Will the best scripts of 2009 be the best movies of 2010?

The short answer to that question is of course not, because it certainly takes a lot of steps to get a movie from great script to even somewhat good flick.

And though I have to admit I had never heard of it until I stumbled on it yesterday at Collider.com, Franklin Leonard has been releasing "The Black List" (rather unfortunate name, but great idea) since 2004. It's a list of the best scripts that Leonard, now an executive at Universal, has received each year, in 2009 culled from 97 offerings. You can read the whole thing here, but below are a few highlights from the top 10 that caught my eye, with commentary from me.


1. The Muppet Man
By Christopher Weekes
I had no idea that a biopic about Jim Henson was in the works, but I'm just jazzed beyond all reason that it is and may even be coming soon. Like everyone of a certain age, I grew up with the Muppets, and just loved them, especially the thoroughly magical "Muppet Movie." This is listed as being set up at the Jim Henson Co., so may not exactly be an objective view, but who would really want to watch a hatchet job about Jim Henson anyway? With this and (maybe) a new Muppet movie coming from Jason Segel and Nicholas Stoller, it truly could be a new golden age for my favorite puppets (who somehow even have their own very fun Youtube channel, too.)

2. The Social Network
By Aaron Sorkin
I just lent out my copy of Sorkin's "Sports Night" to my fellow cubicle slave Randy Waters, and he now shares the minority view with me that it's even better than Sorkin's "The West Wing." Either way, his wit shined again in 2008 with "Charlie Wilson's War," and hopefully will also with this story about the creation of Facebook (which I'm somehow on.) In the words of Leonard, the "fascinating biographical elements of Shattered Glass meets the courtroom drama of Kramer vs. Kramer, without the tears." Namechecking one of my favorite movies ("Shattered Glass") will get my attention every time, and with David Fincher directing this for an October 2010 release starring Jesse Eisenberg and Justin Timberlake (a surprisingly good actor), this is definitely one I've got my eyes on.

3. The Voices
By Michael R. Perry
I certainly like twisted movies, and from the right perspective I also don't mind some horrific violence thrown in too, so this sounds right up my alley. According to Leonard, this one's about a schizophrenic worker at a bathtub factory who accidentally kills a beautiful woman from his workplace. While trying to cover his tracks, he starts to hear voices from his foul-mouthed cat and dog. In describing it as like "watching the lovable pig from Babe join forces with American Psycho’s Patrick Bateman," Leonard already had me hooked. Mark Romanek (One Hour Photo) will apparently direct this if he can find someone crazy enough to take the lead role.

5. Cedar Rapids
By Phil Johnston
You can count Miguel Arteta's "Youth in Revolt" starring Michael Cera as one of the near-future movies I'm really looking forward to, so it's certainly good news to hear that his next one should be a winner too. He's attached to direct this flick starring Ed Helms as a small-town insurance man who hasn't accomplished much of anything until he gets invited to represent his company at the Cedar Rapids insurance convention. Helms is still the funniest guy on "The Office," and with Alia Shawkat, John C. Reilly and even Sigourney Weaver set to co-star, it should be a real hoot.

6. Londongrad
By David Scarpa (The Day The Earth Stood Still and co-wrote The Last Castle)
It seems like forever since I've seen a great spy movie (or at least one without Paul Greengrass' uncontrollably shaky camera), but this one certainly seems to fit the bill. It's an adaptation of Alan Cowell's 2008 book "The Terminal Spy: A True Story of Espionage, Betrayal and Murder," which chronicles the life and death of Alexander Litvinenko. The story itself seems way too good to be true, with Litvinenko allegedly poisoned by radioactive tea, but it really did happen in 2006, and thoroughly fascinated me at the time. Leonard says the script evokes "Born of the Fourth of July, Silkwood, and Robert DeNiro’s history-of-the-CIA saga The Good Shepherd - but in Russia, with spies," which sounds great to me. Warner Bros. has apparently optioned the script, and I somehow think I read Johnny Depp has been attached to star in it, though I read so much about movies that I could be just all wet about that.

