Peggy, this isn't China - there's no money in virginity: A salute to the women of "Mad Men"

Before we get into any of that, and the return of "Mad Men" is clearly the biggest and best thing happening this week, there is a bit of movie news out there, starting with the great Steve Coogan.

It's always kind of mystified me why Steve Coogan isn't a bigger star in the United States. I suppose it might have something to do with the fact that he's apparently more than a bit of a royal a**hole, but as someone who can be that way at least from time to time, I've never had much of a beef with that (Mel Gibson aside - that dude's just a psychopath.) Besides, when someone's as fall-down funny as he was in "Tristram Shandy" or simply great as he was in "24-Hour Party People," stardom surely should be coming.

Well, after years of being very good in small parts in flicks like "Night at the Museum," he's now about to get his shot at headlining a hopefully wide-release flick, and one based on something he's already done for the BBC. I've never seen "Cruise of the Gods," a 90-minute movie he starred in, but the premise sounds priceless: the two stars of a 1980s sci-fi series, one now a big star, one a has-been, are reunited on a cruise for fans of the show.

I'm laughing at that already, so bringing it to the big screen with a script from "Dinner for Schmucks" scribes David Guion and Michael Handleman sounds like nothing but a good idea to me. In the original (which I'm gonna have to hunt for on DVD), Coogan played the successful actor, with his "Tristram Shandy" foil, Rob Brydon, playing the other half of the duo, but I'd have to imagine that role will be recast. Definitely stay tuned for more on this ...

And in another bit of movie news about a director I really like, it seems that Zack Snyder has finally given in and hitched onto a sequel to "300" (not the best thing he could be doing, but that flick was fun enough, so why not?)

He's apparently been waiting on Frank Miller to finish his 6-part "300 prequel comic "Xerxes," which anyone who's seen "300" knows is of course about that big gay Persian dude. Well, the work has apparently met his standard, because Snyder and writing partner Kurt Johnstad started working on the script a week ago. Whether or not he will direct this is still an open question, but I'd have to imagine the eventual answer will be yes.

OK, before I got distracted by all that, it was supposed to be all about "Mad Men," today, so here goes. Anyone who watches the sublime show, which returns for its fourth season Sunday on AMC, knows that not only do the women give as good as they get, but often get the upper hand in terms of wit and style. Just in case you need some proof, or simply something to make you smile a bit this Thursday morning, here's a clip compiled by PopSugar that features some of the best ladies' barbs, and as usual Joan gets the best of all. Enjoy, and have a perfectly pleasant Thursday. Peace out.

Oscar's big gambit: Power to the people?

Before we get into this madness with the expanded Oscars, there's news about two things out there today that will snag a bit of this aging geeks' money, so I thought I'd pass on what I know.

The first is that the Director's Cut for Zack Snyder's "Watchmen" should be a truly wild affair. It's set to come to DVD the third week of July or so, and if you're lucky enough to live in New York, L.A. and maybe a couple of other cities you will be able to see it in a theater for one weekend only right before that.

The flick will clock in at an admittedly rather ridiculous 188 minutes, but if you're like me and loved the movie almost as the funny book by Alan Moore, I think you'll happily sit through it all. No word yet on whether or not there will be a giant squid anywhere to be seen, but I do know that it will restore one scene that was just sorely missing from the theatrical cut: The murder of Hollis Mason. This is a very poignant moment in the comic, so it's about damn time.

Comingsoon.net also had a bit this morning about something from Zack Snyder that I can't say I'm terribly excited about: A sequel to "300."

Now, don't get me wrong, it certainly will look cool. But didn't "300" have a definite ending already? Frank Miller is apparently hard at work on the comic that would precede the movie, but personally, I'd much rather see what Snyder can come up with for "Sucker Punch." Though it sounds a whole lot like "Pan's Labyrinth," I'm betting his tale of a young woman who creates an alternative reality to escape from a mental institution will be nothing but cool.

The second thing that caught my eye this morning may well only appeal to me, but here goes anyway: They're actually making a Fraggle Rock comic book. Things just don't get much odder than that, but I'm definitely in.

