My (and only my) best movies of the decade: The top 10

Quickly before I get into any of that, I was just thrilled to see that "The Muppet Movie," a staple for kids who grew up when I did and hopefully still required viewing in households everywhere there are kids big and small, has been added for preservation to the 2009 National Film Registry by the Library of Congress.

The only question that great news gives me is why in the world did it take so long? As you can see from the list below, there are a lot of other great choices this year, and even a music video from Michael Jackson. Hey, why not? Here it is:

1. Dog Day Afternoon (1975)
2. The Exiles (1961)
3. Heroes All (1920)
4. Hot Dogs for Gauguin (1972)
5. The Incredible Shrinking Man (1957)
6. Jezebel (1938)
7. The Jungle (1967)
8. The Lead Shoes (1949)
9. Little Nemo (1911)
10. Mabel’s Blunder (1914)
11. The Mark of Zorro (1940)
12. Mrs. Miniver (1942)
13. The Muppet Movie (1979)
14. Once Upon a Time in the West (1968)
15. Pillow Talk (1959)
16. Precious Images (1986)
17. Quasi at the Quackadero (1975)
18. The Red Book (1994)
19. The Revenge of Pancho Villa (1930-36)
20. Scratch and Crow (1995)
21. Stark Love (1927)
22. The Story of G.I. Joe (1945)
23. A Study in Reds (1932)
24. Thriller (1983)
25. Under Western Stars (1938)

So there you have it. But here today, it's all about the final cut. Before I do my top 10 list for 2009, which I'm still putting off until the end of this week because I will finally see "Up in the Air" today, I've decided that the reigning champ isn't going to be dethroned, so I can go ahead and do my top 10 movies of the 2000s. I did, however, see one movie that will probably make the 2009 top 10 list coming Monday, Pedro Almodovar's "Broken Embraces," which is just a wildly fun movie and a valentine to moviemaking (when and if you see it, you'll probably agree that it's really a valentine to making specifically Pedro Almodovar movies, but again, why not?)

OK, with the rules being one per year, here are my best movies of the oughts, or whatever you want to call them, with some video clips thrown in just for fun.

2000: "Almost Famous"
Judging from how Cameron Crown started out the '00s, you would think it would have been the most fruitful creative period of his life, but of course that was not to be. "Elizabethtown" almost made me claw my own eyes out, but this rock 'n' roll road movie chronicling Crowe's own ride as a too-young correspondent for the Rolling Stone is as fun as it is moving, and even made me a fan of Elton John again with one of the best uses of a pop song ever, the band rebonding with "Tiny Dancer." Enjoy that clip below.



2001: "The Royal Tenenbaums"
What made "Fantastic Mr. Fox" so good was that, after two instantly forgettable films in "The Life Aquatic with Steve Zissou" and "The Darjeeling Limited," it showed that Wes Anderson had returned to the top form he showed with this flick. At his best, Anderson has a natural gift for storytelling and an artist's eye for details that make you smile broadly if you pay close enough attention, and those two talents just converged perfectly with "The Royal Tenenbaums."

2002: "City of God"
If I had to pick just one, this would be my favorite movie of the '00s, and easily in my top 10 of all time too. Fernando Meirelles' chronicle of street life in Rio de Janeiro focuses on two boys, one who gets caught up in the gang culture that rules the streets and another who escapes to capture its harsh reality with his camera. It works as both a coming-of-age tale or a riveting gangster pic of sorts, and is just packed with searing visual images that are still burned on my brain to this day. Enjoy the clip below showing Lil' Dice transformed into the much more deadly Lil' Ze.



2003: "American Splendor"
Though Paul Giamatti had appeared in plenty of movies before this one from Shari Springer Berman and Robert Pulcini, he certainly chose the right flick to make his real impact as the star of the show. The two directors interweave Giamatti's take on the colorful character that is cartoonist Harvey Pekar with insight from the man himself, and its just a joy to watch as the lines between the two interweave. It also turns into a moving romance with Hope Davis as Pekar's love and salvation, Joyce Brabner, and Judah Friedlander is also just a hoot as Pekar's oddball buddy Toby.