And now, if you'll excuse me, I'm off to see one movie today, but I can't decide between "Invictus" and "The Princess and the Frog." I'll eventually see them both, but I'm leaning with starting with Disney's return to 2D animation. Peace out.

OK, this is late, but for me QT is the king of summer

As I was wondering how in the world to finally write something about Quentin Tarantino's simply insane "Inglourious Basterds," my easily distracted mind moved to thinking about the possible standards by which you can judge movies.

There are certainly many more than one that are valid, but for me it's always come down to simply this: Is this flick entertaining or not? And by that simple standard, QT's latest, and I think best, movie is wildly and often maddeningly so, and is therefore my favorite movie of 2009 so far.

Much of the praise I've seen for "Inglourious Basterds" (and except for the incredibly arrogant and equally vapid David Denby pretty much calling QT a retard, I haven't seen a lot of criticism) has centered on Christoph Waltz and the opening sequence, and with good reason.

Waltz just approaches his role as Hans Landa, aka "The Jew Hunter," with the most disturbing glee, and the opening gambit, set at a farmhouse in occupied France, is a model of what has always been QT's greatest strength, the ability to write extremely wordy scenes that never feel too wordy, since those words are turned into weapons that slowly and constantly raise the tension. Tarantino clearly knew he had a winner with this scene, since he released the script for it well in advance of the actual movie.

I can't take credit for this myself, but as my Facebook friend and devoted movie fan Ashok pointed out, many of the best scenes in "Inglourious Basterds" take place around tables, the real arena of action here.

And one such scene that I found even more dynamic than the opener comes when the titular Basterds are sent to pick up a German-actress-turned-counter-spy, played by Diane Kruger, at a French bar. The tension is both alleviated and sustained here by a sublimely silly game of celebrity Indian head poker so perfectly that when it all inevitably falls apart it just hits that much harder.

But as great as these and other set pieces are, they would all be wasted if they weren't used in the service of some truly inventive storytelling. I'm gonna have to assume from here on out that almost anyone who wants to see this has done so already (I was positively giddy to see that it came within a whisker of knocking "The Final Destination" from the top spot in week three.)

If you have, you know that what QT has unleashed here is nothing less grand than a revenge fantasy about taking down the Third Reich, and the chapters of "Inglourious Basterds" build as flawlessly as did those of "Pulp Fiction" (yes, I went there) to a grand finale that I guarantee will just be seared onto your eyeballs. I know it makes me more than a little sick, but both times I watched this, I started grinning as soon as I heard the first strains of David Bowie's "Cat People" ("putting out the fire with gasoline") and didn't stop until Shoshanna's face was being projected in smoke over all the carnage like the Wizard of Oz.

Now, all that said, "Inglourious Basterds" is far too ambitious to be perfect, and it certainly has its faults. The titular "Basterds" are just far too cartoonish for even a tale as crazy as this one, so thankfully they get the shortest chapter. Though I normally love Brad Pitt as a comedic actor, his Aldo Rayne just constantly grates as he seems to be channeling Karl Childers through the spirit of John Wayne.

And be warned: As with any QT movie, the violence here is just often way over the top. Even more than the finale, the scalping and, well, let's just say engraving of Nazi soldiers is more than enough to make even the most hardened person squirm.

But none of that was nearly enough to spoil the fun of this one for me. Even more than the dynamic set pieces or wild storytelling, it's just the spirit of this flick that sets it apart from anything else I've seen this summer. As my friend Randy Waters remarked as we were leaving the theater the first time I saw this, why stick to the facts for something as conventional and simply tame as "Valkyrie" when you can use your vivid imagination to twist history to your own ends?

I almost never clap at the end of movies unless the director is somehow in attendance, but I have to admit I did a little each time I heard Pitt utter that "masterpiece" remark, mostly because in spite of the hubris of it, I have to admit he's right: This is indeed Tarantino's masterpiece (at least so far) and thus my favorite movie of 2009 so far. Peace out.

P.S.: As part of my ongoing bid to do my minuscule part to promote glorious, traditional animation, here's the second trailer for "The Princess and the Frog," which just looks more and more like its gonna be a real winner.

