For Thursday, a little animation extravaganza

With a title like that, where else to start than with the return of "Beavis and Butthead" to MTV?

Mike Judge mentioned some time ago that he had been monkeying around with his old friends and had come up with material for 30 new episodes or so, but until now, there hadn't been any word that anyone had picked them up. This week, however, MTV indeed announced at its upfronts that the dastardly duo will be returning to the network, perhaps as early as this summer.

No matter how old I actually get (and it is fairly old), I don't ever think I'll ever really be too old for a few minutes with these guys, so here goes .... a classic, the guys watching Radiohead's "Creep," and then stick around for more animated goodies, and finally the trailer for one of the movies I'm most looking forward to for 2011.



To keep the funny going, and much funnier than "The Simpsons" has been in many years (though perhaps they've undergone some kind of renaissance of funny I've missed, because I haven't watched an entire episode for years now), the folks at College Humor were kind enough to take the best of McBain - easily one of the show's funniest characters - and edit it into one little four-minute-or-so movie. As that, it really works, and it's a hoot. Enjoy.

See more funny videos and funny pictures at CollegeHumor.

Next, even though this is clearly extremely old, I'm a sucker for anything Maurice Sendak, and Nell Minow was kind enough to point out to me that, along with listening to Carole King's great "Really Rosie" soundtrack, which I do whenever work gets to be even more of a bore than usual, you can watch segments of the 1975 TV special individually on YouTube. Even if these were designed to be instructional songs for 5-year-olds, they're simply fantastic at any time for anyone, evidenced by this clip of "Chicken Soup With Rice." Priceless.



I can't say I have extremely high hopes for "Rango," the animated Western of sorts starring one Johnny Depp and coming out March 4, but I've been wrong at least once before, and probably already today (but it is early), so here's hoping. What I do know is that I like Los Lobos quite a bit (mi hermano gave me a live recording which I think is called "Chuy's Garage" - if it were possible to burn a hole in a digital file, I would have done so with that by now for sure), and they've recorded this fairly nifty theme song for the movie. Enjoy, and then stick around finally for the nonanimated trailer for a flick that I think is really gonna sneak up on people and be a charmer.

Los Lobos - Rango Theme Song by antirecords

Thomas McCarthy, when he isn't acting on "The Wire" or in movies like, yes, really, "2012," is easily one of my favorite directors. "The Visitor" and the "The Station Agent" are both sublimely entertaining little movies, and he's got two upcoming projects that should be well worth checking out. He directed at least the first episode of HBO's upcoming series "Game of Thrones," and, well, I can't say anything really about that except watch it! But he's also got a movie coming out March 18 called "Win Win," and it's one of those that looks just tailormade for me. As you'll see from the trailer below courtesy of The Playlist, it stars Paul Giamatti and Amy Ryan in a sort of "The Blind Side" in the world of high school wrestling. I'm probably not selling it very well, but watch for yourself and I think you'll agree this is one to look out for. Enjoy, and have a perfectly pleasant Thursday. Peace out.


Win Win
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Where the Wild Things Aren't, or how to kill a movie before it's born

I really hope none of this is true, but since it comes from the almost always reliable C.H.U.D. and certainly doesn't seem to be beyond the pale of what happens in the world of movies today, I fear it is.

You may remember seeing a very rough clip of our hero, Max, playing with one of the Wild Things that spring from his mind in Spike Jonze's take on Maurice Sendak's "Where the Wild Things Are." Jonze later clarified that the clip, which you can see in one of my previous posts here, was just very early test footage.

Well, as it turns out, we might just have to savor that clip as the living record of the movie that might have been, because Warner Bros. and Legendary Pictures may be on the verge of killing the entire project and starting over from the beginning.

As crazy as that sounds, it's exactly what the suits are apparently contemplating doing with Jonze's flick, which is essentially completed now but not slated for release until 2009 (never a good sign, of course.) So what's the trouble?

Well, C.H.U.D. reports that the plan to animate the Wild Things' mouths and facial features after shooting the actors in those crazy suits was proving a little more difficult than anticipated. That, however, would be surmountable.

Much more ominously, concerns have been voiced about the boy chosen to play young Max (named, conveniently enough, Max Records.) Mind you, this concern is being voiced AFTER the movie has been shot. Even worse, and more perilous for the film's future, C.H.U.D. reports "they don't like the film's tone and want to go back to the script drawing board, possibly losing the Spike Jonze/Dave Eggers script when they do it. Apparently the film is too weird and 'too scary,' and the character of Max is being seen as not likable."

The questions this brings to my rather angry mind are almost too many to list, but I'll do my best. First of all, did anyone who finds this story "too weird" or "too scary" ever even read the book? I mean, I realize it's a Caldecott winner and one of the true classics in children's literature, but most of its appeal comes in the fact that it's more than a little off-kilter. And Max isn't likable? In the book, as best as I can recall, he's a petulant child who is punished for, among other things, donning his wolf costume and chasing the dog around the house with a fork (I don't know about you, but I'm laughing about that already.) This clearly isn't the cookie-cutter hero we find in most kids' movies today.

Secondly, and much more importantly, what in the world did they expect when they hired Spike Jonze for this? If they had seen either "Being John Malkovich" or "Adaptation," you'd think someone would have balked at the beginning and asked, "Do we really want to hand the reins of a purportedly $75 million children's movie over to this oddball?" Until hearing this latest distressing news I, at least, thought it was a great idea. Why not an "arthouse" kiddie flick, one that parents will be able to take their children to and sit through without wanting to claw their own eyes out?

Now, I haven't seen the almost-finished product (which a lucky few folks got to do in Pasadena late last year, apparently.) It's entirely possible that what Spike Jonze and scribe Dave Eggers have created, with the talents of Paul Dano, Catherine Keener, Forest Whitaker, James Gandolfini and others, is a true disaster. In case you can't tell by now, I'm gonna have to side with the auteurs until we find out more about this, if we ever will. Just a sad story all around.

To cheer myself up I've been listening to Carole King's "Really Rosie." Yes, an odd CD selection for an "adult" with no rugrats running around, but I really love that record. If you don't smile when you hear "The Ballad of Chicken Soup" or how Pierre learns to care, I just don't know if there's anything I can do to help you.

I was hoping to find a video clip from that "Really Rosie" TV special, but instead, here's an animated tribute to "Where the Wild Things Are" I found at YouTube. Enjoy that at least, and if you have the chance, do yourself a favor this weekend and go see Michel Gondry's "Be Kind Rewind" instead of the anatomy of a presidential assassination (why in the world would you put that out now?) or Larry the Cable Guy getting "Witless." Sheesh. Peace out.