2004: "Maria Full of Grace"
Still the only movie I've ever seen from writer/director Joshua Marston, "Maria Full of Grace" was ahead of its time in putting a very human face on the issue of immigration in America. It certainly doesn't hurt that that face here belongs to the simply stunning Catalina Sandino Moreno, or that the story of Maria Alvarez's role as a drug mule from Colombia and her road to redemption just make for a tremendously entertaining flick.

2005: "Hustle & Flow"
Though I enjoy straightforward musical biopics to a certain degree, I'm much more amenable to movies like "I'm Not There," "Cadillac Records" and this flick from director Craig Brewer that take the genre and twist it into something new. "Hustle & Flow" isn't, of course, a biopic at all, but with the character of struggling pimp and aspiring rapper Djay, brought to vivid life by Terrence Howard, Brewer brings all the corny joy of the rock fable to hip-hop, and though his story of dreaming big while often living small just sounds incredibly corny on paper, it works to near perfection on the big screen. In any language, this clip of Djay and Taraji P. Henson's Shug is just one of the great movie kisses of all time. Enjoy.



2006: "Pan's Labyrinth"
In the year of the three Mexicans, this flick from Guillermo del Toro still stands just a notch taller than Alfonso Cuaron's "Children of Men" in my book, though it's nearly a tie. With "Pan's Labyrinth," Del Toro explores the power of the imagination - both it's light and dark side - as our heroine, played by young Ivana Baquero, crafts an elaborate and often harrowing fantasy world to escape the harsh reality of her life in post-Civil War Spain. It revels in this talent that we all used as children but too often forget once we turn into "adults."

2007: "Into the Wild"
Sean Penn could have gone in many directions with his movie about doomed dreamer Christopher McCandless, but by keeping his own politics out of it and just letting the story unfold at a natural pace, he managed to craft a great American road movie. It's as moving as it is frustrating to watch how McCandless, played by Emile Hirsch, could have avoided his fate if he had simply let in one of the many people who reached out to him in his travels. Hal Holbrook should have won the Oscar he was nominated for with this flick, and Catherine Keener should have had her name called that night too.

2008: "Let the Right One In"
Just the other day, my brother and I were discussing the many fantastic scenes in director Tomas Alfredson's flick, and whether or not any of them will have nearly the same impact in "Cloverfield" director Matt Reeves' upcoming American remake, "Let Me In" (we both have rather serious doubts.) Alfredson's movie, based on John Ajvide Lindqvist's novel, is equal parts coming-of-age story and horror flick as it tells the tale of what happens when bullied Oskar meets the new girl next door - who just happens to be a vampire. Among the many things this movie gets rights is the moment at the pool when - after urging Oskar to stand up for himself - Eli takes matters into her own rather lethal hands. Easily the best horror movie scene of the last 10 years and more. Though I strongly watch you watch it in the movie first if you haven't seen it yet, here's a clip of that amazing sequence. Enjoy.



2009: "Inglourious Basterds"
Watching this movie unfold and just get better and better as it goes along drives home the point that Quentin Tarantino really was just treading water with the two "Kill Bill" movies and his half of "Grindhouse," because this was clearly the movie he was meant to make. It should really have a different name, because the titular "Basterds" are the weakest link in this saga that weaves together several plots to kill Hitler. Whether you call it revisionist history or revenge fantasy, it's also just wildly inventive storytelling. Two scenes in particular, the opening gambit with Christoph Waltz and a later one involving some kind of crazy game of celebrity Indian Head poker, are among the best Tarantino has ever written, just perfectly building all the tension that is finally released in that finale that I guarantee you won't ever forget.

So, there you have it. I hope you enjoyed at least some of that, and if you haven't seen any of them, I guarantee they'll all well worth a rental. And with that I'm finally off to see if George Clooney and "Up in the Air" are really worth all the hype. Peace out.

What makes this growna** man cry?

Well, I didn't quite this morning when I read just what has happened to "Hustle & Flow" director Craig Brewer, but that's pretty thoroughly depressing too, so let's just start there.

It's really hard to exaggerate just how much I love "Hustle & Flow." It's just a very moving story incredibly well told, and it was easily one of my favorite movies of 2005 (coincidentally enough the year I started doing this.) I really had very little time for "Black Snake Moan" apart from seeing David Banner's debut movie role, but I'm still glad I saw it, because it's at least the most fascinating kind of mess.