Fall favorites: The 10 flicks I'm most looking forward to for the rest of this year

Actually, before we get into any of that, the funnest news out there now is that they're actually gonna make a movie based on the TV show "Soul Train," and Don Cornelius himself will be involved.

How, you might ask, will they come up with a plot for a show about dancing? I have no idea, but I still think this flick could be a lot of fun, mostly because of another one that's grown to be among my favorites.

I used to consider Malcolm Lee's "Roll Bounce" to be a guilty pleasure kind of flick, but I've seen it so many times on Saturday afternoon TV now that it's simply one of my favorite flicks, with no qualification. Since that silly little flick is about a kid (yes, Bow Wow) who just wants to roller skate, I can easily envision a "Soul Train" movie about a kid who just wants to dance and land a spot on a national "Soul Train" tour.

And in a few other tidbits before I get to the main event today, because "Chuck" co-creator Josh Schwartz apparently can't be idle for even a few seconds, he's now apparently getting into the sitcom game.

He's teaming with fellow "Chuck" producer Matt Miller to pen a multicamera script for CBS that will follow "a twentysomething newlywed couple navigating their new life together." The pilot, which picks up after the couple's honeymoon, is inspired by Schwartz and Miller's recent marriages.

That sounds like more than a little meh to me, but since I tune in for every new episode of both "Chuck" and "Gossip Girl," I'm sure I'll check this out too.

And speaking of "Gossip Girl," star Blake Lively has joined the already rather impressive cast of Ben Affleck's next directing effort, "The Town," based on the Chuck Hogan novel "Prince of Thieves," and in even better news, Chris Cooper is about to too. They join Affleck, Rebecca Hall (huzzah!), Jeremy Renner and even Don Draper.

The story follows a bank manager (Hall), the career criminal (Affleck) who stole more than her heart (not my wording!) and the FBI agent (Hamm) trying to bust the crook and his gang, of which Renner is a part. Lively is playing Renner's sister and Affleck's troubled ex-girlfriend. Cooper would play Affleck's father. Shooting begins next month in Boston.

And finally, in wildly good "Dollhouse" news, it seems that "Firefly/Serenity" vet Summer Glau is about to join the cast for a multiepisode arc that should add more than a few wrinkles to the storyline.

She will play a character named Bennett who shares a past with Eliza Dushku's Echo and has a connection to another Dollhouse character. And, in even better news, it seems that she works at "a dollhouse," meaning different from the one where Echo and the others live. Excellent.

OK, enough of that. Before I got distracted by the dailies this morning, this was supposed to be all about the 10 (or maybe 11) movies I'm most looking forward to for the rest of this year. And just to prove it was some tough decision-making, here are the six flicks that almost made the cut but just missed: "Jennifer's Body," "Zombieland," "Cirque du Freak: The Vampire's Assistant," "Gentlemen Broncos," "Nine" (the musical) and "Sherlock Holmes."

And now, without further dawdling, here goes, in order only of release date:

Sept. 4: "Extract"
All signs are that this will be the first Mike Judge movie to truly play wide in, well, forever, so if that turns out to somehow be a lie, I'm really gonna be pissed. This looks an awful lot like "Office Space" from the perspective of management, which with Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck and J.K. Simmons all in the cast would be just fine with me.

Sept. 11: "Tyler Perry's I Can Do Bad All By Myself"
I'm certain that this one will fall into the Perry formula, but I'm just as certain that I simply don't care. It's really not that I'm an apologist for Mr. Perry, but that I find even his most routine flicks to be filled with more humanity than just about anything else out there. And besides, with the great Taraji P. Henson in the lead for this one, there's no way I won't be there on opening day.

Sept. 18: "The Informant!"
When's the last time you can remember Steven Soderbergh really having fun with a movie? I suppose the second and third "Ocean's" movies might qualify, but I didn't bother with those, so I'd have to go back to the first one, in other words quite a while. Well, it certainly looks like "The Informant!", starring Matt Damon as a rather inept corporate whistle blower, should be a return to fun form, and I'll be there to find out.