It seem that the Jim Henson Company is partnering with Archaia Comics to release a whole bunch of comics, everything from "The Dark Crystal" to "Labyrinth," with "Fraggle Rock" set to start it all off. With Jason Segel and Nicholas Stoller hopefully still working on a new muppet movie, we may be looking at a second golden age for Henson's creations, and that would be just fine with me.

But beyond what interests me, of course, the biggest news of the day is the Oscars' big gambit: To double the number of best picture nominees from five to 10.

The move, which sounds great to me, leads back to a much earlier era; The last the time the academy had 10 Best Picture nominees was from 1931 to 1943. But why now?

Well, both the most obvious and probably the right reason is what happened last year with "The Dark Knight." Many folks, though by only a nose, not me, thought Christopher Nolan's flick should have received a Best Picture nomination. And, to be clear, if I had had a vote and there were 10 slots, I indeed would have given one of them to "The Dark Knight."

But what might it mean for this year? Well, I think it almost certainly means that "Up" will finally break into the Best Picture pack, and given it's rather rapturous reception, could even come very close to winning. Beyond that, if geeks are allowed to dream, could "Star Trek" even make the cut too? Probably not, but you can see how the wider field opens a bunch of possibilities.

My only possible beef with any of this is that it will probably make the already unbearably long Oscar broadcast even longer. My suggestion: Cut, immediately, that extremely morbid bit where the audience offers dead folks varying degrees of applause. That just makes me cringe every time I see it.

But, of course, beyond expanding the field to a wider range of films, there is a bottom-line factor that plays big into this. Though they won't say it publicly, I'd imagine the ability to stamp "Best Picture nominee" on 10 DVDs rather than five each year had to play a big role in this decision.

So, there you have it. Please feel free to chime in with any thoughts you might have on all of this, and have a perfectly pleasant Thursday. Peace out.

A bad movie year? Maybe, but here are 20 2007 movies that I just love

It certainly does seem like, especially after our sequel-happy summer, this has been a down year for quality movies. And I can buy that, but there's still been plenty this year to make me smile (and, of course, two more months to go.)

With the caveat that not everything plays in my little corner of the world, here are, for my money, the 20 best movies that have made it out into wide-release world this year (in calendar rather than preferential order, except that "Ratatouille" is easily my favorite movie of the year so far.) Here goes!


Daddy's Little Girls/Why Did I Get Married?
OK, I'm cheating from the outset, because this two-fer means the list includes 21 flicks, but I'm just astounded that Tyler Perry managed to release two movies so good in the same year. Of the two, I'll take "Daddy's Little Girls" by a nose, mostly because Idris Elba is so great in it and because Tyler Perry should keep his movies in Atlanta, where he has a real sense of place.

Breach
This movie is so claustrophobic that I had to watch it twice, the second time on a plane, to truly appreciate it. It's far from your traditional spy-vs.-spy flick, but for a psychological thriller you won't get much better than this Billy Ray movie starring Chris Cooper as Robert Hanssen and a surprisingly good Ryan Philippe as the spy sent in to take him down (with an assist from the always-welcome Laura Linney.)

Starter for 10
I watched this one on a plane too, and I'd call it simply a guilty pleasure if it weren't so charming. In essence, it's a very British take on those John Hughes '80s flicks, with James McAvoy playing very young. Even if that sounds appalling, just give it a chance.

Zodiac
Despite it's early calendar position and carping from misguided critics that it was simply too long, I'm still hoping David Fincher's great movie gets some award-season consideration. Robert Downey Jr., at least, is worthy of a supporting actor nomination for his portrayal of an overzealous and underscrupulous L.A. Times reporter.

300
OK, with the passage of time, I'm willing to concede that this Frank Miller/Zack Snyder flick was, indeed, pretty darn stupid, but so what? It was also the funnest movie of 2007 for my money.

The Wind the Shakes the Barley
Ken Loach finally finds a subject epic enough to fit his conscience and takes home a well-deserved Palme d'Or for it. Cillian Murphy and Padraic Delaney play two brothers swept into the Republican movement in early 20th-century Ireland.

