair store owner, trying to get him to buy some "black hair." It's just the kind of stunt that Michael Moore leans on at his worst, and it adds nothing at all to "Good Hair."

That's only a minor beef, however, about a movie that's almost as insightful as it is downright entertaining. See this one while you can, since it will probably only get a few more weeks in theaters. And, apropos of nothing except for the fact that i like it so much, I'll leave you today with a video of the queen of "Good Hair" and great voice, Etta James, singing what is still probably my favorite song, "I'd Rather Go Blind." Peace out.

Say it ain't so, Hulu

Before I get into any of that, there's some much better news out there for people who like their TV to make them laugh, which I certainly do.

First up is that NBC has given full-season orders to two shows I tune in for every week, "Community" and "Parks and Recreation." The former is already very funny and seems to get a little better with each episode, and the latter has a sweetness that masks just how sly it can often be.

And, in even better news, it seems that both Jane Lynch and Kristen Bell will be returning for the second season of Starz's "Party Down," set to begin in April, if only for limited runs. Lynch was, as usual, extremely funny as a regular on season one before she got a better gig on "Glee," which, yes, I watch. And Bell showed up at the end, most likely as a favor to "Veronica Mars" and "Party Down" creator Rob Thomas, as a rival caterer with a mean streak but a wounded heart. Lynch will return for the second season finale, while Bell will apparently show up for a few episodes mid-season to stir up some trouble.

If you've never seen this often wickedly funny show about a group of wannabe actors who work at a catering company, you can catch up on all of season one with that watch instantly thing at Netflix. I'd highly recommend it.

And now on to the bad news. Since I don't own a cell phone and never will, and the only computer I own sits permanently on the desk in my front room, I'd say Hulu.com is just about the best technological innovation of the last five years or so, and easily one of the most addictive.

For anyone who's never used it, the site essentially compiles TV episodes and some movies (including, somehow, Whit Stillman's "Metropolitan," which I've watched at the site), which you can watch in their entirety with limited commercial interruption. It's a great way to catch a recent episode you might have missed (if you somehow don't have any kind of DVR device), but even better, it's a great place to rediscover shows long gone. For example, you can watch the entire first season of "Arrested Development" there now for free, and since it rotates, I'd imagine seasons two and three will appear soon, as they have in the past.

The key word there, however, and what may change very soon, is "free." Though is hasn't yet said what form any coming fees might come in, News Corp., which owns the site with NBC Universal, the Walt Disney Co. and Providence Equity Partners, announced Thursday that a subscription fee of some sort could come as early as next year as the site struggles to remain viable.

Oh well. I guess something this cool couldn't last forever, but I don't think I'll be paying for the service, since I already have the Netflix and more than enough digital cable.

OK, enough of the bad news. All I've got otherwise today is two clips that will hopefully pick up everyone's spirits at least a bit. First up comes the first eight minutes or so of ABC's upcoming remake of "V." The network apparently plans to release four episodes of it in November to see how it does, and then bring it back as a midseason replacement. That just sounds goofy as hell, but I'll tune in for at least the first four to see what they have going on, because my TV is sorely in need of some good sci-fi right now. Enjoy.



And finally today comes the second (I think) trailer for "Men Who Stare at Goats," which will hopefully play everywhere when it drops Nov. 6. It just makes me smile every time I see George Clooney stare down a poor goat, and it looks like this one is just gonna be insanely funny. Enjoy, and have a great rest of the weekend. If you'll excuse me, I'm off to get a gyro at the Central Georgia Greek Festival and then go see Chris Rock's "Good Hair." Peace out.

Can Sam Rockwell really get an Oscar nomination?

The oddest thing about the Somali pirate story that grabbed our attention for a few days earlier this year is that no one has bothered to make a movie about it, but that's about to change.

It seems that Billy Ray has been hired to pen the story of captain Richard Phillips, who was held hostage by Somali pirates until Barack Obama gave the order for some rather badass snipers to give them three shots to the head. (I only mention Obama because he could certainly use whatever goodwill he can get these days.)

Ray is easily one of my favorite screenwriters. "Breach" finished in my top 10 for 2007, and if you haven't seen "Shattered Glass," his flick about serial journalistic fabricator Stephen Glass, it's even better and well worth a rental. He was also one of three (wtf?) writers listed for "State of Play," which I just watched on DVD and enjoyed quite a bit.

Assuming this all comes to fruition (and why wouldn't it?), I would hope they pick someone besides Ray to direct it, because although I like all the movies he's helmed, they're very claustrophobic and cat-and-mouse, really not what we have here.