Oct. 2: "The Invention of Lying"
Anyone who bothered to see last year's "Ghost Town" (and there really weren't many of you at all, so take that as my rental tip for the day) knows that beneath his rather caustic exterior, Ricky Gervais is just a big fan of thoroughly charming romantic comedies. Here's hoping this flick he co-wrote and co-directed with Matthew Robinson will be just as good as "Ghost Town," and that a whole lot more people bother to watch it.

Oct. 2: "Whip It"
Is it really true that I haven't seen young Ellen Page in a movie since "Juno"? I think so. I know she was in "Smart People" last year, but I didn't bother with that one. So I say welcome back, and in what should be a really fun flick, Drew Barrymore's directing debut with Page, Barrymore, Kristen Wiig and even Juliette Lewis as roller derby queens. I'm there.

Oct. 9: "The Damned United"
This is also actually listed as coming out on Sept. 25, but either way, I seriously doubt it's ever gonna open anywhere that won't make me drive at least an hour to see it. Which is a real shame, because it's based on easily one of my favorite books, and one you don't even have to love soccer to enjoy (but it would certainly help.) It tells the story of Brian Clough's rather disastrous and brief stint as the coach of Leeds United, a team he makes clear from the start he still detests even after becoming its leader. With Michael Sheen playing Clough and "The Queen" scribe Peter Morgan writing the script, I can't see any way this will be anything but a winner, if you get to see it.

Oct. 16: "Where the Wild Things Are"
OK, this is the one. Without much modesty at all, I'll tell you that long before they started to generate unbelievable buzz, I last gave this title to "No Country for Old Men" and then "Slumdog Millionaire." I have serious doubts that Spike Jonze's flick will be an Oscar contender like those, but I do know that whatever he comes up with from my favorite childhood tale by Maurice Sendak is easily the one movie I'm most looking forward to for the rest of this year.

Oct. 30: "Youth in Revolt"
Of all the movies on this list, this one certainly has the highest potential to be simply wretched, but I'm still holding out hope, since I just loved the book by C.D. Payne. In the movie, Michael Cera will play the (16- rather than 14-year old, I think) hero, Nick Twisp, who simply wants to score with the seductive love of his young life, Sheeni Saunders. It never gets much more complicated than that, but if it captures the spirit of Payne's wildly satirical book, it should just be a wicked pleasure.

Nov. 25: "The Fantastic Mr. Fox"
I didn't have terribly high hopes for this first foray into animation by Wes Anderson, but the stills and trailer I've managed to see have gotten me all geeked up once again. Anderson used the stop-motion technique to tell this classic Roald Dahl tale, with George Clooney as the voice of titular Mr. Fox, so I'm definitely willing to take a chance on it.

Nov. 25: "The Princess and the Frog"
No matter how hokey this one might be, Disney's return to classic 2-D animation, with its first black princess - Anika Noni Rose - and a grand score, is enough to get me hooked. It's surely too late to completely turn back now, but I'm hoping this makes a ton of money and at least opens the door for more animated movies that I don't have to put on a second pair of friggin glasses to watch.

Dec. 4: "Up in the Air"
Whew! We're finally at the end, with the welcome return of writer/director Jason Reitman. A quick check of the IMDB reveals there are no less than eight other flicks with the same title, including one short also coming out this year. Reitman's flick is about a corporate downsizing expert (Clooney again) who revels in piling up frequent flier miles. I don't think she has a very big part, but Anna Kendrick is in this too, and it always just makes me smile to see her on the big screen.

And there you have it. Please feel free to let me know of any flicks you think I've wrongfully snubbed, and have a perfectly pleasant Thursday. Peace out.

Disney's return to 2-D animation? Color me (so far) impressed

When I first heard the news that Pixar was going to do all of its movies in vaunted 3.D, I have to admit it made me more than a little sad.

It wasn't just that this extremely broad embrace was more than a little bit of exaggeration. It's also that this just seems like a loss of innocence, of animated movies containing old-fashioned magic and being aimed - as corny as this sounds - at the kid in all of us.