Now, however, and believe me, I'm not making this up, Mr. Brewer is on a very short list of the directors being considered to step in and take over the remake of "Footloose" that would star Gossip Girl's Chace Crawford. Wow. Sounds like a nightmare to me, but when Kenny Ortega was removed from this, he said whichever studio is making this wanted something "edgier" than the straight-up feel-good musical he had in mind. Well, if that's what they really want, I suppose they'll get it with Brewer.

But enough of that. This was supposed to be about the ESPN movie "Without Bias," which just happens to be about easily my favorite athlete in any sport, any time, and of course just one of the saddest sports and life stories you'll ever hear.

I wasn't sure I could bring myself to watch it at first. As usual, because he's a much better writer than me, mi hermano puts it a whole lot better why Len Bias was so important to us kids growing up in Maryland in the '80s.

He was certainly much more than a basketball player for my beloved Maryland Terrapins, who, now that Comcast has relented and given us ESPN360.com, I'll still watch in just about every single game they play (hey, since they finally managed to sign two kids who at least start to approach being able to play center and Greivis Vasquez is coming back, they're gonna be pretty great this year.)

But not ever as great as they were when they had Bias. If you somehow don't know the story, Len Bias, after making his college career a rather amazing highlight reel, signed with the Boston Celtics as the No. 2 player in the NBA draft (who in the world could have gone higher? Brad Daugherty, in case you're wondering.) He would, however, never get to play a game for the Celts, because as he was celebrating his good fortune with some teammates, Brian Tribble (more on him later) and a supply of fishscale cocaine, his heart would stop less than two days later. I can still remember just laying in bed and bawling about it, and just thinking about today makes me start to break down all over again.

So, it's certainly a compelling story, but how does director Kirk Fraser do with his hourlong ESPN feature? Well, from the perspective of someone who clearly cares about the subject, I'd say fairly well.

He very efficiently sets up just how great Lenny was with highlights of his college career, and just seeing him shoot that pure jump shot again was a thing of sheer beauty. This is supplemented with a lot of talking heads who provide varying degrees of insight into his life, but the best of it comes from Bias himself and his former Terrapin teammates, including Jeff Baxter, Derrick Lewis, David Gregg and, my sentimental favorite, Keith Gatlin (and no, not just because we share a first name. He solidified that title with one play, which if you stick with me to the end, you'll get to see.)

After the first commercial break, however, is when it gets into the still very chilling details of Bias' death, and that's when I had to stop the DVR'ed show several times because - although it's extremely well done - it was really just too much for me to take (and yes, as the title of this post makes clear, this grownass man did indeed cry again last night about Len Bias.) Fraser deals with the sad story very efficiently through the eyes of people who where there or very near by at the time, chiefly Baxter and Gregg. And we hear a whole lot from Brian Tribble, who was demonized at the time as the man who provided Lenny with the coke (personally, I could never really buy him as the enemy - they were clearly friends, and Bias was himself a grownass man who made a very big mistake of his own volition.)

The movie falls apart more than a bit at the end as it delves into several plotlines (did Bias' death spur mandatory minimums? what about the equally tragic death of brother Jay Bias?) that never get any resolution, but by that point Fraser had already slain me, so I was just too wrapped up in it to quibble.

Just how seriously do folks like me take the story of Len Bias? I'll leave you with this quote from basketball commentator Jay Bilas which, though it may indeed be extreme hyperbole, is still very much at least kinda true:

"For people of my parents' generation, they mark time by when President Kennedy was assassinated. For me, and I think for many people who are about this age, I mark time by the death of Len Bias. We knew exactly where we were when told he had died."

Now, don't get me wrong. I'd certainly never equate Bias with JFK, but on at least one level, Bilas is dead right: In the rather limited world of a 16-year-old when you first hear news like that, it is indeed something that sticks with you for the rest of your life, and why I can still remember it so vividly today.

