Is there anything worth watching in the year's busiest frame?

The surprising answer is yes, I think there are actually three movies in wide release that I want to see this week. And, well, there's also a movie about talking chihuahuas, but I guess you can't win them all, right?

For as long as my three-day weekend lasts (which may not be much longer, though I did manage to survive my newspaper's latest round of layoff/buyouts fairly intact), I'll probably go see three movies if I can find three I think are worthy of a matinee. Here's a look at what's available in a week that has, rather amazingly, seven new movies opening in wide release, in the order that I want to see them (and not including Bill Maher's "Religulous" for two reasons: It's not playing here and I wouldn't bother to see it anyway because that's simply not my cup of bile.)

1. "Blindness"
I'm willing to make one exception to my new rule that I will no longer watch the world end (yet again!), but only because this comes from the great Brazilian director Fernando Meirelles, who created the simply perfect flick "City of God." (By the way, I recently watched the sequel of sorts, "City of Men" [pictured here], on DVD, and while it' a different kind of flick it is - in its own way - a compelling tale of coming of age on the rough streets of Rio.) Reviews have been surprisingly abysmal for this flick starring Julianne Moore, Mark Ruffalo and Diego Luna, but I'll find out for myself anyway, probably Saturday.

2. "Nick and Norah's Infinite Playlist"
Roger Moore threw down the gauntlet of hyperbole by calling this flick "this generation's 'Say Anything'," but as comparisons go, here's hoping he's accurate. Extremely funny man Michael Cera and Kat Dennings star in a tale of two teens who find love and hopefully a lot of funny high jinks during a wild night in NYC.

3. "Appaloosa"
I'm really glad that 1. someone in Hollywood (in this case Ed Harris) loves old Westerns as much as I do and 2. this movie is actually playing in theaters near me, unlike the sublime "The Assassination of Jesse James by the Coward Robert Ford," for which I had to settle for DVD. Here, Harris and Viggo Mortensen star as hired guns brought in to restore order to a town under the control of strongman Jeremy Irons. Renee Zelweger is unfortunately in here somehow too, but hopefully she won't have too much to do.

4. "Flash of Genius"
As silly and sappy as it is, there are just very few movies I love more than Francis Ford Coppola's "Tucker," so I've always had a soft spot for movies about the little guy and cars. Unfortunately, reviews so far have painted this flick starring Greg Kinnear as intermittent windshield wipers inventor Bob Kearns (and Gilmore Girl Lauren Graham as his wife, huzzah!) as too heavy on the courtroom and too light on inspiration. I'll wait a week, but if you see this one and I'm wrong, please let me know.

5. "How to Lose Friends and Alienate People"
I guess I shouldn't be surprised given the title of this one that Simon Pegg just looks extremely annoying in the trailer. I'll see it eventually, because I like movies about journalists and see just about anything with Jeff Bridges in it, but not this week.

6. "An American Carol"
With Michael Moore reduced to releasing his latest "movie," "Slacker Uprising," on the Internet for free, doesn't this flick just seem like a really mean-spirited case of kicking the man when he's already way down? I guess it's nice that Hollywood's Republicans get to have a little fun, but I'll wait until at least DVD to see this one.

7. "Beverly Hills Chihuahua"
I have to assume that this one will win the weekend, but I really have nothing to say about that.

Instead, check your multiplexes Saturday night for a possible sneak preview of "The Express," starring Rob Brown as Ernie Davis, the first black dude to win the Heisman trophy. "Glory Road" was just a crapfest of epicly bad proportions, but I have high hopes that this flick will be much better. Peace out.

Take heart: There are indeed good movies in sight!

I really can't remember a worse beginning to a movie year than we've had so far in 2008.

I was really hoping Kimberly Peirce's "Stop-Loss" would lift us up out of the muck, but with its thoroughly cliched characters and meandering storylines it just couldn't do it. That makes exactly one movie I've loved almost unconditionally - Michel Gondry's "Be Kind Rewind" - in wide release so far this year. Man is that depressing.

But, of course, summer is just around the corner, which means Iron Man, Indy and a whole lot more fun. And I do have somewhat high hopes for Clooney's "Leatherheads" and slightly lower ones for Scorsese's Stones doco "Shine a Light," both supposedly opening wide this week (though as of yet I see no proof of Scorsese's flick hitting Macon.)

Today here, however, it's all about the fall, when the studios unveil the big guns for awards season. And frankly, surveying the field, it looks like it's once again the Coen Brothers' race to lose (how cool would it be if they actually managed to win back to back Best Picture kudos?!?) So, here's a look at some of the big contenders you'll see hitting your multiplexes come September:

(Brief aside: As I write this I'm listening to Bettye LaVette's album with the Drive-By Truckers, "Scene of the Crime." If you like Southern soul and blues music at all, it just doesn't get any better than this .. OK, I'm back now.)

Sept. 12: "Burn After Reading"
Why not start out with the reigning champs? The Coens' latest will star not only George Clooney and Brad Pitt, but also Tilda Swinton (pretty much a guarantor of kudos), John Malkovich and Frances McDormand (huzzah!). Here, as far as I can tell, is the rather twisted plot summary: Malkovich will play a CIA agent who, after getting fired, writes an inflammatory memoir. The disc containing it is stolen by his soon-to-be ex-wife, played by Swinton, who then accidentally leaves it at the gym, where it falls into the hands of a trainer (Pitt) and the gym owner (McDormand), who want to use it to blackmail Malkovich. Throw in Clooney as a CIA agent investigating all this mess, and I can only say bring it on.