So you can count me as rather psyched for Disney's "The Princess and the Frog," coming at Christmas and starring "Dreamgirl" Anika Noni Rose. As you can see from the trailer below, after a thoroughly unnecessary intro listing the various accomplishments of Disney (in case we somehow all didn't know already), it indeed makes New Orleans look like a magical place.

My only beef with any of what I've seen or heard so far is that they couldn't find anyone but Randy Newman to do the score. Having just bought a copy of Allen Toussaint's first strictly "jazz" album, "The Bright Mississippi," I can attest that that great pianoman or, for that matter, any number of other New Orleans musicians, would have been a much more inspired choice.

Anyways, enjoy the trailer, and continue after that if you wish for two more clips that deliver varying degrees of funny.



Sacha Baron Cohen and the limits of funny

Anyone who's seen "Borat" knows that for Sacha Baron Cohen there really isn't even anything like an "envelope" to push, but from what I've seen of his upcoming flick, "Bruno," I think it's gonna still manage to shock (and hopefully make people laugh too.)

Below is a clip from his "Meinspace" page in which Bruno talks about recruiting "Friends," and describes the specific kinds he's looking for (and talks about, just to warn you, his bleached ******* and how he's a chocoholic.)

After that is the first trailer for "Whatever Works," which is Woody Allen's movie starring Larry David but unfortunately seems to contain the broadest and easiest kinds of jokes about Southerners and gay people. Here's hoping this is just an attempt to get this to play as wide as possible (maybe even in my rather Southern little corner of the world), and that the movie itself will prove to be a whole lot more satisfying. And with that short report, I'm out.

Meinspace Vassup!

Pixar and Disney look way into the future

"Anyone can go to Baghdad. Real men go to Tehran"
- Dick Cheney, from the first few pages of the working script for Oliver Stone's "W."

Though he, as of yet, hasn't taken up my suggestion of Dwight Schrute to play Karl Rove, Oliver Stone has indeed scooped up at least one very funny guy for his Bush biopic: "Daily Show" vet Rob Corddry will play press secretary Ari Fleischer (remember him?)

Unfortunately, what the first few script (surely a work in progress) pages reveal is that the movie itself could also be laughably bad. The "Axis of Evil" conversation that starts it off is just ridiculous (and, if it really happened that way, just scary as hell.) I didn't want to ruin it for you, so you can read it and judge for yourself here.

The order of the day here, however, is animation, easily one of my favorite subjects. Pixar and Disney have unveiled a rather ambitious slate that takes the studios through 2012, and though you won't find the name of animation master Brad Bird anywhere, there's still some really cool stuff. (Bird, if I'm not mistaken, is moving into the realm of live-action films with "1906," a historical drama about the fire that ravaged the then-quite-corrupt city of San Francisco.)

First up, of course, is Pixar's Wall•E, which promises to be all kinds of weirdness when it's released June 27, but hopefully also chock full of charm (man, could we use some of that in movies now!) Here are other highlights of what's coming down the pike from both animation houses:

Bolt (Disney, Nov. 26, 2008)
I can't say you're gonna get me too excited when your lead character is voiced by John Travolta, but the plot for this one sounds like it could be pretty fun. He voices Bolt, a Hollywood superdog who gets accidentally shipped to New York City and has to find his way back home with two companions, a jaded, abandoned housecat named Mittens and a TV-obsessed hamster in a plastic ball named Rhino.

Up (Pixar, May 29th, 2009)
Being someone who's perfectly happy to go to bed no later than 10 p.m. (and often earlier if the Braves aren't playing on TV), I say it's way past high time that a movie was made about a super hero who just happens to be in his 70s. With the new news that our hero will be voiced by certified grump Ed Asner, I'm nothing but jazzed for this one.

The Princess and the Frog (Disney,Christmas 2009)
I'd be much more excited for this one if they had actually managed to pick a black composer (rather than the omnipresent and increasingly insipid Randy Newman) for this, Disney's first grand animated musical with a black heroine, but I guess we should be thankful for baby steps. Besides, there's a lot of good going on here anyway. The story takes place in New Orleans, it stars Anika Noni Rose, and it should be a return to the kind of old-fashioned animation that made Disney famous in the first place.