As for Fraser's movie, you can watch it five more times on the ESPN networks. Here are the times:

Tonight, 10 pm ESPN 2
Thursday, 10 pm ESPN Classic
Thursday, 11:30pm ESPN 2
Sunday, 9 pm ESPN Classic
Monday, 7 pm ESPN 2

And, as promised, I'll leave with what is still my favorite Maryland Terrapins clip of all time. I won't spoil it for you completely, but let's just say it involves Keith Gatlin, Kenny Smith and the thorough shaming of Dean Smith's UNC Tar Heels. Enjoy, and have a perfectly passable Wednesday. Peace out.

Whatever happened to David O. Russell?

The last time I ever remember seeing or hearing about director David O. Russell was when that clip of him going nuts on poor Lily Tomlin hit YouTube, so he's definitely in need of a new gig to wipe away that memory. And now, in what would be - rather amazingly - his first feature film in five years, that's taking shape in the form of "Nailed."

And speaking of "I (heart) Huckabees," the flick which generated that infamous clip, it fits for me in that odd category of movies that I "appreciate" rather than "like." Though I think I have an idea of what he was going for there, I'd still much rather see flicks that fall into the latter category. But he did also make two movies I love in "Three Kings" and "Flirting with Disaster," so any news of a Russell comeback is good news to me.

And, believe it or not, he's making that comeback with a romantic comedy co-written with Kristen Gore (yes, the daughter of that man obsessed with Manbearpig.) I had originally heard it would be based on Gore's Capitol Hill chick lit novel "Sammy's Hill," but the flick - now called "Nailed" - seems to have become a little more interesting (with quite a cast developing too.)

Catherine Keener (hearty huzzah!), James Marsden and Tracy Morgan are about to join the already-announced Jake Gyllenhaal and Jessica Biel.

In what's now described as a D.C. satire (set for release in 2009), Biel plays Alice, a waitress who starts behaving erratically (in the form of "wild, sexual urges" according to the IMDB) after getting shot in the head by a nail. Determined to fight for better health care, she heads to Washington, where she (of course) falls for a congressman (Gyllenhaal) who says he will fight for her cause. Marsden will her hometown boyfriend, Keener will play a Congresswomen, and Morgan will most likely play an injured compatriot of Alice's.

That all sounds more than a bit meh to me, but if it's sharp enough satire it just might work. Besides, a return by David O. Russell in just about any form is welcome to me. Now, if he can just manage to stay on his meds this time ...

Brewer on the comeback trail too

It's really hard to exaggerate how much I love Craig Brewer's movie "Hustle & Flow." I've probably seen it 10 times by now, and in it's own odd way, it never fails to be inspiring and entertaining.

On the flip side, I have almost as negative a feeling for Brewer's second feature flick, "Black Snake Moan." I've seen it twice now (just to see if I had somehow missed something the first time - I didn't), and I still can't tell what in the world he was going for with that more than slightly offensive mess.

I had heard he was going to rebound with what would be a surefire hit - a music biopic (I know there are too many of those already, but bear with me) about the black country singer Charley Pride, to star the great Terrence Howard, but it would seem that's dead for now.

Instead, Brewer has signed on to work with someone else script, in this case "Sopranos" scribe Michael Caleo, for an adaptation of Columbia professor Sudhir Venkatesh's book "Gang Leader for a Day: A Rogue Sociologist Takes to the Streets." Even if didn't come directly from the mind of Mr. Brewer, it sounds right up his alley.

The book apparently recounts years that Ventakesh spent with a crack-dealing gang in Chicago for a research project. After befriending the Black Kings, he found a close-knit group whose corporate culture was much like that of a successful legitimate business, and was eventually given the job of calling the shots of the criminal enterprise for a day.

Sounds pretty cool to me, and if I may digress a bit, Terrence Howard (who indeed seems to work all the time) appears to have landed the role that will win him the Oscar he surely deserved for "Hustle & Flow." In a 2009 flick titled "The Crusaders," which was written by former "West Wing" scribe Lawrence O'Donnell, he'll play Thurgood Marshall in the story of the drive to outlaw segregation in the U.S.

But getting back to Mr. Brewer, I'm happy to see him getting this rather cool-sounding project, and hoping for a big comeback from the dreck that was "Black Snake Moan." I'll leave you today with this video for "It's Hard Out Here for a Pimp," which will hopefully brighten up everyone's Monday morning just a bit. Peace out.