And in other, odder news today, it seems that the often great Don Cheadle is somehow getting into the sitcom business with NBC.

It's certainly not surprising that NBC would order up more comedies (last night's episode of "Community" was easily the funniest one yet - and on another network, of course, "It's Always Sunny in Philadelphia" also had its funniest episode of the new season.) But why would Cheadle lower himself to TV?

I suspect it's due to the involvement of "Boondocks" creator Aaron McGruder, who will write and I'd have to assume at least sometimes direct for the series. He'll certainly have to tone down his act for this new show about "mismatched brothers who reunite to open a private security company," but here's hoping he can keep it raw enough to be very funny.

But what sparked the headline for this post was that I saw there's now an online petition with about 700 signatures on it to get Sam Rockwell an Oscar nomination for his work in "Moon," and as far as empty gestures go, this one certainly has its heart in the right place. If you want to sign on, click here.

I had the distinct pleasure of squeezing into the screening of Duncan Jones' flick earlier this year at the Atlanta Film Festival 365, and thoroughly enjoyed it. It does steal more than a little directly from "2001," but it's still the kind of very smart sci-fi allegory we don't see on the big screen nearly often enough these days (and that, frankly, Neil Blomkamp's "District 9" only thought it was.)

And if you've seen this flick (if you haven't, it's finally coming to DVD Dec. 29), you know that Sam Rockwell's in just about every frame all alone, and he's sensational. Though Rockwell could have easily hammed it up with the descent into madness, he instead let it play out at a natural pace and turned in easily one of the best male performances I've seen this year.

So, is there any real chance that he could get a Best Actor Oscar nomination next year? I don't think so, but looking at the competition, I'd say he's at least a fairly healthy dark horse. Here's a look - as best as I can gauge it - at the contenders so far, plus a few players to come later. In my heart, I certainly wanted to include Peter Capaldi's gloriously profane turn as Malcolm Tucker in "In the Loop," but I really couldn't see that happening, so here goes:

Someone from "The Soloist"
I haven't seen this one yet because it just looks way too mawkish for me, but my fellow cubicle slave Randy Waters - whose taste I almost always trust - swears its good, so I should probably give it a shot on DVD. I'm certain, even without having seen it yet, that either Robert Downey Jr. or Jamie Foxx will get an Oscar nod for this - if not both - and I'd put my money on Foxx.

Someone from "The Hurt Locker"
Outside of Rockwell's run in "Moon," Kathyrn Bigelow's (not pro- or anti-, just) war movie has the best two male performances I've seen this year from Anthony Mackie and Jeremy Renner. Though they both just perfectly capture the state of soldiers in combat, I can't imagine they'd both be nominated, so I'll bet on Renner.

Matt Damon
I suppose this could come for either Steven Soderbergh's "The Informant" or for his upcoming role in Clint Eastwood's South Africa flick "Invictus," but I sure hope it's for the former. In Soderbergh's flick, he was just the perfect definition of a weasel as he kept digging deeper and deeper with the lies of Mark Whitacre, and it was thoroughly fun to watch.

Johnny Depp
And no, not just because he's Johnny Depp. In "Public Enemies," which made a surprisingly strong $97 million or so at the U.S. box office, Depp just carried the movie with ease as bank robber extraordinaire John Dillinger (and since he also had to carry the pretty much dead weight of Christian Bale as lawman Melvin Purvis, that was some truly heavy lifting.)

Future contenders

George Clooney
With "Fantastic Mr. Fox," "Men Who Stare at Goats" and "Up in the Air" all coming in short order very soon, this fall will certainly be the season of Clooney, and I suspect you'll hear his name called next year for his role in the latter, the new flick from Jason Reitman and one I'm certainly looking forward to seeing.

Daniel Day Lewis
Because, well, he's Daniel Day Lewis and because, as the only dude in a sea of Oscar-winning women in Rob Marshall's epic musical "Nine," he'd have to just really, really suck to not snag a nomination for this, and I can't see that happening.

And there you have it. Please feel free to mention any I might have missed, and have a great weekend. As for my movie weekend, I'll probably go see Chris Rock's "Good Hair" and maybe "Cirque du Freak: The Vampire's Assistant," but not "Paranormal Activity," not because it looks too scary but because "The Blair Witch Project" was just easily one of the worst movies I've ever seen and I just don't think I can sit through another horror gimmick flick. Peace out.