Toy Story 3 (Pixar, June 18th, 2010)
I sure hope this trilogy doesn't go the way of "X-Men" and "Spider-Man," as it has thus far (the first one very good, the second great but the third one simply craptastic.) A while back, in an article about the merging of the studios, the Wall Street Journal let fly that the plot for the third installment will be this: “Woody the cowboy and his toy-box friends are dumped in a day-care center after their owner, Andy, leaves for college.” Sounds cool enough to me, so bring it on! The next Pixar sequel on the list, however ... more on that later.

Rapunzel (Disney: Christmas 2010)
Don't have much to say about this one except that, after a one-movie-only respite from the 3-D/CGI onslaught, Disney will be going all modern with this one.

Newt (Summer 2011: Pixar)
When it's not making sequels, it looks like - thankfully - Pixar is gonna just keep getting weirder with its storylines. In this one, the last remaining male and female blue-footed newts on the planet are forced together by science to save the species, but of course they can't stand each other. Even with the rather tired tag line "Love, it turns out, is not a science," this could still be a lot of fun.

The Bear and the Bow (Christmas 2011, Disney/Pixar)
A load of quality voice talent is already on board for this trip to "rugged and mythic" Scotland (whatever that means.) Reese Witherspoon is an impetuous princess who would much rather shoot her bow and arrow, Emma Thompson voices her mother and Billy Connolly (of course!) voices her father.

Cars 2 (Summer 2012, Pixar)
This is the only true turkey I can see in Pixar's near future. The first "Cars" was my least favorite Pixar movie by far, with that long middle passage that was simply a road to nowhere, so I just can't get excited much at all about a sequel. Besides, does the world really need more Larry the Cable Guy in any form?

King of the Elves (Disney, Christmas 2012)
This is definitely a case of saving the best for last, methinks. Disney will take on Philip K. Dick's foray into fantasy storytelling. It tells the tale of a dude living in the Mississippi Delta whose reluctant actions to help a desperate band of elves being menaced (of course) by a troll leads them to name him their king (why can't I have days like that?)

That did go on for a while, but hopefully the news was worth it!

"The Office" is open!

Though "Friday Night Lights" and "The Wire" helped me make it through the writers strike in a reasonably good mood, there was no show I missed more from week-to-week than "The Office," which thankfully returns to NBC tonight at 9 p.m. (followed by a new "Scrubs" too.)

You know, it's more than a little disturbing to find out your TV is smarter than you are. I went to set the DVR to tape both of these, only to find that it had saved my recording request from before the strike. I know I'm more than a bit of a Luddite, but that still kind of amazes me. Anyways, here's what's coming in the next four episodes:

"Dinner Party" (9 tonight)
Pam and Jim find they have run out of excuses and are forced to go to Jan and Michael's house for dinner. When Andy and Angela are also invited to dinner, Dwight's jealousy gets the best of him.

"The Chair Model" (April 17)
Michael's fascination with a woman modeling a chair in an office supply catalog makes him feel things he hasn't felt in a while. With Michael distracted, Kevin and Andy team up to win back Dunder-Mifflin's stolen parking spaces, forcing them into a showdown with the bosses of the five businesses of the office park.

"Night Out" (April 24)
Michael and Dwight decide to surprise Ryan in New York for a night of clubbing and meet his friends. Meanwhile, the Scranton branch is upset when they find out they have to come in on a Saturday for Ryan's Web site project. Jim's plan to save them has unexpected results. (Michael and Dwight on the town? I'm there!)

"Did I Stutter?" (May 1)
When Stanley snaps at Michael during a meeting, Michael tries to give Stanley an attitude adjustment. Dwight decides to buy Andy’s car. Meanwhile, Pam deals with an unexpected inconvenience after spending the night at Jim’s.

Sounds like a lot of fun stuff, but rather than let me prattle on anymore about it, here's a clip of Angela Kinsey and Jenna Fischer telling two rather dippy Utah news anchors about tonight's episode (note the 3-2 Orioles victory over the Mariners in the sports ticker!) Enjoy, and remember to tune in tonight. Peace out.