Sept. 12: "The Duchess"
It seems like I've been seeing the trailer for this since last summer, and it just looks like nothing more than the most bland kind of period piece, but here's hoping I'm once again wrong. Starring Keira Knightley and Ralph Fiennes, it is based on Amanda Foreman's biography of the scandalous 18th-century English aristocrat Georgiana Cavendish, Duchess of Devonshire. I can only assume that Knightley plays the duchess, but it might be slightly more interesting if the reverse were true.

Sept. 19: "Blindness"
Though I've made it clear there's nothing but mad love for the Coens around here, if I had to pick one single favorite director it would be Fernando Meirelles, and now he's finally back again. In what I'm hoping will be a return to smart science fiction on the big screen, Julianne Moore will play the wife of a doctor (the great Mark Ruffalo) who finds she is the only person who can see in a world where everyone else has gone blind. She feigns illness in order to take care of her husband as her surrounding community breaks down into chaos and disorder. I'll probably have to wait until like December to see this out here in the hinterlands, but I'm still rather jazzed for this.

Oct. 3: "Valkyrie"
Tom Cruise and Bryan Singer's World War II epic has been pushed back from a summer release to make time for the shooting of a crucial battle scene, but presumably also to put it squarely in the middle of awards season. This one, about a German soldier (Cruise, of course) who launched a plot to assassinate Hitler, represents a reteaming of Singer and screenwriter Christopher McQuarrie, the team behind "The Usual Suspects," so it should be great.

Oct. 10: "Body of Lies"
In another high-profile reunion, Russell Crowe is back with director Ridley Scott, and Leo DiCaprio's on board too, for this second CIA flick of the season. In what should be a much more somber (and probably less fun) movie than the Coens', DiCaprio will play a CIA operative who is sent to Jordan to find a high-ranking terrorist and forms an uneasy alliance with the head of Jordan's covert operations.

Oct. 25: "Flash of Genius"
If it has the fun spirit of "Tucker," which it certainly looks like it could, I think this could be the sleeper hit of the Fall (and not just because it means - finally - a prominent role for Lauren Graham!) Greg Kinnear will play Robert Kearns, a Detroit engineer who claimed the auto industry stole his idea for the intermittent windshield wiper, and Graham will play his wife.

Nov. 14: "Australia"
Is Baz Luhrmann really going to manage to finish his first movie since 2001's "Moulin Rouge"? Given all that I've read about trouble on the set, I have my doubts, but if he does it promises to be a typically ambitious project. Nicole Kidman will play an English aristocrat who inherits a large cattle ranch in northern Australia prior to World War II. To save her inheritance from cattle barons she joins forces with a cattle-driver (Hugh Jackman) to drive her 2,000 head of cattle across the country just as the Japanese start to bomb the continent. This could be either epicly good or awful, but I seriously doubt it will be boring.

Nov. 26: "The Road"
After the success of "No Country for Old Men," it indeed seems like we'll be stuck with Cormac McCarthy's works on the big screen for a while, which will probably be a good thing. Ridley Scott has his eyes on "Blood Meridian," but before that John Hillcoat will director this Oprah-approved McCarthy work about a father and son who journey together for many months across a post-apocalyptic landscape that was once the United States, some time after a great, unexplained cataclysm. The big names for this one are Charlize Theron, Viggo Mortensen and, in a welcome return, Guy Pearce.

Dec. 5: "Frost/Nixon"
Peter Morgan adapts his own play about David Frost's famous TV interviews with Richard Nixon for director Ron Howard. Though I have my doubts about Howard, you can't knock the casting for this one: Michael Sheen (Tony Blair in "The Queen") is Frost and, in the leading contender for next year's Best Actor Oscar, Frank Langella is Nixon.

Dec. 12: "Seven Pounds"
I couldn't bring myself to see "The Pursuit of Happiness (yes, I insist on spelling it right!)", and I'll probably skip this Will Smith-Gabrielle Muccino collaboration too unless I hear tremendous things about it. In the flick, Smith plays a man who "will change the lives of seven strangers." Yep, I can tell already that I'm gonna just have to skip this one.

Dec. 19: "Revolutionary Road"
In what essentially sounds like "American Beauty" set in the 1950s, Sam Mendes will direct wifey Kate Winslet and Mr. Dicaprio in this flick. The duo play a husband and wife who grow bored of their lives in the Revolutionary Hill Estates, and eventually tear each other and their marriage down. Sounds cheery, eh? I didn't really care too much for "American Beauty," so I can only get mildly excited about this redux.

Dec. 19: "The Curious Case of Benjamin Button"
This time I have indeed saved the best for last, because I think David Fincher's next flick will be a real dark horse contender come awards season (and surely one of my favorite flicks of the year.) In the flick based on a F. Scott Fitzgerald work, a man (Brad Pitt) is born in Baltimore (huzzah!) in 1919 at the age of 80 and ages backwards through the 20th century. Cate Blanchett is also on board as a woman he falls in love with round about the time he hits age 30. Here's what Fincher himself has to say about this promising project: "It's dark, it's romantic, and it also deals with mortality in a pretty unflattering way. The guy is born in 1919 - with the film itself beginning in World War I, traveling around the world and carrying on all the way through to the year 2000." Simply cool.

And there, for anyone brave enough to stick it out to the end of all that, you have it. Definitely plenty to look forward to in the next awards season. Peace out.