The Lookout
Predictably few people saw this off-key bank heist flick starring Joseph Gordon-Levitt, the promising young actor who you might remember from "Third Rock from the Sun." The movie is at its best when it's just he and Jeff Daniels as two physically and mentally damaged roommates.

Grindhouse
What is there to say about this if you somehow missed the experience in the theater (as many, many people apparently did)? Tarantino made the slightly superior flick in my book, but it just works so much better sewn together with Rodriguez' zombie zoo. My favorite moment of all, however, would still have to be the old-school intermission logo with Dangermouse/Doom/Talib Kweli's "Old School" playing behind it.

Hot Fuzz
Though it certainly had hot competition from Camp Apatow, I think Edgar Wright and friends just may have made the funniest movie of 2007. All those directors who claim to be making "spoof" movies need to watch this riff on big-action movies to see how it's really done.

Waitress
It's still hard not to watch this one without thinking of poor Adrienne Shelley, but if you can manage to do that this sweet little flick still stands the test of time for me. It's occasionally just too syrupy, but Keri Russell, Captain Mal and Andy Griffith are all great.

Knocked Up
This makes No. 11, so I should probably refresh my coffee at this point. Just about the only negative thing I can say about Judd Apatow's movie is that I was hoping for hours and hours of Seth and his stoner buddies just goofing off in the DVD extras, because I love those guys. You do get Jonah Hill's extended and extremely foul riff on "Brokeback Mountain," which makes the DVD worth at least renting by itself.

Ratatouille
Like I said, my favorite movie of 2007 so far, but I think "Gone Baby Gone" (which I just might see today), "Juno" and "American Gangster" will give it some stiff competition. I've been happy to see that this Pixar flick, which only did so-so (by Pixar standards) in the U.S., has just been cleaning up at the worldwide box-office till.

Harry Potter and the Order of the Phoenix
The best of the Harry Potter movies so far, for my money, but take that with the grain of salt that I'm not exactly a Harry Potter fanatic. I did, however, manage to finish reading "Harry Potter and the Half Blood Prince," which was just sensational, even if Dumbledore is gay (not that there's anything wrong with that.)

The Simpsons Movie
The only midnight movie I enjoyed this year (the other being "Spidey 3," which just sucked hard in my book.) The Simpsons' flick worked because it was really little more than a 90-minute episode of the show with a lot more time and money thrown in to make the jokes all work (and spiderpig just kicks ass.)

Rocket Science
Opening on the same weekend with the teen flick that comes next on this list certainly didn't do any favors for Jeffrey Blitz' autobiographical followup to the doco "Spellbound." Probably because this utterly charming movie about a stuttering teen growing up in New Jersey made about $5, Mr. Blitz has no upcoming directing credits on the IMBD except for two episodes of "The Office."

Superbad
Of the two Camp Apatow flicks this year, I'll give this one the edge for two reasons: Jonah Hill and Michael Cera are simply two of the funniest guys on the planet and, in it's own warped way, it's a surprisingly sweet movie about hetero man love (made stronger, of course, by the relentless pursuit of beer and chicks.)

Shoot 'Em Up
Even though it plays out at various times like an extended (and very bloody) music video or a warped take on the old Looney Tunes cartoons, I guarantee that if you watch this Michael Davis flick it will make you smile. You can certainly tell from watching it that Clive Owen, Paul Giamatti and la bella Monica Bellucci had just as much fun making it as I did watching it.

Eastern Promises
Even if this one doesn't stand up to David Cronenberg's best work, it's still a solidly entertaining gangster flick, which rises to a higher level thanks to Viggo Mortensen's steely performance, which should get some awards-season love too.

The Kingdom
Whew! Only two more movies to go, so I'll probably keep these last two short. Anyone who thinks this political thriller from Peter Berg dumbs things down too much is more than a bit of a snob. 'Nuff said.

Michael Clayton
Tony Gilroy's directing debut is the most satisfying legal thriller I've seen in many years, and Tom Wilkinson's performance as a big-time lawyer who becomes unhinged will linger with you for a long time.

So, there you have it. I hope this offered some ideas for DVD rentals, and as always, please feel free to add any 2007 movies you loved that I have managed to snub. Peace out.